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Lot 1230a
G Plan - A mid 20th Century dining suit comprising of four chairs & a table. The teak table being of circular form with a leaf inside raised on circular legs. The teak chairs having four arched horizontal backrests with chequered upholstered cushions reside on the squared supports. Measures approx. 73cm x 168cm x 123cm.
Lot 789
MENS AND LADIES CLOTHING AND ACCESSORIES, to include a Moorlands shearling coat size 42, Magee two piece blue pinstripe suit 42/36, Masterhand tuxedo suit 52/42, Bogart blue jacket size 50, tan Daks two piece suit size 50, ladies Jaeger casual jacket approximate size 10, Marks & Spencer black jacket size 10, Per Una coat 10, Kalico jacket 8, Wallis cream jacket 8, cream Paul costello dressage jacket UK10, Precis stripped jacket 8, Eastex coat 8, Lakeland shearling coat approximate size 8, vintage two piece suit unbranded approximate size 8 (skirt lining stitching loose), Precis black evening dress size 12, Betty Barclay faux wool and fur jacket size 8, vintage Welsh woollens gilet??, together with a quantity of handbags including examples branded Michael Kors, Jaeger and Jasper Conran, ladies shoes sized 34/35 and scarves etc
Lot 24
Original vintage advertising poster La Encartada Fabrica en Valmaseda Hilados Tejidos de Lana Boinas y Mantas Bilbao / The Encartada Factory in Valmaseda. Yarn Woven Wool Berets and Blankets Bilbao, featuring an illustration of a gentleman in a blue suit, beret and brown leather gloves holding a cigarette in one hand and resting the other hand on the steering wheel, with yellow and orange cloudy background, held by an ornate blue frame with plume of feathers and stylised lettering below the image. Printed by I.G. Seix & Barral Herms S.A. Barna (Barcelona). Fair condition, crease marks, tears, Country of issue: Spain, designer: Unknown, size (cm): 28x28, year of printing: 1920s.
Lot 271
Original vintage German motivational workplace poster issued by Parker-Holladay company in Berlin. Doval was a German equivalent of Bill Jones that was created in the UK by Parker-Holladay to promote the correct work ethic in the workplace. The concept was copyrighted and also taken to the USA and Canada motivating personnel to perform efficiently worldwide. The poster features an illustration of a man in a suit and tie, white and yellow lettering reads - You don't know me? Then you will get to know me at this point if you give me a minute of reflection every day. Because my 'wisdom' is also your wisdom, I am a working person like you are, what I say to you, you will say to yourself if you want life and work to be more satisfying. / Ihr kennt mich nicht? Dann werdet Ihr mich an dieser Stelle kennen lernen, wenn Ihr mir taglich eine Minute des Nachsinnens schenkt. Denn meine 'Weisheit' ist auch Eure Weisheit, ich bin ein arbeitender Mensch, wie Ihr es seid, das, was ich Euch sage, werdet Ihr Euch selber sagen, wenn Euch das Leben und die Arbeit mehr befriedigen sollen. Good condition, tears in margins, staining. Country of issue: Germany, designer: Doval, size (cm): 72x56, year of printing: 1929.
Lot 35
Original vintage advertising poster for Triumph Cycles - The magic word Triumph Standing with Safety. Riding with Comfort on a new low built cycle. Triumph Cycle Co Ltd Osborne Rd Coventry - featuring an illustration of a couple, a lady in a red jumper and a skirt and a gentleman in a brown suit, with traffic light and stylised illustration of a street. The Triumph Cycle Co. Ltd. was founded in 1884 manufacturing bicycles, based in Nottingham (and motorbikes from 1902). In 1956 Triumph bicycles became part of the Raleigh Bicycle Company. Printed by R.B. Macmillan Ltd., Colour Printers, Derby. Good condition, folds, staining, repaired tears, backed on linen. Country of issue: UK, designer: C. Smith, size (cm): 75x49, year of printing: 1930s.
Lot 385
Original vintage Soviet propaganda poster - Structure to Perestroika - featuring an illustration of a politician rooster in a suit and tie crying 'I have adjusted' with a jumble of letters and numbers on white background. Perestroika (Reconstruction) was a political reform movement in the Communist Party of the Soviet Union intended to restructure Soviet political and economic system, which began with Mikhail Gorbachev's speech in 1985 stressing on the importance of modification. Very good condition, minor creasing, minor staining. Country of issue: Russia, designer: O. Zaykova, size (cm): 65x48, year of printing: 1988.
Lot 427
Original vintage film poster for the German release of the 1952 movie Moulin Rouge starring Jose Ferrer, Collette Marchand, Zsa Zsa Gabor and Katherine Kath based on the book by Pierre La Mure about the notable artist Henri de Toulouse-Lautrec (1865-1901), the bohemian subculture in Paris in the late 19th century and the famous burlesque music hall Moulin Rouge (1889-1915) featuring colourful artwork based on a painting by Henri de Toulouse-Lautrec depicting a bearded man in a black suit, top hat and glasses, holding a note pad and pencil while watching the French can-can dancer Jane Avril (1868-1943) dancing in a red and white polka dot top and pink skirts in front of a silhouetted crowd background, the title is stylised red letters above. Good condition, tears, minor staining, misaligned printing. Country of issue: Germany, designer: Unknown, size (cm): 30x21, year of printing: 1954.
Lot 433
Original vintage two panel Tatekan movie poster for the James Bond film On Her Majesty's Secret Service Japanese release, directed by Peter Hunt and starring George Lazenby as 007 James Bond with Diana Rigg and Telly Savalas as Blofeld. Fantastic artwork incorporating the American artist Robert McGinnis's work showing James Bond in his trademark black tie suit (tuxedo) and a scantily dressed Diana Rigg holding up pistol guns and skiing in front of explosions with an army shooting from the ski slope below helicopters flying in front of the mountains, and explosions on the race track below, the tagline and title in the centre in red and green letters. Very good condition, light folds, minor creasing. Country of issue: Japan, designer: Robert McGinnis & Frank McCarthy, size (cm): Printed on two sheets: 73x51 and 74x51, year of printing: 1969.
Lot 435
Original vintage film poster for the Japanese release of the James Bond 007 film Live And Let Die directed by Guy Hamilton, the first to star Roger Moore as the British spy with Yaphet Kotto, Jane Seymour, Clifton James and Julius Harris. Fantastic artwork by the American artist Robert McGinnis featuring James Bond wearing a suit and holding gun looking out at the viewer in the centre with tarot playing cards behind him marked Devil - Death - Lovers - Fortune with images of the Bond villains and Bond Girls stepping out of the cards and various speedboat and car chases and explosion scenes from the film below, the title above in stylised black letters with 007 in red and a pistol gun part of Roger Moore and a dagger knife part of Die. Very good condition, creasing. Country of issue: Japan, designer: Robert E. McGinnis, size (cm): 73x51, year of printing: 1973.
Lot 438
Original vintage film poster for the Japanese re-release of the classic spy James Bond 1967 film - You Only Live Twice - written by Ian Fleming, directed by Lewis Gilbert and starring Sean Connery, Akiko Wakabayashi (as Aki), Mie Hama (as Kissy Suzuki), Donald Pleasence (as Blofield) with the title music composed by John Barry and performed by Nancy Sinatra. Dynamic design featuring Sean Connery wearing his trademark black tie suit / tuxedo holding a gun, with paraplanes and rockets in the background, bold red title characters at the bottom. Very good condition, minor creasing, small tears. Country of issue: Japan, designer: Unknown, size (cm): 72x51, year of printing: 1976.
Lot 443
Original vintage 007 movie poster for the Italian re-release of the classic British spy thriller Goldfinger (the third film in the James Bond film series) directed by Guy Hamilton and starring Sean Connery with Honor Blackman as Bond Girl Pussy Galore, Gert Frobe as Auric Goldfinger, Shirley Eaton as the iconic Bond Girl Jill Masterson and Harold Sakata as Oddjob, the title music composed by John Barry and performed by Shirley Bassey. Great image of James Bond wearing his trademark black tie / tuxedo suit and black bow tie with gold cufflinks, looking out to the viewer while holding a gun in front of scenes depicting men fighting and Bond embracing a lady in black on a chair with a lady covered in gold above the title text in bold yellow lettering against the blue border - Agente 007 Missione Goldfinger. Printed by Prima Edizione Italiana. Fair condition, folds, creasing, paper loss in top right corner, pinholes, staining, roughly trimmed bottom edge, ink stamps on reverse. Country of issue: Italy, designer: Unknown, size (cm): 138x100, year of printing: 1980s.
Lot 286
A late 19th century Meissen figure group of a gallant and companion. With blue crossed swords mark, incised 230 and pressnummer 55, painter's 33., wearing a blue ruffled suit and she with flowered dress, on gilt lined shaped oval rocky base, L21cm Condition Report: Feathers to the top of the woman's hat have been broken, as has one of her fingers. Otherwise in good condition. No apparent cracks or restoration, colours bright. Some rubbing and scratches to the base consistent with age. Would benefit from a clean.
Lot 80
Eduardo García Benito (Valladolid, 1881 - 1981)"Pareja elegante, nocturno" (Elegant couple by night)Watercolour y gouache on paper. Signed. Circa 1920 - 25.25,8 x 52,3 cm.The painter Eduardo García Benito (1891-1981) was one of the most renowned and polished artists of the Art Deco movement. Born in Valladolid, he trained at its School of Fine Arts and Crafts and, later, at the Academy of San Fernando in Madrid. He was given a grant by the City Council of Valladolid to go to Paris in 1912, a city where he socialised with the great masters of the time (Pablo Gargallo, Julio González, Pablo Picasso, Juan Gris, Raoul Dufy and Amedeo Modigliani). His knowledge of the various avant-garde movements that were being developed at the time (Fauvism, Cubism, Futurism, Expressionism) led him to develop an eclectic style to which he added personal elements. The interwar period, the Roaring Twenties, was the period in which he reached the peak of his career, largely due to his discovery by the famous French couturier Paul Poiret (1879-1944) -whom he painted together with his wife in 1921- who attracted the best stylistic illutrators of the time to his company. Poiret, who had introduced revolutionary changes in women's clothing to suit the needs of the moment, took him under his wing and introduced him to the sophisticated and elegant world of the international fashion publications and magazines of Paris and New York: "Fémina" and the "Gazette du Bon Ton" in Paris and "Vanity Fair" and "Vogue" in New York.When Condè Nast (1873-1942) took over the Gazette du Bon Ton, he hired a number of illustrators, among whom was Benito -which is how our artist liked to sign his work- whom Nast himself came to describe as the most talented of all. Nast also owned Vanity Fair and Vogue, undoubtedly the most influential fashion publications, and required reading for the elite for almost a century, for which Benito made more than 100 covers between 1921-1940, in addition to exquisite illustrations and figurines. For "Vogue" he created striking covers in which he impressively combined geometry with colour contrasts. His style was defined by 1925. From that time his illustrations for these magazines stood out for the perfection of the drawing and their straight lines, the balance of proportions and the harmony of the whole. His characters are austere, stylized, geometric and elegant, with a crystalline structure and sculptural and cubist faces, all characteristics that contributed decisively to the forming and dissemination of Art Deco. In the clothing of the moment there was a trend towards internal freedom and comfort, and that is precisely what we can observe in Benito's drawings and sketches: light images capturing woman in the process of liberation -the old corsets and whale sashes were discarded- which created that languid and stylized image that fitted perfectly with the atmosphere of sophistication and frivolity of the time. The article dedicated to Benito by the writer Francisco de Cossío in the newspaper El Norte de Castilla in its issue of August 30, 1929 on the contribution of Benito to the world of fashion of the twenties is very significant. It reads: "To what extent is fashion a superficial art? García Benito finds the greatest inspiration for his creations in the grace of the elegant woman. Being, in a way, an auxiliary to the great couturiers, he knows how to raise the standard of his art by conquering the covers of the most elegant magazines in the world. The modern mannequin, stylized, shiny gold and silver, which brings us the memory of oriental idols, is his work. Creating for women, not only fabrics and colours, but attitudes, smiles, postures, rhythms … Elegant women come to García Benito's drawings to learn the secret of suggestion in modern elegance… ". From 1923 he lived alternately in Paris and New York, and in 1958 he returned to his hometown, bringing his most original artistic cycle to a close, although he continued to paint and work. The fact that the Congress of the United States, in the session of February 8, 1974, voted a motion of congratulations to Benito for his cultural work in that country is another proof of the level of importance that our artist attained. We would like to thank Javier Baladrón, doctor in History of Art, for cataloguing this piece.
Lot 4
JOANA VASCONCELOS (Née en 1971)Love in a Box 2015 carreaux peints, laine, perles en acrylique, polyester, contreplaqué, ferpainted tiles, wool, acrylic beads, polyester, plywood, iron226 x 123 x 46 cm. 89 x 48 7/16 x 18 1/8 in. Réalisé en 2015.Footnotes:ProvenanceAcquis auprès de l'artiste par le propriétaire actuelExpositionsToulon, Hôtel Départemental des Arts, Joana Vasconcelos. Exagérer pour inventer, 2018, p. 51, illustré en couleurs Wakefield, Yorkshire Sculpture Park, Beyond, 2020 - 2022, p. 11, illustré en couleursBibliographieDanilo Eccher, LOVE. L'arte contemporanea incontra l'amore., Milan 2016, p. 291, illustré en couleursNée à Paris, en 1971, c'est à Lisbonne que Joana Vasconcelos suit des études d'arts visuels à l'Ar.Co entre 1989 et 1996. Elle remporte de nombreux prix comme le prix jeunes artistes EDP en 2000, le Tabaqueira Fonds pour l'Art Public en 2003 ou encore le prix de la Fondation Berardo en 2006. En 2012, elle est la première artiste femme invitée à exposer dans le château de Versailles, puis, en 2013, représente le Portugal à la Biennale de Venise. Plus récemment en 2018, le musée Guggenheim de Bilbao a accueilli l'exposition Joana Vasconcelos. Je suis ton miroir, présentant une sélection exceptionnelle de 30 œuvres comprenant des œuvres monumentales et inédites.Artiste engagée, Joana Vasconcelos développe une œuvre politique, engageant une réflexion autour de la domesticité, de l'égalité des sexes et de la société de consommation. Détournant les objets du quotidien et en les associant parfois à l'artisanat, le savoir-faire portugais, elle offre des sculptures, des installations et des monuments qui prennent souvent place dans l'espace public. Love in a Box, réalisée à partir de carreaux de céramiques faits à la main par l'usine Viúva Lamego s'inscrit dans la tradition des azulejos qui ornent les murs de Lisbonne et que l'on retrouve notamment dans les cuisines. Les carreaux forment une fenêtre, leur surface est froide et dure. Ils sont néanmoins transpercés par des fils de laine souples à la texture douce et chaude. Ce contraste saisissant entre les matières et la disposition traversante des éléments annonce une implosion : la fin de l'enfermement des femmes dans leurs taches domestiques et l'égalité des sexes.Cette œuvre a été récemment exposée en Angleterre au Yorkshire Sculpture Park de Wakefield lors de l'exposition Beyond entre 2020 et 2022 mais également en France, à l'Hôtel Départemental des Arts de Toulon en 2018 lors de l'exposition personnelle : Joana Vasconcelos. Exagérer pour inventer. On retrouve les œuvres de Joana Vasconcelos dans les collections permanentes de nombreuses institutions muséales mondiales : National Museum of Women in the Arts à Washington, D.C aux Etats-Unis ; Museo de Arte Contemporáneo de Castilla y León en Espagne ; Amorepacific Museum of Art – à Séoul en Corée du Sud ; et le Musée d'Art Moderne et Contemporain de Strasbourg en France.Son activité sera de plus en plus prédominante dans le paysage culturel européen comme en témoigne le calendrier de ses prochaines expositions. Dans le cadre la saison culturelle France-Portugal, Joana Vasconcelos sera à l'honneur dans notamment deux manifestations d'envergure : Arbre de vie à Paris à la Sainte-Chapelle de Vincennes, Jardin d'Eden à la Maison Folie de Wazemmes de Lille ainsi qu' une installation de la série des Valkyries pour la gare de Lille-Flandres. Au Royaume-Uni, le Waddesdon Manor accueillera également une commande spéciale Wedding Cake pour la Rothschild Foundation.L'engouement international des institutions privées et publiques pour les œuvres de Joana Vasconcelos témoigne de l'importance de cette artiste qui ne cesse de se renouveler dans des créations engagées et saisissantes.Born in Paris in 1971, Joana Vasconcelos did her studies in Lisbon in visual arts at Ar.Co between 1989 and 1996. She won numerous prizes, including the EDP Young Artists Prize in 2000, the Tabaqueira Fonds for Public Art in 2003, and the Berardo Foundation Prize in 2006. In 2012, she became the first woman to be invited to exhibit at the Palace of Versailles, before going on to represent Portugal at the 2013 Venice Biennale. In 2018, the Guggenheim Museum Bilbao hosted the exhibition Joana Vasconcelos. I'm your mirror, presenting an exceptional selection of 30 works including monumental and unseen works. A socially engaged artist, Joana Vasconcelos has developed a politically orientated work, dealing with themes such as domesticity, gender equality and the consumer society. Transforming and reappropriating everyday objects, sometimes linking them to Portuguese artisan techniques, her practice includes sculptures, installations and monuments present in public spaces.Love in a Box made from ceramic tiles handmade by the Viúva Lamego factory hails to the tradition of the azulejos that adorn the walls of Lisbon, notably in the kitchens. The tiles form a window, their surface is cold and hard. Yet here, they are pierced by supple woolen threads of a soft and warm texture. This striking contrast between the materials and the cross-over layout of the elements announces an implosion: the end of the imprisonment of women in their domestic tasks in a move towards gender equality. This work was recently exhibited in England at the Yorkshire Sculpture Park in Wakefield during the Beyond exhibition between 2020 and 2022, before being featured in France at the Hôtel Départemental des Arts in Toulon in 2018 for her solo show Joana Vasconcelos. Exagérer pour inventer.The works of Joana Vasconcelos are present in the permanent collections of many museums across the globe, including the National Museum of Women in the Arts in Washington D.C. in the United States, Museo de Arte Contemporáneo de Castilla y León in Spain, the Amorepacific Museum of Art in Seoul, South Korea and the Museum of Modern and Contemporary Art of Strasbourg in France.Her work is taking a predominant place in the European cultural landscape, as evidenced by her upcoming exhibitions. As part of the France-Portugal cultural season, Joana Vasconcelos's work will be featured in two major cultural events: Arbre de vie in Paris at the Sainte-Chapelle de Vincennes, Jardin d'Eden at the Maison Folie de Wazemmes in Lille as well as an installation from the Valkyries series for the Lille-Flandres railway station. In the UK, Waddesdon Manor will present Wedding Cake, a work specially commissioned for the Rothschild Foundation.The high level of enthusiasm from international private and public institutions for the works of Joana Vasconcelos testifies to the importance of this artist, who continues to renew her artistic language through socially engaged and striking creations.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 9109
A three piece green herringbone button fly wool suit by Jones, Chalk & Dawson for LT Col, Sackville St Piccadilly 1962, a three piece brown and rust check suit, Frank Manning of Ashford, a three piece Scottish tweed suit, weeks of Tenterden and a two piece Magee suit, Irish thorn proof tweed, (4) together with a vintage Revelation weekend case
Lot 9144
A Roderick "Tweedy" blue and green wool herringbone early 1950's skirt suit, a "Daks" Simpson tailored green and brown hounds tooth skirt, a brown and beige wool jacket with two front pockets and a blue and black fitted two-piece skirt suit styled by Swansdown of New York, all late 1940's/early 50's. (4)
Lot 253A
A collection of football and boxing photographs and facsimiles by Monte Fresco, for Daily Mirror, featuring various scenes including Tottenham Hotspurs Steve Archibald scoring past Kirk Stevens, boxers Tony Gibson and Mark Taylor, Steve Gatting training, Graeme Souness playing for Scotland v England, World Cup 1982 Barcelona: Paolo Rossi scoring for Italy against Brazil’s Falcao, Spain’s Jesus Satrustegui jumping over England’s Peter Shilton, Michel Hidalgo’s France standing after losing to Poland, Peter Shilton training, Argentina’s Diego Maradona poses with a suit of armour, Spain’s Jesus Zamora scoring against West Germany’s Uli Stielike, heavyweight boxers Marvis Frazier v Joe Bugner in Atlantic City and others (26)In various condition, some worn with marks and scuffs
Lot 198
A Beswick Pig Band of nine pieces including "Michael" (PP6), "Andrew" (PP4), "Daniel" (PP5), "David" (PP3), "Christopher" (PP9), "Matthew" (PP2), "Richard" (PP8), "John" (PP1) and "James" (PP7) together with a Beswick figure of a pig in tweed suit "Gentleman Pig" (ECF4) and another figure "Gardener Rabbit" (ECF3)
Lot 94
Men's party suits / dress suits - comprising 'Limehaus' plum suit, the jacket L, the trousers 36 regular, 'Jogal' white suit with black trim, jacket L (although European label incorrectly marked 2XL), trousers 36 reg, 'Butler & Webb' blue suit, jacket L slim fit, trousers waist 34, 'Marc Darcy' blue suit, jacket L, trousers 36 reg and 'Kurt Muller' dark grey sheen jacket L, trousers 34L, surplus retail stock, all appear unused [5]
Lot 603
Fully Swiss-made. Created to celebrate Stirling's victory in the 1961 Tourist Trophy at Goodwood. New and unworn.A Peter Ratcliffe-designed Chronograph fitted with a hand-built Valjoux 7750 Swiss Chronograph movement.Hand signed to the dial by the late Sir Stirling Moss OBE as is the box. The edition was designed and created to celebrate Stirling Moss' victory in the 1961 TT race at Goodwood in his Ferrari 250 SWBThe dial features Rob Walkers racing colours and is engraved with race details and numbered. A section of Moss' last ever race suit is enclosed to the rear. The suit was worn by Moss at Le Mans in 2011 on the day he retired from racing after 62 years!Complete with Owners Manual, 3 straps and strap changing tool.
Lot 217
A 1940's David Hutton and Son lady's brown tweed skirt and jacket, the jacket with a faux brown astrakhan collar, with three large round buttons, size unknown, a Alexon 1940's blue skirt suit, size unknown, and a Kathryn Conover New York 1930's black dress with velvet collar and cuffs, size 10.
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19303 item(s)/page