We found 19303 price guide item(s) matching your search

A box of seat belts, B.M.C. including new old stock, to suit Mini etc.

A quantity of mostly n.o.s. door handles to suit BMC including Mini.

A 16th Century Style Suit of Armour complete with sword upon a wooden plinth 197 cms tall

An original Hot Toys made Marvel Universe 1/6 scale collectible action figure ' Captain America The Winter Soldier ' in Stealth Strike suit. Highly detailed model appearing mint within original box.

Two gents pure wool jackets 46" R and a Pierre Cardin charcoal pinstriped 2 piece suit 40" chest.

NO RESERVE - A VICTORIAN SHELL CAMEO BROOCH depicting a three quarter length portrait of Joan of Arc in a suit of armour, to a rope twist border, no assay marks, 54mm, 16.2g.

Two bronze groups of figures on horseback, 20th century, one in a suit of armour and bearing a pike, 30cm high, the other in 17th century style hat and paned doublet, 16.5cm high       Condition Report: the 17th century figure is lacking pike, second figure with vacant holes to left flank and head suggesting he may have a had a sword and plumage attached- now absent Both dusty, Second with some rubbing to horse tail Condition Report Disclaimer

British Army Warrant Officers Dress Uniform(Reds) includes shirt, trousers, waistcoat andjacket. In suit carrier bag.

10 cards, 7 signed by Kristina Wayborn, Angela Scouler, Vijay Amritraj, Luciana Paluzzi, Lois Chiles, David Hedison, Clifton James. Plus 3 prop cards with pieces from the movies, Patrick Macnee with piece if his suit material, View to a Kill with Piece of Zorin Industries Patch, Casino Royale with piece of playing card. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Apollo XI Buzz Aldrin signed 10 x 8 inch White Space Suit photo rare inscription. We came in Peace Buzz Aldrin Apollo X1. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Dutch school; first half of the seventeenth century."Portrait of a gentleman".Oil on panel.Presents restorations, repainting and slight damage.Size: 71 x 58 cm; 92 x 77 cm (frame).We see in this work a male portrait that presents us a gentleman of mature age, with a thick beard, soberly dressed in a suit of armor, on which is superimposed a large white ruff. The luminosity of the face stands out in this work, contributed by the flesh tones and a spotlight, directed towards the face. The author has wanted to emphasize especially the look, which the protagonist fixes directly on the spectator, a feature that tells us about the psychology of the character, breaking in part the protocol distance typical of the baroque portrait. The composition is sober, typical of the Dutch portrait painting of the time: the character appears with a long bust, turned three-quarters with his head slightly turned to the front, in the foreground, against a neutral, dark background, although somewhat more illuminated around the head of the character. His face is modeled through a contrasting light of tenebrist heritage.The portrait, both individual and group, and even the character portrait, embodies the relationship of the individual with society and, therefore, with the State. This genre covers a third of the total production of the Dutch Baroque, and its main renovator in Holland is Frans Hals who, thanks to the power with which he marked the character of his models, penetrating their personality to the point of giving them vitality and spontaneous truth, was able to free himself from the prevailing late mannerism, giving rise to a new conception of the portrait. Faced with the exuberant and elegant Mannerist portrait, of virtuous and elaborate execution, at the beginning of the 17th century a general reaction was unleashed, based on compositional austerity and operational sobriety. Thus, against the desire for virtuosity of the previous century, the portraitists of the Dutch Baroque recovered the previous models in a more sober and solid way, focusing on the characterization of the characters, the elegance of the poses and the delicate capture of the qualities of the different objects.Italian school; 17th century.

WW2 British Winter / Snow Smock Suit, fine example of the white cloth winter pattern snow over smock with the original hood. Original 1943 dated size label to the interior. Accompanied by a pair of white camouflaged snow pattern over trousers which have the 1943 label to the inside. Pair of 1942 dated snow mittens with ink stamp to the inside and elasticated wrist sections. Some discolouration to the smock top but the others generally good condition. These suits were worn by British troops and commando’s in Norway and other winter theatres of operations.

Post WW2 British Tank Suit, fine example of the heavy khaki canvas cloth tank suit with large thigh pockets, chest pockets, double front zips and khaki wool collar. Complete with the original 1954 dated label to the interior of the cuffs. Identical to the suit worn by the tank crews in WW2, ideal for any re-enactor or for display.

Rare WW1 Royal Flying Corps / Royal Air Force Sidcot Flying Suit, the heavy padded canvas flight suite more knowingly worn during WW2 but was brought into service in the late stages of 1917 and early 1918. The khaki suit has buttoned front and the large angled map pocket. Large lower knee pockets and the ankles are buttoned. Fur lined interior of the suit and sheep’s wool collar. The suit shows some service wear but overall is an excellent example of a very rare item of WW1 flying clothing. These suits were introduced to replace the brown leather flight jackets which were used in the early part of WW1.

WW2 German Luftwaffe Flying Suit Trousers, good set of the blue grey suede canvas flying trousers with sheepskin lining. Complete with its often missing flare pistol pouch to the leg. Pockets, pop studs and zips complete and all appear to be in working order. Some steins and light areas of repair but generally a good condition original pair.

A Paul Smith 2 piece outfit, European size 44 (32" chest x39" long), a mid 20th Century John Hocking & Co black padded dressing gown A/F, 30" chest x55" long, a Caroline Charles ladies black coat with Mandarin collar, 34" chest, a vintage Harris Tweed ladies coat in a pink and green virgin Scottish woollen tweed, 40" chest, a Christian Lacroix jacket in brown and green check with Retro collar, European size 38 ( 36" chest ) and a Janet Ibbotson suede and leather skirt suit in green 34" chest x 35" long and 2 other items

Christian Lacroix ladies clothing to include a lambswool and mohair mix 2 piece skirt suit in purples and pinks together with a Ted Lapidus sequinned evening jacket and 2 other garments, (7 garments in total) Location: Rail 2

Yves Saint Laurent-Late 20th Century and later formal clothing to include an YSL Rive Gauche red and black chequered 2 piece skirt suit, Euro size 42, an YSL Rive Gauche black longline jacket, Euro size 40, and YSL Rive Gauche navy pinstripe jacket, Euro size 40, a Louis Feraud grey and red stripe 2 piece trouser suit and 2 other jackets.Location: Rail 2

glass50cm highFootnote: Note: Gertrude Jekyll, the renowned garden designer, designed and commissioned 'Munstead Flower Glasses' when she failed to find vases to suit her needs. The range was named after her cottage 'Munstead Wood' near Godalming in Surrey, designed by her famous collaborator Sir Edwin Lutyens circa 1896. Extra-large examples, like the current lot, are scarce.

A miniature suit of armour, approx. 63cm high

A wood bound travel trunk and two small suit cases (3) Condition Report: Available upon request

Hornby Dublo 3 Car Super Detail Pullman Suit Barnstaple and a Triang Caledonian Single and Coach

Original 1930's Jantzen Men's Swim Suit, Blue Wool

British WWI/II Allwin standard No.2 foldable wheelchair, a sturdy chair with a fabric seat attached to a foldable frame with wooden arms and a rubber handle. The chair would look fantastic with some tlc but would suit the reenact or well.

WATERWORLD (1995) - DISTRESSED 'BOAT PEOPLE' SMOKER JUMPSUIT Gents Dark grey jump suit, been distressed with rips and bleach and a stencil with Vald, accompanied by a Hollywood movies Costumes certificate of authenticity. The film stars Kevin Costner and Dennis Hopper.

EVITA (1996) - EVA PERON'S NAVY THREE PIECE SUIT - PLAYED BY MADONNAMade by 20th Century props, comprising a fitted jacket with 5 button detail and side tie featuring embroidery panel, straight pencil skirt, 29 inch length and 27.5 inch waist, and cotton cream ladies long length blouse. The film also stars Antonio BanderasNote: This lot was purchased by the vendor from the Bonhams 'Angels Star Collection of Film & TV Costumes' sale on 6th March 2007Sold with a pull up screen from the 'Designer Divas' Exhibition which took place at the Falkirk Wheel

VELVET GOLDMINE (1998) - MANDY SLADE'S TIGER PRINT SUIT AND GOLD SEQUINNED BOOTS - PLAYED BY TONI COLLETTELadies custom made three piece velvet suit comprising a fitted long line jacket with 3 button detail and wide lapels, with 'Angels the Costumier' label with hand written 'Toni Colleette', a pair of flared trouser with a 32 inch waist and 30.5 inch inside leg, and a halter neck waistcoat featuring five buttons, together with a pair of platform ankle length gold boots, approximately size 7. The film also stars Ewan McGregor and Christian BaleNote: This lot was purchased by the vendor from the Bonhams 'Angels Star Collection of Film & TV Costumes' sale on 6th March 2007Sold with a pull up screen from the 'Designer Divas' Exhibition which took place at the Falkirk Wheel

THE BEATLES - JOHN LENNON'S SUIT, SHIRT AND TIE jacket with collar and four buttons in blue jersey material with Ferrafoam lining, 40 inch chest and 27 inches from nape of neck; the brown trousers 28 inch waist and 30 inch inside leg; the white shirt has a double cuff and 15 inch collar, the multi-coloured toe measuring 3/4 inch x 38 inches; together with life size wax head, the back of the neck marked 'Gems London John' Note: These items were purchased from Nick Harrison at Weird & Wonderful Film props based at Elstree Studios. He acquired them from Peter Nelson who owned the 'Cars of the Star Museum' in Keswick. They originated from Louis Tussauds Waxworks in Morecambe, and came directly via the Beatles manager Brian Epstein to the Waxworks in 1964. In the 1990's the costumes were featured on Phillip Schofield's TV show 'Schofield's Quest' and also 'This Morning' with Richard & Judy.

THE BEATLES - PAUL McCARTNEY'S SUIT, SHIRT AND TIE the collarless four button jacket in blue jersey material with Ferrafoam lining, 40 inch chest and 28 inches from nape of neck; the brown trousers 29 inch waist and 32 inch inside leg; the white shirt has a double cuff and 15 inch collar, the multi-coloured toe measuring 3/4 inch x 38 inches; together with life size wax head, the mack of the neck marked 'Gems London Paul' Note: These items were purchased from Nick Harrison at Weird & Wonderful Film props based at Elstree Studios. He acquired them from Peter Nelson who owned the 'Cars of the Star Museum' in Keswick. They originated from Louis Tussauds Waxworks in Morecambe, and came directly via the Beatles manager Brian Epstein to the Waxworks in 1964. In the 1990's the costumes were featured on Phillip Schofield's TV show 'Schofield's Quest' and also 'This Morning' with Richard & Judy.

THE BEATLES - RINGO STARR'S SUIT, SHIRT AND TIE the collarless four button jacket in blue jersey material with Ferrafoam lining, 40 inch chest and 28 inches from nape of neck; the brown trousers 27 inch waist and 32 inch inside leg; the white shirt has a double cuff and 14 1/2 inch collar, the multi-coloured toe measuring 3/4 inch x 38 inches, together with life size wax head, the back of the head marked 'Ringo Starr' Note: These items were purchased from Nick Harrison at Weird & Wonderful Film props based at Elstree Studios. He acquired them from Peter Nelson who owned the 'Cars of the Star Museum' in Keswick. They originated from Louis Tussauds Waxworks in Morecambe, and came directly via the Beatles manager Brian Epstein to the Waxworks in 1964. In the 1990's the costumes were featured on Phillip Schofield's TV show 'Schofield's Quest' and also 'This Morning' with Richard & Judy.

TWO VINTAGE MINI DRESSEScomprising a Mod 1960s geometric colour block dress in green, white and purple, with button detail to the shoulders and two front pockets, by Jantzen, USA, size 34; and a 1970s long sleeved mini dress by Alan Gray Dublin, in white and black, with decorative red, grey and yellow scroll decoration running down the front and to the shoulders; together with a 1960s swimsuit, the Bri Nylon blue black and white striped suit by St Michael, bust 36 inches and hips 38/40 inches (3)

SCOTTISH BALLET - BACHthe three piece navy velvet suit comprising a frock coat with gold and blue patterned collar and cuff and gold trim down the front and hem, a long waistcoat to match with brass coloured buttons, and a pair of matching velvet pantaloons, with a pair of tights

SCOTTISH BALLET - SWAN LAKE - SPANISH the two piece costume comprising a black and gold embossed short jacket with heavily embossed shoulder pads, matching black and gold heavily embossed jump suit with tassels at the hem, together with a hat

LITTLE BLACK BOOK (2004)- DR. RACHEL KEYES GREY SUIT - PLAYED BY RASHIDA JONESSuit by Armani Collezioni size 6, 53% wool and 47% viscose, with added button detail to front of jacketThe film also stars Brittany Murphy, Holly Hunter and Kathy Bates

THE CHRONICLES OF RIDDICK (2004) - NECROMONGER GRAVITY TENDER OUTFITcomprising a rubberized reptile effect all-in-one suit with 30 inch waist and back zip, a matching head and neck piece with back zip, a body vest with attached plastic face guard and buckle side fastenings, customized faux leather gloves, and customized long leather gents boots, accompanied by Prop Store of London certificate of authenticity. The film stars Vin Diesel, Judi Dench, and Thandiwe Newton

WILD WILD WEST (1999) - GRAY WOOL LOVELESS GAURD CONFEDERATE UNIFORMGents grey wool military style suit, comprising a fitted jacket with decorative detail and 24 silver coloured buttons, the sleeves with 3 further buttons to each, the tailed back with 12 buttons, the trousers with black trim, size 32 inch waist and 31.5 inch inside leg, accompanied by a Hollywood Movie Costumes certificate of authenticity. The film stars Will Smith, Kevin Kline and Kenneth Branagh

BECAUSE I SAID SO (2007) - MILLY WILDER'S SUIT JACKET AND TOP - PLAYED BY MANDY MOOREDKNY Ladies 93% wool, 5% cashmere and 2% spandex fitted one buttoned suit jacket size 6, red ladies short sleeved blouse, with pearl buttons to front and a mesh yoke, together with costume jewellery and a black satin clutch bag, Accompanied by a Premiere Props Certificate of Authenticity and Costume department tag. The film also stars Diane Keaton

THREE PIECE DRESS SUIT BY SIONI COUTURE AND EARRINGS - UNKNOWN PRODUCTION navy blue ladies suit, comprising a fitted jacket with bead trim on sleeves and lapels, Size 14, a bodice top with bead decoration, and a long straight skirt with bead detail and split, together with costume jewellery earrings

SEXY SPACE SUIT - UNKNOWN PRODUCTION in silver stretch material, accompanied by a Museum of Mom & Pop Culture Certificate of Authenticity

SEXY SPACE SUIT - UNKNOWN PRODUCTION in silver stretch material

Two Royal Doulton miniature figures: Dinky Do, HN 1678 & Christmas Morn, HN 3212, with boxes; a bisque figure, young boy in 18th century pink suit and hat

A Vivienne Westwood three-piece lustre denim suit,comprising, a bustier, jeans and a jacket, labelled 'Grand Hotel S/S 1993 / Elle Magazine A/W 92', size 12 (3)Condition report: No tears detected. Labels are still attached. The two lower buttons missing their 'heads' (pin to secure the head still intact). All zips working.

Two Photograph Albums, carte de visite/cabinet album with chromo-litho floral pages, including family portraits, including young man posing outside in smart tweed, gaiters and deerstalker with Ordinary (Penny Farthing) cycle (1), children, small tintypes, girl with tennis racquet, comedy troupe, bathing beauty in seascaepe, Cetewayo King of the Zulus, mainly 1870s-1880s with later additions, and cabinet album with chromo-litho pages, including family portraits, little girl with pull-along horse, soldier's graves in South Africa (2), 1901, small boy in sailor suit and soldiers in CIV uniform,

Matthew Price was inspired by the polka dot, a look that will never go out of style. Taking the classic design and making it fresh for the 21st century, his Bear wears a stylish suit. As a reference to the region, he has used the Yorkshire rose for the main pattern. The Bear is a visual symbol celebrating the rich culture and fierce patriotism that the people of Yorkshire possess.Each bear sculpture is sold without the concrete plinth which it was displayed on throughout the trail.Each bear sculpture measures - Height: 2m, 11.2cm, Width: 79.4cm, Depth: 77.7cmWeight – 60Kg

Manabu Kochi (Japon / France, né en, born 1954)Tragédie du Liban II technique mixte sur papier arches, encadrésigné 'M. Kochi', daté '2020' et titré 'Tragédie du Liban II' (en bas à gauche)exécuté en 202076 x 57cm (29 15/16 x 22 7/16in).mixed media on arches paper, framedsigned, dated and titledFootnotes:ProvenanceCollection de l'artisteLa présente oeuvre est vendue par le Fonds Claude et France Lemand au profit des Artistes et de l'Institut du Monde ArabeNé en 1954 à Okinawa, au Japon, Manabu Kochi suit une formation à l'Ecole des Beaux-Arts de Florence, et s'établit en France en 1981. Sculpteur, peintre et graveur, il réussit à élaborer un univers personnel, synthèse entre les arts primitifs et les courants européens modernes les plus novateurs et positifs. Son œuvre post-moderne est imprégnée de philosophie et d'humour, de couleur et d'harmonie. Depuis octobre 2018, le Musée de l'Institut du monde arabe détient une très importante collection d'œuvres de Manabu Kochi, grâce à la Donation Claude et France Lemand.« Cher Claude, j'ai dessiné des études préparatoires sur la tragédie et l'espoir du Liban. J'en ai tiré deux peintures à l'aquarelle. La première est l'image de l'explosion et de la destruction de la ville : les bâtiments sont détruits, le bateau a coulé, mais l'esprit des Libanais se dresse comme le Phénix. Et puis, il y a les paysages des célèbres chaînes de montagnes, qui embrassent et qui protègent toujours et si magnifiquement le peuple libanais.La deuxième peinture est dans la ville qui a été détruite et a fait beaucoup de victimes, les hommes, les femmes et les enfants. Les figures humaines sont métamorphosées, comme si elles souffraient dans leur chair de la situation du pays. Mais le peuple libanais garde l'espoir de bâtir un nouveau pays, paisible et beau, stable comme le grand cèdre, l'arbre typique du pays, qui se trouve au fond de l'image. Cet arbre est le symbole de la Nature protectrice, de la liberté et de la culture libanaise. Avec mon amitié. » - Manabu Kochi, 13.08.2020.Lettre à Claude Lemand.« Cher Claude, j'ai changé le dessin du deuxième croquis. A présent, les figures humaines ne sont pas mortes, elles sont vivantes mais expriment la complainte, la souffrance, la colère, mais aussi l'espoir en regardant le grand Cèdre libanais. J'ai enlevé l'oiseau et je l'ai remplacé par l'arbre, qui est le symbole du grand peuple libanais. J'espère que tu l'aimes. » - Manabu Kochi, 15.08.2020. Lettre à Claude Lemand.« Dès notre première rencontre à Paris en décembre 1988, il m'avait dit : Je suis plus pour l'harmonie que pour le conflit, pour l'harmonie entre tous les êtres vivants, qui sont une richesse ; la recherche de la pureté est illusoire, car elle aboutit au fanatisme ». Cette réflexion est une manifestation de sa philosophie pacifiste, opposée à toute dictature et à toute guerre qui ne peuvent qu'engendrer la destruction, la mort et le malheur, comme ce fut le cas au Japon et sur l'île d'Okinawa dont il est originaire. » - Claude Lemand'Dear Claude. I drew preparatory studies on the tragedy and the hope of Lebanon. I drew two watercolour paintings from it. The first is the image of the explosion and destruction of the city: the buildings are destroyed, the boat sank, but the spirit of the Lebanese stands like the Phoenix. And then there are the landscapes of the famous mountain ranges, which always embrace and protect the Lebanese people so beautifully.The second painting is in the city which was destroyed and claimed many lives, men, women and children. The human figures are metamorphosed, as if they suffered physically from the turmoil of the country. But the Lebanese people still hopeful to build a new country, peaceful and beautiful, stable like the great cedar, the national tree of the country, which is at the bottom of the composition. This tree is the symbol of the protective nature and liberty of the Lebanese culture. With my friendship. - 13.08.2020.'Dear Claude. I changed the drawing of the second sketch. Now, the human figures are not deceased, they are alive but express lament, suffering and anger, but also hope glazing at the great Lebanese Cedar. I removed the bird and replaced it with the tree, which is also a symbol of these great and resilient people. Hope you like it' 08/15/2020-Manabu Kochi's letters to Claude LemandBorn in 1954 in Okinawa, Japan, Manabu Kochi completed his training in Italy and came to live in Paris in 1981. Working in the fields of sculpture, painting and engraving, he has succeeded in creating a personal link between Primitive Arts and the most innovative trends in European Modern Art. His works are full of philosophy, humour, colour and harmony. Since October 2018, the museum of the Institut du Monde Arabe in Paris now houses a very important collection of works by Manabu Kochi, thanks to the Claude and France Lemand Donation.From the moment we first met in Paris in December 1988, he told me, 'I tend to be an advocate of harmony rather than conflict, of the harmony amongst all living beings, who represent such resources; seeking for purity is illusionary as it ends up in fantasy'. This comment translates the artist's pacifist philosophy, that opposes all types of dictatorship and war that can only lead to destruction, death and tragedy, as was the case for Japan and on the island of Okinawa, the place where he is born.-Claude LemandClick for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Chaouki Choukini (Liban, né en 1947)To Beirut - A Beyrouth - Li Bayrût bois d'irokosignéexécuté en 2020153 x 65 x 30 cmiroko woodsignedFootnotes:ProvenanceCollection de l'artisteLa présente oeuvre est vendue par le Fonds Claude et France Lemand au profit des Artistes et de l'Institut du Monde ArabeChaouki Choukini est né en 1946 à Choukine, au sud du Liban. Il suit la formation de l'Ecole supérieure des Beaux-Arts de Paris de 1967 à 1972 et remporte le Prix de la Jeune Sculpture en 1978.De 1985 à 1987, il occupe le poste de professeur de sculpture à l'Université libanaise de Tripoli, et de 1989 à 1991, il est professeur de sculpture à l'Université jordanienne de Yarmouk. Depuis, il vit et travaille en France. Chaouki Choukini est exposé lors de nombreuses expositions, dont celle de l'Institut du Monde Arabe en 1991. Il obtient le Prix de la Fondation Taylor en 2010 et participe avec 7 de ses sculptures à l'exposition de l'IMA, Le corps découvert, de mars à août 2012.En 2015, l'Académie Française des Beaux-Arts lui décerne le Prix Pierre Gianadda de la Sculpture, pour récompenser l'ensemble de son oeuvre.'Ce libanais venu en France directement depuis son village du Liban-Sud, sculptait alors dans le bois d'étranges constructions, imaginaires et sobrement baroques, dont l'évidence formelle, pourtant à la limite de l'onirisme, s'imposait : c'était tout à la fois des monuments chimériques, des damiers pour jeux de hasard anthologiques, des figurines imbriquées et impliquées dans une sorte de 'grand jeu' métaphysique. La musique muette des sculptures de Choukini est un défi à l'absurde canon qui tonne ici ou là pour tuer, mais il n'y parviendra pas, l'âme et le corps du Liban, montagne dure et tendre comme les sculptures et le sculpteur dont je parle.'- Salah Stétié'When I was younger, I used to go to my grandfather's house during school holidays in a village called Choukine in the south of Lebanon, where I would contemplate mountains, trees, valleys, wells — unlike the views of Beirut. This led me to develop my love of nature, which influences my work. My expression of a landscape is not an exact representation of nature — I'm turning it into something metaphysical, imaginary and with an element of mystique.'- Chaouki ChoukiniChaouki Choukini's sculpture offers a window back to what he refers to as the 'landscape of childhood', to people and places, and to memories of South Lebanon. Choukini piles block upon block on top of each other, creating cityscapes and mountains, and revealing abstracted, silent faces. It is this tension – between corners and edges, form and function, and, most importantly, positive and negative space – that has come to define his work.Born in 1946 in Choukine, Lebanon, Chaouki Choukini received his degree from the Ecole Nationale Superieure des Beaux-arts de Paris, in 1972. He was awarded the Prix de la Jeune Sculpture in 1978 followed by the Taylor Foundation Prize in 2010. Most recently in 2015 he was awarded the Prix de la Fondation Pierre Gianadda, from the Academie De Beaux-Arts de l'Institut de France.Choukini has participated in various solo and group exhibitions including Beloved Bodies, Barjeel Art Foundation, Sharjah, UAE (2017), Poetry in Wood, Green Art Gallery, Dubai, UAE, (2016), Portrait of The-Non-Existent-Bird, Museum of Issoudun, France (2014); Tajreed (Arab Abstract Art), Contemporary Art Platform, Kuwait (2013); Le Corps decouvert, Arab World Institute, Paris, France (2012); International Aswan Sculpture Symposium, Cairo Biennial, Egypt (1997); Paris Sculpture, Centre de Sculpture Contemporaine, Paris, France (1973). His works are in several important collections including Musee d'Art Contemporain de Val-de-Marne, France; Arab World Institute, France, Mathaf, Arab Museum of Modern Art, Doha, Centre National Des Arts Plastique, France, Barjeel Art Foundation, Sharjah, UAE and Sharjah Art Foundation. He lives and works in Paris, France.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Tagreed Darghouth (Liban, née en 1979)L'Explosion acrylique sur toilesigné 'Tagreed' et daté '2021' (en bas à droite), signé, daté et titré au dosexécuté en 2021150 x 200cm (59 1/16 x 78 3/4in).acrylic on canvassigned and datedFootnotes:ProvenanceCollection de l'artisteLa présente oeuvre est vendue par le Fonds Claude et France Lemand au profit des Artistes et de l'Institut du Monde ArabeL'Explosion, 2021. Thierry Savatier : « L'Explosion rappelle directement le drame qui secoua Beyrouth le 4 août. Celles et ceux qui ont vu le port dévasté et les nuages de fumée ne peuvent éviter ce rapprochement. Mais la force de cette grande toile réside, une fois encore, dans son caractère universel car l'artiste, par l'absence délibérée de personnages dans son tableau, ne cède pas au pathos ; elle se limite à peindre un paysage dévasté. Picasso disait que, pour être réussie, une nature morte aux poireaux devait sentir le poireau ; ici, la toile a le parfum des ruines calcinées. »Tagreed Darghouth est née en 1979 à Saida au Liban. Elle est diplômée de l'Institut des Beaux-Arts de Beyrouth (2000) et de l'Ecole nationale des Arts Décoratifs de Paris (2003). En 2000 et 2001, elle suit les cours de Marwan Kassab Bachi (1934-2016), qu'elle admire et qui a beaucoup influencé son travail, à la Ayloul Summer Academy de Amman (Jordanie). Elle nourrit son art de lectures et de l'observation des maîtres anciens et modernes, en particulier Rembrandt, Courbet, Soutine et Lucian Freud.Proche du néo-expressionnisme, Tagreed Darghouth, qui vit et travaille à Beyrouth, construit ses toiles en couches épaisses de matière, tout en utilisant une palette sobre, sans aucun travail préparatoire. Ses œuvres, de formats moyen et grand, parfois en polyptiques, interrogent le spectateur et le confronte à ses contradictions, à ses erreurs et à ses doutes.Born in 1979, Saida, Lebanon, Tagreed Darghouth studied fine arts at the Lebanese University in Beirut as well as earned a diploma in art education. She then went on to study space art at the Ecole Nationale Supérieure des Arts Décoratifs in Paris. Tagreed's social and political themes draw attention to hidden forms of violence and the misconception of the other. In recent years, Darghouth's focus has expanded beyond the borders of Lebanon to encompass global issues. Her last two exhibitions explored the atomic bomb, featuring eerie paintings of mushroom clouds, skulls and the craters left in the Navada desert by nuclear weapons testing, which has transformed the landscape into a deformed, pockmarked wasteland resembling the surface of the Moon. For Darghouth, these exhibitions are all related. 'Every subject gives me a visual challenge to work on. It's a matter of choosing an object that makes the work variable and rich,' she explains. 'I think it's like I'm telling a story with each subject as a chapter of the work.'Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

US Airforce flight suit with full badges including the United States Fighter Weapons School Top Gun.

Four various Gents suits; including one dinner suit

A QUANTITY VARIOUS LUGGAGE CASES of various styles and ages, to include two modern suit cases, a brown travelling trunk, two small hand held cases, etc (11)

SUNDRY ITEMS ETC to include a 35mm slide projector, slide trays, slide viewer, pot black snooker cue in box (cue is in good condition), small quantity of DVDs and CDs, suit bag, knitting needles, watercolour paints, etc

A BOX OF GLASSWARE, PAINTINGS AND PRINTS, LUGGAGE, etc, to include a Kundo anniversary clock, a twin handled tray, BT brown and cream telephone FWR 82, Antler luggage (suit bag, vanity case and suitcase) and others (one box and loose)

A good collection of vintage trunks and suit cases to include leather and similar examples. Largest dimensions 92 x 54 x 38cm. Hinges are broken on one of the steam bent examples.

A JT's leather two piece suit, size 48, with bib trousers.

A Lewis Leathers one Real Hide black one piece suit with white arm stripes, 39 cm across the shoulders, 69cm inside leg.

A BKS black and red leather made to measure one piece suit, 52cm across the shoulders, matching Stylmartin boots, size 9 and Aprilla gloves, together with other clothing.

An Echt Ledr Honda Repsol one piece leather race suit, size XXL, with protectors

Play golf FREE while having your suit PRESSED' a framed print, framed under glass, 80 x 60cm

MIXED COMIC LOT - (10 in Lot) - TOP COW, IMAGE, DW, QUALITY COMICS, APCOMICS, CROSSGEN, ROCKET, VIZ - Includes BATTLE OF THE PLANETS #1 (Holofoil Cover) + TRANSFORMERS: THE WAR WITHIN #1 (3D Hologram Cover) + ROGUE TROOPER #1 + DIGITAL GRAFFITI #1 + DRAGON'S LAIR #1, 2, 3 + GO BOY 7 #2 + MOBILE SUIT GUNDAM 0083 #2 + SPACE ACE #2 - Flat/Unfolded

A vintage wooden tramp art card box with suit markers to sides..