We found 19303 price guide item(s) matching your search

A family of German dolls house dolls in composition with wire and cotton bound limbs comprising a mother of pearl grey felt suit and red hat, boxed 5 1/2" high, father in shirt and tie 5 1/2" high, three girls and three boys in cotton and felt outfits, 3 1/4" high (8)

A well made miniature full suit of armour in the style of the late 16th century, height 36”, including close helmet with gorget, full arm defences with articulated fingers, tassets, legs with articulated sabatons, all panels with turned over roped borders, complete with cruciform hilted sword, mounted on its rectangular wooden plinth. Good Condition Plate 18

A rare Lehmann clockwork tinplate ‘Naughty Boy’. A small tinplate Vis-à-vis with an erratic motion made by the small boy seated at the front. The figures, a man dressed in a light brown suit with period peaked cap and the boy, dressed in a sailors uniform are both hand painted. The ‘vehicle’ is in blue and cream with litho detailing and patent data to rear. VGC-for age. Some light wear overall. Coil spring clockwork mechanism tired. Plate. 2

A 1960`s psychedelic print trouser suit in shades of lime green, pale blue, white, and aquamarine, the tunic top with roll neck, and with flared trousers. Original retailer`s label, Melbray of London. Size twelve.

A Lladro figurine of a boy in a sailor suit sat on a capstan and holding a model yacht in his hand 8.5" approx. (22cms approx)

Pair of 19th Samson porcelain Figures, the seated girl wearing turquoise blouse with floral skirt, hat on her knee, holding flowers and with a sheep at her side, the seated man wearing a feathered hat, floral decorated pink suit with a seated dog at his side, both on floral encrusted tree stumps and on circular bases, bears gold anchor mark, 25cms, (10").

William Utermohlen (bn 1933)-Oil on canvas, "Mummers", depicting a dancing man wearing dinner suit decorated with playing cards wearing a rosette titled "New Year Association", titled and dated 1970 verso, 121cm x 96cm, framed. ILLUSTRATED. The artist was born on the south side of Philadelphia. The paintings record the Mummers of Philadelphia and their annual New Year`s Day parade.

MINIATURE ARTICULATED SUIT OF ARMOUR with copperised patination, raised on wooden plinth, 49cm high to point of spear (including plinth) ]

~G~ A Victorian High Sheriff`s black velvet suit, sword and a gold frogged suit, the former with bright cut steel buttons, the Lobb shoes with matching buckles and the Marshall & James dress sword also with bright cut steel mounts, the gold frogged blue jacket with the Royal coat of arms on the buttons, the trousers with gold thread stripe, one hat with grey feathers another with black and the third without feathers, together with two tin trunks

~G~ A gentelman`s blue velvet livery suit and a gold frogged tail coat, the suit complete with marcasite mounted buttons waistcoat, shoes and lace trimmings, the blue tail coat with gold thread foliate embroidery and gilt buttons with the Royal coat of arms

A Victorian replica suit of armour, circa 1890, the armour mounted on a stand with a staff 195cm (76in)

A Meissen counter case and counters, the lid painted with cards from each suit within gilt ivy leaves, counters similarly so with three further counters gilt with the words, `Single`, `Double` and `Treble`, the case 4cm (1.5in) high (9)

Two Chinese revolutionary figures of Chairman Mao and a dancer, the former stands reading and wears his signature blue suit, 32cm (12.5in) high, the girl wears a blue/grey uniform, totes a pistol and stands on one leg, 38.5cm (15.25in) high (2)

Portrait miniature of a gentlemen in a blue suit, full length , a Renoir style portrait of a woman and a print, all in black rectangular frames 3.50in. (8.89cm)

A 1930`s oak three piece lounge suit upholstered in studded leatherette and with decorative turned show frame comprising a settee and two chairs with loose seat cushions

Burns, Robert Autograph manuscript poem "Jessie - A Scots Song - Tune, Bonie Dundee". Autograph poem, two stanzas each of eight lines each, with title line above, [c.1793], one leaf, 23 by 18.6cm., folds, short marginal tear at centre fold, with "This is Burns`s handwriting, J.D. Johnstone 1803, Dumfries" added in another hand at foot Note: "Jessie" was sent by Burns to his friend, the musician and editor George Thomson, in April 1793. The present text is identical, apart from the title, to the Dalhousie copy quoted by James Kinsley in Burns, Poems and Songs (1971) (Kinsley 404). In his letter to Thomson Burns wrote "These verses suit the tune exactly... There is a syllable wanting at the beginning of [l.9[ but I suppose it will make little odds" [Letter 554]. Thomson made up the line with "Oh!" in Select Collection of Original Scottish Airs for the Voice and suggested some other alteration; Burns wrote to him in September 1793 that "your objection of the stiff line, is just; but mending my colouring wo ld spoil my likeness; so the Picture must stand as it is" [Letter 586] Although Burns sent him the manuscript in 1793, the poem was not published until 1798, and despite Burns`s request Thomson substituted "Scotland" for "Scotia in line five. The poem was inspired by Miss Jessie Staig, daughter of Provost Staig of Dumfries, who became the wife of Major William Miller of Dalswinton and died at age of twenty-six. Two autograph manuscript copies of "Jessie" are listed as extant in the Index of English Literary Manuscripts, volume III, part 1 (1986): one at the Burns Cottage Museum, entitled "Song" and headed "Tune, Bonie Dundee. Composed on Miss Jessie Staig, Dumfries" [c.1793] [Alloway MS 3.6184], the other, headed "Song - Tune Bonie Dundee", in a letter to George Thomson, April 1793, in the Pierpont Morgan library. [Pierpont Morgan, MA47, f.23] Paper with watermark partly visible: possibly "G. Taylor." On the verso, in ink, is the inscription "Burns` own hand" in a near contemporary hand. The present version differs from the Burns Cottage Museum manuscript in the first stanza. The present copy reads "Grace, Beauty & Elegance fetter her lover" while the Burns Cottage Museum copy reads as "Youth, Beauty & Elegance fetter her lover". The second stanza also differs. Line one of the present version reads "Fresh is the rose in the gay, dewy morning" while the Burns Cottage Museum copy reads "Fair is the rose in the gay dewy morning". The second line of the present version reads "And sweet is the lily at evening close" whereas the Burns Cottage Museum copy reads "And sweet is the lily in evening close" Provenance: From the estate of Admiral The Hon Charles Elphinstone-Fleeming of Cumbernauld (1774-1840) who was prominent in the Colombian and Venezuelan wars of liberation and married Dona Catalina Paulina Alessandro de Jimenez, 26 years his junior. Their daughter Clementina married Cornwallis Maude, 4th Viscount Hawarden, and, as Lady Clementina Hawarden, became one of the earliest portrait photographers. The poem was given to the present owner`s grandfather, along with other Fleeming family papers, by Lady Hawarden`s grand-daughter, Lady Eveline Maude.

A modern chain-mail suit of armour and helmet, in 17th century style; a pair of tassets; a wooden and white metal shield, others, etc

Ornamental suit of armour mounted on a wooden base. Height 120cm.

Rare Mattel Major Matt Mason`s Captain Lazer Alien figure; boxed SPACE:1999 Alan Carter In Space Suit; Evel Knievel figure; 3 Hong Kong Combat Soldiers (one boxed) and another similar. (8)

Circa 1970`s And Later Costume Including `John Bates London` Black Chiffon Full Length Evening Dress with beaded decoration; `Mandell Couture` black evening dress with long sleeves, central inverted pleats and a heavily beaded collar; `Couture Model by Liberty of London` black sleeveless cocktail dress (size 38); `Catherine Walker` black short dress with a multi ribbed high collar; `Gianfranco Ferre` black short evening dress with studded leatherette bodice and internal corset (size 42) `Valentino Miss V` velvet and wool shift dress and matching jacket (size 10); `Donald Campbell` blue self pattern wool shift dress and matching three quarter length coat (size 14); `Bruce Oldfield` floral sequinned shift dress (size 12); `Jean Muir` snakeskin print shirt and matching scarf (size 14); `Paule Ka Paris` oyster coloured three piece suit comprising skirt, shift top and three quarter length fitted coat (size 40) (10)

1960`s Costume Including `Nettie Vogues` Black And White Patterned Cat Suit; `Miss `T`` black and cream jersey coat dress with stylised design and small buttons to front (size 38); `Jean Varon` cream crepe tunic and matching wide leg trousers with button detailing to the sides; black and white shift dress with stylised print and matching double breasted jacket; black tunic top with cut work panels and black linen trousers (size 14); white mini dress with lace effect panels by `Roter of London` and matching white linen bra (size 40) (6)

Assorted 1950`s And Later Costume including black and cream satin floral printed evening dress with matching belt; `Romney Model` blue and pink embroidered full length evening dress; `Blanes` green, pink and gold full length gown; `Frederick Starke` pink silk trimmed full length evening dress (size 14); `Enid Gowns Newcastle` two piece purple lace mounted suit; white silk full length sleeveless evening gown and matching short jacket; green brocade full length evening dress; peach silk crepe halter neck evening dress with ruched bodice; turquoise shift dress with bow detailing and matching jacket with ruching to the collar; pink chiffon evening dress with painted design and ruched bodice and spaghetti straps; pale blue lace and braid appliquéd full length sleeveless evening dress and matching jacket; two bridesmaids dresses in pale blue woven fabric (one with a pale blue chiffon train to the back); green silk jacket with nehru collar and embroidered front placket (14)

Assorted 1950`s And Later Costume including: Aquascutum two piece blue wool suit with velvet collar; black chiffon evening dress with pink floral printed design; peach and grey cocktail dress with pleated skirt; `Rhona Ray` size 14 black crepe cocktail dress with white and black frill detailing; black taffeta full length evening dress with crochet detailing to the bodice and spaghetti straps; `Melbray of London` blue and white linen dress; `Cresta` peach crepe shift dress with spot flocking; various suits, coats, dresses, separates, furs etc

A Quantity of 1950`s And Later Costume Including `Jean Allen` Chiffon Printed Blouse with pussy bow (size 12); `Hardy Amies` floral printed blouse with buttons to the back (size 36); `Susan Small` blue and cream printed shirt dress (size 14); `Trisha Kerr-Cross for Rifkin` black dress with long sleeved black and cream chiffon printed over dress; `Harvey Gould` turquoise linen two piece suit (size 14); `Laeta Ramage` pink linen shift dress and jacket (size 14); two `Miss Poppet` linen trouser suits with shell top in lime green and mustard; sequin dress; silver trimmed knitwear; day wear, suits including Hardy Amies, Jean Allen, Louis Feraud, Robert Dorland, Stephen Marks, Bernard Freres, Jaeger, Missoni etc (quantity)

Three 1960`s Thornproof Gents Tweed Suits (Thornproof suits were made by Stanley Mills, King Stanley, Near Stroud); two hat boxes including various hats, gloves, ladies two piece suit, gents suits etc

1960`s And Later Costume Including `Biba` Tailored Jacket in silk; yellow shift dress with matching yellow coat and similar hat; `Harmay` navy evening dress with floral appliqués to the halter neck; turquoise Grecian style dress with silver sequin detailing; `D L Barron` blue crimplene shift dress and coat (size 18); `Peggy French Couture` cream two piece suit with chiffon sleeves; `Peggy French Couture` green dress coat; `Gina Barconni` black pleated two piece suit with buckle detailing; leather and suede jackets; pair of cream `Rin Tin Tin` platform mules (size 38); `Bus Stop` bag and other items

Late 19th Century Two Piece Suit with brown velvet trimmings, braid detailing to the front of the jacket, full skirt with pleats to the sides; brown silk dress with black braid and bead trimmings and black buttons running from the neck to the pleated hem; and a Victorian black under skirt (3)

A 14 carat rose gold suit of jewellery comprising a brooch in the form of a rose with matching earrings.

A ROYAL DUX PORCELAIN ART NOUVEAU FIGURE of a female bather seated on a rocky outcrop, wearing a turban and pink and green laced bathing suit, on a canted square base, pink patch and printed mark in green, 16 1/2" high

A Royal Doulton `Harlequin` figurine, circa 1982, modelled as a figure wearing a green hat with roses and a multi coloured suit upon a gilt highlighted leaf decorated base, printed marks to base HN 2737, height 32 cm.

EBONISED NOVELTY OCCASIONAL TABLE, with card suit club top, raised on three antler legs, terminating in brass caps with ball feet. 0.52m by 0.56m

A Japanese pyjama suit comprising top and jacket with a Oriental embroidered dressing gown with kimono style sleeves

Pippa Dolls - A Dancing Princess Pippa, circa 1974; Pippa Bride, circa 1977; Marie, first issue, circa 1972; Mandy, first issue, 1976; Emma and her Pony, circa 1974; two Rosemary with mini floral print dresses (different colours), obtainable via the `petal scheme`; Rosemary with a floral one-piece suit, obtainable via the `petal scheme`; Jasmine, first issue, circa 1977; Penny, first issue, circa 1976; Britt, first issue, circa 1973 (lacking trousers); Tammie, second issue, circa 1973; Dancing Tammie, circa 1974; and two Pete, all the above in original outfits; together with another Tammie in an unidentified outfit; Emma, without outfit; and two broken dolls, all unboxed, (20). Visit www.dnfa.com for condition reports.

A Shelley three piece Tea Set, designed by Mabel Lucie Attwell, the Teapot modelled as a duck, and the Cream Jug as a rabbit, and the Sugar Bowl as a chick wearing a sailor suit, all painted in colours throughout, printed marks

Case set of silver bridge pencils, each representing a suit of cards

Art Deco Fine Gilt Bronze and Ivory Chryselephantine Figure, of a Lady Dressed in Fine Silk Pyjama Suit with Carved Ivory Head and Neck. On a Green Onyx Stepped Base. Stands 9.5 inches in Height.

Motor Racing - F1, Lewis Hamilton signed photo (7" x 5") in McLaren/Vodaphone racing suit holding Union Jack (ex) (1)

Four leather leg of mutton gun cases, a canvas ditto, three others, a quantity of leather sporting and military cartridge bags, pouches, Sam Browne and other leather belts, a leather jump suit, an N.F.S. tin helmet, and miscellaneous other items, (a lot).

A Modern Japanese Gusoko (Suit of Armour), in black and gilt metal and red and gilt brocade, comprising a Daienzan style kabuto, a black metal mempo with hair moustache set below the nose cover, with neck lames, cuirass, shoulder, arm and thigh protectors, contained in a black lacquered box.

A US Army Officer`s Tunic, with brass buttons, collar badges and titles; a British Air Ministry Flying Suit, with zip front and side fastenings, stencilled crowned AM and ATM 7080; an Army Greatcoat to a Colonel, Royal Engineers; a No.1 Blues Tunic and Trousers, to a Colonel, with ribbon bar; an Army No.2 Khaki Denim Overalls Blouse and Trousers (5)

[COLLINS MICHAEL]: (1930- ) American Astronaut, Command Module Pilot of Apollo XI, the historic NASA mission which took the first men, Neil Armstrong and Buzz Aldrin, to the moon on 20th July 1969. The personal NASA flight suit worn by Michael Collins, believed to have been used in connection with the Apollo XI mission and removed from his personal locker just six months after the historic flight following his retirement from NASA in January 1970. The sky blue heavy cotton flight suit bears the Flite Wear label of the manufacturers Land Mfg. Co. of Wichita, Kansas, official suppliers to NASA, and has numerous zipped pockets, snap pockets and Velcro patches (one of which, on the chest, would have originally carried Michael Collins` name tag) as well as a circular blue, white and red embroidered NASA logo patch stitched to the chest. From the collection of the former NASA physical conditioning supervisor to the Apollo astronauts, Joe Garino Jr., Accompanied by a letter of authenticity signed by Garino, illustrated with two images of the suit, and stating, in part `Blue Nasa flight suit worn by Michael Collins after his recovery from the Apollo XI mission….` The suit was removed and retained by Garino with the express permission of NASA astronaut L. Gordon Cooper. Signed at the conclusion by Garino and dated 16th April 2008 in his hand. An outstanding and exceptionally rare souvenir of a member of the Apollo XI crew who, along with Armstrong and Aldrin, is recognised as one of the greatest explorers of the 20th century. Some extremely light signs of wear and a few very light, minor stains at the base of the legs. VG Michael Collins was only involved as a crew member for two NASA missions, those of Gemini X (1966) and Apollo XI (1969).

A large acrylic, study of an Alsatian, in gilt frame, and a coloured print of a boy in a red suit, in gilt frame

Leopold Horowitz (1838-1917). Portrait of a child, believed to be a member of the Rothschild famly. Full length wearing a velvet suit with lace collar holding a hoop. Oil on canvas. Unframed. Signed and dated 1898 upper right. 186cm x 126cm. Provenance: The Estate of the late Dame Miriam Rothschild. Visit www.dnfa.com for condition reports.

A reproduction full suit of armour.

A reproduction samurai suit of armour.

Arrows: A Formula 1 2002 race suit "Lost Boys" fully branded race suit in orange and black worn by Enrique Bernoldi, length 150cm,

A Manchester United football club match worn away shirt from the 1991 Cup Winners Cup Final versus F.C. Barcelona, with Football League flashes to sleeve and number 11 to reverse, together with an Adidas track suit top and a match programme. (3). Result: Man Utd 2 - 1 F.C. Barcelona. ILLUSTRATED.

A Manchester United Umbro black and red track suit worn for the 1995 F.A Cup Final, with Sharp sponsors logo to reverse. Result: Man Utd 0 - 1 Everton. ILLUSTRATED.

A Manchester United Adidas black and red track suit worn for the 1991 League Cup Final, with Sharp sponsors logo to reverse, together with a match programme signed by the United players Result: Man Utd 0 - 1 Sheffield Wednesday.

A Manchester United Adidas black and blue track suit worn for the 1992 League Cup Final, with Sharp sponsors logo to reverse, together with a match programme signed by the United players. Result: Man Utd 1 - 0 Nottingham Forest.

A Manchester United Umbro black and red track suit with Sharp sponsors logo to reverse, circa 1992.

An England Football Association 1990 - 1993 Umbro match worn, track suit top with three lions badge and "Umbro International England Est 1872" to reverse. ILLUSTRATED.

A Sampdoria Football Club Asics match worn track suit top with club crest and sponsor`s logo, 1999.

A Leeds United Football Club Puma match worn home track suit from the 1996-98 Premier League seasons, with club crest and sponsor to front.

A Leeds United Football Club Puma match worn home track suit from the 1996-98 Premier League seasons, with club crest and sponsor to front.

A Bradford City Football Club Asics match worn home shirt from the 1999 - 2000 Premier League season, with League flashes to long sleeves, club crest and sponsor to front and number 16, "Sharpe" to reverse, together with a Bradford City track suit top. (2) ILLUSTRATED.

Mid 20th century Naval Officer`s dress sword manufactured by Gieves, with scabbard and original black leather travelling case, 38" long; together with a Naval Officer`s dress suit (2)

Two Lladro figures, Chinese girl and boy wearing sailor suit holding yacht. Heights respectively 8.5 ins and 9 ins.

His Majesty King Edward VII - portrait photograph of His Majesty wearing a hunting suit and hat by J F Langhams - Court Photographer, 19.5cm x 12.5cm

His Majesty King George V - relaxed photograph of His Majesty in tweed suit sitting on a shooting stick with a gun dog beside him, 19.5cm x 15cm and another relaxed photograph of His Majesty King George VI in country attire with his gun dog, 20cm x 15cm (2)