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A Leitz Leica MBR00 hard waterproof and shockproof case, to suit screw type cameras

A late 19th/early 20th century miniature display suit of armour formed from individually fashioned and riveted plates, with shield and broadsword, 30"", on oak plinth

A WWII 2 piece leather flying suit with fur lining

Firefighter`s equipment, comprising four full visor helmets, a silver suit complete with gloves, together with other kit and uniforms

PAIR OF CHINESE CARVED IVORY PALACE GUARDS PAIR OF CHINESE CARVED IVORY PALACE GUARDS,each standing wearing suit and armor, holding a spear with one hand, and resting their other hand over a sword. Mounted on a carved wood base. Height 9 º in. Weight 489.3 g.

A metal figure of St George in a suit of armour on rearing horse, 24cm high

A WOODEN STOOL/LOW TABLE CARVED AS AN ELEPHANT Another of three elephants beneath a tree; together with a carved figure of a penguin; a seated man and a gentleman dressed in a suit with his cane, the tallest 65cm high (5), part illustrated

Attributed to George Peter Alexander Healy (American/New Orleans, 1813-1894), "Portrait of a Seated Gentleman Holding a Book", c. 1855-60, oil on canvas, unsigned, 36 in. x 29 in., framed. Note: This spectacular portrait was painted either in Chicago – where Healy lived from 1855 to 1867–or in New Orleans (where the artist worked for two to three winters in the late 1850s and then from 1860-1861). Every hallmark of Healy`s well-known style is present in this painting. Almost uniquely among American artists of the period, he favored the extended format of a three-quarter-length sitting figure. He was also partial to carefully-delineated chairs, of which a typical model is included here. The gentleman`s suit, with its wide lapels, velvet collar, multi-buttoned silk waistcoat, wide cravat, and upturned collar points, is specific to the late 1850s. This portrait bears striking resemblance to an earlier portrait his brother Thomas Cantwell Healy painted of "F.A. Metcalfe" in 1853. In that painting, the carved chair and the (reversed) arrangement of hands holding the book are direct antecedents to the composition employed here. Most importantly, the gentleman`s physiognomy, detailed setting and costume in this portrait are a stylistic reprise of two 1860 masterworks by Healy: "Lewis Conner Jurey" and "Thomas Garten Blewett". G.P.A. Healy was able to combine diplomatic manners and great personal charm with obvious skill, making him a truly international celebrity, whose natural talents and affable character appealed equally to royalty, gentry, and patriots. He was encouraged by Thomas Sully and patronized by Mrs. Harrison Grey Otis to make the first of his thirty transatlantic crossings, to study in Paris with Baron Gros (and later with Thomas Couture). He became one of the favorite painters of King Louis-Philippe of France, and the King and Queen of Romania; after long residences in Paris, London, and New York, he settled in Chicago, where he made a specialty of painting generals, statesmen, and presidents (his 1864 Seated Lincoln, at the Newberry Library is one of his most celebrated works). His fame only intensified over the remaining thirty years of his life, and it has aptly been remarked that his cosmopolitanism prefigured and rivaled that of John Singer Sargent in the next generation. References: Mills, Sally. "Healy, G.P.A.". Grove Dictionary of Art, Jane Turner, ed., vol. 14. London, 1996, pp. 277-278; Kelly, Franklin et al.. American Paintings of the 19th Century, National Gallery of Art. Washington, 1996, pp. 298-300; Colonial Dames. Louisiana Portraits. New Orleans, 1975, pp. 146.

Charles Oglesby Longabaugh (American/New Orleans, 1885-1944), "New Orleans `Zoot Suit`", 1943, watercolor on paper, initialed, dated and inscribed "C.O.L. 43 New Orleans" lower left, signed and titled on mat board, sight 7 in. x 6 in., framed.

The contents of the first downstairs barn room, including numerous pieces of mahogany and other useful timber, work bench, metal filing drawers and many other items to suit a restorer/cabinet maker.

The contents of the second downstairs room, including mahogany breakfast table top, wardrobe doors and panels, an oak bureau, 18th century dresser rack , other timbers, mirrors etc., again to suit a restorer/cabinet maker.

Original 1960`s Hasbro GI Joe collectibles including `Jeep` combat set with rocket launching space pod, six dolls including an African American, various clothing including space suit, pamphlets, box and instructions and other accessories, etc.

AN EARLY 19TH CENTURY ENGLISH PRISONER OF WAR BONE MINIATURE DOMINO SET, the rectangular box with sliding cover with pierced card suit hearts and clubs decoration, one side engraved "Wm Johnson Fec`t", 9cm long

A two-piece bodyguard fireproof suit, made from heavy construction, late 20th century, please note not matching pair (2)

A two-piece bodyguard fireproof suit, made from heavy construction, late 20th century, please note not matching pair (2)Bid Live at the-saleroom.com

A large Georgene Aurill `Bonnie Babe` bisque head character baby doll, German for USA market 1915, fixed brown glass eyes, open mouth with moulded tongue and two lower teeth, domed head, on a cloth body with composition lower arms, wearing blue romper suit (incised: Copr by Georgene Aurill 1005/3652/4 Germany). 55cm

Sheridan Barnett for Quorum: A trouser suit of mocha crepe, c.1975/6, comprising full-cut blouse with smocked shoulder detail and tie collar and cuffs, together with wide-leg trousers with smocked and quilted waist, size 8, also a Quorum mini-dress, 1960s, the sleeves mint green dress with dropped waist and pleated skirt, size 10. (2) Provenance: From the collection of Suzy Menkes.

Chanel: An Alice blue bouclé wool suit, trimmed with eau de nil braid and gilt buttons with interlocking 'CC' motif, lined in silk with gilt chain weights to the jacket, labeled Chanel Boutique. (2) Provenance: From the collection of Suzy Menkes. CONDITION REPORT: Overall good condition, a couple of light stains and one pulled thread noticed. Needs dry cleaning. Size label worn but measures at 44 inch bust and 28 inch waist.

Stephen Marks: A damson cotton velvet pinstripe trouser suit, c.1970, the jacket with wide lapels and patch pockets, size 14, together with a pair of damson tie dye suede flared trousers by Miura, a similar pair in blue and a Jean Muir black suede duster coat with puffed batwing sleeves and punched detailing, size 12. (4) Provenance: From the collection of Suzy Menkes.

Christian Lacroix: A black wool damask suit, 1990s, the short fitted jacket with wide lapels and silver grey ribbon detailing, size 42, together with a Christian Lacroix silk shirt style jacket, 'Plaza de Toros. (3) Provenance: From the collection of Suzy Menkes.

Jean Muir: A collection of clothing to include a purple wool crepe trouser suit, 1980s, the collarless jacket with draped and flyaway front, size 14, together with a tomato red cable knit wool sweater dress with crew neck, a knitted sweater dress in navy blue wool with ribbed V-neck, a black wool jacket with braid detailing to the sleeves, turn back cuffs and front patch pockets along with two further tops, all labelled Jean Muir. (Lot) Provenance: From the collection of Suzy Menkes.

A collection of knitwear to include a Jean Muir sweater top and skirt suit, the top with polo-neck and central front breast patch pocket, further designs by Edina & Lena and Christian Lacroix. (Lot) Provenance: From the collection of Suzy Menkes.

A collection of designer clothing to include a Janice Wainwright silk deep two-tone pink and green top, with draped cowl neckline, front patch pockets and handkerchief hem, size 10, a pair of similar colour way trousers, Janice Wainwright, a pair of chocolate brown velvet trousers, Omo, Norma Kamali, together with a 10 Corso Como lilac slub silk coat and trouser suit and a Gianni Versace silk floral chintz blouse with batwing sleeves, draped front panel and knitted back. (5) Provenance: From the collection of Suzy Menkes.

Yves Saint Laurent: A ivory linen tuxedo-style trouser suit, 1990s, single button double-breasted jacket with wide lapels and straight legged trousers. Provenance: From the collection of Suzy Menkes.

Yves Saint Laurent: A tan tweed trouser suit, 1990s, the single breasted jacket with front flap pockets and buttonhole detailing to the cuffs, size 42. Provenance: From the collection of Suzy Menkes.

Yves Saint Laurent: A cerise two piece jacket and skirt suit, 1980s, the fitted jacket with two detachable white ruffs and large contrasting buttons, turn-back cuffs with button detailing, the pencil skirt with two front pockets, size 40, together with an Yves Saint Laurent midnight blue velvet jacket and skirt suit, the fitted jacket with puffed sleeves, two front pockets, black braid edging and gilt buttons, the skirt flaring from the hip, size 42. (2) Provenance: From the collection of Suzy Menkes.

Christian Lacroix Bazar: A black smoking suit, the long line jacket with sateen lapels and single button fastening, size 46. Provenance: From the collection of Suzy Menkes.

Yves Saint Laurent: A black jacket and skirt suit, 1980s, the cropped jacket with wide lapels and single button fastening, together with an Yves Saint Laurent haute couture olive green safari jacket, an Yves Saint Laurent red cotton bolero jacket with red plastic crystal cuff buttons, and an Yves Saint Laurent black skirt, size 42. (4) Provenance: From the collection of Suzy Menkes. CONDITION REPORT: All items in good condition.

SUIT OF ARMOUR, 21st century metal, reproduced in Medieval style, 168cm H, on wooden plinth.

A Cromwellian Pikeman's Suit of Armour: A helmet, breast plate and back plate Circa 1630, with later straps and fastenings.

An Impressive 19th Century Copy of a 16th Century Full Suit of Armour engraved with panels of scrolling foliate decoration and mounted on an oak box form plinth.

A box containing a Myott Meakin blue and white part dinner service, together with a box containing a Royal Grafton part tea set and various Italian dinner wares, two suitcases and a matching suit cover, etc

An Igbo costume, with carved mask and a red velvet suit, with applied geometric designs, 216cm high.

Burberry tweed jacket & plus fours suit

Grey morning suit - H H Cox Grantham

DUHAMEL DU MONCEAU (Henri-Louis). Traité des arbres et arbustes qui se cultivent en France en pleine terre. Paris : H. L. Guérin, L. F. Delatour, 1755. — 2 volumes in- 4, (2 ff.), lxij, 368 pp. , 140 planches ; (2 ff.), 387 pp. , 114 planches. Veau marbré, dos à nerfs orné, tranches mouchetées rouges (reliure de l’époque).{CR}{CR}Nissen, 547.{CR}Édition originale de ce traité fondamental pour l’étude des arbres, le plus complet jamais publié sur ce domaine au XVIIIe siècle, destiné à faire connaître “les différens Arbres, Arbrisseaux & Arbustes qu’on peut élever en pleine terre dans les différentes Provinces de France” (préface).{CR}Duhamel du Monceau a choisi l’ordre alphabétique pour décrire les arbres et arbustes, et a suivi la nomenclature de Joseph Pitton de Tournefort. “Chaque genre d’Arbre & d’Arbuste forme un article séparé… On trouve ensuite un ou plusieurs noms latins ou françois sous lesquels les genres sont le plus généralement connus. Immédiatement après suit une description qui convient à tout le genre dont on traite : nous avons ensuite la liste de toutes les espèces connues, avec les phrases latines & leur traduction en françois ; cette liste est suivie de la culture qui convient aux Arbres du genre dont il s’agit ; viennent ensuite les usages, sur lesquels nous nous sommes plus ou moins étendus, suivant que le genre nous a paru l’exiger” (pp. iv-v).{CR}L’édition comprend une abondante illustration, se composant d’un en-tête dessiné et gravé par Nicolas-Marie Ozanne, de 193 figures gravées en taille-douce placées en tête de chaque article, représentant “les caractères de chaque objet, c’est-à-dire, le détail des fleurs & des fruits qui en sont les parties vraiment caractéristiques”, et de 254 planches dont 4 dépliantes gravées sur cuivre et 250 gravées sur bois figurant des feuilles ainsi que des branches chargées de fleurs et de fruits. Plusieurs des planches ont été gravées avec les bois de Liberale et Wolfgang Mayerpeck utilisés par Pietro Andrea Mattioli pour son Commentarii in sex libros Pedacii Dioscoridis Anazarbei, de medica materia publié à Venise en 1565.{CR}Trois coiffes abîmées, griffures, épidermures et quelques travaux de vers sur les plats, fente aux charnières. Très bon état intérieur.

TÀPIES (Antoni) - JABÈS (Edmond). Ça suit son cours. [Saint-Clément-de-Rivière] : Fata Morgana, (1975). {CR}— In- 8, 123 pp. , (2 ff. dernier blanc), couverture illustrée. En feuilles, couverture rempliée, étui boite en carton de l’éditeur.{CR}{CR}Édition originale illustrée de 5 eaux-fortes originales d’Antoni Tàpies (1923-2012), dont une sur la couverture, et de {CR}13 dessins clichés en noir dans le texte. De la collection “Le grand pal”, dirigée par Bernard Noël et Bruno Roy.{CR}Tirage à 102 exemplaires numérotés sur papier vélin d’Arches, signés par l’auteur et l’artiste.{CR}Exemplaire à l’état de neuf.

Valentino, Italy. A navy two piece suit jacket and skirt with white ribbon belt, size 8/42, together with an Ann Louise Roswald coat dress, size 12.

DAISY DEIZIE? (20th CENTURY) MONOTYPE PRINT Seated lady with a cigarette and an admirer in black suit and bowtie signed in pencil 23" x 18" (58.5 x 45.7cm)

A ladies suit comprising of long skirt and collarless jacket in an oriental style in a cream coloured fabric heavily embroidered in a royal blue and green colourway and depicting Chinese sailing vessels together with a green, blue and black lurex dress, a full length ladies cape in a fine brushed weave cappuccino coloured fabric decorated to the neck with cream coloured floral motifs and cream coloured braid trimmings

EARLY BARROIS TYPE FRENCH FASHION DOLL. Pale bisque 1-piece head and shoulder with corn flower blue eyes, incised on back of shoulder plate ""B4S"". Head is mounted to an all leather body with well-detailed bisque forearms and gusset joints at the hips and knees. She wears an antique gray/blue 2-piece walking suit with black, gray, and fringe trim, a newer blonde mohair wig over cork pate, and newer leather French fashion boots. SIZE: 18"" t (45cm). CONDITION: Very good with some minute chips to back of head opening and three missing fingers on right hand. 1-13681

LOT OF THREE ASSORTED DOLLS. Largest is an early cloth Madame Alexander doll in original box ""Little Nell"". Also included is a papier mache head squeak toy woman with a banner across her chest reading ""Votes for Women"". Last is an earlier Barbie with swivel neck, original black and white swim suit. SIZE: Little Nell: 15"" t (38cm). Barbie: 11"" t (28cm). CONDITION: Good to very good. 1-14093

LOT OF THREE SCHOENHUT ROLY POLYS. Lot includes three papier mache/composition Schoenhut roly polys including a Happy Hooligan musical figure with wind chime like tones, a brightly polychromed portly figure with clown like hat. He is depicted in gentleman`s vest and suit. And also a boy figure roly poly with nicely detailed facial features and original Schoenhut label. SIZE: Largest is 10-1/2"" t. CONDITION: Happy Hooligan has separation of composition at ear. Otherwise lot is bright, clean, and very good. 1-13884

LARGE COMPOSITION SANTA CONTAINER. Interesting standing Santa, circa 1940s. Composition material with flocked red suit and large mica like surface to beard and suit trimmings. Head removes for access to large container. We have not seen this Santa before! Body style and materials suggest American manufacture. Great face! SIZE: 21"" t. CONDITION: Area in need of repair at back side of boot. Otherwise figure good to very good. 1-13975

PRETTY 1880s ERA FRENCH FASHION DOLL. Unmarked bisque socket head attributed to Jumeau on separate bisque shoulder plate with lovely blue paperweight eyes, closed mouth, pierced earlobes, on original white leather body with gussets at the hips, knees, and elbows as well as separately stitched fingers. She wears a strawberry blonde mohair wig over cork pate, antique brown leather French fashion boots, and a well made 2-piece walking suit made of all antique fabrics. SIZE: 15"" t (38cm). CONDITION: Overall very good; slight pitting on cheek next to left ear. 1-14056

UNMARKED FRENCH FASHION DOLL. Pale bisque socket head which swivels on separate bisque shoulder plate with lovely violet blue eyes, closed mouth with V-shaped upper lip, multi-stroke blonde eyebrows and finely painted lashes, pierced earlobes, on all leather body with gussets at elbows, hips and knees. The two piece walking suit is made entirely of antique fabrics, the wig is antique mohair, and she also comes with a wide-brimmed straw hat with feathers. SIZE: 14"" t (36cm). CONDITION: Old faint hairline on left side of forehead; faint surface scratch above right eyebrow; major deterioration on leather body, especially the arms. 1-13683

Quantity of assorted space and robot toys: Bandai Raidor radio controlled robot; MB Electronics Star Bird Space Avenger; Bandai Robo Machine Armure Battle Suit; Mattel Captain Power and the Soldiers of the Future Powerjet XT-7 Deluxe Set; Bandai Power Rangers Deluxe Transforming Ninjor. All boxed, overall appear VG. (5)

Three science fiction related model kits: Bandai Prefect Gundam RX-78 Mobile Suit Variation No. 34; WARP Star Trek Enterprise-C resin kit; Pumpkinhead resin kit. Appear complete (not checked) and unstarted. (3)

[CHATEAUBRIAND]. Charles ALEXANDRE. 1797-1870. Écrivain helléniste. Manuscrit. Morlaix, 11 août 1848. 25 ff. in-4. Belles pages contenant le récit détaillé des funérailles de Chateaubriand par l’helléniste Charles Alexandre ; de l’arrivé du cortège à St-Malo jusqu’au tombeau creusé dans le granit face à la mer, avec plusieurs anecdotes sur le déroulement des cérémonies ; (…) L’histoire, la poésie avaient à faire leur adieux (…). Puis s’avança un petit homme frèle, modeste et simple, vêtu avec négligence ; tout l’aspect d’un savant, c’étais Ampère. À cette physionomie un peu vulgaire, je regrettai déjà Hugo et sa belle figure pâle sous ses longs cheveux noirs (…). Suit un hommage sur la vie de Chateaubriand et ses œuvres.

[MOUSQUETAIRES du ROI]. Rare réunion de documents la plupart signés du marquis de La Grange, capitaine-lieutenant des Mousquetaires noirs du Roi pour la réception du lieutenant Pierre-André Frigard à la 2e Compagnie, comprenant : - P.S. Paris, 1er janvier 1815. Vélin oblong en partie imprimé, cachet à l’encre et sous papier ; mouillure claire. Brevet de lieutenant de cavalerie délivré au sieur Frigard, mousquetaire de la 2e Compagnie de sa Garde. Pièce signée par le ministre de la guerre le duc de Feltre. - P.S. Paris, 1er janvier 1815. 2 ff. in-folio en partie imprimées, en-tête en coin de la 2e Cie des Mousquetaire de la Garde du Roi. Lettre circulaire du commandant la compagnie des Mousquetaires reconnaissant les qualités engageant l’ancien militaire à faire partie des Mousquetaires en pied de la Garde, précisant que Messieurs les mousquetaires doivent se monter et s’équiper à leur frais, à hauteur de 3 000 francs qu’ils doivent verser en totalité au trésorier de la compagnie. Suit une note sur la solde des Mousquetaires. Joint le tableau détaillant son uniforme et son équipement délivrés au moment du dépôt de la mise de 3 000 francs en mars 1815 (2 pp. bi-feuillet in-folio) et 14 quittances sous formes de 9 bandeaux pour l’attribution de ses effets militaires, signées par le trésorier de la compagnie. - P.A.S. Paris, 8 août 1815. 1 pp. ¼ petit in-folio en partie imprimée, avec en-tête de la Maison du Roi, 2e Cie des Mousquetaire de la Garde, vignette aux armes de France. Certificat du marquis de La Grange, autorisant l’officier à séjourner à Paris, où sa présence est exigée pour le service qu’il a l’honneur de faire auprès du Roi, comme appartenant à la Maison de Sa Majesté. Apostille au verso du commandant les mousquetaires autorisant Frigard à se rendre à Louviers dans l’Eure, pour y chercher son cheval d’escadron. - P.S. Paris, 31 décembre 1815. 1 pp. 1/3 bi-feuillet in-folio, en-tête de la Maison du Roi, 2e Compagnie des Mousquetaires avec grandes armoiries de France, blason gravé, cachet de l’inspection. Tableau matricule vu et signé par le marquis de La Grange, dans lequel sont consignés les services et campagnes de l’officier ; enrôlé volontaire au 15e Régiment de dragons le 1er frimaire an 11 (22 novembre 1802), maréchal des logis chef dans les Guides de l’Armée d’Angleterre le 17 ventôse an 12 (8 mars 1804), puis rentré au 15e Régiment de Dragons le 8 pluviôse an 13 (28 janvier 1805), réformé en juin 1808, pris comme mousquetaire de la 2e Compagnie en janvier 1815, licencié en décembre ; il avait fait les campagnes sur les côtes de l’Océan puis celle de 1806 et 1807 en Pologne et en Prusse, et participé à la campagne de 1815 avec les Princes.

Arturo TOSCANINI. 1867-1957. Chef d’orchestre italien. Note aut. signée. Milan, 3 juillet 1923. 1 pp. ½ in-4, au crayon. & 2 photographies avec envois aut. signés. 30 avril 1892 & Milan, 30 octobre 1928. Tirages argentiques 12 x 17 cm collé sur papier fort & 16.5 x 23 cm. Portraits du chef d’orchestre Toscanini avec envoi autographe en hommage à Lena Mendl Basevi. Joint une lettre de l’éditeur Ricordi demande à Toscanini en 1923 un facsimilé de l’autographe de Verdi sur la partition de Falstaff. Suit la note autographe du chef d’orchestre.

Gent's black evening suit and a lady's black serge uniform cape.

8 Dinky Toys. Vega Major Luxury Coach (952). Bedford Turntable Fire Escape (956), Commer Fire Engine (955). Caravan (190), yellow/cream example. All boxed. Plus loose – Foden wagon, four wheel trailer to suit. A Bedford Articulated Lorry and a Coles crane. Also an empty box for a Guy Flat Truck (512). QGC-GC some chipping and wear/damage to boxes. (9)

A 1960S-70S MANSFIELD BY FRANK RUSSELL BITTER YELLOW WOOL COAT of three-quarter length; a 1960s-70s `St. Michael` black wool coat; a 1970s Debenhams red wool coat; a 1970s lady`s black velvet suit; and two other items.

A COLLECTION OF FORMAL MENSWEAR comprising a Lincoln Bennett black felt bowler hat; two black felt trilbies; an evening suit by Hepworths; and assorted dress waistcoats, shirts, collars, and ties.

Fur coat, faux fur coat, sheepskin jackets, Alexon pink coat, crimplene suit, grey wool jacket and a box including hats and handbags etc

A Chinese embroidered robe (replacement lining and has been interlined), Harrods `Sara` two piece trouser suit, green cheesecloth dress, Louis Feraud shirt waister (4)

JEAN MUIR- A VINTAGE NAVY TWO PIECE CREPE SUIT, comprising dress and jacket, labelled size 10, together with a navy crepe belted dress, labelled size 8, and a long length blouson style dress coat, labelled size 14 (3)

A LADIES VINTAGE `MONDI - GALA` BOLERO JACKET, black ground with gilt metallic thread embellishment and contrasting buttons to cuffs, together with a collection of `Jaeger` ladies clothing, comprising a two-piece suit and five jackets, including a double breasted blazer style example (7)

* A PORCELAIN FIGURINE OF A JEWISH MAN CHECKING HIS WATCH GARDNER MANUFACTORY, MOSCOW, 1800–1820s Height 18 cm. Provenance: Anonymous sale; Russian Works of Art, Fabergé and Icons, Sotheby’s Olympia London, 22 May 2003, lot 209. Related literature: For similar works, see V.A. Popov, Russkiy Farfor. Chastnye zavody, Leningrad, 1980, ill. no. 62. Realistically modelled, wearing a black overcoat with a full-length brown suit jacket underneath, a dark green top hat and holding a gold pocket-watch, the shaped geometrical base imitating pavement, with underglaze manufactory mark.