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Lot 81
Seán Keating PPRHA RSA RA (1889-1977)Don QuixoteOil on board, 73.5 x 84cm (29 x 33'')Signed versoProvenance: Boston (1927); British Artists Association, Buenos Aires (1928); Helen Hackett Gallery New York (1929); Grace Horn Gallery, Boston (1929).For Irish artist, Seán Keating, the artistic and allegorical possibilities offered by literature were endless. A fluent French speaker, his interest in all things Spanish was ignited on meeting his future wife, May Walshe, in 1916. Raised in a convent in Spain, May was so immersed in the culture that the language of her dreams was Spanish. It was hardly surprising that he would turn to one of the best-known works of Spanish literature to critique issues such as self-invention, social change, questions of truth, and the cult of individualism at the time.Miguel de Cervantes published the first part of Don Quixote in 1605, followed by a second volume in 1615, and ever since the central eponymous and comical character has been popular as a satirical metaphor for those not enamoured of the political classes, or of the self-satisfied. Formerly Alonso Quijano, the delusional old man read so many chivalric novels that he lost his mind. Led by his over-ripe imagination, he decided to transform himself into a knight. He created a cardboard helmet and found himself an ancient horse and an old suit of armour. In the guise of Don Quixote he took to the roads to serve his nation as a chivalric knight, but failed miserably in the face of a series of catastrophic events. Along the way he acquired the services of an elderly assistant, Sancho Panza, otherwise known as the magician, whose role was initially self-serving, yet ultimately, he helped his master through the reality of the terrible tribulations that they encountered. The first image in a series of three relating to Don Quixote was El Prestigiador Despojado (The Magician), a portrait of Sancho Panza, which was painted by the artist in 1918. It is now in the collection of the Crawford Gallery in Cork.Keating did not return to the theme again until the late 1920s, and when he did, it was Don Quixote’s character that offered him the opportunity to allegorically critique the impractical pursuit of idealist goals by politicians, and individuals amid the socially, economically, and politically problematic years of the late 1920s and 30s. Indeed, it was Don Quixote who gave his name to the term ‘quixotic.’ Thus, this version, Quixote, was the first of two images of the unlucky knight. Painted in the artist’s home in Killakee in the Dublin Mountains in 1927, it was initially sent to an exhibition in Boston organised by the then President of the RHA, Dermod O’Brien.Quixote is a quiet and contemplative painting in which the eponymous antihero appears without his suit of armour. He sits in an undefined but decorative interior setting, his hand on a book, his sword and helmet on the table, thinking about his future, and of his supposedly chivalric deeds. But he has yet been fully taken over by the delusions that haunt the character in the book. That was to come in the second version of the painting, which Keating produced amid major political change in Ireland in 1932, and titled Don Quixote (sold in Adams in 2010).Don Quixote is described in the novel as tall and gaunt. Keating always chose his models to suit the character he wanted to portray. In this instance, he used a man with suitable physical attributes from among those that modelled the Dublin Metropolitan School of Art. The same man appears in this version, Quixote (1927), in Quixote Model’s Interval (1927) (private collection), in Good Old Stuff (1928) (private collection) and in Don Quixote (1932).Dr Éimear O’Connor HRHAAuthor: Seán Keating: Art, Politics, and Building the Irish Nation (IAP, 2013).Director: The Tyrone Guthrie Centre at Annaghmakerrig.
Lot 848
MARY ROSE. A souvenir oak snuff box made from the timbers the Mary Rose. With label: 'Relic of the Mary Rose raised 1840'. 4.5 x 7.5cm. Note: In 1836 divers John Deane & William Edwards were employed using a recently invented rubber suit & metal diving helmet & began to examine the wreck & salvage items. John Deane returned in 1840 to work on the wreck in 1836.
Lot 200
Two Royal Worcester porcelain “Men Menu Holder” standing figures, one fully coloured wearing long coat & orange wide-brimmed hat, the other in ivory & gilt, wearing battered hat & loose-fitting suit, 5½” x 6¼” respectively; & a “London Cries” figure of Queen Elizabeth I in ivory & gilt with coloured highlights, 6¼” high, date code for 1884 (the first with restoration to hat, the last with restoration to hem of cloak).
Lot 160
An excellent Jamacoaque shamanic whistle figure from Ecuador, ca. 300 BC - 400 AD. This beautiful figure is 5-1/2 inches high and portrays a shaman wearing an enormous ornament-studded headdress and feathered suit. He is further adorned with multiple bracelets. Intact, with vivid gold and blue paint, as well as strong mineral deposits. Clear tone on the whistle. Cf. Usillos "El Eje del Universo", page 166. (JM1019)
Lot 606
A smart example of the water-cooled, 1.9-litre Type 3 Caravelle with just 19,138 miles from new.As a spiritual successor to the 'Bay', the Type 25 Bus (T3) marked quite a departure visually, being wider and longer with a bigger glass area and considerably boxierThis Slate Blue example was UK-supplied in right-hand drive from new and first registered on 09/10/1989It's powered by a 1.9-litre, water-cooled, DG four-cylinder offering 76bhp and fitted with a manual gearboxThe indicated mileage of 19,138 is supported by every MOT from newThree former registered keepers. MOT current until February 2022 and issued with no advisoriesWith Splitty values having gone stratospheric and Bays following closely, inevitably their successor, the Type 25, will follow suit making this low-mileage example seem very sensibly guidedSpecificationMake: VOLKSWAGENModel: T25Year: 1990Chassis Number: WV2ZZZ25ZLH011037Registration Number: G70 GJXTransmission: ManualEngine Number: DG162633Drive Side: Right-hand DriveOdometer Reading: 19138 MilesMake: RHDInterior Colour: Grey
Lot 152
1972 Porsche 356 Speedster Replica Transmission: manualMileage:588There are a number of companies who supply the kit, or a completed, 356 speedster replica but most follow the same formula. The chassis is a modified version of the original Volkswagen Beetle chassis. The original chassis is shortened and restored using new floor plans. Depending on the type of car, the chassis can feature the updated independent rear suspension of the Volkswagen 1303 Beetle. The body is hand-made by the kit provider and closely follows the original 356 Speedster body. The GRP body sits on a steel sub-frame. The body comes from a mould of an original 356 body, originals were hand-beaten from a wooden form. On top of those basic items, you can customise the car with the types of accessories you would like. You can customise the running gear, obviously the colour and look of the vehicle to suit your tastes, you would be hard pressed to achieve this level of customisation on a new car. The two main suppliers in the UK are Chesil Motor Company and Pilgrim Motorsports. In the United States the most accurate speedsters are created by Vintage Speedsters and JPS Motorsports. Jay Leno has a JPS speedster in his world-famous garage.This left hand drive Porsche 356 Speedster Replica, fitted with a 1600cc Volkswagen Beetle engine, was purchased, and imported to the UK by the present owner in 2008 with 61 miles on the odometer. He purchased the car from the person who built it, an aircraft engineer, who lived in Florida and used some original Porsche 356 parts in its build, we are told that the steering wheel is original. According to the MoT history the owner had only driven about 550 miles before storing the car in 2019. This speedster replica is running but requires going through and some cosmetic restoration before going back on the road, the perfect project for the winter. Finished in the classic Porsche colour scheme of silver with tan interior and tan roof, this 356 replica is supplied with a UK V5 registration document which shows the make to be Volkswagen and the MoT test certificate history showing the little use that the car has had in the UK. This would make a fun and reliable car to take to any classic car event or just pop down the pub on Sunday.Interested parties should satisfy themselves as to the description and condition of each lot prior to the sale. Accordingly, buyers are on notice that each vehicle is offered ‘as is/as seen’ subject to the Terms and Conditions for the auction. Buyers are advised to inspect the vehicle in person or use a professional to carry out this service. Historics will not entertain disputes over descriptions.
Lot 201
Artist: Helmut Newton (German/Australian, 1920-2004). Title: "Rue Aubriot, Fashion Model and Nude Kissing, Paris, 1975 [large format]". Medium: Original vintage photolithograph. Date: Composed 1975. Printed 1985. Dimensions: Overall size: 20 3/8 x 14 in. (518 x 356 mm). Image size: 20 3/8 x 14 in. (518 x 356 mm).Lot Note(s): Signed "Helmut" in black marker, lower right. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Fine condition. Provenance: Through the photographer Henry Talbot; from an extensive private collection, Sydney, Australia. Comment(s): There are (at least) two versions of this composition: one showing the models kissing, the other not. The complete title is "Rue Aubriot, Paris 4, during the Haute Couture Collections -- St. Laurent suit and Paulette hat, August 1975." Image copyright © Helmut Newton Foundation. [30253-4-1600]
Lot 482
FOUR SPORTING JACKETS including Aquascutum, & a two piece tweed suit by Lynton (5)Condition report: there are no sizes, therefore as a guide; I am 6’ tall, 43” waist, 43/44” chest, armpit to wrist 20”. The suit is too small for me, the jackets just about right, little tight when buttoned but I could wear 3 of the jackets very well.
Lot 303
Sassoon, Siegfried. 85 ALsS to Dennis Silk at Cambridge and later Marlborough College, 1953-67, including 2 undated, approx. 102 pp., mainly 8vo., mostly from Heytesbury House, with 4 autograph copies of his poems, another typed copy of a poem with manuscript corrections, 2 autograph comic verse dialogues, 2 postcards and photo of a rugby player with note on verso. With original envelopes.The first letter, 6.6.53, addressed to "Dear Silk" at Sidney Sussex College, Cambridge, (following their meeting through Edmund Blunden, at Fenners, the University cricket ground) suggests he come to Heytesbury for the weekend in July on the day of the local cricket match, and on the envelope he writes "3 cheers for your century and the Blue"; 8.7.53, "1000 congratulations on your magnificent effort for your side…"; 27.10.53, "I am to be created an Hon Fellow of Clare - a very pleasant surprise"; 14.1.55, he congratulates DS on his poem in the TLS and also refers to letters received about The Tasking "which compel me to believe that I have done better than I thought"; 27.5.55, delighted to hear of DS's appointment to Marlborough, "It means I shall have one real friend within 30 miles of here"; 4.12.55, agrees to give a talk to 6th form boys "The realities of war cannot be too often impressed on young minds"; 1.10.56, "Cleverdon [Douglas] & his mate with the machine recorded 24 poems. I managed to give it some shape as you will hear"; 12.11.56, "How lucky I am to live in such a place. I encounter a few pheasants every afternoon"; 21.2.57, refers to the death of Gwen [Raverat], "Cambridge will not be the same for me", and refers to Ronnie Knox who has had a major operation; 21.2.57, insists on contributing towards DS's antique Austin, "…you must be able to get here in June & July when Edmund B [Blunden] is around"; 19.3.57, refers to Wilfred Owen's poetry "Most of his finest are so agonising to read aloud"; 31.5.57, visit of Sam Behrman [American playwright] who came down with Lady Beerbohm "at the top of his form"; 21.9.57, he is upset by the unannounced arrival at Heytesbury of "a spectacled young man in a dark suit" wanting to write an article for the Sunday Express about SS's conversion to Roman Catholicism; 28.9.57, further references to letters and articles about his conversion; 6.10.57, following a talk he has given at Downside, "Sebastian [one of the monks] said the effect of the war poems was terrific"; 8.2.58, advises DS on a piece he is writing, "I think you should amplify it with some comments on the relation of the war poems to the Sherston Memoirs, where the war is recollected in controlled tranquillity"; 24.9.58, visits Wells with Geoffrey Keynes whose "zest for active entertainment is insatiable"; 20.2.59, receives fan mail from the USA and Canada, "this kind of thing comes very oddly, as my whole effort for the past two years has been submission and negation of self"; 28.6.60, on a visit to Stanbrook Abbey, "I read to the Community through the grille for nearly an hour"; 1.7.60, encloses a ms. copy of his poem A Prayer at Pentecost: described by Mother Margaret Mary as "a perfect religious lyric";ms. copy of his poem Before a Crucifix dated 14.4.62; a typed copy of the same poem with ms. corrections enclosed with a letter of 17.5.62; Lady Day 1962, light hearted account of mouth surgery from Odstock Hospital; 13.9.62, "how thankful I am that I gave you Dr. Dunn…" [The War the Infantry Knew], "The man was an absolute marvel", and description of five days stay at Stanbrook Abbey, including a copy of his verse thank you letter to Dame Felicitas Corrigan, also "Dennis, I have thought much about you and R.C….your whole career would be knocked sideways if you became Catholic, and the endless good your influence will bring to those you teach would be sacrificed." ; 11.11.62, "…the old War has been much in my mind the last two days - owing to my re-reading Sherston's Progress! It was caused by my reading those tiresome utterances of R. Graves reported in the Times from his latest lecture. They made me look up his review of the F.H. Man, - the only stupid & egotistical one it received. I hadn't read the Craiglockhart chapters of S's P. since I raised proofs for a reprint in January 1940…It brought Rivers back to me intensely real…I think that final, disillusioned effort of soldiering was pretty creditable. And I did it on Rivers."; 9.1.63, he rejoices in DS's engagement and looks forward to meeting his fiancée, "You have given me incomparable happiness and sustainment since 1954"; 15.3.63, comic verse on the wedding present of silverware; 28.2.64, enclosing a letter from Glen Byam-Shaw who has been elected to the Literary Society; 8.5.64, visit to Ian Balding's stables; 15.10.64 encloses a ms. copy of the poem Proven Purpose dated 18.9.64 with Prayer in Old Age on verso dated 22.9.64; 1.2.66, declining health, visit of Edmund Blunden; 22.7.66, memories of S.C. Roberts [Sir Sydney Castle Roberts] who has died, "But no need to remind you of his comprehensive humanity, and the vintage quality of his literary mindedness"; 28.8.66, dreads his forthcoming 80th birthday, "I am adamant about being interviewed and photographed here. Modest Edmund was compelled to undergo all that publicity. But I am a private person, and not the least like a Longleat lion."; 12.9.66, referring to the birthday celebrations at Heytesbury and the book of tributes, "…you and Glen and Angela absolutely stole the show. The representation of me as a war poet was admirable, and, I think, fully effective - But , as you know, the author of Counterattack has become, for me, almost a separate entity, (though Sherston is still my living self.) …I think you will agree that Thursday's tea-party was just about the best you've ever experienced in the library"; 28.11.66, passing a batch of Edmund Blunden letters to DS "I have such an accumulation…" and encloses a comic dialogue, apparently referring to a proposed gift to DS. In the last letter, 26.2.67 he refers to the death of Ruth Hart-Davis, wife of Rupert, "I don't know when I have suffered so poignantly about a friend's bereavement…I begged him to come here later on and occupy his mind by going through my literary papers and effects."See illustrations: photograph of SS, Edmund Blunden and Dennis Silk at Heytesbury, taken by Diana Silk in 1963; SS in cricket whites and transparency of the same. With 10 photographic portraits of SS including duplicates; George and Hester Sassoon; the garden at Heytesbury both in mounts; colour photograph of Fitz House, Teffont (rented by SS in the 1930’s) , 4 others of Edinthorpe, Norfolk (The Old Rectory there was rented by Theresa Sassoon for the summer of 1897); and reproduction of the May Ball group at Cambridge, June 1906 (referred to in The Old Century) with key to names.Dennis Raoul Whitehall Silk, CBE (1931 – 2019) was educated at Christ’s Hospital and Sidney Sussex College, Cambridge. Following university he became a first- class cricketer and captained the MCC on a number of overseas tours before retiring at the age of 29. He taught at Marlborough College and then Radley where he was Warden (headmaster) from 1968 – 1994. He was Chairman of the Test and County Cricket Board from 1994 to 1996 and also served as President of the MCC. He married Diana Milton in 1963.
Lot 937
Richard Ewen (1928-2009) - portrait of a gentleman, head and shoulders wearing a blue suit with a flower in his lapel, indistinctly dated, possibly 1996, oil on panel, 24" x 24" **Richard Ewen was a famous American artist born in Walla Walla, Washington, USA and came to England in 1963.He had been the subject of programmes on BBC and ITV television and his works are collected by well-known persons throughout the Western World, including the National Trust. He has held exhibitions in Europe, Bermuda and the USA.Apart from exhibitions, Mr Ewen devoted most of his working life to portrait and commission work. Some of his notable works include a portrait of President Ronald Reagan for No. 10 Downing Street, one of Prime Minister Margaret Thatcher, members of the Breguet aviation family, France, the family of Congressman Robert W Daniels of Virginia, USA, Sir Edwin Leather, Lord Boothby, the Royal Yacht, Britannia, leading Bermudan families, the Port of London Authority, the VJ Celebrations in 1995 and many New England families, including those of two American presidents.He died at his home in Biddestone, Wiltshire in 2009
Lot 91
Apollo 17 Moonwalker Harrison Schmitt signed 10 x 8 inch colour White Space Suit photo to Kelly. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 122
Apollo 13 Astronaut James Lovell signed rare 10 x 8 inch colour White space suit photo with scarce inscription, Houston we have a problem James Lovell Apollo 13. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 123
Apollo 11 Astronaut Michael Collins signed rare 10 x 8 inch colour White space suit photo . Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 124
Apollo 16 Astronaut John Young signed rare 10 x 8 inch colour White space suit photo with scarce inscription, John Young 9th Man on the Moon Apollo 16 Cdr. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 307
Winter Padded One Piece Flight Suit, blue grey cloth flight suit with press stud collar fastener, button front and slash pockets. Small zip pocket and diagonal top pocket. Two large lower knee pockets with buttoned flaps. Velour collar worn in places. One arm with a cloth rank badge. Interior with a padded lining and a Warner Brothers Studios label to the collar. Similar in style and construction to suits worn by the Luftwaffe in WW2. Measurements, shoulder to shoulder 62 ½ cms, arm pit to arm pit 67cms, sleeve 61cm and crutch to ankle 68cms. Some scuffs and holes to the rear.
Lot 282
WW2 German Luftwaffe Cut Down Winter Combination Flight Suit (Winterfliegerkombi), brown leather flight jacket with brown wool large collar and interior. Large diagonal zip to the front of the jacket, zips to the cuffs and side pocket. Complete with the original press stud fittings marked “PRYM”. Tailored to the bottom with the removal of the leg sections and made into a flying jacket. These suits were produced for the Luftwaffe aircrew to fly over water, they were often cut down towards the later stages of the war and sometimes in the post war years.
Lot 272
WW2 (1945) Canadian Made Flight Suit, green canvas cloth one piece flight suit with woollen cuffs and ankle sections. Working full length zip to one side, single breast pocket and two lower knee pockets. Brown wool collar. Blanket lined interior with original Deacon Brothers Limited label which is dated 1945. All zips appear to be in working order. Some mothing to the woollen sections. Measurements, shoulder to shoulder 50cms, arm pit to arm pit 58cms, sleeve 62cms and crutch to ankle 71cms.
Lot 304
Modern Summer Pattern Flight Suit, olive green cloth flight suit with Velcro pads for wear insignia would have once been present. Working zips to the front, pockets and arms etc. Complete with the label to the interior. Accompanied by a American tropical type flight suit with American flag patch and embroidered Boeing insignia to the breast. (2 items)
Lot 305
1940’s Black Leather Aviators One Piece Flight Suit, with front zip, side zips, single button down knee pockets, woollen storm cuffs with strap and buckle fittings, leather waist belt and zip lower legs. All zips appear to be in working order. Brown blanket lining to the interior. No visible makers labels. Zip pulls stamped “Ri-Ri”. Measurements, shoulder to shoulder 49cms, arm pit to arm pit 55cms, shoulder to cuff 66 ½ cms and crutch to ankle 73 ½ cms. Some scuffs and wear to the leather.
Lot 306
WW2 Royal Australian Air Force Sidcot Flight Suit, lightweight cotton drill flight suit with buttoned up front, open knee pockets and buttoned up ankles and cuffs. Interior with a worn label. Breast map pocket with inked details “PRO BOND PUBLIC HOUSE” and illustration of a pint of beer. Suit shows some wear. Measurements, shoulder to shoulder 48cms, arm pit to arm pit 53 ½ cms, shoulder to cuff 50cms and crutch to ankle 68 ½ cms.
Lot 312
Pair of German Air Force Flight Suit Trousers, pair of blue canvas flight trousers with large thigh pockets with press stud flaps, zip front, side pockets and ankle zips; Good quality pair of reproduction WW2 German Paratroopers combat jump trousers in green cloth with hip pockets, leg pocket and ties to the ankles; pair of German blue breeches in the Luftwaffe style and another pair of vintage Military trousers. (4 items)
Lot 135
Pair of Brass Propeller Tip Picture Frames, each with cut circular section for the mounting of a photograph; small rectangular frame with finely engraved copper RFC pilots wings and a photograph of the pilot in flight suit; hallmarked silver sports shield for the Squadron Team Match at Kimble 1939 – B Sqdn No2 A Wing RAF awarded to Sgt C W Gadsby. (4 items)
Lot 308
One Piece Leather Flight Suit, fine example of a 1930’s period brown leather flight suit with a winged brass and enamel insignia badge fitted to the breast pocket. Front of the suit has two full length zips (one missing the pull tab), two locker pockets with press stud fittings marked “CUIRAS”. Waist belt with plated buckle ring fittings. Interior of the suit with a quilted padded lining. Some scuffing and wear but generally still good condition overall. Measurements shoulder to shoulder 53cms, arm pit to arm pit 48 ½ cms, sleeve 56cms and crutch to ankle 64cms.
Lot 271
Rare 1940’s British D Lewis Ltd Combination Flight Suit, black leather fleeced lined flying suit made by D Lewis Ltd, complete with all working zips to the front, sides and leg sections. Also complete with the original press stud buttons. D Lewis Ltd tailors label to the interior of the suit. Remains in very good overall condition, with just some service wear. D Lewis Ltd produced private purchase flight suits in the 1930’s and 1940’s, they were worn by both civilian and RAF pilots. Many of the battle of Britain pilots were pictured wearing the D Lewis flight suits and equipment.
Lot 623
A QUANTITY OF GENTLEMAN'S JACKETS, COATS AND WAISTCOATS, FLAT CAPS, GLOVES etc, to include an Yves Saint Laurent Pour Homme pure new wool two piece suit, jacket size R52, trousers R50, trouser lining damaged and stained, an unbranded two piece brown suit, jacket 40R, an M & S 40'' jacket, a James Barry wool/polyester jacket, 40R, a Saddle tweed coat, size M, an M & S Luxury raincoat with removable lining, size medium (97-102cm chest), various gilets, a ladies F & F coat with faux fur trim, size 16, an Antler bag on wheels, a rucksack containing picnic items, a cool bag, etc (box and loose)
Lot 624
A SMALL QUANTITY OF LADIES CLOTHES, SHOES, BAGS AND SCARVES IN TWO BOXES AND LOOSE, including an M & S black jacket with white stitching, size 14, a Jacqmar navy jacket, size 10, a pink Jacques Vert jacket, size label removed, pink Jacques Vert skirt, size 12, a navy Mondi trouser suit, size 12, an Augustat blue evening dress and jacket, size 38, dirty, over eight pairs of ladies shoes, most boxed sizes, 5, 39, 8, 8½, brands include Jacques Vert, Salvatore Ferragano and Rainbow Club, a pair of size 38 brown leather knee length lace up boots, gloves, scarves, bags and a gents Bridgens wool mix coat, size 40R (two boxes and loose)
Lot 84
A large sterling silver trophy by William Comyns & Sons Ltd of London 1928,the large classical twin-handled trophy with lid and finial, hallmarked London 1928 under the base and to edge of lid, un-issued and un-engraved and would suit motor club or similar society seeking a trophy to award, measuring 37cm high overall (including lid), and weighing approximately 3,450gms, together with accompanying purchase receipt and insurance valuation dated 1968 and a small newspaper cutting of a similar trophy. (4)For further information on this lot please visit Bonhams.com
Lot 60
A fine six-piece set of luxury bespoke leather luggage for 2018 Rolls-Royce Wraith,full set of six pieces from the Wraith Luggage Collection, to also suit 'Black Badge' model, in two-tone black/purple leather with black interior with 'RR' motif pattern, comprising two 'Grand Tourer' wheeled cases, with high-grade aluminium frames and carbon fibre base trim, upper and one side leather handle, sprung clip fastenings, lightweight extendable handles and wheels with self-righting 'RR' monogram centre caps, each 65cm high, three 'Long Weekender' holdalls, with leather handles and magnetic zip fastenings, each 41cm wide, and complete with 'Garment Carrier', with leather handles, the interior with zip-fastening, two interior pockets and two coat-hangers, 62cm wide, specially commissioned and personalised with stitched 'infinity' symbol for Rolls-Royce Wraith 'Black Badge' model and 'RR 10' registration number to exterior, and engraved chromed plaques to interior, offered with four keys with 'RR' emblem and each with black cloth outer protective drawstring bag and in seemingly good order with little sign of use. (6)This lot is subject to the following lot symbols: ◊◊◊◊ £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com
Lot 29
A wooden-cased No.15 'Overseas Touring Spares Kit' for Rolls-Royce and Bentley, 1964,to suit Bentley S2, S2 LWB, S2 Continental, and Rolls-Royce Silver Cloud SII, LWB and Phantom V models, the wooden case with hinged lid, opening to interior with two compartments and lift-out wooden panel, containing various sundry spares and replacement parts for touring on the continent including various boxed bulbs, gaskets, oil filter element, distributor cap, spark plugs, cigarette lighter, drive belts, washers, rings, and other parts for lighting, hydraulic, oil, electrical, steering, fuel and engine systems, with list of parts to lid, completeness unchecked, the case measuring 71cm wide, some light wear and staining to case in places and one catch partially missing to lid. This lot is subject to the following lot symbols: ◊◊ £30 + VAT uplift and storage at £6 + VAT per lot per day.For further information on this lot please visit Bonhams.com
Lot 108
Rare late Victorian Burgess & Leigh earthenware teapot of shaped serpentine rectangular form, with an angular scroll spout and handle, and a slide-on cover, decorated with two polychrome reserves with elephants, riders, other figures and hunting dogs within a floral border, Rg No 285771 for 1896, Regt Shape No 281720, H 18.3cm, W 27.8cm [The design of this teapot was registered by the manufacturers in 1896, but was followed by a law suit from Huntley & Palmer who claimed it was a copy of their biscuit tin design, resulting in it being prematurely discontinued and replaced with a monochrome version. It is thus a rare example of an empire influenced Aesthetic Movement teapot]
Lot 157
Palitoy, Hasbro, Other - A collection of mainly vintage Action Man equipment, uniform parts and accessories. Lot includes spare tank tracks; life raft and vest; a quantity of boots; Turbo Copter; Detonator; Check Point sign; M16; Browning machine gun; Red Devil beret; 17th/21st Lancers Officers cap; Mountain and Artic suit with skis, poles, gloves and similar. Items all have play wear some with broken parts but generally ranging from Fair - Good some Very Good, and are unchecked for completeness. (This does not constitute a guarantee)
Lot 111
Space. Bruce McCandless 2nd. A 10x8 colour photo of five Astronauts. Three Astronauts wearing the blue NASA uniform, and two wearing official Space Suit. Signed by Bruce McCandless 2nd on himself on the photo with 575 41 B space shuttle numbers. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 2
A Copeland parian bust of William Gladstone 34cm highCondition report: Collection of dirt in creases of suit and round the base. Light marking and slight discolouration overall with 3 longer marks to the reverse, longest measuring 3cm approx. Brown colouring and marking to base near the wooden plinth. Rubbing to the wooden plinth.
Lot 870
A Trendon Sasha doll Catalogue No. 18 1980 booklet, a hair care instruction leaflet and assorted outfits, to include 804 raincoat and hat, 806 track suit zipped top and trousers, 803 with light blue pyjamas, red robe and slippers, various other clothes and shoes including Sasha, handmade and other, and a Gotz Sasha Made in Germany tag.
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19294 item(s)/page