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Lot 441

A vintage Pukka luggage suit case with key Circa 1940s W:53cm x D:35.5cm x H:16cm

Lot 444

A lightweight wheelie suit case 3.12kg. W:43cm x D:23.5cm x H:65.5cm

Lot 3403

Sir Winston Churchill- a plaster figure, he stands, in morning suit, 23cm high; others, various (7)

Lot 3291

Arms and Armour - a table top model of an early 16th century suit of armour, wooden base, 46cm high, early to mid-20th century

Lot 70

Six vintage dresses and track suit top with book

Lot 389

RAF Aircrew Flying Suit Survival Knives. Two examples of the aircrew personnel issue knife ... Both complete with scabbards. One retaining material panel for attachment to the suit (2 items)

Lot 393

RAF Beadon Flying Suit Escape and Evasion Items Plus Others. Comprising 2 x match alloy boxes, still with some matches and part label to one. Fishing kit possibly from an escape kit, razor etc (7 items)

Lot 669

A SUIT OF ARMOR WITH KOBOSHI KABUTO AND KUWAGATA MAEDATEJapan, Edo period (1615-1868)The matching components of dark-brown or black-lacquered iron and laced in blue with orange, white, green, and brown, comprising a koboshi kabuto with elaborate six-tiered chrysanthemum-form tehen kanamono, further with a four-lame shikoro, the mabizashi mounted with a gold and black-lacquered kuwagata maedate; a hanbo with a four-lame yodare-kake; a yokohagi okegawa do, fitted with seven sections of five-lame kusazuri; and sangu (kote, suneate, and haidate) with floral-decorated silk brocade over blue fabric.HEIGHT approx. 140 cmCondition: Overall good, original condition with wear, the silk brocade with extensive tears, loose threads, and losses, the lacquer with flaking and minor losses, the maedate with more extensive loss to lacquer, some loose threads, tears, and minor losses to lacing and fabric, further minor losses.Provenance: Czech private collection.With a wood storage box.

Lot 672

A SUIT OF ARMOR WITH EBOSHI KABUTOJapan, Meiji period (1868-1912)The matching components of iron and laced in blue, comprising an eboshi kabuto mounted with a maedate in the form a mythical beast with long antlers and further with a four-lame shikoro; a brown and red-lacquered hanbo with a three-lame yodare-kake; the armor fitted with kusazuri, kote and tekko over blue textile; and further with sode (shoulder guards), haidate (thigh guards), and suneate (shin guards).HEIGHT approx. 170 cmCondition: Commensurate with age, extensive traces of wear, flakes to the lacquer, corrosion, and tears to the fabric.Provenance: Czech private collection.With a wood storage box.

Lot 671

A SUIT OF ARMOR WITH LARGE EBOSHI KABUTO AND TOKUGAWA MON MAEDATEJapan, Edo period (1615-1868)The matching components of brown-lacquered iron and laced in blue with green and red as well as cream, dark-blue, brown, and white, comprising a tall eboshi kabuto with five-lame shikoro, the fukigaeshi applied with bronze tokugawa mon, the circular black and gold-lacquered wood maedate in the form of a tokugawa mon as well; a menpo lacquered red to the interior and with a four-lame yodare-kake; a partly gilt yokohagi okegawa do with two metal chrysanthemum appliques suspending loose rings, fitted with five sections of five-lame kusazuri; kote and tekko on blue textile with kusari (chainmail); and further with sode (shoulder guards) and haidate (thigh guards).HEIGHT approx. 155 cmCondition: Good condition with wear, some loose threads and minor losses to lacing, flaking and small losses to lacquer, some with associated minor touchups, minor tears, wear, and losses to textile.Provenance: Czech private collection.With a wood storage box.

Lot 51

H.R.H. The Duke of Edinburgh - signed 1960s presentation portrait photograph of the relaxed Duke wearing a lounge suit signed in ink on mount 'Philip' in green frame 23.5 x 18 cm

Lot 1056

JAZZ, ROCK 'N' ROLL AND SOUNDTRACKS - CD COLLECTION. Excellent collection of around 120 x CDs to include some deluxe edition box sets. Titles / Artists include Frank Sinatra, The Elvis Show (MOTIF3012), Scott Walker Sings Jacques Brel, The Very Best of George Benson, Finding the Keys - The Very Best of Jools Holland, Ella Fitzgerald - Sings the Irving Berlin Song Book, Serge Gainsbourg inc. Comic Strip and Couleur Cafe, Nancy Sinatra - Hits, Glen Campbell - Classic Campbell and Cherry Poppin' Daddies - Zoot Suit Riot. Condition appears to be excellent.

Lot 351

Follower of Nicolaes Eliazoon Pickenoy (Dutch, 1588-1656) Study of a courting couple, she holding a basket of flowers, he in a vermillion suit, a courtyard beyondoil on wooden panel34 x 23.5cmOil on board in honest untouched condition, would benefit from a light clean, a very slight undulation to the board along with small losses to the right corners and some fine vertical splits running up from the base, housed in an old but not original gilt frame, remnants of old labels with attribution verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 34 x 23.5cmPickenoy (Dutch, 1588-1656), Follower of Nicolaes Eliazoon

Lot 140

A scarce WWII Second World War Third Reich Nazi German child / infants respirator gas mask. The respirator having a rubberized fabric body suit with sleeves and an oval face view port with Waffenamt stamp to the fabric above. The cannister housed in the lower portion of the suit with hose attachment. The wooden bellows / foot pump would be attached to the hose to pump air into the suit. Housed within the original box. 

Lot 1753

TEN BOSCH, GEERTEN (1959), sig. r.r. dated. 1996, edition 31/132, Untitled, composition with harlequin suit in black and yellow. Silkscreen, 75 x 56 cmTEN BOSCH, GEERTEN (1959), ges. r.o. gedat. 1996, oplage 31/132, Zonder titel, compositie met harlekijn pakje in zwart en geel. Zeefdruk, 75 x 56 cm

Lot 127

A two-piece leather luggage set for Ferrari 365 GT4 BB Berlinetta Boxer, by Arcelli of Modena, 1970s,each soft-sided in brown leather with leather handles and zip fastening, with beige canvas lined interior, comprising a suitcase, 65cm wide, and a suit carrier, with front pouch and with interior straps, approximately 62cm wide, each bearing yellow metal 'BB' logo, and each with leather tag, padlock and keys, used with some old marks, scuffs and scratches. (2)Footnotes:This luggage set by Arcelli is believed to have been offered in limited numbers, as an accessory to the car, prior to Ferrari's collaboration with Schedoni.This lot is subject to the following lot symbols: Ω ◊Ω VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.◊ £30 + VAT uplift and storage at £6 + VAT per lot per day.For further information on this lot please visit Bonhams.com

Lot 128

A rare four-piece set of leather luggage for Lamborghini Diablo, by Schedoni of Modena, Italy, 1990s,each in tan leather with leather handles and impressed with 'Diablo' and 'Lamborghini' logos, with leather handles, two with locks and catches, brown fabric-lined interior with Lamborghini motif pattern design, comprising a hard-sided suitcase with interior leather straps and luggage tag, 55.5cm wide, a suit-carrier with zip-fastening front pocket, removable shoulder-strap and two interior coat-hangers, 54cm wide, a vanity case, 35cm wide, and a small holdall with zip-fastening, 28.5cm wide, offered with keys, some use with old marks, light scratches and stains in places, and together with a small Cacherel gent's wash pouch. (5)This lot is subject to the following lot symbols: ◊◊◊◊ £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com

Lot 130

A three-piece set of blue leather luggage for Aston Martin V8 models, by Tanner Krolle Ltd,each in dark blue leather with leather handle, brass combination locks with catches and Aston Martin winged emblem to front edge of lid, maroon cloth linings, comprising a large suitcase, 78cm wide, a medium suitcase, 59cm wide, and a vanity case with interior tray and mirror, 31cm wide, to suit late 1970-80s V8 models, some light use. (3)This lot is subject to the following lot symbols: ◊◊◊◊ £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com

Lot 193

A Lewis Hamilton/McLaren 2011 Formula 1 Season race suit by Sparco,used, in Vodaphone McLaren Mercedes colours, with embroidered lettering and patches for Santander, Pirelli, Hugo Boss, Mercedes-Benz, Mobil 1, Drink IQ, Ago, Hilton, Aon and xtb sponsors logos, with black cuffs and ankles, central zip with Velcro fastenings. 'LH-013-11-D' embroidered patch stitched to inside of zip, together with a McLaren certificate of Authenticity signed by Zak Brown, CEO McLaren Racing and a Sparco bag. (3)Footnotes:This race suit was used by Lewis Hamilton during the 2011 Formula 1 season when driving for McLaren. In 2011 Hamilton won in China, Germany and Abu Dhabi and finished with a total of 227 points in 5th position.For further information on this lot please visit Bonhams.com

Lot 124

Two framed 1960's fashion prints "Summer", woman in summer dress beside a man in a pin stripe suit and "Autumn", lady in red suede coat by a yellow Rolls Royce, each 29cm x 21cm (2)

Lot 1024

British School (19th century)Portrait of a Gentleman bust length in a dark suit and tie Pastel, 49cm Dia. (Oval)

Lot 6429

[Ephemera] James Lee Byars, 5 Continent Documenta 7 Groningen, Corps de Garde, 1979. Multiple, 13.5 x 20 cm, consisting of a thin black paper sheet folded into an envelope. The front is post stamped and addressed in gilt handwriting to Judith Cahen and Wim Crouwel. Recto features the sender 'James Lee Byars, Corps de Garde Groningen' also in gilt lettering. The envelope houses a large folded sheet of the same black paper, which unfolds to 216 x 124 cm, into the shape of a '7'. The multiple was meant as a protest against Documenta 7's Western-centric perspective and was mailed to a selective group of international art-world insiders.This copy is accompanied by a telegram dated March 17 1979 sent by the artist and Corps de Garde to Cahen and Crouwel, inviting them to the announcement of the 5 continent documenta 7 at the Groninger Museum on March 19. At this event the artist, dressed in his signature golden suit and hat, pasted the '7' onto a wall. Super scarce item rarely seen with the telegram. The gilt text has faded but is still legible, else a very good copy. (total 2)

Lot 568

Action Man - Five Original Palitoy Action Man Figures including one figure with painted head and gripping hands dressed in a Geyper Man yellow jump suit outfit, two figures with flock hair and hard hands (both with fingers missing) dressed in Scramble Pilot outfit and Ground Assault outfit and two figures with flock hair and gripping hands dressed in Afrika Corps International outfit and British Infantry Major outfit, together with some accessories (not all outfits complete, some articles may not be Action Man)

Lot 413

Boxed Mattel Barbie 1190 Ash blonde doll in original swimsuit, body is a touch grubby, fingers vg, no bow, gd box with some edge and seam wear, plus another Mattel Barbie in swim suit (marks to legs), and a group of clothing & accessories

Lot 886

A post 1950s shop automaton of a man holding a bottle of Bell?s Whisky and a glass, dressed in a grey pin striped suit and black shoes, on wooden base, by J.H Animations, electrically operated, height 82cm.

Lot 24

Sir Stanley Spencer R.A. (British, 1891-1959)Mrs Linda Few Brown oil on canvas84 x 63.5 cm. (33 x 25 in.)Painted in 1958Footnotes:ProvenanceCommissioned by the sitter's parents in 1958, thence by family descent to the present ownerPrivate Collection, U.KExhibitedLondon, Royal Academy, Summer Exhibition, 2 May-16 August 1959, cat.no.106Literature'Our artists look at us - honestly', News Chronicle, 1 May 1959, p.4 (ill.b&w)'Academy portrait', Maidenhead Advertiser, 8 May 1959, p.9 (ill.b&w)Exh.cat., The Royal Academy Illustrated 1959, Royal Academy, London, 1959, p.19 (ill.b&w)Keith Bell, Stanley Spencer, A Complete Catalogue of Paintings, 1992, Phaidon Press, London, p.360, cat.no.433 (col.ill.)At the time of this portrait, Stanley Spencer had long been acknowledged as one of the leading British painters of the twentieth century. Famed for his imaginative figure paintings and biblical themes, often set in his home village of Cookham, he was also a distinguished war artist. His remarkable murals in the Sandham Memorial Chapel - presented to the National Trust in 1947 - commemorate his experiences in the army during the First World War. In both World Wars, he was a critically acclaimed official war artist. A versatile genius, he additionally painted a series of mesmerising landscapes and portraits. In his earlier years, the sitters in his portraits were frequently members of his social circle. Throughout his career he produced an outstanding series of honest and uncompromising self-portraits. In the 1930s he painted some startlingly intimate nude portraits of Patricia Preece, his future second wife, two of which were double nudes of the artist with Patricia. When he painted his then lover Daphne Charlton - Daphne 1940 (Tate) - he deliberately reduced her to tears each day to get, as he told her, and she recounted to me, some emotion into her face.In the 1950s, already a C.B.E. and R.A., he was much in demand as a portraitist, receiving commissions from various friends and patrons (the two often became synonymous). There was the added attraction of their likenesses being exhibited at the Royal Academy. Spencer responded particularly well to his female sitters, often showing them in a half-length format at home in a relaxed setting, as in this portrait of Linda Few Brown. This is one of Spencer's finest late portraits, and forms a striking image, in which the twenty-three year old Linda leans over the stable-style door, at the front of her house, Sherlocks, in the heart of Cookham Dean. Dressed informally, she seems very close to the viewer, as if about to speak. Linda and Peter Few Brown moved to Cookham Dean on their marriage in 1955. In the picture, her engagement and wedding rings are clearly visible. A few years later they moved again, to Primrose Hill, another house in the Dean. The format of a woman at a door or window has historical precedents, for instance in seventeenth century Dutch paintings such as Rembrandt's Girl at a Window (1645) (Dulwich Picture Gallery). In the oft quoted but presumably apocryphal account by an early owner, the French theorist Roger de Piles, Rembrandt was supposed to have placed the picture in his window, so that it was mistaken for a real girl. Spencer for his part painted a notably modern woman, but the effect is equally immediate. In this case, the pose was suggested by Linda's mother Dorothy Milling who with her husband Geoffrey commissioned the portrait; it was regarded locally as a wedding gift. Spencer wrote of the picture on Sherlocks notepaper to his dealer Dudley Tooth, in an undated letter: 'Mrs Milling is bringing in the portrait of Mrs Linda Few Brown. She has given me the cheque for it. It was to have been full of flowers & creepers but I was not able to manage [as he had been ill]. She wanted to pay me more but I insisted on two hundred & seventy five guineas. Doing the painting was a very enjoyable experience. It may be rather an interesting thing to frame. As it was Mrs Milling's idea that I should paint Linda leaning over the door, I think Mrs Milling has very good ideas. Yours ever Stanley'. Mrs Milling received a letter dated 17 March 1959 from Arthur Tooth and Sons, about arrangements for the collection of the picture from her London address, presumably for inclusion in the Royal Academy's Summer Exhibition. Spencer probably also enjoyed the fact that, at the first sitting at least, Linda offered him 'fresh cream cakes', which she understood he liked. She was a regular customer at a local bakery, and one day ordered cakes, explaining she had a 'painter' coming. Dennis Adams in the bakery assumed she referred to a decorator, and thought 'lucky old painter', but was surprised the following day when Linda returned 'followed by a little man with tousled hair, wearing a pin striped suit, which was covered in paint splashes, pushing an old black pram, loaded with painting gear'. Linda Few Brown later recalled that the sittings lasted a month. She normally gave Spencer a lift on her Vespa scooter from his home, Cliveden View in Cookham Rise, and back when the sitting ended. He would spend the day at work, so she also provided lunch. After the portrait was finished, she asked him to draw her corgi Soxy. He made two drawings with expert rapidity (see lots 25 & 26).Two photographs, annotated 'Sept 1958', show the artist standing at his easel on the path just outside the door. The partially completed canvas reveals that he focused on the sitter, probably starting as usual with the eyes, so as to position the head correctly on the canvas, before turning his attention to her surroundings. The head of the just over life-size figure is placed close to the top of the canvas. She wears a cardigan and rests her arms on cushions (probably essential for comfort), none of which appear in the final picture. Spencer was a master of composition, framing the sitter with architectural features and providing a view into the interior of the house. With his love of pattern, he has dwelt on lines and curves: contrasting the stripes of her top, and the grooves between the planks of the door, with the swirls of the intricate door knocker and the calligraphic depiction of her hair. The colours stand out clearly and shadow is treated with subtlety. The painting has not been seen in public since the Royal Academy's summer exhibition of 1959 - his final showing at the RA - where it was one of three works by Spencer. The other two were his Portrait of Kate Morrell (1959) and Boys' Garden (1957) (the area of Kate's garden where her sons played). The portrait of Linda Few Brown was singled out by the reviewer in the News Chronicle (May 1, 1959), who criticised many artists for depicting 'merely pretty girls', whereas 'Stanley Spencer has looked hard at Linda Few Brown'. The portrait was reproduced over the caption, THE 'GIRL WITH CHARACTER'. On 7 July 1959, not long after the portrait was on display, Stanley Spencer received his knighthood at Buckingham Palace from the Queen Mother. We are grateful to Carolyn Leder for compiling this catalogue entry.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 43

Circle of FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, Zaragoza, 1746 - Bordeaux, France, 1828)."Portrait of Charles IV.Oil on canvas. Re-retouched.It presents repainting, old restorations and a Carlos IV style frame from the end of the 19th century with damages.Measurements: 126 x 94 cm; 145 x 113 cm (frame).Dressed in a maroon silk suit, embroidered in silver, the monarch holds the command staff of captain general with his hand, barely visible in the composition, while he rests the other on his waist. The cross and the sash of the Order of Charles III, as well as that of San Gennaro of Naples, hang glittering above his costume. The golden fleece can also be seen. Next to the monarch, an ermine-skinned table supports the royal crown, which is the only element outside the figure of the monarch. The work follows the aesthetic models imposed by Francisco de Goya, who painted several portraits of the monarch. The painting is a reflection of the picture painted by Goya in 1789, which belongs to the Museo del Prado collection and is called Carlos IV de Rojo.It was conceived as a companion piece to the portrait of Queen consort Maria Luisa, both commissioned by the Academy in March. It was Jovellanos who entrusted the task to Goya who, as a court painter, produced several versions of the works. In this particular case, despite the similarities with the Prado work, certain differences can be recognised. Firstly, the large green curtain in this case is reduced to a kind of curtain, where the colour is spread evenly, thus avoiding the marked folds. Furthermore, in this case, the monarch carries the baton of command and a highly decorative waistcoat.Charles IV was King of Spain and of the Spanish Empire from 1788 to 1808. The Spain inherited by Charles IV showed few signs of instability, but during his reign, Spain entered into a series of unprofitable alliances and his regime constantly sought cash to meet the demands of war. His son and heir, Ferdinand, led the failed Conspiracy of El Escorial and subsequently forced Charles to abdicate after the Tumult of Aranjuez in 1808, along with the dismissal of his prime minister Manuel de Godoy. Summoned to Bayonne by Napoleon Bonaparte, who forced Ferdinand VII to abdicate, Charles IV also abdicated, paving the way for Napoleon to place his older brother Joseph Bonaparte on the Spanish throne. However, Charles IV's reign proved to be an important turning point in Spanish history.

Lot 216

ORTON (JOE)Joe Orton's dark grey faux fur coat, bought by him in January 1967 as a present from his theatrical agent Peggy Ramsay at the Hepworths/Hardy Amies Tailoring Shop in the West End, and in 1987 loaned to the props department for the Stephen Frears film of John Lahr's Prick up your Ears, in which it was worn by its star Gary Oldman, with labels of the manufacturer ('Deep pile made of Acrilan with modacrylic/ Glenoit') and retailer ('Designed by Hardy Amies for Hepworths')Footnotes:'I'M FROM THE GUTTER' - JOE ORTON'S 'FABLED FUR COAT', WORN TWENTY YEARS LATER BY GARY OLDMAN IN PRICK UP YOUR EARS. ''You look very pretty in that fur coat you're wearing', Oscar Lewenstein said as we stood on the corner before going our separate ways. I said, 'Peggy bought it me. It was thirteen pounds fifteen.' 'Very cheap,' Michael White said. 'Yes, I've discovered I look better in cheap clothes.' 'I wonder what the significance of that is?' Oscar said. 'I'm from the gutter,' I said. 'And don't you ever forget it because I wont'' (Orton Diary, 9 January 1967).The film of Prick Up Your Ears, with a screenplay by Alan Bennett, was directed by Stephen Frears and starred Gary Oldman as Orton, Alfred Molina as Halliwell and Vanessa Redgrave as Peggy Ramsay. The coat makes its first appearance in an early scene when Oldman dons it before entering Peggy's office to show it off to her, whereupon she laughingly exclaims 'Is that it? Is that my present? Oh but it's terrible, darling'. 'It was 14 quid'. 'Joe, I said splash out'. 'Cheap clothes suit me, they always have, it's because I'm from the gutter'. Oldman is also seen wearing it at the Evening Standard Award scene, and the subsequent episode in a public convenience.Exhibited: 'Ortonesque; Joe Orton 1933-1967', Leicester's New Walk Museum and Art Gallery, March 3 - May 7 2007, retrospective exhibition marking the 40th anniversary of Orton's death, featuring a collection of his personal belongings. 'The star attraction is the fur coat his agent Peggy Ramsay bought for him' (University of Leicester press release); 'I'm From the Gutter', Joe Orton exhibition, Islington Museum (May 2001), described as 'Orton's fabled fur coat'. Provenance: Joe Orton, a present from his agent Peggy Ramsay; sold on behalf of The Orton Estate. We are grateful for the help of Leonie Orton Barnett in cataloguing this and the following two lots.For further information on this lot please visit Bonhams.com

Lot 424

A gentleman's court suit, probably French late 18th century, of coat, waistcoat and breeches, the coat and waistcoat embroidered with sequins and coloured silk or satin feathery flowers in repeating patterns, with matching buttons, with restorer's label 'Jennifer Gill, Freeland Place, Bristol', some patches of damage and wear, the coat 118cm long Provenance:From the Private Collection of a Fellow of a Cambridge Collegewaistcoat measures approx 91cm around the chesttrousers measure approx 70 around the waist

Lot 15

Good batch of holed Silver Coins with 1855 Penny, 1842 1 1/2 Pence, 1825 2d, 1834 3d, 1716 3d, 1836 Groat, 1697 6d and 1849 Godless Florin. All VF or better but holed for suspension, would suit the jeweller (8)

Lot 374

ONE LEATHER ALL IN ONE SUIT

Lot 1852

Full title: An English cast iron suit of armor, marked Nestor, 20th C.Description:H 66,5 cmAbout this sale: Paul De Grande is one of the major dealers of antique furniture, fine sculptures and decorative arts in Europe. In 1974, he moved to the Castle of Snellegem near Bruges. From there, he catered to the rich and famous, important decorators and museums around the world. Entering a new chapter, Paul has decided it is time to part with his private collection and part of his trade stock. This sale presents a unique opportunity to clinch a piece of this wonderful personality's history. Paul's main focus has always been on Renaissance sculpture, French and Italian furniture and pieces of museal quality. He has had sales with Christies and Sotheby's in the past. He's also an important personality on various Belgian tv shows.

Lot 23

AVP: ALIEN VS. PREDATOR - Scar's (Ian Whyte) Predator Costume DisplayScar's (Ian Whyte) Predator costume from Paul W.S. Anderson's sci-fi action film AVP: Alien vs. Predator. The Scar Predator was the last survivor of the band of young Predators sent to Earth to prove themselves in the Antarctic pyramid.Created by the artists at Amalgamated Dynamics, Inc. (ADI), this elaborate costume consists of a silver-color fiberglass helmet; a foam latex under-suit with foam dreadlocks on a foam latex cowl with a hole for the performer's face. The suit is finished with hand-painted reptilian markings, over which is worn a cord net, a foam latex neck seal with plastic ring accents, and a faux-leather loincloth. The armor, given a worn silver-color finish, is made of foam rubber sections for the feet and legs, with chest armor, shoulder and arm plates made of foam, rubber and fiberglass. The computer worn on the left wrist is made of rubber and resin, while the right side armor contains extended resin blades. The piece is decorated with an array of rubber skulls and hard rubber pouches, as well as an assortment of weapons, including a rubber shuriken in its closed position and rubber dagger handle in a leg sheath. Fitted on the left shoulder is a rubber plasma caster weapon. Both the plasma caster and shoulder armor exhibit deliberately added flame damage from the sequence where Scar is attacked by Charles Bishop Weyland (Lance Henricksen). The rest of the costume exhibits wear on the foam elements and is set on a custom-made mannequin display. Dimensions: 33" x 27" x 82" (84 cm x 68.25 cm x 208.25 cm)Special shipping required; see notice in the Buyer's Guide. Estimate: $30,000 - 50,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

Lot 232

MAN OF STEEL - Framed Promotional Superman Suit Emblem with Henry Cavill and Zack Snyder AutographsA framed Superman suit emblem from Zack Snyder's superhero film Man of Steel with Henry Cavill and Snyder's autographs. Nokia, a product placement sponsor for the film, received original memorabilia, including a Superman (Cavill) suit emblem, from the production as giveaways.Made from a rubbery woven fabric blend in Superman's signature Kryptonian red, blue, and gold colors, this emblem comes mounted within a custom-made metal frame, along with a card autographed in black marker by Snyder and Cavill and a resin plaque painted to resemble steel with casts of Snyder and Cavill's autographs. The frame exhibits some white scuffing from handling. Dimensions: 17.25" x 16.25" x 2.25" (44 cm x 41 cm x 6 cm) Estimate: $3,000 - 5,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

Lot 241

IRON MAN - Stark Industries MissileA Stark Industries missile from Jon Favreau's superhero adventure Iron Man. Industrialist playboy Tony Stark (Robery Downey Jr.) used parts from a missile of his own design to build the "Mark 1" Iron Man suit and escape captivity in Afghanistan.This missile consists of a beige metal cylindrical section with a black Stark Industries graphic and serial number on one side. It is affixed with a black warhead section on the front and launch motor housing on the back as well as four wing details. The lot exhibits scuffing and paint chipping throughout. Dimensions: 88" x 24" x 24" (223.5 cm x 61 cm x 61 cm) Estimate: $5,000 - 7,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

Lot 269

PASSENGERS - Jim Preston's Light-Up Stunt Avalon SpacesuitJim Preston's light-up stunt Avalon spacesuit from Morten Tyldum's sci-fi romance Passengers. After being awakened from suspended animation decades too soon on board a spaceship, mechanical engineer Preston (Chris Pratt) wore his suit when he attempted to repair the ship and save the lives of its passengers. This costume consists of a visorless gray plastic, fiberglass, and metal helmet; matching chest armor with shoulder accents and electrical wiring in the interior; a gray polyester and neoprene jacket and matching pants with rubber and metal accents containing plastic wiring on the interior; a black neoprene tunic; a black zip-up mesh vest; matching gloves with plastic and metal accents and wired interiors; and matching boots with wired interiors. "Stunt" is hand-marked throughout the costume.The wiring is designed to activate lighting elements inset on the armor, jacket, pants, gloves, and boots when plugged into a power source. Following production, an electronic control circuit board was removed, but the lights have since been sympathetically restored. The boots currently only illuminate red, while one glove does not illuminate due to damaged wiring. The costume also exhibits some scuffing and wear throughout.Contains electronic components; see notice in the Buyer's Guide. Estimate: $10,000 - 15,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

Lot 292

RAIN MAN - Charlie Babbitt's (Tom Cruise) Jacket and ShirtCharlie Babbitt's (Tom Cruise) jacket and shirt from Barry Levinson's Academy Award®-winning drama Rain Man. Babbitt wore his new suit when he and his autistic brother, Raymond (Dustin Hoffman), went to a Las Vegas casino to play blackjack.This lot consists of a gray wool and rayon suit jacket with checkered patterns throughout and a white dress shirt with ruffle details on the collar. The jacket exhibits small but visible damage on the top right shoulder and interior collar, and both pieces exhibit yellow and white stains from production wear. Estimate: $5,000 - 7,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

Lot 30

ANCHORMAN: THE LEGEND OF RON BURGUNDY - Ron Burgundy's (Will Ferrell) SuitRon Burgundy's (Will Ferrell) suit from Adam McKay's period comedy Anchorman: The Legend of Ron Burgundy. The most popular and respected news anchor in San Diego, brash and charismatic Burgundy wore his costume as he broadcasted in the field for Channel 4.It consists of a burgundy polyester blend jacket with a floral silk interior and matching pants and a light pink cotton blend pinstripe button-up dress shirt. Replica white leather and rubber shoes with dragon-like accents on the top. And a production-used red, white, and blue striped polyester necktie are also included to complete the display, though this style of tie was never worn in the film. It exhibits minor signs of wear, including a missing piece on one of the jacket's decorative sleeve buttons. Estimate: $15,000 - 20,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

Lot 31

ANCHORMAN: THE LEGEND OF RON BURGUNDY - Veronica Corningstone's (Christina Applegate) Zoo CostumeVeronica Corningstone's (Christina Applegate) zoo costume from Adam McKay's news comedy Anchorman: The Legend of Ron Burgundy. Channel 4 News co-anchor Corningstone wore her costume when she was pushed into the bear enclosure at the zoo, only to be rescued by Ron Burgundy (Will Ferrell). This suit consists of a periwinkle blue polyester blend button-up jacket with a baby blue silk interior; a matching vest; a matching skirt; and a light blue polyester shirt with a floral impressionistic print in darker blues, pinks, and purples. It exhibits minor loose threading on the interior. Estimate: $3,000 - 5,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

Lot 365

STAR TREK: NEMESIS - Shinzon's (Tom Hardy) Reman Armor and Body SuitShinzon's (Tom Hardy) Reman armor and body suit from Stuart Baird's sci-fi sequel Star Trek: Nemesis. Former slaves of the Romulans, Reman soldiers were led into battle on their Warbird, Scimitar, by their commander, Praetor Shinzon, as they attempted to gain independence from both Romulus and the Federation.This costume consists of an iridescent vinyl cloak with metal studs down the sides and fastening strips on the shoulders; a sleeveless zip-up vinyl bodysuit with iridescent latex paint and gold-color piping accents; and an iridescent vinyl and plastic upper body corset complete with gold-color piping on the sleeves. The cloak is marked "TOM #2" on the interior. It exhibits minor wear and a sticky residue on the neck of the armor details and some paint cracking on the bodysuit's shoulders. Estimate: $5,000 - 7,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

Lot 39

BACK TO THE FUTURE - Doc Brown's (Christopher Lloyd) Screen-Matched SFX Wind-Up CadillacDoc Brown's (Christopher Lloyd) screen-matched SFX wind-up Cadillac from Robert Zemeckis' sci-fi film Back to the Future. While demonstrating a plan to send Marty (Michael J. Fox) back to the future, Doc Brown accidentally set his model car on fire. This pressed steel wind-up toy was modeled after a 1950s-era Cadillac and was modified by production to suit the needs of the scene. A wire was added to the trunk to simulate the rod the DeLorean needed to capture the power of the lightning strike. This wire fastens to the car via an attached wooden dowel. On the underside of the car, a black wire has been attached via hot glue and the car can be screen-matched via this wire as well as a piece of tape. Though deliberately burned by production, the interior of the car still retains wires and material used to ignite the fire for the sequence. The vehicle exhibits intentional wear from production use. Dimensions: 10.5" x 4.5" x 4" (26.75 cm x 11.5 cm x 10.25 cm)Contains electronic components; see notice in the Buyer's Guide.Contains mechanical components; see notice in the Buyer's Guide. Estimate: $25,000 - 35,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

Lot 488

ABYSS, THE - Virgil Brigman's (Ed Harris) Oxygenated Diving Pack and Equalization ControllerVirgil Brigman's (Ed Harris) oxygenated diving pack and equalization controller from James Cameron's sci-fi adventure The Abyss. Brigman wore his experimental oxygenated diving suit throughout the film.Built by Precision FX, this lot consists of a diving pack affixed with a plaque labeled "Experimental Deep Suit - Cameron's Abyss" with serial number "061164" and manufacturing date "7-17-88," and a static equalization controller mounted with steel bolts on the front and labeled "Internal Equalization Control." Both are constructed from weighted resin with metal details and hand-painted beige, gray, and black. The resin exhibits chipping throughout, and the controller exhibits a missing knob from production. Dimensions (pack): 20" x 28" x 9" (51 cm x 71.25 cm x 23 cm); (controller): 11" x 11" x 4.5" (28 cm x 28 cm x 11.5 cm) Estimate: $3,000 - 5,000This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

Lot 515

ANCHORMAN 2: THE LEGEND CONTINUES - Ron Burgundy's Ocean Theme Park CostumeRon Burgundy's ocean theme park costume from Paramount Pictures' comedy sequel Anchorman 2: The Legend Continues. Burgundy attempted to hang himself while still in his uniform after getting fired from his job at an ocean theme park.This costume includes a turquoise, cotton-blend jacket labeled "RB 4" with a blue, white, and orange company patch emblazoned on the front; a cream-color ribbed turtleneck; and a white cotton tank top; and a pair of white, aqua, and orange checkered cotton suit pants. The costume is visibly and intentionally distressed by production with stains, grime, and scuffing throughout. Estimate: $600 - 800ΔThis lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

Lot 534

BATMAN - Antoine Rotelli's (Edwin Craig) Burned SkeletonAntoine Rotelli's (Edwin Craig) burned skeleton from Tim Burton's superhero adventure Batman. When gangster Rotelli refused to participate with The Joker's (Jack Nicholson) plans, he was murdered with a deadly hidden joy buzzer that incinerated him to death.This plastic skeleton is dressed in a black cotton pinstripe suit with a cotton shirt and a red tie with white polka dots. It is embellished with latex facial accents and faux hair details. It exhibits signs of use and wear, including aging on the skin accents and production-added distressing and burns throughout the suit and skeleton. Dimensions: 62" x 26" x 10" (158.75 cm x 66 cm x 25.5 cm) Estimate: $1,500 - 2,500ΔThis lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

Lot 59

BATMAN FOREVER - The Riddler's (Jim Carrey) CostumeThe Riddler's (Jim Carrey) costume from Joel Schumacher's superhero sequel Batman Forever. The Riddler wore his attire when he entered Two-Face's (Tommy Lee Jones) hideout and formed an alliance with him to take down the Batman (Val Kilmer). He also donned the costume when the villainous pair raided a jewelry store.Custom-made for the production, and inspired by designs both from Dick Sprang's original comic-book incarnation and the live-action TV show, the costume consists of a green bowler hat; a vibrant green woolen jacket; and a lime green velour unitard. The hat has a ribbon band and question mark emblem on the front, and is marked "1" internally in silver-color writing. The jacket is decorated with scattered black felt question mark symbols and features a mandarin collar. Three welt pockets adorn the front of the jacket along with eight concealed buttons, with a black exposed button at its bottom. The lime green, long-sleeve unitard is covered in matching black question mark symbols and is marked "JIM CAREY (sic) N.3 EXTRA SMALL SUIT" on the collar. It features two zips on either side of the neck and thumb holes at the hands. A pair of green suede and black leatherette shoes with western-style metal buckles complete the costume. It exhibits signs of wear, including some staining throughout the unitard. Estimate: $20,000 - 30,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

Lot 626

CHRONICLES OF RIDDICK, THE - Complete Necromonger Infantry CostumeA suit of Necromonger infantry armor from David Twohy's sci-fi action sequel The Chronicles of Riddick. Necromonger infantrymen wore armor throughout the film.The armor consists of a fiberglass helmet (marked "63" and "M") with a foam-lined interior and a half mask ("45") featuring a skull-tooth design; a mesh balaclava ("351"); a rubber chest plate (marked "75") and pauldrons; a gray nylon bodysuit with a plastic zip and built-in rubber thigh plating; a pair of rubber rerebraces with Velcro straps; a pair of leather gloves with rubber pointed knuckles ("34" and "910"); a belt and codpiece with plastic clip fastenings; and a pair of leather boots with rubber detailing on the shins, toes and heel caps ("86" and size "11 1/2"). The armor plating is painted gray with bronze accents, giving it a corroded, battle-worn appearance. Estimate: $800 - 1,200ΔThis lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

Lot 634

CLIFFORD - Clifford Daniels' (Martin Short) Schoolboy Suit CostumeClifford Daniel's (Martin Short) schoolboy suit costume from Paul Flaherty's black comedy Clifford. Hyperactive ten-year old Clifford wore his costume while deliberately tormenting his tightly wound uncle, Martin (Charles Grodin).This costume consists of a navy wool blend button-up blazer; a white cotton dress shirt marked "Martin Short" on the interior tag; a beige silk blend tie with red stripes; beige cotton shorts with nylon, leather, and metal suspenders; one pair each of navy socks, beige socks; gray socks; and one pair of blue leather and rubber dress shoes. It exhibits some wear, including loosening of several of the buttons on the blazer. Estimate: $1,500 - 2,500This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

Lot 712

EVIL UNDER THE SUN - Patrick Redfern's (Nicholas Clay) SuitPatrick Redfern's (Nicholas Clay) suit from Guy Hamilton's mystery film Evil Under the Sun. Patrick wore his suit when he and his wife Christine (Jane Birkin) first arrived at the hotel. The two-piece gray pinstripe suit features a double-breasted jacket and pants. The jacket has two Bermans & Nathans labels, one of which reads "Nicholas Clay 17388 Evil Under The Sun". The suit has no size labeling. It exhibits minor fraying of the threads on the suit. Estimate: $800 - 1,200This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

Lot 73

BREAKING BAD - Walter White's (Bryan Cranston) Superlab Hazmat CostumeWalter White's (Bryan Cranston) superlab hazmat costume from Vince Gilligan's crime thriller series Breaking Bad. Walt and Jesse Pinkman (Aaron Paul) wore updated versions of their iconic yellow hazmat suits while cooking Blue Sky meth in Gustavo "Gus" Fring's (Giancarlo Esposito) superlab throughout Seasons 3 and 4. In 2015, one of Walt's hazmat costumes was added to the Smithsonian Institute's permanent collection.This costume consists of a yellow hooded rubber, synthetic satin-like fabric zip-front hazmat suit hand-marked "WW" on the interior collar; a pair of matching slip-on booties; a NIOSH-approved 3M respirator mask; and a pair of blue rubber gloves. Also included are two Sony Pictures Television Certificates of Authenticity. The booties exhibit extensive griminess from production wear, and the suit's label is fading from age Estimate: $12,000 - 16,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

Lot 75

BREAKING BAD - Jesse Pinkman's (Aaron Paul) Hazmat CostumeJesse Pinkman's (Aaron Paul) hazmat costume from Vince Gilligan's crime thriller series Breaking Bad. Pinkman and Walter White (Bryan Cranston) wore their iconic yellow hazmat suits while cooking meth throughout Seasons 3 through 5, as well as their distinctive 3M respirator masks with pink filters while working in Gustavo "Gus" Fring's (Giancarlo Esposito) superlab throughout Seasons 3 and 4. In 2015, one of Jesse's hazmat costumes was added to the Smithsonian Institute's permanent collection.This costume consists of a yellow hooded rubber and synthetic fabric zip-up hazmat suit hand-marked "Jesse" on the interior collar; a NIOSH-approved 3M respirator mask labeled "JP" under gray rubber backing; and a pair of blue rubber gloves. Also included is a Sony Pictures Television Certificate of Authenticity. The suit is stained with grime on the chest and torn on the left leg, while the mask is extensively scratched from production use and handling. Estimate: $6,000 - 8,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

Lot 77

BREAKING BAD - Walter White's (Bryan Cranston) Hazmat CostumeWalter White's (Bryan Cranston) hazmat costume from Vince Gilligan's crime thriller series Breaking Bad. Walt and Jesse Pinkman (Aaron Paul) wore their iconic yellow hazmat suits while cooking meth throughout Seasons 3 through 5, as well as their distinctive 3M respirator masks with pink filters while working in Gustavo "Gus" Fring's (Giancarlo Esposito) superlab throughout Seasons 3 and 4. In 2015, one of Walt's hazmat costumes was added to the Smithsonian Institute's permanent collection.This costume consists of a yellow hooded rubber and synthetic fabric zip-up hazmat suit hand-marked "Walt" on the interior collar; a NIOSH-approved 3M respirator mask labeled "WW" under gray rubber backing; and a pair of blue rubber gloves. Also included is a Sony Pictures Television Certificate of Authenticity. The suit exhibits brown stains throughout the interior and extensive scratching to the mask from production use and handling. Estimate: $6,000 - 8,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

Lot 1082

PROMETHEUS - Elizabeth Shaw's Stunt EVA Suit BeltElizabeth Shaw's stunt EVA suit belt from Ridley Scott's sci-fi horror prequel Prometheus. The crew of the Weyland Corporation ship Prometheus wore their EVA suits while exploring the ancient alien derelict on LV-223.This red and black canvas work belt with metal Troll buckles is affixed with futuristic foam, rubber, and leather details painted to appear metallic and applied with Asiatic text and Weyland Corporation insignia. Decals on the boxes read "Medium" and the serial number "8415-782-3037," while the canvas is hand-labeled "Shaw #1 Stunt" on the interior in white ink. Following production, the belt underwent minor sympathetic restoration. The foam remains fragile from age and use, with cracking throughout, peeling from the canvas, and a loose buckle. Estimate: $2,000 - 3,000ΔThis lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.

Lot 1091

THE REPLACEMENT KILLERS - John Lee's (Chow Yun-Fat) CostumeJohn Lee's (Chow Yun-Fat) costume from Antoine Fuqua's action thriller The Replacement Killers. Professional assassin Lee wore his costume as he teamed up with document forger Meg Coburn (Mira Sorvino) during several of the film's climactic shootouts. This costume consists of a charcoal gray suit jacket with matching pants; a black and maroon striped button-up viscose dress shirt; and a cream-color cotton shirt. Also included is a certificate of authenticity and a color photo of Chow Yun-Fat wearing the costume. It exhibits signs of wear, including several damage holes and markings deliberately added by production on the jacket, shirt, and pants. Estimate: $800 - 1,200This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.

Lot 121

FIRST MAN - Dave Scott's (Christopher Abbott) Production-Used Gemini Space SuitDave Scott's (Christopher Abbott) Gemini production-used space suit from Damien Chazelle's biographical drama First Man. Scott wore his space suit as the Pilot of Gemini 8 which was central to the film's plot. This suit was crafted by spacesuit artist Ryan Nagata at the specific request of the First Man production team; it was available as a production back-up and lighting stand-in, but was not believed to have been used on film. It consists of a white polycarbonate and metal helmet with a clear visor, yellow padding, and a metal neck ring; a white blended-fabric zip-up bodysuit with blue polyester lining, nylon straps, a pressure gauge with a printed decal face, and metal buckles, wrist rings, and hose connectors, as well as "D.R. SCOTT," Gemini 8, NASA, and United States patches; white and yellow gloves marked "S"; and white boots with gray soles. The life preserver harness included was not used in the production, it is for display only.Also included are a pair of yellow rubber shoes, an additional Mercury helmet visor, white rubber tubing, and a gray nylon harness with resin buckles and silver-color fabric pouches added to complete the costume. The helmet exhibits scuffing, while the bodysuit exhibits some staining from production. Estimate: $6,000 - 8,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

Lot 1214

STAR TREK: THE MOTION PICTURE - Hand-Drawn David Negron, Sr. "Spock Taking Off" StoryboardA storyboard of Spock (Leonard Nimoy) taking off hand-drawn by David Negron, Sr. for the production of Robert Wise's sci-fi film Star Trek: The Motion Picture. Spock wore his space suit when he ventured into the center of V'ger.This storyboard is rendered in colored pencil on an artists' poster board signed by Negron and numbered "9" on the reverse. It depicts three viewpoints from the sequence hand-labeled "Spock takes off again," "Camera moves with Spock," and "Spock's P.O.V. moving toward light." Also included is a DJN Studios Certificate of Authenticity. The lot exhibits pinholes, folded corners, and staining across its back. Dimensions: 12" x 9" (30.5 cm x 23 cm)Sold without copyright; see notice in the Buyer's Guide. Estimate: $1,500 - 2,500This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.

Lot 1217

STAR TREK: THE MOTION PICTURE - Hand-Illustrated Jack Johnson Space Suit Sketches "Overlay" with Printed Template CopiesAn "overlay" of space suit sketches hand-illustrated by production illustrator Jack Johnson with printed template copies from Robert Wise's sci-fi film Star Trek: The Motion Picture. Spock (Leonard Nimoy) and Kirk (William Shatner) donned their Starfleet spacesuits when they attempted to make contact with V'Ger outside the Enterprise.This lot consists of an overlay illustration featuring three spacesuit costume sketches rendered in mixed media on letterhead from Apogee, Inc., Johnson's company, as well as printed copies of Apogee illustrations created as design templates. All exhibit bent corners, pinholes, and tearing from production. Dimensions (each): 11" x 17" (28 cm x 43.25 cm)Sold without copyright; see notice in the Buyer's Guide. Estimate: $500 - 700ΔThis lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.

Lot 1552

A GROUP OF SILVER AND SILVER MOUNTED COLLECTABLES (8)Comprising; a Victorian rectangular vesta case, with engraved decoration, Birmingham 1897, a rectangular plain vesta case, Birmingham 1919, four small dishes, each representing a differing playing card suit, one knife, having a silver blade and a small mirror, with enamel decoration, Birmingham 1916, overall combined gross weight 162 gms

Lot 1020

Two Bucherer Saba dolls, a gentleman redressed in black suit with cardboard top hat —8in. (20cm.) high; and a girl with replaced bisque-head (missing tips of fingers on one hand)

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