33617 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

GREAT WESTERN RAILWAY: EXTENSIVE RANGE OF 'TICKET' TYPE PARCEL LABELS, WIDE RANGE OF ISSUES, SOME PARTIALLY WRITTEN UP, VALUES TO 10/-, 15/- AND £1, EXAMPLES ON WAYBILL, 1937 COVER ETC, FINE LOT FOR FURTHER STUDY

LANCASHIRE AND YORKSHIRE RAILWAY: 1855 ONWARDS SELECTION ON LEAVES AND STOCKCARDS, WYRE DOCK CARTAGE 1d REJOINED SHEET OF 30, 1892 6d OG, 1899 DUPLICATED VALUES TO 9d, NEWSPARCEL TO 6d USED (4), 4d MINT BLOCK OF 9, LATER PAID PARCEL 'TICKET' TYPES ETC (APPROX 345)

LONDON AND SOUTH WESTERN RAILWAY: 1855-1923 SELECTION FROM NEWSPAPER TICKET IMPERF VALUES TO 1/-, PERF 6d AND 9d (2), NEWSPAPER LABEL WITH IMPERF PROOFS, USED WITH SHADES, PARCEL POST 3d AND 4d, c1912 'PAID PARCEL FROM' VALUES TO 3/-, 'PAID' VALUES TO £1 (8), c1922-3 BLACK TYPES TO 10/-, ALSO FIVE WAYBILLS WITH VALUES TO £1 (APPROX 230)

MIDLAND RAILWAY: FILE BOX WITH AN EXTENSIVE SELECTION FROM FIRST ISSUES, 1880-95 WITH 1d AND 4d PROOFS, SPECIMEN OVERPRINTS, 1905 GREEN TYPES WITH VALUES TO £1, LATER PREPAID PARCEL 'TICKET TYPES' VALUES TO 5/-, 6/9, ETC. (SEVERAL 100'S)

SOUTHERN RAILWAY: 1937-41 COVERS (3) WITH c1920-30'S PARCEL 'TICKET' TYPES ALSO, APPROX. 30 WAYBILLS, USED VALUES TO £10, ETC. (APPROX. 150 PLUS WAYBILLS)

Limited-edition mounted replica ticket to Birmingham 2022 Swimming and Para-Swimming events at the Sandwell Aquatics Centre. Includes official replica ticket, photograph of Adam Peaty winning the Gold medal in the Men's 50m Breaststroke and a plaque with details of the event. Number 1 of 222.

Limited-edition mounted replica ticket to Birmingham 2022 Track and Para-track Cycling events at the Lee Valley VeloPark. Includes official replica ticket, photograph of Laura Kenny winning the Gold medal in the Women's 10km Scratch Race and a plaque with details of the event. Number 1 of 222.

Limited-edition mounted replica ticket to Birmingham 2022 Athletics and Para-athletics events at the Alexander Stadium. Includes official replica ticket, photograph of Katarina Johnson-Thompson winning the Gold medal in the Women's Heptathlon and a plaque with details of the event. Number 1 of 222.

A 2002 FIFA World Cup used ticket in Budweiser Lanyard together with a 2002 FIFA World Cup hooded cape.Condition ReportGood used condition.

1966 Sunbeam Alpine Series VMake: Sunbeam Model: Alpine Year: 1966Mileage: 83473VIN: B395005504GT0DConfiguration: Right Hand DriveRegistration: EGW831DTransmission: manualThe Sunbeam Alpine Series V was introduced in October 1965 with the same 92.5bhp 1725cc engine as the Sunbeam Rapier, a tough and reliable unit that is regarded as one of the better engines of the era. The Series V continued until January 1968, when production ceased. This example was registered in May 1966 and has had five previous registered keepers, with the last but one keeping it for over 12 years. The car is finished in a non-standard but attractive BMW Avus Blue, with a black leather interior. The vendor admits that while it presents quite well, it would now benefit from some further restoration and detailing. The original GT hard-top is fitted; there is no soft-top available. The recorded mileage is 83,473 miles, and while this can't be warranted, the very extensive history file does suggest this figure is accurate. We're told by the vendor that all the instruments work, and the overdrive operates as it should. The tyres are good, and surround wire wheels fitted with embellishers. A stainless steel exhaust is fitted and the bumpers have been refurbished. While, as an historic vehicle, the Sunbeam is MoT-exempt, a new ticket was put on it in May 2022. There are certificates from 1995 to 2017, when the car was SORNed. It was acquired in 2021 by the vendor, who has partially recommissioned it. The history folder is large and detailed. It features invoices, books, magazines, brochures, catalogues, tax discs, photographs and information/memorabilia from shows that the car has taken part in. Best of all, there is a handwritten log that lists all the work carried out from 1990 to 2015. PLEASE SEE BELOW FOR VIDEO PRODUCED 19TH JULY BY ACA OF THIS CAR.

QUANTITY OF AMATEUR PERIOD RUGBY UNION PROGRAMMES various, mainly early 1970s to early 1990s, many Wales International, some ticket-stubs noted, some autographed (list available), together with similar era club programmesProvenance: private collection BristolComments: please examine

RUGBY UNION EPHEMERA including WRU handbooks, ticket-stubs, circa 1970s posters, pin-badges, Western Mail supplements, ceramic souvenirs, club-ties, many relating to Wales and Monmouthshire County, 1972 New Zealand v Llanelli pennant, etcProvenance: private collection BristolComments: please examine

GABRIELLE DESIGNS LIMITED, Hamish Orient Express Bear dressed as a chief steward, Venice Simplon ticket, 40cm tall.

Holy Land.- Royal Air Force pilot's travel album with over 115 small photographs of Jerusalem, Bethlehem, Nazareth and the surrounding region, all neatly presented in album with Royal Air Force ticket to front pastedown from 'Ein Shemer' station, inscriptions throughout, some photos coming loose, each approx. 92 x 61 mm (3 5/8 x 2 1/2 in), or the reverse, with blue text verso, decorative binding with pattern in relief and small landscape plaque inset to upper cover, rubbed, oblong 4to, circa 1945.

NO RESERVE Hering binding.- Howard (Frederick, Earl of Carlisle) The Father's Revenge, A Tragedy: With other poems, [one of 25 copies], title with engraved arms, 6 engraved plates, water-stained, marginal damp-staining in places (some with a purple tint), occasional foxing or spotting, richly gilt inner dentelles, silk doublures and endpapers with corner-pieces within double filet borders, dark blue straight-grain morocco, gilt, by C. Hering (with his ticket to verso of front endpaper), spine in compartments and with various cross-hatched (spine ends), scrolling and filet decorations, covers with wide scrolling Greek key and filet borders with medallion corner-pieces, a few scuffs, rubbed and marked, g.e., 4to (binding 309 x 245mm.), W. Bulmer & Co., 1800. sold as a binding and not subject to return.

FOOTBALL, World Cup 1962 ticket, semi-final, Brazil v Chile, game 29, EX

Manchester United Football Club memorabilia to include a limited edition print of Alex Ferguson CBE, signed in pencil to lower margin by the artist Gary Keane and Sir Alex Ferguson, numbered 324/495, 47cm x 60.5cm in a glazed frame; and a group of Man Utd football programmes, ticket stubs, and a cased Royal Selangor medallion, including a 22 May 1999 Man Utd v Newcastle Utd FA Cup Final ticket stub and programme Location:

Signed LPs. Collection of signed LPs and inner sleeves, including Peter Gabriel "So" (Geffen GHS 24088, signed on front cover by Kate Bush in 1990 and later by Peter Gabriel and Dan Lanois, complete with letter of authenticity written by Steve Mills, Senior Vice-President, Plus One Management), John Martyn "The Apprentice" (Test Pressing, PERMLP1, blank white record label signed by John Martyn, with CD artwork print on card and a covering letter from The Total Record Company Ltd), "Live at Leeds" (1975, Islands ILPS 9343, signed on the back "Sorry to be so long, John & Ben") plus several other John Martyn signed items ("The Sunshine Boys" CD attached to a booklet signed by John Martyn and Danny Thompson, a ticket to John Martyn concert at Warwick Arts Centre in Coventry on 22nd April 1997, another "Sunshine Boys" CD and booklet with a Leeds City Varieties Music Hall ticket for a John Martyn & Danny Thompson concert on 5th June 2001), Procol Harum "Procol's Ninth" (1975, Chrysalis CHR 1080, lyric insert, signed on front cover by Gary Brooker, Chris Copping, Keith Reid, Mick Grabham, Alan Cartwright and B.J. Wilson), Steve Winwood "Arc of a Diver" (1980, Island ILPS 9576, signed on the front cover at Cheltenham concert on 2nd May 2012 by Steve Winwood, with note of authenticy and photo), Carole King "Carole King Music" (1971, gatefold A&M Records AMLH 67013, lyric insert, signed on front cover by Carole King and James Taylor, with letter of authenticity by Steve Mills, Mills Music, London), Jefferson Airplane "Takes Off" (RCA AYL1-3739, signed on the front cover by Spencer Dryden, Paul Kantner, Jack Casady, Marty Balin, Jorma Kaukonen and Grace Slick, with certificate of authenticity by Crownhill Autos), Fleetwood Mac (inner sleeve only of "Tango in the Night" LP, signed by Mick Fleetwood, John McVie, Stevie Nicks, Lindsy Buckingham and Christine McVie on different dates between March 1996 and April 2006 at Virgin Radio Studios in London, with letter of authenticy by L. Evenson who worked at Virgin Radio at the time), The Clash (black inner sleeve only, signed by Mick Jones, Joe Strummer, Paul Simenon and Topper Headon between March 1996 and April 2006 at Virgin Radio Studios in London, with letter of authenticy by L. Evenson who worked at Virgin Radio at the time)QTY: (11)

Various Aston Villa related ephemera and programmes, ticket stubs, etc., to include vs Arsenal 2016, etc. (a quantity)

A box of 1980's albums and singles, concert programmes and tickets including John Martyn with ticket stub dated 28 October 1981 etc

A Gibson A14 London Transport bus ticket machine and a ticket inspector satchel (2).

A Hornby O gauge electric steam locomotive, with a quantity of track and accessories. The locomotive 4-4-2 in Great Western Railway livery no '2221', together with a train islands platform with a green roof and 'Reading' station name, a ticket office, signalling posts, footbridge, a turntable, etc

LIZA MINNELLI - A group of memorabilia comprising a signed concert poster, a concert programme and a concert ticket (3 in lot)

LED ZEPPELIN - An original first release 1975 Earls Court concert poster from the merchandise kiosk - together with an original concert ticket and concert brochure - all for the same concert - poster is rolled, 25" x 35.25" (3 in lot)

A group of concert programmes comprising BRUCE SPRINGSTEEN, MEAT LOAF, METALLICA and JETHRO TULL as well as a Bruce Springsteen ticket for The National Bowl at Milton Keynes (6 in lot)

A bus ticket machine and a Pathe scope cine camera

Astronomy and Physics - Derham (The Reverend Canon William, FRS), Astro-theology: Or, A Demonstrations of the Being and Attributes of God, from a Survey of the Heavens, Illustrated with Copper Plates, sixth edition, London: W. Innys, 1731, 3 fold-out charts, 20th century morocco over terracotta cloth, 8vo, (1); Whewell (The Rev. William), Astronomy and General Physics/Considered with Reference to Natural Theology, third edition, London: William Pickering, 1834, prefixed by 8pp publisher's catalogue, their original boards, Hodgsons/Booksellers/Wimpole Street, their ticket, 8vo, (1), [2]Provenance: 1st: 1) Thomas Talbot, late 17th/early 18th century ownership stamp; 2) * Childery, ink MS. ownership inscription dated 1751. 2nd: Elphinstone of Carberry Tower, East Lothian, Scotland, probably the 13th Lord's copy (1807-1860); their seal armorial bookplate.

Gothic Fiction, Ghost Stories – Le Fanu (Sheridan), Wylder’s Hand: A Novel, New Edition, London: Frederick Warne and Co., [n.d., 1890], repaired original publisher’s cloth, the refreshed endpapers preserving the contemporary bookseller’s ticket: Allan of Newcastle, 8vo, (1); Molesworth (Mrs. [Mary Louisa], Uncanny Tales, first edition, London: Hutchinson & Co., 1896, repaired original publisher’s pictorial cloth, 8vo, (1); Heron (E. & H.), [psued. Prichard (Hesketh) & O’Brien (Kate)], Ghost Stories, first edition thus, third impression of the Cheap Edition, London: C. Arthur Pearson, Limited, 1920, original publisher’s cloth, later vinyl-wrapped, 12mo, (1), [3]

Local Interest, Provincial Imprints - Geology, Hedinger (J.M.), A Short Description of Castleton in Derbyshire; its Natural Curiosities and Mineral Productions, eleventh edition, Stockport: J. Lomax, and Sold by S. Needham, Castleton, 1814, half-title and dedication leaf to Georgiana, Duchess of Devonshire, 36pp, cloth over papered boards, 12mo, (1); The Stranger at Buxton, ?first edition, Stockport: J. Dawson, [1805], lacking title and prelim before B, 38pp, 20th century gilt-lettered green morocco over marbled boards by Graham Bloodworth, Leicester, his ticket, 12mo, (1); Moore (Henry, illustrator), Picturesque Excursions from Derby to Matlock Bath, and its Vicinity; Being a Descriptive Guide to the Most Interesting Scenery and Curiosities in that Romantic District, with Observations Thereon, Illustrated with Twelve Etchings, first, Derby: H. Moore, 1818, original publisher's cloth over papered boards, 12mo in 6s, (1), [3]

Miscellaneous - approx. 180 18th century and later books, including Milton (John), Paradise Lost [...], Edinburgh: A. Donaldson, 1767, contemporary calf (disbound), 12mo in 6s, (1); Drama, a mid-19th century sammelband of 10 plays, including three of Shakespeare's, various imprints, [n.d., c. 1830], contemporary calf over marbled boards, 12mo in 6s, (1); Fénelon (François de Salignac de la Mothe), Les Avantures de Telemaque [...], Amsterdam: Les Wetsteins, 1725, contemporary calf, 12mo, (1); Sheridan (Mrs.), Memoirs of Miss Sidney Bidulph [...], London: Harrison and Co., 1786, printed in double-columns, engraved portrait frontispiece and plates, papered boards, 8vo, (1); Cornmarket Press facsmiles of British plays, including Shakespeare, qty; Thompson (Benjamin, translator), The German Theatre, six-volume set bound as three, fourth edition, London: Vernor, Hood, and Sharpe, Poultry, et al., 1811, contemporary quarter-calf over marbled boards (chipped, losses), armorial bookplates: John Molesworth, 12mo in 6s, (3); Dacre (Lady, editor) & [Sullivan (Arabella Jane)], Recollection of a Chaperon, three-volume set, first edition, London: Richard Bentley, 1833, contemporary quarter-calf, ex Hertford Literary and Scientific Institution, their labels and some stamps, 12mo, (3); Quaker, Ellis (Mrs [Sarah Stickney]), Family Secrets, triple-decker novel, first edition, London: Fisher, Son & Co., [1841], contemporary calf over marbled boards, 8vo, (3); Sue (Eugène), The Wandering Jew, triple-decker novel, first English edition, London: Chapman and Hall, 1844-45, original publisher's cloth binding, Sold by John Bubb, Bradford, his ticket, 19th century crested bookplates: W.A. Bailward, 8vo, (3); Charley Chalk, 1839, 8vo, (1); Bunn (Alfred), The Stage [...], three-volume set, first edition, London: Richard Bentley, 1840, original publisher's cloth bindings, 12mo, (3); further 19th century and later theatrical accounts, drama, etc; Crime & Punishment, Benson (Captain L., editor), The Book of Remarakble Trials and Notorious Characters [...], with Numerous Illustrations by Phiz, London: John Camden Hotten, [n.d., c. 1870], original publisher's cloth binding, refreshed endpapers stiffening textblock, 8vo, (1); Ireland, Third Book of Lessons for the Use of Schools, Dublin: Published by Direction of the Commissioners of National Education, 1842, contemporary anachronistic sheep, 12mo, (1); further 19th century novels, some of which are Parisian imprints of English titles, various; The Book of British Ballads, 1853, repaired original pictorial cloth, 4to, (1); Nelson's Festivals, 1833, contemporary blue roan binding, 12mo, (1); John Bunyan; Gibbon's Decline & Fall, 8vo, (3); Victorian and later leather and pictorial/decorative cloth bindings, various; [approx. 180, 13 boxes]

Theology, Divinity, & Liturgy – Author’s Copy, Subsequent Presentation Copy, Lee (The Rev. Frederick George), A Glossary of Liturgical and Ecclesiastical Terms, with Numerous Illustrations on Wood, London: Bernard Quaritch, 1877, contemporary morocco pictorial gilt over marbled boards by Wyman & Sons, London, W.C., their ticket to verso, 8vo, (1); Catholic Missal, Missale Romanum […], [Tournai], 1894, printed in red and black in ruled double-columns, anachronistic Medieval-design wood-engravings, finely bound in red morocco gilt, all edges, marbled endpapers, 4to, (1); Blunt’s Annotated Common Prayer, London: Rivingtons, 1876, contemporary armorial calf gilt (worn), 4to, (1); Pearson on the Creed, fourth edition of Burton’s edition, Oxford: University Press, 1857, Eton inscription, finely bound by Hayday, stamped, in contemporary polished calf gilt, 8vo, (1); Wilberforce on the Incarnation, third edition, London: John Murray, 1850, contemporary divinity calf, 8vo, (1); Sermons, or Homilies, Appointed to be read in Churches […], London: The Prayer-Book and Homily Society, 1833, contemporary diced grey calf, 4to, (1); Trench’s Studies in the Gospels, fifth edition, London: Kegan Paul, Trench, & Co., 1886, contemporary black divinity calf, 8vo, (1); James on the Collects, ninth edition, 1840, morocco (rubbed), 12mo, (1), [8] Provenance: 1st: The Reverend George (1832-1902), the author, his copy later presented to M. Charles Hettier of Caen; the author’s armorial bookplate and later tipped-in ink MS. presentation label to recto pastedown, and further tipped-in correspondence and ephemera.

Ephemera - Stoker (Bram), The Secret of the Growing Cold, first edition, first appearance in print within Black & White, No. 51 - Vol. III, Saturday, January 23, 1892, which also includes eight extra pages on the death & funeral of The Duke of Clarence, illustrated, original wrappers, contemporary Australian bookseller's ticket: W.B. Stephens, Adelaide, folio, (1); other Victorian/Edwardian magazines and reviews, including The Sphere; [Dorset], Okeden (D.O.P., Esq), A Letter, to the Members in Parliament, for Dorestshire, on the subject of Poor-Relief and Labourers' Wages [...], second edition, Blandford: Printed and Sold by John Shipp, 1830, disbound, 8vo, (1); Music, 18th century musical scores and libretto for Handel; further sheet music, principally 19th century; Victorian full-page chromolithographs and wood engravings, including Tennyson; The Metropolitan New Album of London, [n.d., c. 1890], topographical named-view prints, original wrappers, (1); Henry Irving; theatre programmes; etc., [collection]

Cartography - five mid-late 19th century cloth bound pocket maps, including Rankin's Eight Miles Round Malvern, Malvern: H.W. Lamb, [n.d., c. 1850], 43cm x 42.5cm, the binding enclosing the Lamb's ticket too, (1); the others including, Ordnance Survey of England Wales, marbled wrappers and slipcase en suite, (1); Cruchley's Reduced Ordnance Map, (1); Rhineland Transport, Carte du Canal de l'Est, (1); Gall & Inglis' New Travelling Map of England, with The Railways, (1); a later Ordnance Survey "Quarter-Inch" Road Map of Northern Ireland, (1); books, including [Coles (Charles Barwell)], Short Whist [...], London, 1855, original cloth, 8vo, (1); Dutton's Photographs of Bath Abbey, [c. 1894], original lavender wrappers, (1); Nonesuch Dickensiana, 1937, original blue cloth, box en suite, 8vo, (1), [9]

Local Interest - Thomas Dix (fl. early 19th century), A New Map of the County of Derby, Divided into Hundreds, London: Published Dec. 1, 1818, by W. Darton Jun:R, 12-fold, hand-coloured engravings, laid on linen, Darton's advertisement ticket/label to verso, 49.5cm x 41cm, original marble sleeve en suite, [1]

AN UNFRAMED SIGNED LIMITED EDITION DAVID SHEPHERD PRINT ENTITLED 'BUT TEDDY DOESN'T NEED A TICKET ' 780/850

George III, 'Spade' Guinea 1798, obv. fourth laureate head right, rev. crowned spade-shaped shield of arms, S.3729, with original Spink ticket, VF.Ex Spink & Sons, Sale No. 31 12/10/83, lot 366.

George V, Half Sovereign 1916S, Sydney Mint, obv. bare head left, rev. Pistrucci, mm S below, with original Coincraft, London ticket, GVF to AEF.

Victoria, 'Gothic' Crown 1847 UNDECIMO, obv. Victoria dei gratia britanniar. reg: f: d⋅ ('Victoria by the grace of God Queen of the Britons and Defender of the Faith'), in textualis lettering, 'Gothic' type bust left, rev. tueatur unita deus anno dom mdcccxlvii ('May God guard the united, the year of our Lord 1847'), crowned cruciform shields, emblems of the Union in angles, decus et tutamen anno regni undecimo in raised lettering on edge, S.3833, Bull 2571, ESC 288, with original Spink ticket, light contact marks, otherwise AEF.Ex Spink & Son lot 505 sale no. 32 30/11/83 (or 1/12/83, two sale dates given)

An Egyptian silver photograph frame, a silver mounted wooden dish, a white metal two-handled bowl, a brass and enamelled needle box, a similar round box and cover, an enamelled bottle ticket and a red morocco leather card case

§ PAUL NEAGU (ROMANIAN/BRITISH 1938-2004) HUMAN FOOT SHADOW, 1973 Signed, inscribed with title and dated '73 lower left, further inscribed 'Human Foot, 35 cells, GENERATIVE ART GROUP', mixed media on paperDimensions:39cm x 27cm (15.25in x 10.5in)Provenance:Provenance: Gifted by the artist to Silvia Radu and Vasile Gorduz, Romanian artists and close friends of Neagu (work bears inscription from Neagu to the pair verso); Gifted by Silvia Radu to the present ownerNote: Note: Paul Neagu’s legacy within the UK artworld is one of quiet but profound impact, with the generation of students he taught – Rachel Whiteread, Antony Gormley and Anish Kapoor (who authored his obituary), attesting to his influence on their own work. His artistic practice was underpinned by his personal philosophical theory of the world; a sophisticated if esoteric approach which, though valued by curators, institutions and centres of education here from the early stages of his career, was out of step with his contemporaries at the time.As a Romanian émigré, Neagu’s output inevitably had a cross-cultural outlook, and his sculpture, drawings and performances were underpinned by an exploration of the metaphysical, and can be described as straddling craft and conceptualism. Though these features distinguished him and set his work apart, it also meant he did not fit within the general trends in the British art world at this point, to the detriment of his standing amongst collectors of British sculpture today. Kapoor in his tribute remarks that, “…inevitably, he struggled against a British art world that preferred to see the artist as a maker of things rather than, as he saw it, art, and therefore the artist, as a generator of a philosophical world view.”Growing up in tough conditions behind the Iron Curtain, the young Neagu enrolled at the Bucharest Institute of Fine Art in 1963. Social Realism was the official visual language under the Communist regime, and so he was forced to make forays into abstraction in secret. These constraints ultimately led to the development of his core belief that art is an expression of 'desire in the face of the systems that attempt to inhibit it'. Throughout the 1960s he developed his ‘palpable objects’: construction-like box assemblages made out of humble materials and traditional Romanian woodworking techniques; a thread to his practise which he never abandoned and can be observed in the work offered here for sale, ‘Ongoing Hyphen’.His ticket to the West came in the form of an invitation from the now legendary art impresario Richard Demarco to exhibit at his gallery in 1969. A powerhouse behind the Edinburgh Art Festival, Demarco was extraordinarily outward looking for the time and made it his mission to discover and expose talent from Eastern Europe over in the West (other names he is responsible for championing include Marina Abramovich and Joseph Beuys). Neagu settled in the UK permanently in 1970, making London his home. Before long he became a well-respected teacher, most notably lecturing at the Hornsey, the Slade and the Chelsea School of Art, and in 1976 becoming Associate Professor at the Royal College of Art.His work encompassed aspects of performance as well as drawing and construction, and explored the relationship between ritualism and sculpture, as well as spirituality. Sculpture, as Neagu saw it, was to be experienced by all five senses and had the potential to have a profound, spiritual, and potentially healing impact on its audience. In order to convey these aims, he developed specific totemic symbols which he then continued to re-work over the course of his career.The first and most significant of these was the Hyphen form. As Kapoor describes, “…in 1975, Neagu made his first Hyphen - it started life as a three-legged workbench assembled somewhat in the folk tradition of Romanian furniture. Quickly Neagu understood the immense metaphysical potential of this tripod structure. From it he evolved a complete anthropocosmic view which, in parallel with Joseph Beuys in Germany and, previously, Yves Klein in France, suggested a spiritual remedy for the ills of contemporary man.” These reference points are notably European, again underpinning that Neagu’s process was something of an anomaly within the British art movements of the period. This though, as I alluded earlier, is to the advantage of discerning collectors with a more internationalistic outlook today, as his work remains accessibly priced.Lyon & Turnbull are pleased to offer for sale ‘On-going Hyphen’, from 1992. Crafted in some of Neagu’s traditional materials, wood and gesso, it represents a later iteration of the original hyphen form, which Neagu approached again with vigour in this year.We are also pleased to offer one of his ‘human cell’ drawings, ‘Human Foot Shadow’, from 1973 – a further aspect of his ‘Anthropocosmic’ concept which he developed in the early 1970s.In 2003 Tate Britain acquired Neagu’s 30-year archive and exhibited some of his work from the 1970s and 1980s, and his work can be found in public collections including, among others, the British Museum, London, le Fond départemental d'art contemporain, Seine Saint-Denis, Bobigny, France, the Hugh Lane Municipal Gallery of Modern Art, Dublin, the Musee Cantonal de Beaux Arts, Lausanne, Switzerland, the National Museum of Art of Romania, Bucharest, the Philadelphia Art Museum, Philadelphia, USA, and the Tate Gallery, London.

LIVERPOOL FOOTBALL CLUB; an interesting archive of ephemera including an autograph book bearing signatures of players from 1950/51 to include Liddell, Paisley, etc, also two pages of Everton signatures from the same period, including the captain Peter Farrell, further autograph book from 1968/69, including Callaghan, Ian St John, Roger Hunt, etc, five ticket stubs for matches in the 1977/78 European campaigns and a quantity of 1960s and 70s programmes, to include European games and FA Cup. CONDITION REPORT: Ticket stubs include: Liverpool V St Etienne, 16th March 1977, Main Stand, Row 1, Seat 74, Liverpool V St Etienne, 16th March 1977, Kemlyn Road Stand Block K, Row 7, Seat 155, Liverpool V Borussia Monchengladbach (Champions of West Germany), 12th April 1978, Ground Ticket, Spion Kop No.5707, Two tickets for European Champion Clubs Cup Competition Semi-Final at Anfield, Kemlyn Road Stand Block K, Row 28, Seats 166 and 167. The handwriting on the brown envelopes/packaging simply describes the contents of the individual packets.

The Bell Punch And Printing Company Ltd bus ticket machine, no. 82188, and a quantity of bus tickets

A Vintage iron and stand-up train ticket machine, height 24cm, numbered 510

The Setright Vintage bus ticket machine

A Vintage AB-Almex, Sweden, bus ticket machine, Type A NR161450

A Setright no. 13877 ticket machine, boxed

A Setright bus ticket machine, and tickets, boxed

The Beatles - A selection of 45rpm 7" vinyl singles with picture disc and picture sleeve examples to include Love Me Do (P/S), Please Please Me (P/D), Ticket To Ride (P/D), Twist And Shout (P/S), Love Me (P/D), Magical Mystery Tour (MMT-1 with booklet) and more. Mostly VG and above condition. 

The Beatles – Christmas Show 1964 – A collection of mid 20th Century 1960s Beatles memorabilia form their Christmas Show in 1964 at Astoria, Finsbury Park. The collection includes a souvenir programme with the original ticket, souvenir handkerchief and an Oden pressed 45 7” single Do You Want To Know A Secret. All obtained by the vendor in person at the concert and been well looked after all these years.

A 1990 West Ham ticket, Vs Oldham Athletic, signed by Bobby Moore. No certificate of authenticity.

EPHEMERA, three boxes containing a large collection of modern postcards, letters, minor concert programmes, ticket stubs, commemorative publications, diary entries, a plaque and glass and ceramic items

A large framed Mike Tyson poster, with a fight ticket, dated 29th January 2000 at the M.E.N. Arena Manchester

A London Olympics 1948 Athletics official programme and ticket, hosted at the Empire Stadium Wembley

1968 European Championship ticket for Benfica v Manchester United May 29th 1968, Wembley European Champion Clubs' Cup Final Tie ticket between Benfica and Manchester United. Ticket is printed in green for the South Terrace

circa 1988, model number 67193, serial number R430302, the signed circular champagne dial, 20mm diameter, with gold coloured hands and centre sweep, signed 29 jewel mechanical automatic movement calibre 2130 number 0572818 with liveried screw down crown, case, 25mm diameter, steel with gold fluted bezel, verso screw down with brushed finish, interior signed and numbered 67000, to a steel and gold 'Steelinox Jubilee' bracelet number 62523D.18 with liveried fold over clasp, manufacturer's water resistance rating 10ATM, presented with the original box, outer card case, instruction booklet, green pouch containing the guarantee paper dated 21/4/1988, original swing ticket and two spare links

Football Interest - Sir Stanley Matthews 1915-2015. Footballer, Gentleman, Legend, programmes and Limited Edition 67/100 collage of Sir Stanley Matthews celebrating 100 years, dated 13.2.2015, with ticket for Blackpool Football Club former players association Legends Night, and an enamel badge.

Transport Interest - Vintage Glasgow Tram Ticket Collector's Machine, in original case with spare ticket rolls, made in London. Comes with conductor's hat. The machine is housed in the original leather casing and comes with the original strap, ticket puncher and several original blank rolls. The machine is engraved B62, and was used on routes out of the Coatbridge Depot in Glasgow. This machine was taken out of circulation on the 4th of November 1956, when the tram depot closed for good.

BURROUGHS (W), THE SOFT MACHINE and THE TICKET THAT EXPLODED, both Traveller's Companion Series, green cloth with d.j., Olympia Press, 1961 and 1962 (2)

HARRY POTTER INTEREST; a small group of ephemera including a torn section of Quibbler as used on set, some blue print style plans for the set, a Harry Potter and Order of the Phoenix bag, a call sheet for the Harry Potter and the Deathly Hallows from 2009, a ticket to the official wrap party August 7th, and a bookmark and slip of stickers.

MANCHESTER UNITED; a large collection of Manchester Utd. programmes and ephemera, to include a large selection of United Review, predominately from the 1980s, a large selection of Manchester United Review from the 1970s, a selection of We Came To Old Trafford, various cup matches including European/South American 1968, European Champions Cup Competition 1967, Second Division Champions 74/75, a small selection of away catalogues for Manchester Utd., five season ticket booklets. several with tickets remaining, including 78/79 season and 80/81 season, etc.