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A box containing a collection of various dolls house miniatures to include a suit of armour

British School (19th century) Portrait of a gentleman in a dark suit and tie, oil on canvas, 34cm by 61cm

Possibly Kestner bisque shoulder head doll, impressed 'F' to back with blond wig, fixed blue eyes, painted eyelashes, bisque lower arms on fabric body, wearing a black two piece suit, white cotton undergarments, black stockings and shoes, pink silk bonnet, 40cm

Assorted ladies and gents clothing including a Puffa coat, Barbour wax jacket, morning suit, ladies evening wear including Artigiano dress, Frank Usher evening dress, two Cerrutti two piece suits etc, and two boxes including gents mainly wooden shoe trees, silk and other ties etc (rail and 2 boxes)

Quantity of assorted ladies and gents costume including John Collier suits, knitwear, two Greenbelt waxed jackets; ladies nightwear, Laura Ashley skirt suit, Carnegie red dress;accessories including ladies and gents hats, ties, cravats, shirts, handbags; Embro eiderdown, Jonelle eiderdown and others etc (part rail and three boxes)

Scuba Diving Equipment including Scubapro Regulator set with gauges and compass, Glide 2000 buoyancy vest, XL wet suit, pair of Mares swim fins, pair of size 9 boots, UK Sunlight D4R searchlight with charger, Uwatec watch, Oceanic knife & scabbard with instruction manuals, Scubapro pouches and an Aqualung wheeled rucksack, (qty) - Condition Report

Mineralogie - - Frédéric-André Rozin. Essai sur l'Histoire naturelle de l'arrondissement de Sarrebourg, département de la Meurthe. Première Partie Minéralogie. Précédé de l'Exposé de la Méthoe d'après les Principes de Lavoisier, avec une Nomenclature Francaise, fondée sur l'analyse chimique. Suit: La déscription des Espèces minérales, que l'auteur a rassemblées dans cet arron-dissement avec l'indication des Localités. Französische Handschrift auf Papier. Mit 4 (1 gefalt.) braunlavierten Tuschfederzeichnungen (1 sign. J.-B. Lauthe, 2 monogrammiert J. L.). Dat. Sarrebourg, 20. Mai 1828. Ca. 104 beschr. Bll. 8°. Rotes Maroquin d. Zt. auf 5 Bünden, mit gelbem Farbschnitt, goldgepr. RSchild, RVerg., goldgepr. DFileten, Bordüren, Steh- u. Innenkantenverg. (etw. berieben u. fleckig). Mit marmor. Vorsätzen (diese etwas leimschattig), Seidenhemdchen, vord. fl. Vorsatz- u. Vortitelblatt etw. stockfleckig, sonst innen nur vereinzelt gering fleckig, insgesamt wohlerhaltene, saubere, gut leserliche Handschrift. French illustrated manuscript on paper with 4 (1 fold.) original landscape drawings, pen and brush, brown and black ink (1 signed J.-B. Lauthe, 2 monogrammed J.L. within image, all of them with manuscript captions). - Unnumbered pages written in a good and legible hand in black ink, with dedication to the comte d'Allonville, Conseiller d'état, Préfet du Département de la Meurthe. - Contemp. red morocco on five raised bands, with yellow edges, gilt-stamped green morocco label "Minéralogie" to spine, spine gilt, gilt-stamped fillets, floral bordures, leading edges and outer dentelles (somewhat rubbed and stained). - With multiple coloured shell marbled paste-downs and flyleaves (some binder's glue). With a green silk ribbon. (215 x 134 mm). - Cf. Beaujean, J. André Rozin, botaniste "liégeois" ... In: Revue de botanique, no 187, 2009, S. 14-30. Cf. Schuh, Bibliography of Mineralogy for Rozin's only published book on mineralogy: Essai sur l'étude de la minéralogie: Avec application particulière au sol Français, et surtout à celui de la Belgique. Bruxelles and Paris, (1803?). Frédéric-André Rozin or Rosen (1752?-1829), a doctor of medicin, a scholar and naturalist with a keen interest in mineralogy and botany, was born in Greifswald (Swedish Pomerania). He studied at the university in Uppsala under Carl Linnaeus the Younger (1741-1783). Around 1791, he lived in Liège and there he published the first local flora of France: Herbier portatif des plantes qui se trouvent dans les environs de Liège, avec leur description et classification selon le Système de Linné. Précédé d'un discours sur la Botanique. Premier cahier (= all published). Around 1794 or earlier he moved to Belgium. As a founding member of the Société de médecine, chirurgie et pharmacie de Bruxelles in 1795 and a member of the Société de littérature de Bruxelles as well as an editor of the Esprit des Journaux (1794-1803), he took an active interest in scholarly debates within the most influential intellectual circles of the city. In 1798 he became a professor of physics and chemistry at the École Centrale in the département de l'Escaut and in 1799 he succeeded the scientist and member of the Academie Royale J.F.P. Van der Stegen de Putte (1754-1799) as professor of natural history in Gand near Brussels. After the shut down of the écoles centrales in 1802 he lost his job and emigrated in 1803 from Brussels to Phalsbourg in France, where he was appointed to a professorship at the Collège de Phalsbourg, teaching natural history, physics and oriental languages. In 1825 he settled in Sarrebourg where he died in 1829. An unpublished scientific manuscript, with the text divided into 3 chapters. The first chapter titled 'Géologie, is covering pages 1-68. The second chapter titled 'Minéralogie' is comprising pages 69 to 170. The third chapter titled 'Catalogue d'une collection de minéraux trouvés dans l'arrondissement de Sarrebourg ...' is covering pages 171 to 198. Three of the charming original drawings depict spectacular rock formations in the surroundings of Phalsbourg, one with a view of the castle of Haut-Barr. In the foreword, Rozin explains his intentions in writing this manuscript, especially his aim to help to improve the economical situation of the département with his findings and mentions his collection of minerals with its systematical classification, stored in individually constructed wooden cases with manuscript labels identifying each specimen which he wanted to present to the prefect of the administrative authority of the département as a teaching aids for the schools. An interesting and finely illustrated scientific manuscript, and an early geological and mineralogical study written about a local region of France. Bound in a strictly contemporary and very decorative red morocco binding likely bound as a presentation copy for the comte d'Allonville.

WW2 Colditz Castle escaper Pat Reid signed 10 x 8 inch b/w photo in later years in suit. Few creases to top corners. Rare autograph priced accordingly. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.

Two items of 1970's clothing including a Louis Feraud black and grey two piece suit with emerald green lining, iconic shape together with a Louis Feraud mid-orange military style cotton blouse (3)

A Nicole Farhi cream jumbo cord two piece gent's suit and a mid brown velour "Missoni" jacket

A gent's two piece check suit and a camel wool overcoat

A hotel style wooden suit-case stand.

A leather travel suit-case.

(See English version below)Joseph Beuys (Krefeld 1921 – 1986 Düsseldorf). „Filzanzug“. 1970Genähter Filzanzug. Ca. 170 × 60 cm ( 66 ⅞ × 23 ⅝ in.). In der linken Innenseite der Jacke ein Aufnäher mit weißem Stempel und der mit Filzstift eingetragenen Exemplar-Nummer.Schellmann 26. Einer von 100 nummerierten Anzügen aus einer Gesamtauflage von 110 Exemplaren. Galerie René Block, Berlin 1970. [3578] Provenienz: Privatsammlung, Bayern (bei Edition Schellmann, München, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.Joseph Beuys (Krefeld 1921 – 1986 Düsseldorf). ”Filzanzug”. 1970Sewn felt suit. Ca. 170 × 60 cm ( 66 ⅞ × 23 ⅝ in.). A sewn label in the left interior of the jacket with white stamp inscribed with copy-number in felt-tip pen.Schellmann 26. One of 100 numbered suits from a total edition of 110 copies. Galerie René Block, Berlin 1970. [3578] Provenance: Private Collection, Bavaria (acquired at Edition Schellmann, Munich)We charge 30% premium on the hammerprice.

A Cozzi group of dancers, circa 1775The figures holding hands, their outward arms stretched towards one another, she wearing a yellow bodice and blue patterned skirt, he wearing a black hat, dotted puce jacket and dotted green suit, a putto seated on rockwork on the reverse, the base applied with foliage and a flower, 16.5cm high (small losses and minor restoration)For further information on this lot please visit Bonhams.com

A Höchst miniature group of a lady with hairdresser, circa 1755Probably modelled by Laurentius Russinger, seated holding a flower posy and a mirror and wearing a black apron over a dress decorated with purple flowers and yellow shoes, the hairdresser wearing a pale-blue suit with a comb in his wig, a brazier and a small powder bowl on the tip of a scroll at her feet, the pierced scrollwork arbour and scroll-moulded base edged in gilding and puce, 15.2cm high (one scroll on arbour restuck, the brazier and mirror replaced)Footnotes:Provenance:Jean Wurz Collection, Mannheim (sold at Rudolph Lepke's Kunst-Auctions-Haus, Berlin, 10-11 December 1924, lot 151);Max Hoffmann Collection, BaselOther examples of this group are illustrated in Höchster Fayencen und Porzellan, exhibition catalogue (1964), no. 88; and in C.H. Nelson/L. Roberts, A History of Eighteenth-Century Porcelain The Warda Stevens Stout Collection (2013), cat. no. 274.For further information on this lot please visit Bonhams.com

A Maiolica Istoriato dish, Urbino, possibly the workshop of Guido Durantino (Guido Fontana), circa 1540Decorated with a scene of a man on horseback, dressed in a suit of armour and with a plume on his helmet, his white horse galloping towards a man running from them, a small black porcupine with a blue band around its waist to his side, all within a naturalistic woodland setting, 23cm diam, paper label to the reverse (minimal typical losses to the glaze on the edge of the rim)Footnotes:Provenance: German private collectionGuido Durantino, originally from Castel Durante, was known to have run one of the largest maiolica workshops in Urbino employing many of the best painters in the city, especially for istoriato painting. For further details and further pieces attributed to the workshop, see T. Wilson, Maiolica, Italian Renaissance Ceramics in the Metropolitan Museum of Art (2016), nos. 63, 67 and 68.Another piece from the workshop was sold in these rooms, 6 December 2018, lot 1, and is now in the collection of the University of Georgia.For further information on this lot please visit Bonhams.com

A leather Gladstone bag by Foster & SonTogether with a canvas and leather suit-carrier by Foster & Son(2)For further information on this lot please visit Bonhams.com

AN EMBOSSED STEEL CARLOS V FULL SIZE SUIT OF ARMOUR ON STAND, hand crafted in steel and iron, the breast plate heavily embossed with lion mask to centre. Embossed lion mask to helm, pauldrons deltoid, couter and poleyn. Fleur de lis embossed detail to couter and fan plates .Etched floral engravings to pauldron side guards,gauntlets upper,visor,gorget and greeves, King Carlos head effigy and floral engravings surmount to side tassets. Armour standing upright on a wooden plinth with red gown, ostrich feathers to helmet and holding Arthurian sword, H 200 cm

A MARC DARCY VINTAGE STYLE THREE PIECE VINTAGE STYLE BOYS SUIT SIZE 13R, new with tagsInside leg approx 70 cm, internal underarm to underarm laid flat approx 49 cm, external underarm to underarm laid flat from the front is approx 42 cm

BURBERRY; a 100% cashmere wool beige brown men’s ‘Car Coat’ lined with quilted satin featuring Nova Check detail (size large, length 104cm) (with Burberry suit carrier bag) (2).Additional InformationChest measures 46". Overall in good condition

TOULOUSE-LAUTREC HENRI DE: (1864-1901) French Painter and Illustrator. A rare and unpublished A.L.S., `Henri´, four pages, 8vo, n.p., 13th June 1893, to his mother 'Ma chere Maman´, in French. Toulouse-Lautrec starts his letter with a statement `I am extremely busy´, and explaining that his spends his mornings with printings and in the afternoon supervising the decorations for `La fin d´Antonia´, and lists three things he expects his correspondent to do promptly stating in part `You must send me as soon as possible my summer dark grey suit which you must have in your trunks… 2) Make a barrel of wine be prepared, which you will send and which we will bottle to drink it in winter.. 3) I will send you the exact nuance for the paper. Meanwhile make the bathroom furniture be painted and also the wall stain.´ Further again and before concluding Toulouse-Lautrec states `I intend to depart in 15 or 20 days. I still have two posters to do before my departure. Have a careful look to the Figaro when the June illustrated Figaro will be announced. There will be a story on me..´ Tear to the centre fold edge, otherwise G Edouard Dujardin (1861-1949) French Writer. Author of La Fin ´Antonia (1891)

A rare pair Gebruder Heubach bisque figures, from the Pet Series, Boy with Pugs and Girl with a Kitten, he stands in a silors suit a pug under each arm, she with a long fur lined coat, a kitten in her muff, snow covered bases, 29.5cm high, impressed 3, c.1910

A quantity of mainly vintage ladies' and gentlemen's clothing to include a Royal Navy double-breasted jacket with brass buttons, a vintage gentlemen's pinstripe suit, a navy dinner jacket with satin lapels and matching trousers, a navy blue gentlemen's jacket, a gentlemen's brushed leather brown bomber jacket, an early 20th century fox wrap, a c1950s fur evening cape, a c1950s auburn fur three-quarter length coat and a c1950s faux ocelot ladies' coat with beaver-style collar (9).

Julia Hills; a collection of seven handmade collectors' dolls, each of different posing, to include 'Rose Jester' depicting an old jester in rags seated holding a large pink rose head, exhibited 1980 and purchased at Sotheby's in December 1980, 'Self Portrait', purchased from the exhibit of Carlisle Museum, March 1980, a doll figural group depicting two ladies sat on a cushion, the old lady with bag stating 'If only the old could', the other a young lady with a bag stating 'If only they young knew', height 25cm, 'Geordie Workmen' depicting a seated gentleman with boiler suit, work boots, flat cap, blazer and rucksack, dated 1979, 'Fool' dated 1984, colourful young jester and a princess, most signed under foot (7). CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit

A light-up replica of Thomas Kane's (John Hurt) spacesuit from Ridley Scott's sci-fi horror film Alien. Kane, executive officer of the USCSS Nostromo, wore his spacesuit to explore LV-426 in response to a mysterious signal emanating from it.This high-quality replica spacesuit was designed on reference to the film-used spacesuits. It is constructed with various layers of padded orange, yellow, and pink silk, cotton, polyester, canvas, netting, and rubber tubing with dense and plated moulded rubber shoulder and neck armour, a chestpiece marked "Kane", and an oxygen tank with a detachable rubber hose and LED lights inset. Also included are a detachable matching fibreglass helmet with faux metal details and multicoloured illuminating lights; a tan cotton and leather headpiece with dense rubber earpads; a thin beige cotton headpiece labeled "R.W. Baker"; a fibreglass and canvas tool belt; fibreglass wrist devices with rubber bracelets inset with battery-powered LED lights; and grey rubber-soled space boots. The suit is marked "L" with a "Sher-Wood 5030 tradition" emblem emblazoned on the chest, features a national patch on the left leg, and comes mounted to a steel display base.This display is in good overall condition with minor tears and other signs of wear throughout, including scuffed fibreglass discoloured blue from age, and cracked rubber on the boots. Dimensions: 203.5 cm x 84 cm x 61 cm (80" x 33" x 24")Contains electronics; see electronics notice in the Buyer's GuideSpecial shipping required; see notice in the Buyer's Guide.Estimate: £4,000 - 6,000 US

A full-size Chappie robot from Neill Blomkamp's dystopian sci-fi film Chappie. Previously known as Robot 22, Chappie (Sharlto Copley) was a law enforcement robot created by Tetravaal Tactical Robotics, Ltd. Severely damaged during an encounter with rival gangs, the robot was fitted with a prototype programme by engineer Deon Wilson (Dev Patel), granting it consciousness, and was kidnapped soon after by a group of gangsters led by Ninja (Ninja). Actor Sharlto Copley performed with the rest of the cast in a grey motion-capture suit and was digitally replaced by the visual effects team using CGI.Created by New Zealand's Weta Workshop, this display comprises a selection of production-made components from different versions of the robot. The majority of the components are made of cast resin finished to replicate blued steel and are held together with a variety of metal bolts. Some components are painted metallic grey, and two sections of the left arm are orange. An array of decals decorate several parts of the robot including "10111" (the South African emergency number) on the shoulders, the unit number "22" on the torso, and graffiti emblems on both sides of the head, added by Ninja's gang members when they customised the robot. Mounted on a custom-made display which features additional hand-made acrylic joints, the lot displays paint wear, and several of the pieces still have production stickers featuring inventory numbers. Chappie's antennae-like ears, his police shield chest badge and a toe on his right foot are missing from the display. Dimensions (displayed): 44 cm x 58 cm x 191 cm (17 1/4" x 22 3/4" x 75 1/4")Special shipping required: see special shipping notice in the Buyer's Guide.Estimate: £8,000 - 10,000 Ω

A suit of Necromonger Elite Guard armour from David Twohy's sci-fi sequel The Chronicles of Riddick. The Elite Guard wore their armour as they commanded the Necromonger infantry and served their Lord Marshal (Colm Feore). The armour comprises a rubber helmet with a faceplate, serrated crown detailing and a foam lining; a mesh balaclava; a grey nylon bodysuit with a zip fastening and built-in rubber thigh plates; a rubber chest plate with pauldrons displaying a serrated edge motif; a pair of rubber rerebraces with Velcro® straps; a pair of leather gloves with pointed rubber knuckles; a belt and codpiece with plastic clip fastenings; and a pair of leather boots with rubber detailing on the shins, toe and heels. The armour is painted dark grey with gold-and-silver-coloured accents, with some restoration paint work undertaken to the gloves and thigh plates. The costume shows paint wear throughout, including to the small spikes and finer details.Estimate: £800 - 1,200 †Δ

A suit of Necromonger infantry armour from David Twohy's sci-fi action sequel The Chronicles of Riddick. Necromonger infantrymen wore their armour throughout the film as they did the bidding of the villainous Lord Marshal (Colm Feore). The armour consists of a fibreglass helmet with a foam-lined interior and a half mask featuring a skull-tooth design; a mesh balaclava (marked "62"); a rubber chest plate (marked "714") and pauldrons; a grey nylon bodysuit with a plastic zip and built-in rubber thigh plating (marked "AM"); a pair of rubber rerebraces with Velcro® straps; a pair of leather gloves with rubber pointed knuckles; a belt and codpiece (marked "718") with plastic clip fastenings; and a pair of leather boots with rubber detailing on the shins, toes and heel caps. The armour plating is painted grey with bronze accents, giving it a corroded, battle-worn appearance. The costume shows minor paint wear throughout and there are missing spikes on the boots.Estimate: £800 - 1,200 †Δ

Dr. King Schultz's (Christoph Waltz) costume from Quentin Tarantino's Western Django Unchained. Schultz wore his suit and hat in many scenes, and wore his complete costume as he and Django (Jamie Foxx) plotted how to save Broomhilda (Kerry Washington) from Calvin Candie (Leonardo DiCaprio) in Mississippi. The costume consists of a felt Stetson Derby with a black satin hat band; a grey woollen suit jacket with matching trousers; a pinstripe waistcoat; a white cotton shirt; and a tie. The shirt features a herringbone print and contains a label from "Venice Custom Shirts".There is very minor wear from production use and the hat comes in a Stetson hat box.Estimate: £4,000 - 6,000 M

Castor Troy's (Nicolas Cage) pin-striped assassination suit from John Woo's action film Face/Off. Castor wore his suit during the film's opening sequence, in which he attempted to assassinate FBI agent Sean Archer (John Travolta) on a carousel, but killed Archer's son Michael (Myles Jeffrey) instead.Castor's costume consists of a black pin-striped two-piece Dominic Gherardi suit, a white long-sleeved Anto shirt and a burgundy necktie. A label with the printed text "Nick Cage, October 1996" features on the jacket's left breast interior pocket and the lining of the trousers. The initials "NC" and a label reading "Nov.1996" are sewn on the inside neckline of the shirt. The shirt exhibits traces of stage blood on the front, small sporadic stains, and slight discolouration around the neck.Estimate: £1,000 - 1,500 M

The Major's double underwater wetsuit from Rupert Sanders' live-action sci-fi adaptation Ghost in the Shell. Major Mira Killian (Scarlett Johansson) wore her wetsuit as she dived underwater to find peace after discovering a conspiracy surrounding her identity that tested her trust and loyalties.The wetsuit is made from grey and purple sections of Neoprene, with strips of black fabric applied to the inside of the seams. A printed purple scale-like pattern covers the suit and a zip fastening adorns the back, while several square-shaped segments made of foam and plastic are adhered to the hips. The lot also features a grey cotton towel featuring small rubber dots and a navy border. The wetsuit is labelled "Major Stunt Carly" and exhibits minor creasing. One side of the towel has begun to fray, and the lot is accompanied by a production wardrobe tag.Estimate: £2,000 - 3,000 †Δ

Indiana Jones' (Harrison Ford) Venice suit from Steven Spielberg's action-adventure sequel Indiana Jones and the Last Crusade. Indy wore his suit when he ventured to Venice alongside Marcus Brody (Denholm Elliott) to locate his vanished father Professor Henry Jones (Sean Connery). He later wore it when, with Elsa Schneider (Alison Doody), he discovered the catacombs beneath the Venice Library which contained the tomb of First Crusade knight Sir Richard. The suit consists of a single-breasted jacket and trousers, both made from a grey-and-brown textured cotton-polyester blend. Three pockets adorn the front of the jacket, and it is lined with a light brown silk. The trousers feature zip flies and turned up hems, and multiple buttons are sewn inside the waistband where braces would have been attached. A Bermans & Nathans label is located in the right interior jacket pocket, displaying printed text which reads "Harrison Ford 9296, Indiana Jones, Indiana Jones III". A Royal Shakespeare Company label is also sewn into the garment, suggesting that this jacket was used for a different production after filming was completed. The costume shows signs of wear and age, notably on the jacket lining, which displays several stains and holes on the right side, with stitching that has come undone around the armpits. Several small holes are present on the crotch area and the back of the trousers.Estimate: £10,000 - 15,000 M

Iron Man's (Robert Downey Jr.) Mark I armour pieces from Jon Favreau's superhero film Iron Man. Tony Stark wore his Mark I suit when he battled the Ten Rings terrorist group and escaped captivity. The suit was soon destroyed when Stark crashed in the desert after his jetpack failed, ending up surrounded by armour debris.The lot consists of nine assorted armour pieces, all made from a combination of fibreglass and resin. Each component is finished in dark metallic grey shades, with intentional weathering applied to produce the appearance of worn metal. Heavily distressed for the production, the armour pieces display cracks and dust remnants, and one piece exhibits an obvious chip. Dimensions (largest piece): 36.5 cm x 27 cm x 9.5 cm (14 1/2" x 10 3/4" x 3 3/4")Estimate: £600 - 800 M

Tony Stark's (Robert Downey Jr) light-up repulsor technology unit from Jon Favreau's superhero adventure Iron Man. Brilliant inventor Stark created modifications to his iron battle suit, including a repulsor technology unit for the palm of his hand which could be used to assist in flight or for offensive purposes. This lot consists of a battery-operated circular metal-coloured device with a white translucent plastic face which can be illuminated. It is in excellent overall condition with minor signs of wear throughout from production. Also included is a display case (not shown in photos). Dimensions: 8.5 cm x 8.5 cm x 6 cm (3 1/2'' x 3 1/2'' x 2 1/2'')Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £6,000 - 8,000 Ω

James Bond's (Timothy Dalton) passport photos and a crew T-shirt from the production of John Glen''s Bond movie Licence to Kill. Bond was carrying his passport in the airport when he learned of Franz Sanchez's (Robert Davi) liberation. The photos were made for the production but not ultimately seen on screen.The photo set features two identical headshots of Dalton in the role of Bond, dressed in a suit. The blue cotton-polyester blend T-shirt features printed text reading "007 License Revoked" (the film's original title), with a pistol representing the seven, in the classic logo style. A black Panavision camera adorns the back and the garment is marked as a size L. The lot displays light wear, minor scratches on the photo and cracking on the T-shirt. Dimensions (photo): 8.5 cm x 10.5 cm (3 1/4" x 4 1/4")Estimate: £200 - 300 †Δ

James Bond's (Daniel Craig) MI6 training suit from Sam Mendes' Bond film Skyfall. Bond wore his training suit when he returned to MI6 after being shot in the line of duty, and undertook a series of physical, psychological and combat tasks to prove he was fit for service. The costume consists of a tracksuit jacket and trousers, with a T-shirt and a pair of trainers. The blue Puma® tracksuit has the MI6 insignia stitched onto the left breast pocket with silver thread, as does the blue muscle-fit T-shirt. The tracksuit trousers have a zipped pocket on each hip. A production tag describes the costume as "Hero" and was used for "Day (7) Sc44 - Sc 49". The costume has some wear from production use, including a small stain on the front of the T-shirt, and is presented on a custom-built mannequin with an illuminating display base. The blue Adidas® trainers have a hole drilled into each sole for display purposes. The lot comes with a certificate of authenticity from EON. Dimensions (displayed): 28 cm x 60 cm x 178 cm (11" x 23 1/2" x 70") Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see special shipping notice in the Buyer's Guide.Estimate: £15,000 - 20,000 †Δ 

Miranda North's (Rebecca Ferguson) IVA suit from Daniel Espinosa's sci-fi horror Life. Miranda wore her suit as she and David (Jake Gyllenhaal) entered the two remaining escape pods, with her pod being damaged by debris and sent hurtling away from Earth.The costume consists of a helmet, a brown leather skullcap with beige panelling, a beige cotton utility jumpsuit, a pair of beige boots, and a backpack. The helmet features metal banding, strips of boning at the back with visible stitching, a transparent plastic visor and a black throat microphone positioned near the skullcap's chinstrap. Two zips run down the front of the suit, which features embroidered, Velcro®-adhered mission patches. Various components are adhered to the front, including buckled straps, blue strips on the arms and a plastic gauge on the left sleeve. A grey utility strap runs across the chest, with a name strip embroidered in blue English and Russian text. The backpack features mesh panels, two straps and a zip.A strip of cotton tape in the skullcap displays the text "North" and a costume label in the front of the suit reads "Production - Life; Character - North; Name - Rebecca (1)". The costume is presented on a custom-made mannequin display with the base featuring the film's title. Dimensions (displayed): 43 cm x 50 cm x 180 cm (17" x 19 3/4" x 71")Special shipping required: see special shipping notice in the Buyer's GuideEstimate: £5,000 - 7,000 †Δ

Major Don West's (Matt LeBlanc) upper body armour from Stephen Hopkins' sci-fi adventure Lost in Space. The fighter pilot wore his body armour under his flight-combat suit when he and the Jupiter 2 crew boarded the Proteus ship. This version of the armour has remnants of blue paint, suggesting it was worn after he battled the ship's spider-like lifeforms.Made of rubber, the faux silver armour features decorative cable components and panel-line detailing. The armour is adhered to a black T-shirt labelled as a size medium. The armour displays light cracking, the paint finish has flaked away in places, and a small tear is present on the left shoulder.Estimate: £600 - 800 †Δ

Billy Mack's (Bill Nighy) snakeskin suit from Richard Curtis' romantic comedy Love Actually. Billy wore his suit as he stripped on national television while performing his Christmas number-one single. The suit consists of a faux-leather metallic green snakeskin-pattern jacket (size "38"), with iridescent green lining, matching tear-away trousers and a belt with faux crystals and metal studs. The costume includes its costumiers tags, and the trousers feature buttons down the sides for ease of removal. The suit shows wear from production use: the fabric near the collar and cuffs is worn and the colour has faded slightly, while some button fasteners on the trousers have become unstitched over time.Estimate: £400 - 600 M

Melissa Lewis' (Jessica Chastain) EVA suit from Ridley Scott's sci-fi survival drama The Martian. Lewis wore her extra-vehicular activity (EVA) suit when operating the Manned Maneuvering Unit during the Hermes mission to rescue Mark Watney (Matt Damon) from Mars. The EVA costume was based on a version of a NASA suit used for moving outside the International Space Station, and created by costume designer Janty Yates, Scott's long-time collaborator. Yates and Scott have worked together on a number of sci-fi films, including Prometheus and Alien: Covenant.The suit is constructed primarily from a white synthetic material and comprises a helmet; a black-and-white skull cap; a torso with a backpack and GoPro camera housing attached; a pair of trousers; a set of gloves with rubber fingertip and palm detailing; and a pair of boots with rubber-sole crampons.The helmet is made of white metal and features a clear plastic front, a functioning faux-gold sun visor, and lights on either side. The helmet is labelled "7" within. A chest pack is adhered to the torso and has a metal rig secured to the bottom. Orange-and-white "Lewis" insignia Velcro strips are attached across the suit. The skull cap displays a label on the inside reading "Ladies Stunt".Fitted to the helmet and chest pack are electronic components that allow them to illuminate with LEDs. The helmet is powered by a 12V lithium-polymer battery (not included) inserted into the backpack, and would have been activated by an external remote control. A 9V battery (not included) can be fitted into the chest to light up the blue LED digits on the front. The space suit shows minor distressing from use on production and is mounted to a custom-made display mannequin. Dimensions (displayed): 50 cm x 72 cm x 190 cm (19 3/4" x 28 1/4" x 74 3/4")Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see special shipping notice in the Buyer's Guide.Estimate: £12,000 - 16,000 †Δ

A red miner spacesuit from Peter Hyams' sci-fi film Outland. Spacesuits were worn by the Con-Am 27 workers in various scenes as they mined for titanium on Jupiter's moon Io. Created by Oscar®-winning costume designer John Mollo, the intentionally distressed suit is constructed from red cotton and decorated with quilted sections, a "Burke" name patch, a Con-Am 27 patch and strips of webbing edged with blue piping. Four detailed resin components with faux-silver dressing adorn the front. Accompanying the suit is a helmet consisting of a vacuum-formed plastic shell with affixed non-functioning lights and a clear acrylic visor. The inside is lined with cushioned PVC and is labelled "No. 11". Presented on a custom-made display, the costume shows several dark stains and glue remnants on the left sleeve, while the helmet visor exhibits light scratches. Two cut wires run out of the back of the helmet and the lights on the front-right side and interior are missing. Dimensions (displayed): 38 cm x 57 cm x 202 cm (15" x 22 1/2" x 79 1/2")Contains electronics: see electronics notice in the Buyer's Guide.Special shipping required: see special shipping notice in the Buyer's Guide.Estimate: £4,000 - 6,000 †Δ

David's (Michael Fassbender) screen-matched light-up space suit bay panel from Ridley Scott's sci-fi prequel Prometheus. Panels hung behind the Prometheus crew's spacesuits as they prepared to visit the alien ruins on LV-223. The panel matches the one seen behind David's suit through the markings on the metal grate. The panel itself is constructed from wood and painted matt grey and white. The panel features two display screens, three acrylic button pads and a gun compartment behind a metal grate lid. The screens display an array of moving data and the Weyland-Yutani logo, with graphics cycling on a loop when the panel is powered with its European plug, activated by a switch at the bottom. The gun compartment features a futuristic weapon-shaped cutout in black foam. The panel is accompanied by a remote control and instructions for use. There is some wear from production use and age, including some scuffing to the paintwork on the front and on the compartment handle. There are holes drilled into the top and bottom of the panel, where it was secured to the set. Dimensions: 15 cm x 61 cm x 99 cm (6" x 24" x 39")Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see special shipping notice in the Buyer's Guide.Estimate: £1,500 - 2,500 M

A battle-damaged EVA suit from Ridley Scott's sci-fi prequel Prometheus. A monstrous, mutated Fifield (Sean Harris) attacked the crew of the Prometheus after falling face-first into a puddle of the mutagenic Black Liquid, causing massive damage. It consists of a helmet, a skull cap, a jumpsuit and a chest plate. The jumpsuit is made of elasticated black material, and the helmet is made of clear acrylic and is intentionally smashed at the front. The chest plate is made of resin and plastic, and is intentionally dirtied, distressed and cracked. It has several stickers on it, including a Weyland Corp insignia at the centre of the chest. The costume has wear from production use, including scuffing and scratches.Estimate: £2,000 - 3,000 †Δ

A hand-coloured Darth Vader (David Prowse) costume design by Oscar®-winning costume designer John Mollo. This design was created after the release of George Lucas' Star Wars: A New Hope. The design is a printed copy that was hand-coloured by Mollo, and exactly matches an illustration seen in issue 23 of Starburst magazine published in August 1980. In his interview with Starburst, Mollo explained that "the first Darth Vader was wearing a motorcycle suit, and a sort of opera cloak, and a Nazi steel helmet, and a gas mask, and a medieval breastplate, all from different departments, all brought in together and put on, and it seemed to work". The sketch, coloured with pencil, features Vader in an imposing stance. It has two holes punched on the left edge, sticky tack marks on the front and back corners, and there is a small tear on the top-right corner. Dimensions: 29.5 cm x 21 cm (11 1/2" x 8 1/4")Estimate: £2,000 - 3,000 M

Seven on-set and candid stills from the production of Steve Binder's television spin-off The Star Wars Holiday Special. The three on-set stills show Luke Skywalker (Mark Hamill) in his Rebel flight suit with R2-D2; Princess Leia (Carrie Fisher) with C-3PO (Anthony Daniels); and a line up of the main cast members, with Chewbacca (Peter Mayhew) sporting a red "Life Day" robe. The remaining four photographs include a headshot of Fisher and Harrison Ford; Hamill holding an autographed Star Wars poster; and two black-and-white candid shots of Hamill, Fisher and Ford. The set displays light surface scratches and minor edge wear, while the edges of some images have curled over time. Dimensions (each still): 20.5 cm x 25.5 cm (8" x 10")Estimate: £200 - 300 M

A Joker crew gift statue from the production of Tim Burton's superhero film Batman. A limited number of statues were gifted to the department heads and senior crew who worked on the movie.Made of resin, the figure shows the maniacal Joker (Jack Nicholson) standing proudly while holding his fedora. The statue displays defined detailing, including his suit, slicked-back hair and villainous smile. Displaying a metallic brass powder finish, the statue contains an internal metal armature and is mounted on a wooden base. The crew gift displays light wear and scratches, with minor damage to the right hand. Dimensions: 10 cm x 37 cm x 46 cm (4" x 14 3/4" x 18 1/4")Estimate: £400 - 600 †Δ

A stormtrooper suit from Jon Favreau's Star Wars television series The Mandalorian. Stormtroopers appeared throughout the series in costumes created by the 501st Legion, a fan group dedicated to creating screen-accurate Stormtrooper suits. This particular suit was worn in the final episodes, "The Reckoning" and "Redemption". Consisting of white-coloured vacuum-formed plastic components, the costume comprises a hand-painted helmet with a green-tinted visor (labelled "20/3 TR"); a chest and back plate; a pair of plated plastic pauldrons with connected elastic straps (labelled "L" and "R"); a pair of forearm guards; a pair of hand guards (labelled "L" and "R"); an abdominal front plate featuring decorative grey-and-blue button decals; a back abdominal plate; a butt plate; a white canvas belt featuring attached dropboxes; a removable thermal detonator; a pair of thigh guards; a pair of leg armour plates; and a pair of white leather Chelsea boots (size 12). The black underlayer of the costume consists of a snood with ribbed detailing around the neck; a long-sleeved top (size XXL); a leather belt with adhered garters; a pair of Under Armour trousers; and a pair of black gloves (size XL). A metal-studded leather blaster holster, unworn during filming, is also included. The costume displays wear from production use, including scuffing and minor marks on several armour components, several dirt marks on the boots and plucked threads on the holster.Estimate: £8,000 - 12,000 †Δ 

An Icarus EVA spacesuit from Danny Boyle's sci-fi thriller Sunshine. The crew of the Icarus II wore their spacesuits while operating outside of the ship, including Capa (Cillian Murphy) and Kaneda's (Hiroyuki Sanada) repairs to the Icarus II's shield, and Capa, Mace (Chris Evans) and Harvey's (Troy Garity) attempt to return to the Icarus II from the desolate Icarus I ghostship. The gold foil spacesuits were inspired by the work of NASA, and were intended to shield the crew from the heat of the sun. Boyle has also stated that the design of the helmet, with its very narrow viewing slit, was inspired by the character of Kenny from South Park.The spacesuit is a mixture of original production pieces and replacement parts to complete the display. The helmet, torso, gloves and boots are all original pieces, while the arms are reconstructed using golden foil-like material that was purchased for the production, but ultimately unused. The legs are entirely new.The helmet is made of metal and resin, covered with foil, while the body is largely made of fibreglass. The torso of the spacesuit features several decals, which show the suit's serial number and other information, indicating that it was from the original Icarus mission. "Dick" is handwritten inside the back of the torso, and a Velcro® patch is secured to the exterior of the back. The spacesuit is finished to resemble metal and is intentionally distressed to look well used in the vacuum of space. The lot is presented on a custom-made display stand. It has some scuffing and scratches from production use. One of the panels on the back of the helmet has come away and a piece of black tape is stuck to the rear of the suit. The golden foil on the left arm has split along a seam. Dimensions: 90 cm x 90 cm x 192 cm (35 1/2" x 35 1/2" x 75 1/2") Special shipping required; see special shipping notice in the Buyer's Guide.Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £6,000 - 8,000 M

A fighter pilot's flightsuit from Tony Scott's action drama Top Gun. Pete "Maverick" Mitchell (Tom Cruise) and his fellow pilots wore flightsuits during aerial operations at the US Navy's Fighter Weapons School and on board the USS Enterprise.This military-issue flight suit with a size 42S chest and size 33 1/2 sleeve is made of sage green fabric, with a long zip running down the front and adjustable waistbands fastened with Velcro® at the hips. Zips and pockets are present along the legs, chest and arms, while a Western Costume Co. tag numbered 2507-1 and labeled "Top Gun" is sewn into the interior collar.Part of the signature look of the naval aviators at the Top Gun academy was the array of squadron insignia. This suit features an American flag on the left shoulder, Pacific Fleet Adversary Squadron 126 and Tactical Wings Atlantic patches on the right chest, Velcro® for affixing a name patch on the left chest, and red thread remnants in the right sleeve where a badge was removed after production. The flightsuit is in good overall condition with staining and discolouration throughout from wear.Estimate: £3,000 - 5,000 Ω

A synth police robot suit display from Len Wiseman's sci-fi action remake Total Recall. Robots were used to police the territories of the United Federation of Britain and the Colony, and thousands were later used by Cohaagen (Bryan Cranston) as a Colony-invading army.The suit comprises of a helmet with a black acrylic facemask; a jumpsuit; a chest guard; a pair of shoulder guards; a back guard; a waist cover; two arm pieces; a pair of gloves; leg armour; a pair of shin guards; and a pair of shoes. The majority of the armour is made of resin and hand-painted, with the waist cover made of brown-painted rubber. The jumpsuit is made from an elasticated black fabric and has white printed sections to replicate the appearance of mechanical components, which were enhanced with CGI in the finished film. Several sections - most notably on the chest - feature printed badges reading "Federal Police", with the unit's serial number and the words "Rapid Response Unit". The suit comes on a custom-built display stand, whose base features the film title. Dimensions (displayed): 37.5 cm x 60 cm x 195 cm (14 3/4" x 23 1/2" x 76 3/4") Special shipping required; see special shipping notice in the Buyer's Guide.Estimate: £4,000 - 6,000 †Δ

Andew's (Miles Teller) bloodied suit from Damien Chazelle's drama Whiplash. Andrew's suit became bloodied after he was involved in a car accident on the way to a concert. He then took part in the concert, bleeding from his head the entire time. The costume consists of a black, two-piece suit (labelled "42R/W32"); a white shirt (15 1/2" neck); an off-white T-shirt (size L); and a black tie. The shirt and T-shirt are stained with stage blood, most notably around the collar. The costume has some wear from production use and some of the stage blood has run around the collar, creating a pink stain.Estimate: £600 - 800 M

Beast's (Nicholas Hoult) creature appliances from Matthew Vaughn's superhero prequel X-Men: First Class. Hank McCoy first revealed himself in his new, blue-furred form at the X-Jet hangar and showed off his super strength while battling mutant assassin Azazel (Jason Flemyng) during the Cuban Missile Crisis. The costume comprises a cowl appliance displayed on a foam bust (labelled "Beast, Mark Rayner Stunt Cowl"); a face appliance with teeth, presented on a plastic form display (labelled "Beast, Mark Rayner Stunt Face"); a padded torso section (labelled "Nick"); a pair of arms (both labelled "#1"); and a pair of legs with attached feet (labelled "N1, #3"). The majority of the components are blue foam-latex skin covered in grey-and-brown hand-punched faux fur. Discoloured resin nails adorn the hands and feet, and the costume displays various zip and popper fastenings. Fur has not been applied to the torso, as the character's X-Men suit was worn over the top. The foam latex displays minor wear and cracking in some areas, and the fur has begun to shred. Dimensions (bust): 30 cm x 46 cm x 60 cm (11 3/4" x 18" x 23 1/2"); (face display): 35 cm x 26 cm x 21 cm (13 3/4" x 10 1/4" x 8 1/4")Estimate: £4,000 - 6,000 M

From a private Singaporean collection Navy blue dress suit with white geometric pattern. Sleeveless shift dress, size US 8 and single breasted jacket size US 6 Trina Turk Condition: In excellent condition Additional Information: Sold to benefit charitable causes

From a private Singaporean collection Pink 'Olympia Prim' tweed jacket and skirt suit, size UK 10/12 Kate Spade Condition: In excellent condition Provenance: Additional Information: Sold to benefit charitable causes

From a private Singaporean collection Blue 'heather' trouser & jacket suit, with gold button detailing and stitch detailing, with original swing tag attached, jacket EU44, trousers EU42 Escada Condition: In excellent condition Additional Information: Sold to benefit charitable causes

Tailor made Gentleman sporting two-piece suit, by Hucklecote, fully lined, size 42, together with a pair of Gore-Tex Breeks, by Lakson, size 38, (as new).

A Brights of Nettlebed oak dining suit in the 18th Century style, comprising an oval drawer leaf refectory table with two extra leaves, raised on round turned supports united by an H stretcher, 183cm x 122cm x 78cm leaves 122cm x 46 cm each, together with a set of six Lancashire style spindle backed chairs with drop in rush seats, four side and two carvers

some to suit Leica (a lot)

TWO ANTLER MOULDED SUITCASES and a canvas suit bag (3)