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German WW2 Luftwaffe pattern full leather flying suit

A Webley 'Mark 1' air pistol, marked to the piston Webley and Scott Ltd, Birmingham 4 with interchangeable barrel to suit both 0.22 and 0.177 pellets, circa 1958 with a small quantity of 80 - 100 - 0.177 pellets - Est £80 - £100

A box of 1970s costume including a silver lurex bathing suit, a psycadelic dress, a suede coat with fur trim, a pair of Dolcis platform shoes size 5, a pair of silver coloured boots, a pair of Rigon 'Liza' healed rubber boots, size 5 etc.

A quantity of vintage clothing including a Frank Usher skirt suit, Chinese jacket etc

A 1930s floral printed cotton louinging suit in yellows, reds and orange with wide bottomed trousers

A 1940's floral printed skirt suit with lace trimmed collar

A 1950s Alice Edwards navy satin dress with black flock detail; tog. with a striped grey wool skirt suit by Mornessa of similar date

A 1920s black crepe chiffon dress with devore velvet; and a 1930's skirt suit and blouse (2)

A 1960's beige and brown trousers and tunic suit with pink embroidered detail, a chocolate brown chiffon cocktail dress, a 1950's striped orange and brown chiffon cocktail dress and a blue and green floral print sleeveless dress (4)

A 1920s green woollen swim suit with red border; tog. with a peach and a black costume (2)

A Betty Barclay navy shirt dress together with a Bruce Oldfield burgundy skirt suit (2)

A group of gentleman's clothing including tweed jacket, white evening scarf, morning suit trousers etc

A gentleman's three piece suit, trousers, jacket and waistcoat c.1870

A vintage Moss Bros. suit, a cream suit, men's eveningwear and a pair of woollen trousers.

Wedgwood Black Playing Card Suit Dishes, Boxed.

A cream Chanel boucle skirt suit and Chanel jacket the suit with single breasted jacket, three gold coloured logo buttons, two pockets to front, with A-line skirt with six logo buttons to front, two pockets to front European size 40; together with a Chanel cream jacket with four pockets to front with ribbon trim, five front buttons and three cuff buttons European size 36Dimensions: Condition reportThe suit with some marks to the lapel, the skirt with some wear. Bobbling to both; Wool and Nylon with 100% silk lining. The second jacket with some marks to front; Nylon and Wool and 100% silk lining.

Two Valentino skirt suits the first lilac suit with single breasted jacket with braided trim size 8, the second cream and black fleck silk skirt suit, the jacket with hook and eye fastening and tie to front, size 8Dimensions: Condition reportThe first in fair condition the fastening to skirt in need of repair, wool. The second 100% silk, lined in fair condition

A Valentino trouser suit. light beige suit with open fronted jacket trimmed with beading to collar and short beaded belt to back, size 8Dimensions: Condition reportIn good overall condition, Viscose, polyester, and linen, jacket lined

A pink Chanel wool skirt suit single breasted jacket with pale pink satin trim, two pockets to front, five logo buttons, the matching skirt with similar trim and front vent, European size 38.Dimensions: Condition reportGood overall condition, wool, nylon and mohair

Two Chanel skirt suits the first cream suit with beige flecks, the jacket with logo buttons up to skirt collar style neck, two breast pockets, with matching skirt, European size 38, the second a denim jacket with four buttons, four pockets and matching skirt, Jacket 38, skirt 42Dimensions: Condition reportQuite badly stained particularly to skirt and front of jacket- poor condition, cotton, rayon, acrylic and polyester. The second - jacket has been worn more than skirt and looks more worn, in fair condition - in need of clean.

A cream Chanel wool skirt suit the jacket with round neck and black and red trim to edges and cuffs, with logo buttons to front, and Chanel branding to left cuff and skirt top, with fringe to base of front jacket, with matching skirt with box pleat to front and back, European size 40 Dimensions: Condition reportIn good overall condition. Lined 98% wool.

17TH CENTURY ENGLISH SCHOOL Bust length portrait of Admiral George Legge, First Baron Dartmouth (c. 1647-1691) with long curly hair and wearing a suit of armour, oils on copper, 17cm x 13cm

Palitoy vintage Action Man Action Pilot, on brown painted head fixed hands doll, orange flight suit, with accessories including clip board with pad and pencil, pistol belt with 45 ,dog tag, in complete near mint original condition

Palitoy vintage Action Man Scramble Pilot, on black painted head fixed hands doll, orange flight suit with accessories including clip board with pad and pencil, pistol belt with 45 ,parachute pack, life vest, crash helmet with face mask, hose connection in complete near mint original condition

Palitoy vintage Action Man Scramble Pilot, on brown painted head fixed hands doll, grey flight suit with accessories including clip board with pad and pencil, pistol belt with 45 ,parachute pack, life vest, crash helmet with face mask, hose connection in complete near mint original condition

Palitoy vintage Action Man Red Devil 1st issue on blond flocked hair,gripping hands doll, jump suit,helmet, working parachute pack and harness, reserve pack, goggles and boots, with leaflet, in complete excellent original condition

Palitoy vintage Action Man Footballers ,West Ham United on blond flocked hair, fixed hands, doll, shorts, shirt, socks, boots track suit top, Leeds United on brown flocked hair, fixed hands doll, shorts, shirt, socks, boots track suit top, plus display stand, world cup 1970 track suit top, white sportsman shirt, shorts and a pair of socks, dolls are near mint, track suit tops are in excellent to near mint condition, West ham shirt has number 9 on back, missing club badge to front, Leeds shirt has club badge, no number on back

Pedigree unboxed Paul Sindys Boyfriend, Sindys sister Patch,Ideal Tammy doll, dolls are fair to good condition, Sindy Catalogue, plus a quantity of clothes including Pauls, from seaside outfit, red demin slashed neck jacket, sandals, red beach towel and camera, from London Look, black suit jacket and trousers, blue linen shirt, Chelsea boots and socks, casual jacket and other items, all in good condition

The Six Million Dollar Man Bionic Man, by Dennis Fisher, Steve Austin, including engine, figure is good, rubber sleeve on arm is missing,no badge on track suit, complete with box, some age wear, plus boxed back pack radio (missing inner card) boxed critical assignment legs, in near mint condition and Bionic Mission Vehicle Kenner, boxed, not complete (4 items)

Schuco Motor Drill 1006 Tinplate Motorcycle -(US Zone, Germany) red, with tin printed detail including rider with yellow suit,cream helmet, racing number 4, working clockwork motor (missing key) in very good condition, approx length 5"(12.5cm)

Schuco Tinplate Motorcycle -(US Zone, Germany) Mirakomot 1012,scarce blue, with tin printed detail including rider with tan suit, racing number 1, working clockwork motor (missing key) in fair to good used condition, front headlight is loose, approx length 5"(12.5cm)

An early 20thC etching of a fine featured boy or possibly a girl in a man's suit sitting in an armchair. Worn gallery label verso unreadable but possibly reads Nick Peu____ Etching circa 1915(16.5cm x 11.5cm)

Four small antique suit cases, one with soft goods; together with a larger suitcase. (5)

NAVY BLUE SUPER 100'S ENGLISH WOOL SUIT FABRIC made by Joseph Hirst of Huddersfield, mill since incorporated into Dugdale Bros. & Co., woven in a thin herringbone, white selvedge 'Joseph Hirst JH Super 100's All Wool Worsted Made in Huddersfield England', including five suits lengths of approximately 3-4 yards each, one larger length of approximately 10 yards and a large roll measuring approximately 70 yards, very approximately 95 yards in total (7)

BLACK AND LILAC DOUBLE PINSTRIPE SUPER 100'S ENGLISH WOOL SUIT FABRIC made by Joseph Hirst of Huddersfield, mill since incorporated into Dugdale Bros. & Co., white selvedge 'Joseph Hirst JH Super 100's All Wool Worsted Made in Huddersfield England', including nine suits lenthgs of approximately 3-4 yards each, very approximately 35 yards in total (7)

TWO TYPES OF NAVY AND WHITE PINSTRIPE ENGLISH SUIT FABRICS made by Joseph Hirst of Huddersfield, mill since incorporated into Dugdale Bros. & Co., including a Super 100 wool with white selvedge 'Joseph Hirst JH Super 100's All Wool Worsted Made in Huddersfield England', five suit lengths of approximately 3-4 yards each; together with a superfine wool with slightly fuller pinstripe, red selvedge 'Joseph Hirst JH Superfine All Wool Worsted Made in Huddersfield England', two rolls of approximately 10 yards each and one suit length of approximately 3-4 yards, very approximately 18 and 23 yards respectively in total

SIX TYPES OF PINSTRIPED ENGLISH SUIT FABRIC including a Radnar, Liston & Co. superfine wool in dark brown with broken white pin stripe, with original gold label, a wool in black and broad cream pin stripe, a Joseph Hirst Superfine Wool in navy and narrow light blue pin stripe, a Blue Chip Superfine Wool in plum with white pin stripe, a Superfine Merino All Wool in black with narrow light grey pin stripe and a Joseph Hirst Super 100s All Wool in navy blue and maroon double pin stripe, all suit lengths of approximately 3-4 yards (6)

BLACK ENGLISH WOOL SUIT FABRIC all with yellow selvedge '[Waton & McCrea?] 100 All Wool Made in England', including twenty suits lengths of approximately 3-4 yards each, one length of approximately 5 yards and another roll of approximately 10 yards, very approximately 85 yards in total (22) Note: Three of the lengths have mild white staining to the outermost layer consistent with once being mildly damp

SIX LENGTHS OF PINSTRIPED ENGLISH SUIT FABRIC including a suit length of black with board white pinstripe wool, a suit length and a roll of approximately 10 yards of navy blue with pink pinstripe wool, a suit length of black with double and single white pinstriped fabric and a suit length of grey and pink single pinstriped fabric, each suit length approximately 3-4 yards (6)

EIGHT SUIT LENGTHS OF ENGLISH TWEED including check and plain weave in grey, green and brown tones, all suit lengths of approximately 3-4 yards (8)

ELEVEN SUIT LENGTHS OF ENGLISH TWEED including herringbone and plain weave in green, brown and blue tones, one green and blue blend was originally woven for the House of Givenchy, all suit lengths of approximately 3-4 yards (11)

NINE TYPES OF STRIPED ENGLISH FABRIC including a group of three wool fabrics, each colour varients of the same design, all with white selvedge 'Blue Chip Superfine Worested Made in England', two suit lengths of blue with a yellow and white stripe, one suit length and a roll of approximately five yards of a green with orange and white stripe and a roll of approximately 6 yards of a black and orange with blue and white stripe; together with two suit lengths of similar variants of a silk and wool blend, white selvedge 'Blue Chip Superfine Silk/Wool Made in England', originally woven for the House of Givenchy, three other suit lengths and a roll of approximately 6 yards of other wool fabrics, all with white selvedges, each suit length approximately 3-4 yards (11)

EIGHT TYPES OF BLUE ENGLISH WOOL SUIT FABRICS including a blue and grey striped wool polymer blend, yellow selvedge 'Superfine 55% Terylene 45% Worested Made in England, five suit lengths and a roll of approximately 10 yards; together with seven other wools, all blue checked or woven, one with Joseph Hirst superfine selvedge and several of the others with selvedges marked superfine, all suit lengths approximately 3-4 yards long (13)

MOTTLED BLACK ENGLISH WOOL SUIT FABRIC mildly mottled with orche yellow woven in tight check, three suit length of approximately 3-4 yards each and a roll of approximately 10 yards (4)

THREE TYPES OF BLACK AND DARK GREY ENGLISH SUIT FABRICS including a superfine black wool, red selvedge 'JH Joseph Hirst JH Superfine All Wool Worsted Made in Huddersfield England', including five suits lengths and one larger length of approximately 10 yards; together with luxury fine dark grey wool, white selvedge 'Joseph Hirst Luxury Wool Worsted Made in Huddersfield England', four suits lengths, a Super 130 dark grey wool cashmere blend, yellow selvedge 'Super 130's Wool and Cashmere Made in England', two suit lengths, also with two grey fabrics, each a suit length, all suit lengths approximately 3-4 yards (14)

SIX TYPES OF ENGLISH TWEED including check weaves in green and brown tones, five suit lengths of different fabrics together with one suit length and a roll of approximately 6 yards of another, all suit lengths of approximately 3-4 yards (7)

SIX TYPES OF ENGLISH TWEED including a Ragnor and Liston superfine green and brown toned check wool, yellow selvedge 'Superfine All Wool Worested by Ragnor Liston & Co. Ltd. England', six suite lengths; together with five other suit lengths of different green and brown toned check or striped wools, some with selvedges, each suit length approximately 3-4 yards long (11)

FIVE TYPES OF ENGLISH WOOL SUIT FABRIC made by Joseph Hirst of Huddersfield, mill since incorporated into Dugdale Bros. & Co., including one suit length of dark grey with thin orange pin stripe wool and cashmere blend, selvedge ''Joseph Hirst JH Luxury Wool And Cashmere Made in Huddersfield England', two suit lengths of grey thin herring bone wool, selvedge 'Joseph Hirst JH Superfine All Wool Worsted Made in Huddersfield England', a roll of approximately 10 yards of black and cobalt blue check wool, selvedge 'Joseph Hirst JH Superfine All Wool Worsted Made in Huddersfield England'; together with two suit lengths of herringbone woven tweed, one dark green and blue mottled, the other dark blue and black mottled with selvedge 'Made in England', each suit length approximately 3-4 yards long (6)

BLACK CASHMERE AND WOOL BLEND ENGLISH COAT FABRIC a roll of three coat lengths, approximately 10-12 yards; together with two cream wool fabrics, one suit length of approximately 3-4 yards with red selvedge 'Joseph Hirst JH Superfine All Wool Worseted Made in Huddersfield England' and a roll of wool blend with yellow selvedge 'Cota Terulene Wool Made in England, approximately 10 yards (3)

SIX TYPES OF ENGLISH TWEED including four suit lengths of a grey check wool, one suit length of a brown striped mohair with selvedge, two suit lengths and a roll of approximately 6 yards of a brown diagonal stripe fabric; together with a brown and two khaki fabrics, each suit length approximately 3-4 yards long (10)

A collection of various costume jewellery, including two 9ct gold rings, AF, silver and sapphire dragonfly earring and necklace suite, a set of four silver spoons, each having a suit from a deck of card, compacts and more (parcel)

An early 20th century painted miniature on paper depicting a young boy in a sailor suit and another holding a bouquet of yellow flowers within Arts & Crafts style hammered silver oval frame.

A vintage leather silk lined vanity case, a leather suit case plus a woven wooden picnic basket

20thC British School - a half length portrait, a seated gentleman, wearing a dark suit oil on canvas bears an indistinct signature & dated 1936 37.5'' x 30'' in a moulded gilt frame

A modern 'aluminium' reproduction of a Medieval knight's suit of armour 72''h

A modern 'aluminium' reproduction of a Medieval knight's suit of armour 72''h

A CASED SET OF FOUR BRIDGE PENCILS stamped 'Sterling Silver', each with different suit to the finial

J.F. Harrison Dutton (19th/20th century) - Portrait of a lady, bust length, wearing a black dress and pearl necklace, Portrait of a gentleman, head and shoulders wearing a grey suit, signed and dated '96 (1896), oil on canvas, each 28" x 24" (pair) *The pictures are contained within elaborately carved gilt wooden frames with foliate scrolls and acanthus leaf decoration to both the corners and centres of the moulding

ORAZIO GENTILESCHI (attr.) (Pisa, 1563-London, 1639) The Ascension of Christ Oil on canvas, 138 x 168 cm Formerly in the collection of Claudio Strinati This painting clearly dates back to the transition phase between the 16th and 17th centuries, during which central Italy was a seething cauldron of talent in the shape of the great Mannerist masters who were already toying with modern naturalism – painters such as Giovanni Baglione, Ferraù Fenzone, Cristofano Roncalli known as Il Pomarancio, Giovanni Battista Pozzo, Tommaso Laureti, the Cavalier d'Arpino and others. The Ascension of Christ under discussion here has obvious points of contact with that environment, particularly with the circles of Pomarancio and of the Cavalier d'Arpino, yet it hints at a different culture – albeit at a culture of lofty formal and expressive quality. The work may reasonably be dated to the very early years of the 17th century, possibly even to before 1605. In this connection, it may be meaningful to link it to the still relatively obscure phase in the career of Orazio Gentileschi stretching from Jubilee Year in 1600 to 1606–7, when we can start to identify, with absolute certainty, works by Orazio that are both clearly influenced by Caravaggio and of unquestioned date. From the trial of 1603 in which Baglione brought a suit against Caravaggio and others, we learn that Caravaggio and Gentileschi had been the best of friends until the year 1600, even swapping useful tools of the painter's trade such as the pair of wings and the Capuchin friar's habit famously described in a testimony in the trial. Over the following two years, one gets the impression from the trial proceedings that relations between the two artists began to turn sour after they fell out for some unknown reason. But in 1603 we know as yet of no certain works by Gentileschi that can be clearly ascribed to the influence of Caravaggio. It is only with the Baptism of Christ in the church of Santa Maria del Popolo in Rome that we finally have a fully Caravaggesque work by Gentileschi, yet it is unlikely to have been painted before 1605–6. With the loss of the Fall of Saul that Gentileschi painted for the basilica of St. Paul's Without the Walls and of the frescoes in the apse of the church of San Nicola in Carcere, of whose existence we know from archival do- cuments, we can say nothing definite about Gentileschi's presumed intermediate phase between Mannerism and his subscription to the style of Caravaggio. The work under discussion here, however, may well provide us with some valuable clues precisely in that con- nection. Both the apostles and the three saints painted in the foreground display a level of formal sophistication and of sharp naturalism that would appear to point to the development of Gentileschi's style after his Mannerist work in the basilica of Santa Maria Maggiore in Rome (which can be dated to 1593) and in the Abbey of Farfa (which stretched up to 1600 or thereabouts) both of which still evince a heavy, residual Mannerist sediment. Moreover, a comparison between the figures in this Ascension and those in what are considered to be his earliest proto-Caravaggesque pictures, such as the Holy Family in the collection of the Cassa di Risparmio di Pisa in the Palazzo Blu, suggests that the painting under discussion here, adorned with the coat-of-arms of the Crescenzi family with whom Gentileschi may well have forged close ties precisely in the first few years of the 17th century, testifies even more effectively to the potential attribution of this work to the master.

1945 British Army 'Tank Suit Jungle' (M. Belmont and Co LTD); a one piece coverall in light olive-green for jungle use, (Burma campaign) scarce.