33619 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

240 AD. Rome mint. Obv: IMP GORDIANVS PIVS FEL AVG legend with laureate, draped, cuirassed bust right. Rev: FORTVNA REDVX legend with Fortuna seated left, holding rudder and cornucopia, wheel under seat; SC in exergue. 21.74 grams. With old French collector ticket. RIC IV-3, 331; Sear 8708. Near extremely fine.

Battle of Vitoria and Wellington commemorative jug probably by Turner circa 1813, sprig moulded with Wellington, plunder and soldiers, with lion handle, together with an Inhabitants' Pass Ticket for the Funeral of F.M. the Duke of Wellington, 12cm high Condition report: Some restoration to the handle join and the sprig moulded decoration.

AUTOGRAPHS, signed theatre programmes, inc. Jeffrey Holland, Robert Duncan, Vicki Michelle, Giles Watling, Amanda Humphrey, Kerry Peers, Simon Chandler, Helen Fraser, Annette Badland, Stephanie Cole, Simon Shepherd, Simon Callow, Stephanie Beacham, Christopher Timothy, Richard Todd, Barbara Murray, Kate O'Mara, Joe McGann, some with ticket and/or flyer, a few unsigned, G to VG, 28*

BATTLE OF WATERLOO. A FINELY PRINTED CARD TICKET TO THE FUNERAL OF THE DUKE OF WELLINGTON, ADMITTING S.R. RIDDELL AND HIS FAMILY, NUMBER 1219, EMBOSSED SEAL AND THE PRINTED ORDER OF SERVICE FOR WELLINGTON'S FUNERAL AT ST. PAUL'S CATHEDRAL, 18 NOVEMBER 1852

Star Wars 2005 special edition celebration day film poster for Episode III: Revenge Of The Sith from the Leicester Square premier on May 16 2005, hand signed by 32 of the cast including Hayden Christensen, Ewan McGregor, Natalie Portman, Bonnie Piesse, Jimmy Smits, Joel Edgerton, Frank Oz, Ahmed Best, Samuel L Jackson, Peter Mayhew, James Earl Jones, John Williams, Kenny Baker, Anthony Daniels, Ian McDiarmid, Amy Allen, Silas Carson, Rena Owen, Claudia Carvan, Trisha Noble, Oliver Ford Davies, Temura Morrisson, Jeremy Bulloch, Bodie Taylor, Keisha Castle Hughes, Sandy Finlay, Michael Kingma, Jay Lagaaia, Bai Ling, Matt Wood, Rick McCalum and George Lucas. In black wooden frame with original movie ticket for Screen 1, Row G, Seat G7, all admission stamps and certificate of authenticity

100 Book of Hours, - Use of Rome, with numerous other devotional texts  Use of Rome, with numerous other devotional texts,   in Latin and French, illuminated manuscript on parchment [Southern Netherlands (Bruges),   c  .1460]  313 leaves (including 9 leaves added at end in sixteenth century, and plus two paper endleaves at front and back), too tightly bound too collate, but wanting approximately 7 text leaves (see below), single column, 18 lines in two sizes of a fine and regular Burgundian lettre bâtarde with ornamental penwork cadels, red rubrics, Calendar leaves (24 in total) in gold, blue and red, with every leaf in this part of text opening with a 3-line initial  KL  in blue or pink with foliate infill on bright gold grounds and a single decorated border panel of single-line foliage ending in coloured flowerheads and gold bezants, every line of Calendar beginning with a gold initial on burgundy and blue grounds, main text with same initials (often several per page) from one to 4-lines in height, the larger accompanied by single border panels (approximately 250 of these), eleven leaves with similar borders which extend down outer edge and halfway across top and bottom margins, thirteen leaves with 5-line illuminated initials with full-borders of acanthus leaves and other foliage (including realistic studies of sprigs of hazelnuts) enclosing drolleries, animals, birds and a   bear and a monkey playing chess ,   thirty-eight historiated initials enclosing portraits of saints by a follower of William Vrelant , initial on fol.47v smudged, slight wear and thumbing to edges in places, occasional offsetting, sections of borders of fols.122 and 305 cut away, remnants of sale ticket once pasted to front endleaf, marks showing original leaves at each end once pastedowns in earlier binding, else in bright and sparkling condition on excellent parchment with wide and clean margins, 175mm. by 121mm., seventeenth-century French mottled calf with floral gilt spine in six compartments, spine restored, marbled endleaves, in fleece-lined brown morocco box with gilt title by the Lakeside Press, Chicago  Provenance:  (1) Almost certainly written and illuminated in Bruges for a married couple who were close to the family of the Burgundian dukes: with prayers in both masculine and feminine forms, and in some cases asking for blessings for  famulos tuos   and  servos tuos   ( your servants , fols.254r-255v). The Bruges saint, Basil (who had a chapel dedicated to him on the central square in the city, which abutted up against the ancestral comital residence) is highlighted in gold on 3 April in the Calendar, and there are other local saints, such as Omer, Bertin, and Bavo in the Litany. The presence of SS. Iodocus or Josse (after whom Philip the Good named his second son, the boy sadly dying only days after birth in 1432) and Louis (patron of the French royal family and their descendants) points towards the Burgundian court, and this impression is confirmed by the inclusion of Anselm s meditation on chastity on fols.268r-76r    and a series of the saints commemorated in the last part of the book. Anselm s text also appears in the prayer book of Philip the Bold, the first Valois duke of Burgundy (Brussels, Bibl. Royale MS.10392), and among the saints here are Adrian, Gregory, Claud, Bernadino (canonised in 1450), Anne and Barbara, who were added to Philip the Bold s book when it was later enlarged for the personal use of his grandson, Philip the Good (see S. Panayotova and N. Morgan,  A Catalogue of Western Book Illumination in the Fitzwilliam Museum and Cambridge Colleges  , I, 2009, for Fitzwilliam, MS 3-1954). There are no arms or heraldic devices in the book, and it would appear that the original owners were trusted (but perhaps not noble) servants of the Burgundian court. It may even have been a commission by a member of the ducal household for these recipients.  (2) Within a few decades, the volume would appear to have been in the hands of an owner from the house of Luxembourg (whose title passed to the Burgundian dukes in 1467), and it was then that the last gathering was added with a suffrage to St. Peter of Luxembourg (fol.306r), and a prayer in French for one to whom God has entrusted rule of a kingdom but who has children (fol.308r). This owner presumably added the prayer to St Edmund of England in a fifteenth-century hand before the calendar, most probably in response to either the marriage in 1464 of Edward IV of England to Elizabeth Woodville, daughter from the second marriage of Jacquetta of Luxembourg, or the marriage of Charles the Bold and Margaret of York in 1468. Edward IV was briefly exiled in 1470 and took refuge in Flanders with the celebrated bibliophile Louis de Gruuthuse ( c  .1422-92) whose house in Bruges stills stands and is the site of a museum. It is more than likely that the owners of this book met the English king during his sojourn there.  (3) H.R.H. Frederick Augustus, Duke of Sussex (1773-1843), the rebellious sixth son of George III who secretly married Lady Augusta Murray in Rome in 1793, clandestinely renewing these vows in  St. George's, Hanover Square (a few metres from our rooms) later that year, and continuing to live together despite the king s disapproval and parliamentary annulment of the union:  his printed bookplate inside front cover. The book was catalogued by T.J. Pettigrew ( Bibliotheca Sussexiana  , I:1, 1827, no.136, pp.cxci-cxcii,  beautifully written … on thin vellum … there are various beautiful little miniatures of saints   dispersed throughout the volume ), when in the library of Kensington Palace.  (4) Edward Hailstone (1818-90) of Walton Hall, near Wakefield, Yorkshire antiquarian and book collector; his sale, Sotheby's, 23 April 1891, lot 1394. A late thirteenth-century Bible from the  Bibliotheca Sussexiana   also passed to him, re-appearing in Sotheby s, 2 December 1986, lot 38.  (5) Alfred Higgins F.S.A. (d.1902), antiquarian and collector; his sale, Sotheby's, 2 May 1904, lot 91, thence Quaritch, cat.237 (1905), no.337, and then Hiersemann, cat.330 (1906), no.31.  (6) Isabelle Corwith Cramer (1861-1954), the second wife of Ambrose Cramer of Chicago: her inscription on label on book box and loose paper note recording gift of book in 1920 to her daughter, Isabelle Ryerson.  (7) Christies, 2 June 2010, lot 207, for £32,450.  Text:  The Burgundian court in the fifteenth century was the scene of opulence, art patronage and conspicuous consumption of wealth on a scale never seen before or perhaps after. Breathtakingly large sums were regularly spent on single illuminated volumes, and Phillip the Good added 600 such books to the ducal library during his reign, as well as commissioning tapestries, jewellery and other artworks. He funded lavish tournaments, banquets and other forms of entertainment, founded the Burgundian school of music and sent no less than Jan van Eyk to Portugal in 1428 to paint an accurate portrait of Princess Isabella in advance of his betrothal to her. Any artwork produced in this environment is a testament to this abundance of wealth and power, and this book would appear to have belonged to a couple at the very centre of this world.  It is a highly individual volume, with many more texts than are usually found in a Book of Hours. It comprises a Calendar (fol.2v); the Hours of the Passion (fol.15r, with matins wanting end and compline wanting opening); the Hours of the Cross (fol.32r); the Hours of the Holy Spirit (fol.39r, wanting terce, and prime wanting end); the Mass of the Virgin (fol.43r); Gospel Readings (fol.47v); the Hours of Virgin  secundum usum romanum  (fol.52r), with matins (fol.52r), lauds (fol.70r), prime fol.81r), terce (fol.85r), sext (fol.89r), none (fol.93r), vespers (fol.97r), and compline (fol.104r); the Hours of the Compassion of the Virgin (fol.108r), followed by prayers of compassion to the Virgin at the seven hours (A. Wilmart,  Auteurs spirituels .........

Psalter for Dominican Use, - in Latin and German, illuminated manuscript on parchment [south... in Latin and German, illuminated manuscript on parchment [south Germany (probably Nuremberg), dated 1473] 202 leaves (including front endleaf), complete, collation i8, ii-iii10, iv10, v9 (ii a singleton to complete text), vi-xix10, xx9 (vi a singleton to complete text), xxi3 (last a cancelled blank), single column, 18 lines in a square and angular German late Gothic script with some ornamental cadels forming sprays of delicate flowers in lower margin, and others forming geometric border decoration filling the entire bas-de-page and touched in colour wash where the interacting penstrokes form shapes, two cadels on fol. 80r encircled by angular banderoles in yellow green and red (with AE/EO/TIT/SC and 2-letter faux-Hebrew inscriptions), occasional music in square notation on a 4-line red stave, rubrics in red ornamental capitals, opening words of fol. 65r Miserere in pink, red, blue, green and gold capitals, the colophon on fol. 197r in 3 lines of same with each word in a new colour, a PS abbreviation for Psalm on fol.82r in silver and gold on pink grounds (silver now oxidised), one-line initials in alternate blue and red, larger initials in broken penstrokes touched in red and green, often containing foliage or geometric patterns, these initials with a staggering number of penwork and coloured dragons, drollery creatures, birds and human faces, often with open mouths spitting out foliage like long winding tongues, eight large initials in colours enclosing scrolling gold penwork and all set on burnished gold grounds on coloured frames, with near-full borders of bezants, bars and acanthus leaves enclosing flowers and realistic birds with gold infill of some areas (fols.12r, 37r, 53v, 68r, 82r, 99r, 115r, 131r), frontispiece with blue and red initial enclosing a dragon and a drollery in blank parchment, with ornate purple penwork filling three borders, another similar initial on fol.32r with green penwork filling border and enclosing a banderole and a yellow-gold owl, metallic page markers folded over edges of relevant leaves, some original flaws in parchment (with repairs), later floral flourishes in lower borders sketched in red ink, small spots and slight cockling, trimmed by a few mm. at edges with occasional slight losses to border decoration, else good condition, 164mm. by 125mm., sixteenth-century binding of blind-tooled leather over bevelled wooden boards, profusely stamped with Biblical scenes and inscriptions in frames around central floral motifs, cracking at spine and repairs in places, two original metal clasps with leaf and flower engraving (one with modern replacement body, both held in place by modern replacement straps), fitted suede-lined red-cloth slipcase, with gilt-tooled red leather box Provenance: (1) Most probably written for Brigitta Stromerin, a Dominican nun of St. Katharina, Nuremberg (diocese of Bamburg): the book is dated 1473 in a multi-coloured colophon on fol.197r and was certainly written for a Dominican in the diocese of Bamburg (with SS. Thomas Aquinas: 7 March with octave and translation on 28 January, Vincent Ferrer: 5 April, canonised in 1455, benefactors of the Order: 5 September, brothers of the Order: 10 October, and with rare local SS. Cunegund of Bamberg twice: 3 March and 9 September, and Otto of Bamberg: 30 September), she names herself as the owner of the book in a long German inscription on fol.199v dated 1483. She also owned a theological miscellany from c .1441 written by a Johannes Schyller, now in Berlin, Preussische Staatsbibliothek, Germ.8º467 (see also A. Willing, Die Bibliothek des Kloster St. Katharina in Nurnberg , 2012, p.xvii). She may have left it to the library there, and by the sixteenth century it had passed to Maria Rosalia Chweiggartin: her ex libris inside front board, and perhaps in her binding. Evidence of female ownership and use of books in the Middle Ages is far from common. (2) In English-speaking trade in nineteenth century: sale ticket pasted on inside front board. (3) John Whitling and Helen Otillie Friel of Ohio: their twentieth-century printed bookplate in same place. Text: The volume comprises a Calendar (fol.2r) followed by two short prayers in German (fol.8r); the Pater Noster and other prayers (fol.9r); a Ferial Psalter (fol.11r) interspersed with antiphons with music, and followed by canticles, hymns and a litany, ending with near-contemporary prayers in Latin and German (fol.197r), presumably partly in the hand of Brigitta Stromerin.

A Brooklyn Union Ferry Co ticket, Foot Passenger, probably 19th century; 2 other tickets and various collectables

A Victorian silver and enamel 'train ticket' Vesta case by Samson and Mordan, rectangular shape with enamel representation of a GER Railway return ticket to Doncaster from Liverpool St Station, hallmarked London 1896

Autographs, Music Hall, Violet Vanburgh, Helene Mitzakis, Albert Chevalier, Vesta Tilley, Lupino Lane, Ellaline Terriss, Seymour Hicks and others in album and on loose postcards; other later entertainers including Adam Faith signed advertising flyer and ticket stub 1961; Danny La Rue; sporting celebrities; Acker Bilk and others

Derby County Football Club - a season 1937-38 season ticket, Centre Pavilion, Shareholder, with nearly complete tickets

A large framed 1999 World Cup Australian cricket montage with autographs, programme, ticket and Topps trading cards

A framed Beth Nielsen Chapman poster, with signed ticket below, dated 2002 with Authenticated autographs label No 76

A Royal Naval Air Service or Royal Flying Corps bronze Eagle probably from a door or shield. Scratched crudely on the back IMBROS 1915 with a Whitehall Theatre of War museum ticket 34 cms wide by 8 cms high

A silver gilt and enamel medal, "West Lancs Charity Jewel, Boys Brigade", also Boys Brigade badges, membership card, various ticket stubs etc.

A ladies' bicolour Rolex 6917 Oyster Perpetual watch, c.1978, a champagne dial with raised gilt batons and hands, date and acrylic crystal. Fluted bezel to a bicolour jubilee bracelet. Serial no. 5609603. Appears to be in unworn condition. Original swing ticket attached. Original case back sticker attached. Box and papers, not filled out

London Transport Bell Punch bus/tram/trolleybus conductor's TICKET PUNCH MACHINE (as used 1890s onwards) complete with backing plate (inscribed 'London Transport'). Machine no 66242. Punch mechanism requires freeing. Plus conductor's BUDGET KEY and City of Exeter PUNCH TICKET PACK. [1]

London Transport buses CONDUCTOR'S BAG (satchel) complete with original BUDGET KEY plus a 14-position TICKET-RACK containing 9 PUNCH TICKET PACKS (unused & part-used) for LT Country Buses from the 1940s/50s period with values from 3d - 1/3d + a pack of 2/- Brentwood area return tickets. Bag has conductor's name pencilled on - badge no 39392 (1950s issue). All in good, used condition, tickets mostly as new. [3 items plus ticket packs]

London Underground Electric Railways 1907 advertising CARD with MAP, one of a series featuring different stations, in this case Kentish Town with an illustration of a Charing Cross, Euston & Hampstead Rly train. Opens into 3 parts by lifting the train to reveal more of the station, including posters, eg 'Hampstead Tube Now Open'. Opens out to show fares, journey times and season-ticket rates. Reverse of the card has a small map of the Underground. Excellent condition. [1]

London Transport TICKET RACK of PUNCH TICKETS as issued to bus conductors 1950s-1970s to carry in their Gibson machine boxes for emergency use in the event of malfunction of the machine. Contains 8 unused packs each of 100 tickets and the base is marked 'NX335' for use at New Cross garage. In good condition. [1]

1902 Central London Railway fold-out MAP produced by the "Tuppenny Tube" to promote its service from Bank to Shepherds Bush. The line is superimposed in red on a street-map background and shows the generating station and depôt at the western end with an inset plan of the subways at Bank on the top right. The reverse has travel and ticket information. A lightly-used but very reasonable copy. [1]

London General Omnibus Company/London Transport BELL PUNCH TICKET MACHINE (no 37359) together with LGOC PUNCH CANCELLER (machine no 1008) used for cancelling return tickets, both mounted on the correct DOUBLE BACKPLATE plus a 7-position TICKET-RACK containing LT TICKET PACKS from 1d to 1/1d, some complete, others part-used, all in a correct, original BOX containing a 1954 sticker from Clapham garage. Both machines in working order. [5 + tickets]

London Transport EMERGENCY TICKET PACK believed to have been used on the last London trolleybus (1521) on the final journey on route 601 into Fulwell depot in May 1962. Comes with completed waybill (figures match tickets used) signed by conductor R Gadsby. Provenance not guaranteed but in vendor's personal possession since 1963 when obtained from member of inside staff at Fulwell. Condition as used. [2]

London Transport Bell Punch bus/tram/trolleybus conductor's TICKET PUNCH MACHINE (as used 1890s onwards) complete with backing plate (inscribed 'London Transport') and strap. Machine no 40623. In working order - it punches a ticket with a 'ding'. [1]

London Transport 'Ultimate' TICKET MACHINE no U889 with correct-type box ex Kingston garage for routes 218/219 plus TICKET-ROLL HOLDER with TICKET ROLLS (non -LT), driver's door MOUNTING BRACKET, driver's TIME-CARDS for 218/219 duties and a pair of reversible plastic GARAGE ALLOCATION PLATES for Kingston (K)/Norbition (NB) garages. Machine appears to be in excellent condition. [Set]

LCC Tramways A-type PUNCH TICKET MACHINE with serial no A174. An early machine with part of 'LCCT' just visible on the casing. These machines were used from 1919-1952. Complete with back-plate the machine punches and dings. [1]

London Transport 'Gibson' TICKET MACHINE' no 35731, an alpha fare-codes model with correct-type BOX plus conductor's HARNESS, PSV BADGE and spare TICKET ROLLS. Machine appears to function well and prints a good ticket with the words 'London Transport' still present. [Set]

London Transport EPHEMERA comprising 3 small bus POSTERS including a 1962 Galbraith 'Please help the conductor', a 14-position wooden TICKET RACK (with used, dog-eared tickets) and a quantity of PUNCH TICKETS, almost all post-WW2, from Central & Country buses, Green Line Coaches, trams, Festival of Britain etc. [Quantity]

Bell Punch TICKET MACHINE as used from the 1890s on. Machine no 58746, it punches and dings. [1]

Bo Didley LP "Hey" signed to back cover Bo Didley 1978 personally signed for vendor at concert at Royality Nightspot, Winchmore Hill, together with a signed ticket from the concert

An admission ticket for The Who in concert, held at the University of York Central Hall on Saturday 16th May 1970

A programme and ticket for England v Scotland at Wembley 1949 and other ephemera

A quantity of football programmes and books including signed and 1966 FA cup final ticket

Vintage British Athletics Collectables - An original ticket for the British/American meeting in Chicago on 27th August, 1930; programmes for GB v Norway 1938 and the 1946 AAA Championships both with results noted in pencil

ROMAN JUDAEA: BRONZE PRUTAH OF HEROD THE GREAT (37BC to 4AD), obv. anchor, rev. double cornucopia; together with an old COLLECTOR'S TICKET

ROMAN EMPIRE: SILVER DENARIUS OF HADRIAN (AD117-138), obv. bare head of Hadrian, right, rev. Fortuna AVG - Fortuna standing left holding rudder set on globe and cornucopia; together with an old COLLECTOR'S TICKET, also the remains of a 'Cartwheel' pe nny

Football programmes, Joe Shaw Testimonial match, Sheffield United V All Star XI 29.03.65, signed by him and All Star XI including Stanley Matthews, Jimmy Greaves, Albert Finney and a match ticket etc

Two bottom struck silver teaspoons and a Georgian 'Gin' silver bottle ticket (3)

Cricket Prints, Sturgeon signed cricket print, Richard Hadlee's Last Wicket in Test Cricket signed limited edition print, Hadlee signed ticket, Lords Pavilion print signed by 38, First Bowler to take 400 Test Wickets signed print, The History of the Cricket bat, 1934 Cricketeers cigarette cards & five other prints (12)

Harry Potter and The Philosophers Stone (2001) production made train ticket for London to Hogwarts, Platform 9 & 3/4 & two pre-printed photographs given to fans (3)

A Passage To India (1983) original film script from the film by David Lean, along with three photographs taken on set, a Great Trains-India Railway ticket & an invitation to the funeral of Sir David Lean.Provenance: From the personal collection of Vera Mitchell who worked in the Makeup Department on many films from the 1980's - 2000's.

Isle of Wight Festival 1970, rare double-sided flyer for the complete festival in August 1970 starring Jimi Hendrix, Who, Richie Havens, Procol Harum, Donovan, Joan Baez, Chicago, James Taylor, Everly Brothers & others, along with an original ticket for Sunday August 30th 1970, the day Hendrix appeared. (2)29 x 14cm

The Rolling Stones, including three individually framed presentation singles for Time Is On My Side with ticket from 1994, Street Fighting Man with ticket from 1994 & It's Only Rock'N Roll along with four UK Decca vinyl Lps, Out of Our Heads, The Rolling Stones, Big Hits & Through The Darkly Past (7)

10 original 1960's concert programmes, all with ticket stubs including Chuck Berry (1964), Cliff Richard (1963, Brenda Lee (1963), Everly Brothers (1962 & 1965), Gerry & The Pacemakers (1964), Johnny Kidd / Manfred Mann (1964), Bobby Vee / The Springfields (1962), Del Shannon / Johnny Tillotson (1963) & Brian Hyland / Little Eva (10)

U2, Promotional items including, All That You Can't Leave Behind boxed passport holder, mousemat, post it notes, ticket to the playback of the album at Chiswick Studios, promotional photo, Bono in the name of Love hardback book by Mick Wall, U2 & Green Day The Saints Are Coming numbered 7inch single & radio edit promo CD, Window in Skies Collectors Edition CD pack, four promo only CDs for Beautiful Day & Go Home - Live From Slane, Beautiful Day single CD, Go Home CD, Musique Vs U2 New Years Dub CD, Beautiful Day promotional vinyl & boxed Beautiful Day boxed Oakley sunglasses

The Darkness, Christmas Time limited edition picture disc, two promotional wrapped CDs, One Way Ticket limited edition picture disc, two promotional love hearts for Love Is Only A Feeling & a one track promo for Is It Just Me (7)

The Beatles, Another Beatles Christmas Show Ticket from Tuesday Dec. 29th 1964, stalls6 x 6.5cm

AUTOGRAPHS of John Wayne and Sophia Loren on an entrance ticket to the Roman city of Leptis Magna, near Homs in Libya, where they were on location filming "The Legend of The Lost" Tog.with a Programme of Leptis Magna plus a collection of 11 Photographs of Sophia Loren and John Wayne taken at the time, Feb. 1957.

Autographs, Music Hall, Violet Vanburgh, Helene Mitzakis, Albert Chevalier, Vesta Tilley, Lupino Lane, Ellaline Terriss, Seymour Hicks and others in album and on loose postcards; other later entertainers including Adam Faith signed advertising flyer and ticket stub 1961; Danny La Rue; sporting celebrities; Acker Bilk and others

Football Excursion Train Ticket, England v Scotland International 11th April (gen gd slight tears)

Rugby Programmes, a small collection of programmes to include Internationals England v Scotland 1973, England v France 1973, England v Wales 1990, England v Italy 1991 with many more, Club programmes to include Maidenhead, St Helens, Wigan, Challenge Cup Final Wakefield Trinity v Wigan 1963, (all gen gd), also included in the lot a Rugby 1966 World Cup Programme with ticket to quarter final playoff England v Fiji, and a pristine Heineken Cup Final 2009 Leicester Tigers v Leinster (vg)

Boxing Programmes, a collection of 7 official programmes for Championships fights involving Ricki Hatton, including Elimination Oct 2004 v Stewart, v Tszyu June 2005 (including ticket), Unification v Maussa November 2005 (including ticket), v Uraango January 2007, v Casillo June 2007, v Juan Lazcano May 2008 and v Pacquiao May 2009 (all vg) also included a Khan v Williams Flyer (8)

Boxing Interest, Randolph Turpin a folder containing several boxing programmes, press photographs with 2 possible signatures, including one photograph signed to Tom from Randolph Turpin and another promotional photograph signed Randolph Turpin, with six programmes from the late 1940's/ early 1950's, including a 1953 programme with ticket stub, most press photos with paper label to reverse (1)

The BEATLES - framed full rear page from a concert programme - 'The Beatles Show' (ABC Cinema, Edinburgh & Odeon Cinema, Glasgow, 29th/30th April 1964). * being a full-length exterior shot of the Four (6.5 x 10 ins., approx) & signed by each of them in the programme border, the signatures are a clear example from this date sold with original ticket to the show, & an informative 14 line note of authentication. Illustrated

BATTY (E.F.) Italian Scenery. From drawings made in 1817, by Miss Batty. First Edition. engraved pictorial vignette title, 60 fine copper-engraved plates & end of text vignette (by Charles Heath & others, with guards); contemp. maroon straight-grain morocco, gilt-ruled & elaborately decorated covers, gilt-ruled & decorated panelled spine, generous inner dentelles gilt-ruled & decorated, also the board edges, g.e., buff e/ps. the pastedowns with embossed border design ( by Hering, with their Newman Street ticket) roy. 8vo. 1820; * Raleigh Trevelyan's copy, with his engraved booklabel, also the armorial/pictorial bookplate of Joseph John Crosfield (earlier 20th cent. horticulturalist & owner of Embley Park, nr. Romsey)

[GASKELL, Mrs. E.] Mary Barton: a tale of Manchester life. First Edition, 2 vols. advert. leaf in each vol.; original blind-decorated chocolate cloth, gilt-lettered spines ( by Bone & Son, with their ticket), contained in a modern gilt lettered box. 1848. * Chapman and Hall's series of 'original works of fiction, biography, and general literature'; contemp. ownership signature on free e/ps. & old bookseller's ticket - H. Whitemore, Market St., Manchester.

IN EXCESS OF SEVENTY 1930's AND LATER THEATRE PROGRAMMES, mainly London and Manchester and District including; Sammy Davis Jr. 'Golden Boy at the Palladium', with three ticket stubs stuck to the front cover, Lido, December 1957 and TWO EDITIONS OF THEATRE WORLD, 1946 and 1955

BYGONE BUS CONDUCTORS NICKEL 'TICKET ISSUE MACHINE' in metal carrying case

Commander Sir Edward Perkins, K.C.V.O. (1909 - 1977), HM The Queen's personal Police Officer - a fascinating collection of photographs and ephemera relating to the Royal detective's career as bodyguard to HM Queen Elizabeth The Queen Mother from 1941 - 1954, when he became the personal detective of Queen Elizabeth II, until his retirement in 1973 when he was knighted. The collection includes his Grant of the Dignitary of a Member of The Royal Victorian Order 5th Class (M.V.O.), signed by The Queen in 1952, his ticket to the funeral of HM King George VI, numerous photographs of Sir Edward carrying out his duties with members of The Royal Family, press cuttings and correspondence

Rowling (J.K.) - Harry Potter and the Goblet of Fire, first edition, signed by the author on dedication p., with related signing tour ticket loosely inserted, original pictorial boards, dust-jacket, a fine copy, 8vo , 2000.