*British Isles. Blaeu (Johannes), Britannia prout divisa suit temporibus Anglo-Saxonum praesertim durante illorum Heptarchia, published Amsterdam, circa 1645,published Amsterdam, circa 1645 [or later], engraved map with contemporary hand colouring, 415 x 530 mm, Latin text on verso, mounted, framed and double glazed One of the most decorative maps of the British Isles ever produced. The dramatic vignettes to each side of the map depict the founders of each of the seven Kingdoms, whilst the scenes on the right show the conversion of the various Kingdoms to Christianity. Closely modelled on Speed's Heptarchy of 1611, the vignettes surrounding Blaeu's version have been completely redone in the grand style of Dutch contemporary paintings. R.W.Shirley. Early Printed Maps of the British Isles, no.549. (1)
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Memorabilia: G.A.A.: Cork, An Official Match Jersey Esat Digifone) for No. 5 (number on back) and inscribed on collar "Ciaran O'Sullivan,"; an Official Training Jersey (Barry's Team) inscribed on collar "Nial Cahalane," signed to front by Cahalane & Lary Tomkins; a pair of Shorts signed by Cunningham and another pair signed by Brian Corcoran; an official Cork G.A.A. Track suit (Esat Digifone) top and bottom signed by Martin & Alan Cronin, Tony Kavanagh, and one other, as a collection, w.a.f. (6)
THE GOLDEN VOYAGE OF SINBAD (1973) - Ray Harryhausen Hand-Drawn Concept Of The Neanderthal Man and The Cyclopean Centaur A hand-drawn concept sketch showing the Neanderthal Man fighting the Cyclopean Centaur from the Gordon Hessler fantasy film The Golden Voyage of Sinbad. This image shows the prehistoric man, club raised, with his other hand around the throat of the boulder-wielding mythical beast, with Sinbad (John Phillip Law) and Margiana (Caroline Munro) looking on. A standard Cyclops was initially envisioned for the movie, but it was decided it looked too much like "a man in a suit." The more exotic Cyclopean Centaur was then created. The artwork is rendered in pencil on white paper. One edge is irregularly cut, with the piece displaying minor wear and folds from age. Dimensions: 40 cm x 50 cm (15¾" x 19 ½")The final, key art version of this image featured on page 178 of The Art of Ray Harryhausen by Ray Harryhausen and Tony Dalton, published by Aurum. Please note this lot is sold without copyright, reproduction rights, licensing agreements or any other type of legal release. VAT Status - Margin TRIANGLE
HELLBOY (2004) - Samael (Brian Steele) Creature Costume Samael’s (Brian Steele) creature costume from Guillermo del Toro’s sci-fi fantasy film Hellboy. The legendary hellhound was brought back from the ether by the evil Rasputin (Karel Roden) and battled Hellboy (Ron Perlman) throughout the film, replicating each time it fell to the forces of the B.P.R.D. The costume is composed of a multi-piece body suit made up of foam feet, a foam latex lower torso fastened with a zip along the back, a foam latex upper torso, foam forearms and a foam head with foam rubber dreadlocks hanging down the rear. A foam rubber spine runs down the back, secured with Velcro. Ancient runes cover the skin of the demonic creature, which is hand-painted in a green and grey colour scheme with additional material applied to give the appearance of being covered in burned, charred skin with sections of exposed skull. Displaying moderate wear through production use and some signs of age, including minor tears in the foam and foam latex components, and signs of repair to the dreadlocks, the costume is presented on a custom mannequin display. Dimensions (displayed): 91 cm x 76cm x 215 cm (35 ¾" x 30" x 84 ¾") VAT Status - Margin
ALIEN VS. PREDATOR (2004) - Scar Predator's (Ian Whyte) Mask The Scar Predator’s (Ian Whyte) mask from Paul W.S. Anderson’s sci-fi action film AVP: Alien vs. Predator. The Scar Predator wore its mask as part of its combat armour, marking it with its clan symbol after its first kill. This mask screen matches to the scene in which Scar marks it with the severed digit of a dead Facehugger. The mask is made of fibreglass, with resin laser sight detailing and a cut-down acrylic visor secured in place with filler. The helmet is painted to look like hammered metal plate, with the visor given a sprayed grille-effect finish. The 'scar' on the forehead is painted faux-silver to look freshly melted. A metal bar is secured inside to mount the helmet onto the suit, with foam pads within to prevent wear at contact points around the head. The piece displays some minor scratches to the paint finish and wear to the pads on the reverse. Dimensions: 18 cm x 29 cm x 45 cm (7" x 11 ½" x 17 ¾") VAT Status - Margin
LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE (2003) - Lara Croft's (Angelina Jolie) Wetsuit Lara Croft’s (Angelina Jolie) wetsuit from Jan de Bont’s action-adventure sequel Lara Croft Tomb Raider: The Cradle of Life. Croft wore her wetsuit at the beginning of the film when exploring the recently uncovered Luna Temple, where she is ambushed by Chen Lo’s (Simon Yam) men. Made from silver-coloured foam neoprene, this custom-made wetsuit features a black zip running half-way up the back, with a Velcro fastening at the top and a black interior. It displays deliberate cuts on the right arm and leg from the scenes when Croft escapes Lo’s assault and rallies a shark to swim her to the surface. The suit displays creases, dents and wear throughout, due to the nature of the foam fabric. VAT Status - Margin
PACIFIC RIM (2013) - Chuck Hansen’s (Robert Kazinsky) Striker Eureka Jaeger Drivesuit Chuck Hansen’s (Robert Kazinsky) Striker Eureka Jaeger Drivesuit from Guillermo del Toro’s sci-fi adventure Pacific Rim. Hansen’s drivesuit was specifically designed for Hansen to wear when co-piloting the Striker Eureka Jaeger. Drivesuits for the film were designed by Kate Hawley and built by esteemed effects house Legacy Effects, with components of the suit digitally modelled to fit the actor exactly. This suit was designed to reflect the character’s Australian nationality and piloting role, with nozzles and gauges on the left where they would connect to the larger workings of the Jaeger. The drivesuit consists of a fabric body suit with urethane armour components. The neck, codpiece and back spine piece are all made of rubber, with the latter hiding the zip running down the back. The black spandex gloves feature circuit details and a top knuckle light, although these lights and those throughout the suit’s armour are no longer connected to a power source. The boots are trainers encased in a urethane shell, and the entire body is finished with a grey and green camouflage paint scheme featuring unique details, such as the bulldog decal and tally of Kaiju slain. The rear sections of the helmet detach via magnets to facilitate dressing, with the head lights still functional. The helmet’s side air nozzle was removed during production, and replacement production-made components have been installed. The suit includes costume elements named for both Robert Kazinsky and his stunt double, as costume pieces were frequently mixed and matched between suits on set. The suit displays intentional distressing but the components overall remain in good condition. The suit is presented on a custom-made mannequin. Dimensions (displayed): 36 cm x 66 cm x185 cm (14" x 26" x 73") As this item contains electronic components, every effort has been made to describe them accurately; however no guarantee or warranty is made as to functionality, lifespan or safety of those components. It is entirely incumbent on the new owner to satisfy themselves as to their safe use and maintenance. VAT Status - OMEGA
AUSTIN POWERS IN GOLDMEMBER (2002) - Mini Me's (Verne Troyer) Blue Velvet Costume A costume worn by Mini Me (Verne Troyer) in the Jay Roach comedy sequel Austin Powers in Goldmember. Mini Me wore his costume as he, Austin Powers (Mike Myers) and Foxxy Cleopatra (Beyoncé Knowles) infiltrate Dr Evil’s (Mike Myers) submarine. The costume is comprised of a blue velvet two-piece suit, white shirt, a pair of black leather Chelsea boots, a silver ball chain with two male symbol pendants, two pairs of red ribbed socks and three white leather belts. The suit features blue mother of pearl buttons on the front and cuffs, and a psychedelic, striped lining. The shirt features a lace front and cuffs, with a detachable lace bow tie. The interior jacket pocket is labelled ’Vern‘ and the inside of each boot is marked "Hero". The custom-made costume is accompanied by various wardrobe tags and a New Line Cinema letter of authenticity. VAT Status - Margin
BARB WIRE (1996) - Barb Wire's (Pamela Anderson) Rings Barb Wire’s (Pamela Anderson) rings from director David Hogan's sci-fi action film Barb Wire. Wire wore a pair of metal finger rings in a number of scenes throughout the film, including her initial meeting with Big Fatso (Andre Rosey Brown) as she tried to strike a deal to get out of the country. The pair of full-finger rings are fully articulated and made of metal, and designed to resemble the finger of the gauntlet on a suit of armour. Both rings display only minor signs of wear from use. Dimensions (each ring): 6 cm x 3 cm x 3 cm (2 ½" x 1 ¼" x 1 ¼") VAT Status - DAGGER
BATMAN FOREVER (1995) - Batman's (Val Kilmer) Bat Belt Batman’s (Val Kilmer) Bat Belt from Joel Schumacher’s superhero sequel Batman Forever. A departure from the yellow utility belt worn by Michael Keaton in the original film from the series, this black belt comes from the 'Panther' Batsuit, which is used by Batman prior to it being destroyed by the Riddler (Jim Carrey). Made of urethane over a nylon belt, the piece includes a plastic Fastex clip at the back. Behind the Bat logo at the front is a strip of Velcro, which would anchor the piece to the rest of the suit. The belt shows minor wear due to production use, but remains in very good condition. VAT Status - OMEGA
TOP GUN (1986) - Rick "Jester" Heatherly's (Michael Ironside) Flight Suit Rick 'Jester' Heatherly's (Michael Ironside) flight suit from Tony Scott’s action film Top Gun. Jester wore his flight suit during aerial operations with the US Navy’s Fighter Weapons School. This flight suit screen-matches to the scene in which Jester introduces the new Top Gun recruits to Charlie (Kelly McGillis).The flight suit is made of green material that has faded to a grayish colour, with along zip running down the front and adjustable waistbands fastened with Velcro at the hips. Zips and pockets are present along the legs, chest and arms. A Fighter Weapons School patch is stitched onto the flight suit’s right shoulder, with an array of fighter squadron patches stitched across the arms and chest. A Western Costume Co. costumiers label is present at the collar, which reads '2507-1; Top Gun; Jester'. The piece displays only minor wear from use. VAT Status - Margin
BATMAN BEGINS (2005) - Batman's Batsuit Batman's Batsuit from the superhero action film Batman Begins, directed by Christopher Nolan. Bruce Wayne (Christian Bale) wore his Batsuit as he battled the Scarecrow (Cillian Murphy) and his mentor, Ra’s al Ghul (Liam Neeson), to save Gotham City from destruction. In the film, the Batsuit was created from mothballed military research equipment housed in the Applied Sciences Division of Wayne Enterprises, run by Lucius Fox (Morgan Freeman), who helped update the design. The design was superseded by a refined Batsuit in The Dark Knight. The costume was designed by Academy Award®-winner Lindy Hemming, with cowl and armour sculpts by Julian Murray. The design of the suit drew inspiration from more recent comic iterations of the Dark Knight’s iconic costume, though the construction was very similar to previous film iterations created under Tim Burton and Joel Schumacher. The cowl was specifically sculpted to fit Bale’s face as snugly as possible, while the cloak was designed to flutter lightly behind Batman as he moved. Hemming would later receive a BAFTA Award®-nomination for her contribution to The Dark Knight. The costume’s key components are Batman’s trademark cowl (marked'194' internally), and a body suit made up of figure-hugging torso armour and separate leg and abdominal armour cast over a mesh-fabric leotard with zip-up stirrups. A groin piece with a box fitted to protect the performer during the film’s fight sequences was worn under the rubber utility belt(marked 'Buster rubber' internally), which is finished in faux-brass paint and secured with cable ties at the rear. A lightweight faux-velvet cape is secured to the costume’s chest. The bracers – both left-handed versions– are made of black vinyl, with rubber blades along the forearms. Both the torso armour and belt are emblazoned with the signature bat symbol. A pair of rubber gloves and black leather boots (size 9) complete the outfit. The costume displays some wear from use and age, with small cracks and tears present in the foam rubber of the cowl and upper body armour, and some loose stitching on the left glove. The Batsuit is presented on a mannequin for display purposes. This lot is supplied with a Warner Bros. certificate of authenticity in place of a Prop Store certificate. Payment plan on this item is restricted to a duration of one month. Please contact us for further information. VAT Status - DAGGER
THE DARK KNIGHT RISES (2012) - Batman's (Christian Bale) Cowl Batman's Batsuit cowl from the action films The Dark Knight and The Dark Knight Rises, directed by Christopher Nolan. Bruce Wayne(Christian Bale) wore his redesigned cowl as part of his new Batsuit, used in The Dark Knight in his hunt for the Joker (Heath Ledger) and Harvey Dent (Aaron Eckhart), and in The Dark Knight Rises in his battle against Bane (Tom Hardy) and the League of Shadows. Designed by Lindy Hemming and created by costume supervisor Graham Churchyard and his team, the refined Batsuit incorporated a number of innovations to allow Batman to move and fight with increased agility, the most significant of which was its improved cowl. The updated design separated the headpiece from the neck, radically improving the movements of performers wearing the suit. Hemming received a BAFTA Award®-nomination for her contribution to The Dark Knight. The cowl, marked 'R10' within, is made of urethane and features holes for the eyes, nose and mouth, which have been worn down to provide extra comfort and grip during wear. Defined lines and a menacing scowl are sculpted into the brow and cheeks of the piece, to imbue it with a dread-inducing look. The piece displays some light wear to the urethane from use and age, with minor cracking at the back of the collar. The piece is supplied with its original wooden production stand and protective case. Dimensions (displayed): 29 cm x 32 cm x 36 cm (11 ½" x 12 ¾" x 14 ¼")This lot is supplied with a Warner Bros. certificate of authenticity in place of a Prop Store certificate. Payment plan on this item is restricted to a duration of one month. Please contact us for further information. VAT Status - DAGGER
THE DARK KNIGHT RISES (2012) - Batman's Batsuit Batman's Batsuit from action films The Dark Knight and The Dark Knight Rises, directed by Christopher Nolan. Bruce Wayne (Christian Bale) wore his re-imagined Batsuit extensively in both films. The refined Batsuit, a military-inspired redesign of the Batman Begins outfit, allowed Batman to fight with increased agility at the expense of the protection afforded by its armour. The updated costume was designed by Lindy Hemming and created by costume supervisor Graham Churchyard and his team, including key sculptor Julian Murray. The most significant design change was an improved cowl, which separated the headpiece from the neck, allowing performers to turn their head in the suit for the first time. Lindy Hemming received a BAFTA Award®-nomination for her contribution to The Dark Knight.The costume’s under suit is a two-piece full-length body suit of breathable mesh fabric with integrated gloves and a hood. Plates cast in black and semi-translucent urethane are strategically fitted across the suit’s legs, torso and neck. The gloves feature leather sections with carbon fibre knuckle caps. Internal strapping provided support for the suit during the film’s frenetic action scenes. Openings are present at the waist to facilitate the use of a stunt harness. Multiple pieces of simulated armour are dressed over the under suit to complete the costume. This includes Batman’s signature cowl (marked ‘R7’), a set of upper body armour (marked ‘14’) and a pair of bracers with detachable blade panels (marked ‘L’ and ‘R’). The cowl and body armour components are made of urethane. The upper body armour is emblazoned with the Bat Emblem, as is the distinctive rubber Bat Belt, which features four static belt pouches secured with metal fittings and is finished in faux-bronze paint with the bat emblem in black. A black faux-velvet cape, a Batman Begins piece that was modified for use on the two sequels, is secured with screws at the shoulders. A pair of leather motorcycle boots (marked ‘BR7’ and ‘9’) completes the impressive costume. The costume displays some wear from use and age, with small cracks and tears present in the urethane of the upper body armour across the chest and at the right elbow. The Batsuit is presented on a custom-made mannequin display. Dimensions (displayed): 50 cm x 90 cm x 195 cm (19 ¾" x 35 ½" x 76 ¾")This lot is supplied with a Warner Bros. certificate of authenticity in place of a Prop Store certificate. Payment plan on this item is restricted to a duration of one month. Please contact us for further information. VAT Status - DAGGER
EDGE OF TOMORROW (2014) - Rita Vrataski's EXO Suit Rita Vrataski’s EXO suit from the sci-fi action film Edge of Tomorrow, directed by Doug Liman. Rita Vrataski (Emily Blunt), the ‘Angel of Verdun’, wore her combat armour for the repeated time-looping Normandy beach landings where she died repeatedly in front of deserter-turned-hero Major William Cage(Tom Cruise). This particular EXO suit was worn by stunt performers in the film’s frenetic battle scenes. The EXO suit was designed to be lightweight, while still possessing the hulking movements of military hardware. The costume is made primarily of foam rubber, with sections of armour adorned throughout. The suit is secured to the wearer via an array of Velcro and clip-fastening straps. Hinged joints are fitted at the shoulders, elbows, hips and knees to assist in mobility during use. Short cannon barrels are integrated into the left arm. Additional hoses have been dressed to give the appearance of a hydraulics system throughout the suit. The entire suit is finished in a distinctive black and red paint finish, with a grey Union flag painted on the right arm. Orange tracking markers are present on the backpack to facilitate the visual-effects addition of Vrataski’s shoulder cannons. Worn under the EXO armour is a full UDF uniform consisting of a dark grey jacket (marked ‘Liang Yang’)with integrated elbow pads and Union flag and unit patches on the arms; a set of plate armour made of foam with Velcro fastenings and web strapping; a pair of custom camouflage combat trousers (marked ‘Liang Yang’) with webbing belt; a pair of Dr. Martin combat boots with heel and toe cap dressing (UK size5); a pair of fingerless gloves; a black neck comforter and a pair of knee pads (marked ‘Rita’ and ‘Liang’). Both the armour and uniform are heavily distressed for use, with mud spatters, stains, scratches and grime applied to provide a combat-worn appearance. Some additional wear and small tears are present to the foam components from use and age. This lot is supplied with a Warner Bros. certificate of authenticity in place of a Prop Store certificate. Payment plan on this item is restricted to a duration of one month. Please contact us for further information. VAT Status - DAGGER
WHAT DREAMS MAY COME (1998) - Chris' (Robin Williams) Paint-Splattered Suit and Coat Chris' (Robin Williams) paint-splattered costume from director Vincent Ward's What Dreams May Come. After dying in a tragic accident, Chris awoke in his own version of heaven created from his imagination. This outfit screen matches to the scene when Chris walks through painted flowers and observes his new world from a hill. This outfit includes a bespoke trench coat, Yves Saint Laurent dress shirt, scarf, and Brooks Brothers pants. The entire ensemble has been splattered in paint and the scarf is taped inside the trench coat. Paired with the costume are two wardrobe tags which note its use in scenes 28 and 30. The costume shows minor wear due to production use and age, but remains in very good condition. VAT Status - OMEGA
THE ABYSS (1989) - Deep-Suit Ankle Belts and Various Production Materials Deep-suit ankle belts and various production materials from James Cameron's underwater sci-fi adventure The Abyss. The lot includes two deep-suit ankle belts, nearly 200 laminated FX storyboards for use during underwater filming, ten blueprints, and a production binder. The ankle belts are made of heavy nylon material, with the orange belt displaying 'DEEP-SUIT LEFT' written in black ink, and the yellow belt showing 'DEEP-SUIT','BUD' and 'JAMMER R' similarly written, but 'BUD' is crossed out. The ankle belts came from the deep-suit diving outfits used in the film. The blueprints show various locations from the film, including ground plans for the U.S.S. Montana, and various plans for the Deep core II. The production binder includes typed preliminary production notes, staff and crew lists, wet-for-wet breakdowns, dry-for-wet breakdowns, FX shot lists, and hundreds of printed FX production storyboards. The lot shows some wear due to production use, but remains in very good condition. Dimensions: 28 cm x 29 cm x 17 cm (11" x 11 ½" x 6 ½") VAT Status - OMEGA
FANTASTIC FOUR: RISE OF THE SILVER SURFER (2007) (2007) - Dr. Doom's (Julian McMahon) Costume Dr. Doom’s (Julian McMahon) costume from Tim Story’s superhero adventure sequel Fantastic 4: Rise of the Silver Surfer. Victor Von Doom wore his costume throughout the film as he plotted to steal the Silver Surfer’s (Doug Jones) board and gain extra power through cosmic energy. The costume consists of a two-part, full-head mask, body armour and under suit, cowl, sleeves, trousers, gloves, boots, greaves and braces. Each component is fitted with poppers, zips and Velcro to fasten it all together. The head appliance, body armour and greaves are constructed from fibreglass, with a black metallic finish. The cowl and sleeves are made from foam rubber and feature sculptured lines to resemble flexible armour. The boots, gloves and braces are also made from a thick foam rubber and the trousers are black leather. Assorted labels are handwritten on the interior of the components, with the trousers and boots reading 'Julian #2' and the under suit 'Hero #1.' The cowl shows the label 'Stunt #1' and the braces say 'Doom Stunt #2'. The greaves are covered in red dot tracking markers for VFX sequences and have two labels reading 'Julian Hero' and 'Doom #1'. Two wardrobe tags reading ‘Doom Hero #2 Leather Pants Julian’ and ‘Doom Hero #1’ are also included. This ensemble is presented on a custom mannequin display. Signs of wear are evident, including minor chips and tears. Dimensions (displayed): 36 cm x 58 cm x 190 cm (14" x 23" x 75") VAT Status - Margin
GLADIATOR (2000) - Roman Archer Costume A Roman archer’s costume from Ridley Scott’s Oscar®-winning action epic Gladiator. The Roman archers did battle with the barbarians of Germania during the film’s opening battle, as Maximus (Russell Crowe) led his army to victory under the watchful eye of Emperor Marcus Aurelius (Richard Harris). The costume is composed of trousers and tunic made of red-brown wool, over which is worn a pair of leather boots, a full-length suit of metal chainmail and a fibreglass helmet with a leather chin strap. The costume displays dirt and grime from use in the film’s battle sequences, and a pair of plastic bracers from a Gladiator Roman legionary have been added to complete the look of the costume. VAT Status - DAGGER
1960s "TWIGGY DRESSES" MOD TROUSER SUIT 1967-1969, with pink and orange psychedelic floral print, comprising waistcoat and wide-leg trousers, label to waistcoat states size 38 (2) Note: Twiggy launched her fashion label 'Twiggy Dresses' in 1967 with the focus on fun and affordability. Shops displayed the pieces on Twiggy portrait mannequins and each came on a Twiggy hanger. Twiggy herself did all the modelling and publicity and she worked closely with the young designers, Paul Babb and Pamela Proctor, giving her personal seal of approval to each piece. This personal touch, along with strong branding, led to a succesful run of three years for the label.
Sir Bradley Piggins by Martin J Wall. Sponsored by Adnams. Inspired by the King of British cycling, Sir Bradley Wiggins, depicted in his Olympic GB skin suit. As 2016 is Rio Olympic year, Martin thought that a tribute would be popular, and hopes that Brad and his team will bring back a bag full of medals – as they did.
Elvis Porksley by Stephen Mckay. Sponsored by Town 102. Over the years Ipswich has seen many tributes to ‘The King of Rock and Roll’ but you can’t help falling in love with Elvis Porksley – surely the most impressive in his rhinestone studded red, white and blue jump suit. The King is ready to rock!
A Victorian hallmarked silver chamber stick modelled as a spade (playing card suit), with raised crimped rim, maker's marks partially rubbed, possibly William Comyns & Sons, London 1886, also bearing a flower head mark flanked by initials C&C (probably retailer's mark), length 14cm including loop handle, approx 2.7ozt.
A Russian copper and brass, three or twelve bolt suit diving helmet, the rectangular brass badge dates it to 1975 manufacture. Matching numbers 308 to the top and corselet rims. This is the helmet featured on page 180 in the reference book 'Diving Helmets' by Anthony Pardoe, a copy of which is included with this lot.
A late 1960s wool coat made by Birg of Mayfair with a mink collar, together with a wool dress from Bellino with a rib design, tie belt, 100% wool, early 1970s, together with a dog tooth cheque dress by Marcel Griffin, 1970s with a makling belt and brass buttons, together with a Heibi Sports suit 1963, in blue embossed patterned wool, jacket with shirt, with a pencil skirt (1)
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