33619 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Stark (Freya). Traveller's Prelude, 1st edition, London: John Murray, 1950, inscribed by the author to half-title, double-page map, black & white photographic illustrations, bookseller's ticket to front pastedown, original green publisher's cloth, dust jacket, price-clipped, extremities chipped with loss, backstrip toned, rear panel spotted, 8vo, together with: The Coast of Incense, 1st edition, London: John Murray, 1953, inscribed by the author to half-title, black & white photographic illustrations, map, spotting to preliminaries, lightly toned to margins, original green publsiher's cloth, dust jacket, backstrip toned, rear panel spotted, extremities rubbed, 8vo, with Dust In The Lion's Paw, 1st edition, London: John Murray, 1961, inscribed by the author to half-title, black & white photographic illustrations, map, light spotted to preliminaries, original green publisher's cloth, dust jacket, spine toned, 8vo, together with 17 others by Stark (some in dust jackets, four signed)Qty: (20)Footnote: From the library of Hermione, Countess of Ranfurly. Author of 'To War with Whitaker', she was close friends with Freya Stark. They both shared a house in Baghdad and many of these books are inscribed by Stark to her.

West Indies. Papers, presented pursuant to address, relating to the Island of Trinidad. Ordered by the House of Commons, to be printed, 18 February 1823, folding engraved map of the Marabella Estates, some light marks to margins and pale toning, contemporary printed binders ticket of C. Lloyd, Trinidad to front pastedown, bound with Further Paper, presented pursuant to address, relating to the Island of Trinidad: Viz. Emigrants from the Spanish Main, who were sent to Gaol in Trinidad 1815-1817; & c., 18 February 1823, 22 pages, some light spotting, contemporary half calf over marbled boards, with some wear, folioQty: (1)

White (John Claude). Sikhim and Bhutan, 1st edition, London: Edward Arnold, 1909, 6 photogravures, 35 black & white illustrations, 1 folding map, spotting to preliminaries, bookseller's ticket to front pastedown, tissue-guards, original publisher's green cloth gilt, extremities slightly bumped, 8vo, later made custom slipcase, together with: Fraser (David). The Marches of Hindustan, the Record of a Journey in Thibet, Trans-Himalayan India, Chinese Turkestan, Russian Turkestan, and Persia, London: William Blackwood, 1907, half-title, numerous black & white plates, folding map in rear pocket, advertisements to rear, bookplate to front pastedown, staining to rear pastedown, occasional spotting, original publisher's red cloth gilt, illustration to front board, remnants of Boots' sticker to front board, joints slightly worn, extremities rubbed, boards faintly marked, top edge gilt, 8vo, together with another 1st edition copy of the same titleQty: (3)

Lewis (Percival). Historical Inquiries, Concerning Forests and Forest Laws, with Topographical Remarks, upon the Ancient and Modern of The New Forest, in the County of Southampton, London: T Payne, 1811, half-title, engraved frontispiece, hand-coloured folding map, stamps to verso of title and a couple of other leaves, later ownership inscription to front free endpaper, occasional light spotting, recto of frontispiece damp-stained, rear hinge cracked, 19th-century green half morocco gilt, all edges gilt, head of spine torn, extremities worn, boards faintly marked, 4to, together with: Warner (Richard). Hampshire Extracted from Domes-Day Book, London: Faulder et al, 1789, bookseller's ticket to front pastedown, lightly spotted, later ownership inscription to front blank, front hinge tender, near-contemporary half calf, rebacked with original spine laid on, extremities of original spine chipped with loss, all edges marbled, boards marked, extremities worn, 4to Report from the Select Committee on New Forest; together with the Proceedings of the Committee, Minutes of Evidence, and Appendix, London: House of Commons, 1875, 279pp, large folding map to rear, occasional light marginal spotting & toning, bound together with: Reports from the Select Committee on the New Forest Deer Removal, &c. Bill; together with the Proceedings of the Committee and Minutes of Evidence, London: House of Lords, 1875, (xi), 8pp, light marginal toning, modern green buckram, 4toQty: (3)

Coryate (Thomas). Coryate's Crudities; reprinted from the edition of 1611, to which are now added, His Letters from India &c., and extracts relating to him from various authors: being a more particular account of his travels (mostly on foot) in different parts of the globe, than any hitherto published, 1st collected edition, 3 volumes, London: W. Cater, J. Wilkie and E. Eastern, 1776, half-title to each volume, eight engraved plates, marbled endpapers, edges coloured dark green, 19th-century bookseller's ticket of A. Holden, 60 High Street, Exeter to front pastedown, attractive 19th century polished full calf, gilt decorated spine with contrasting red and dark green morocco labels, a few minor marks (generally in very good condition), 8voQty: (3)Footnote: Handsome copy. First collected edition of the writings of Thomas Coryate (1577-1617), being the first reprint of the 1611 edition, here issued with the additional Letters from India.

Wise (John). The New Forest, its History and its Scenery, Artist's Edition, large paper copy, London: Henry Sotheran & Co, 1883, no. 18 of 50, 12 etchings, illustrations in-text, india-laid paper, lightly spotted, bookseller's ticket to front pastedown, front hinge cracked, top edge trimmed, original publisher's morocco-backed wooden boards, lacking headcap, head of spine lacking portion of leather, boackstirp marked and rubbed, joints worn, front joint cracked at base, boards slightly worn to extremities, 4to, together with: Gilpin (William). Remarks on Forest Scenery; and other Woodland Views, 1st edition, 2 volumes, London: R. Blamire, 1791, half-titles, double-page map, 32 plates, occasional spotting (heavier to preliminaries), offsetting, original paper boards, rebacked, boards marked, extremities worn, corners bumped, 8vo, with 5 other volumes relating to the New ForestQty: (8)

Wise (John). The New Forest. Its History and its Scenery. Artist's Editon, London: Henry Sotheran & Co, 1883, no. 85 of 350, 12 etchings, numerous illustrations in-text, armorial bookplate of John Hopton to front pastedown, top edge gilt, fore & bottom edge untrimmed, front hinge tender, spotting to preliminaries, occasional offsetting, original publisher's morocco-backed boards, backstrip worn & marked, leather to base of rear joint peeling with loss, front board with marginal loss, 4to, together with: Klitz (Philip). Sketches of Life, Character, and Scenery in The New Forest: A Series of Tales, Rural, Domestic, Legendary, and Humorous, London: Orr & Co, 1850, (X), pp. 233, ads & list of subscribers to rear, half-title, bookplate of James Ambrose Story, bookseller's ticket to upper margin of front pastedown, ownership inscription to lower margin of front pastedown, occasional light marginal spotting, near-contemporary green cloth, boards marked, extremities rubbed, 8vo, with An Abstract of all the Claims on the New Forest, in the County of Southampton, Salisbury: Benj. Cha. Collins and J. Johnson, 1776, title with marginal toning, light spotting to preliminaries, endpapers replaced, modern half calf, extremities rubbed, 8vo, together with 7 others on the New ForestQty: (10)

Darwin (Charles). Narrative of the Surveying Voyages of His Majesty's Ships Adventure and Beagle, Appendix to Volume 2 only, London: Henry Colburn, 1839, 5 plates, maps loosely inserted, tables to text, spotting, a couple of leaves damp-stained, booksellers ticket to front pastedown, original cloth loosely tipped in, original publisher's cloth, cloth to boards missing (original backstrip & cloth to margins intact), extremities rubbed & worn, 8vo, together with: Belcher (Captain Sir Edward). Narrative of the Voyage of H.M.S. Samarang, 1st edition, 2 volumes, London: Reeve, Benham, And Reeve, 1848, 30 lithographic plates (10 tinted), 2 maps (of 5, lacking the ones in front pocket), library blindstamps to titles, spotting, marginal toning, bookplates to front free endpaper, original publisher's cloth gilt, text block & preliminaries of both volumes loose, boards loose, both backstrips lacking upper portion, boards & extremities rubbed, 8vo, with Palmer (Rev. Thomas Fyshe). A Narrative of the Sufferings of T.F. Palmer, and W. Skirving, during a voyage to New South Wales, 1794, on board The Surprise Transport, Cambridge: Benjamin Flower, 1797, xii, 42 (of 74) pages only, light spotting & staining to leaves, title loose, text block loose, armorial bookplates to front pastedown, red morocco-backed calf, boards rubbed, margins stained, 8vo with A Voyage Round The World, In His Majesty's Ship The Dolphin, 1767 (lacking frontispiece) and 2 othersQty: (7)Footnote: Sold not subject to return.

Montagu (George). Ornithological Dictionary; or, Alphabetical Synopsis of British Birds, 2 volumes, London: J White, 1802, hand-coloured frontispiece to volume 1, light spotting, light offsetting, contemporary and later notations to pastedowns and endpapers, bookseller's ticket to front pastedown of volume 1, residue of bookplates to front pastedowns, wear with loss to front pastedown of volume 2, rear hinges tender, contemporary calf-backed marbled boards, vellum corners, portion of toning to inner margin of boards, joints cracked and worn, portion of title label lacking to volume 1, fore-edge untrimmed, 8vo, together with: Supplement to the Ornithological Dictionary, or Synopsis of British Birds, Exeter: S Woolmer, 1813, frontispiece, 23 engraved plates, errata leaf to rear, spotting, small stamp to front free endpaper, contemporary ownership inscription to front blank, contemporary calf gilt, lacking title label to spine, boards bordered in gilt, gilt cartouches to spine compartments, raised bands, joints worn and cracked to extremities, boards faintly marked, 8vo, with Saunders (Howard). An Illustrated Manual of British Birds, London: Gurney and Jackson, 1889, T.J. Cobden- Sanderson's ownership inscription to half-title, 3 double-page colour maps, errata slip, bookplate to front pastedown, sporadic spotting, one leaves with in-text illustrations cut out, edges spotted, contemporary half buckram, extremities slightly rubbed, 8vo with another copy of the Supplement and a 2 volume set of Mudie's The Feathered Tribes of the British Islands (1834-35) and two other ornithological worksQty: (9)

Davis (John Francis 1795-1890). The Fortunate Union, A Romance, translated from the Chinese original, with notes and illustrations, to which he has added, A Chinese Tragedy, 2 volumes, 1st edition, London: Oriental Translation Fund, 1829, half-coloured title to each volume, lithographed facsimile frontispiece of Chinese writing to first volume, and single page lithographed map to frontispiece to second volume, 19th-century green cloth, bookplate of Robert H. Elliot and bookseller's ticket of Arthur Probsthain to front pastedown of each volume, 8voQty: (2)Footnote: The Fortunate Union is an anonymous 17th-century Chinese novel, here translated by John Francis Davis, Governor of Hong Kong from 1844-1848. He served on Lord Amherst's mission to China and for the East India Company. His deep scholarly understanding of and affinity with, his imposition of increased local taxes, Chinese culture, made him unpopular with the ex-patriate European trading community in Hong Kong.

A collection of boxed games to include "Ticket to Ride", "The Pioneers Programme", "Pandemic", etc.

Tennis, Wimbledon Lawn Tennis Championships machine issue admission ticket, 1914, third day 2/6, scarce (vg) (1)

A vintage Paddington Bear, dressed in a characteristic felt hat, brown coat, yellow rubber Dunlop boots and travel ticket, height circa 45cm

CABARET VOLTAIRE - LP/ 12"/ 7" COLLECTION. A superb collection of 21 LPs/ 12"/ 7". The Voice Of America (ROUGH11), Yashar (FAC82), 1974-76 (CABBS15), Nag Nag Nag (12NOMU103 white label), 3 Crepuscule Tracks (TW1018), The Dream Ticket (CBS 2-12), Body And Soul (TWI 944), Extended Play, Nag Nag Nag, Silent Command, Is That Me, Chance Versus Causality, Hypno, Johnny Yes No, Mix-Up, Eddie' Out, 2x45 (Envelope sleeve), The Crackdown (CABS22), Micro-Phones, ReyashaRemixes, 7885 Electropuk To Technopop. Condition is generally VG+ to Ex+.

THE STONE ROSES - 12"/LP COLLECTION. Totally ace pack of 6 x 12"/LPs from the Roses loaded with rarities! Titles are Sally Cinnamon (1987 original copy, Black/FM Revolver Records 12 REV 36 without barcode on the sleeve, this original copy also contains different mixes to the later reissues - glossy VG+ condition record with some light surface marks/scuffs, no heavier feelable scratches/VG+ sleeve in well presented condition with a few light creases and a price sticker on the front), I Wanna Be Adored (ORE Z 31, original copy with Ex+ condition print included - VG+/VG+, with hype sticker), Waterfall (ORE ZT 35, original copy with Ex+ condition print included - Ex/Ex), ....And On The Sixth Day Whilst God Created Manchester... The Lord Created The Stone Roses (private fan release, white labels - VG+/Ex), Hype! (private fan release, SR, white labels - Ex/Ex lovely copy) and Elephant Stone (ORE T1, second printing with red cat. number - Ex/VG+, great to see with an original ticket from 1989 at the Alexandra Palace stuck to the inner sleeve).

FOOTBALL, a collection of approximately 165 CARLISLE UNITED FC football programmes from the 1950s - 1960s together with a large number of ticket stubs involving the club (home & away) but also FA Cup Finals (1953,1967,1968,1970,1973) League Cup Finals (1978,1981,1983) European Cup (inc. 1960,1981 Final) International match stubs and others, together with comments on various matches.There is one programme from 1959 and 166 from the 1960s. There are 16 loose ticket stubs and nine Supporters Club bus tickets, the remainder are stuck into the autograph book.(full list of ticket stubs available)

A RED LEATHER BUTTON BACK WINGED ARMCHAIR with cabriole front legs (condition:- some fading to seat and arms, no rips or tears, no fire Regulation ticket present)

A collection of 00 gauge including Triang RHX part set in original box, Hornby 4-6-2 Flying Scotsman loco & tender, two Hornby 0-6-0 Engines, Rolling Stock, Ticket Office Platform Unit Pack R582, track etc

A large Rolling Stones poster 2003 with ticket - measures 100 x 70 cm

Football - FA Cup Final 1953, Blackpool v Bolton W, ' The Matthews Final ' a standing enclosure ticket together with a pirate programme by Victor, London (2)

World Cup 1966 - England v W Germany Final programme, with team lineups written in ink, a tournament programme, an England v Argentina quarter final ticket & three England v Portugal semi final tickets (6)

Canadian Pacific Passenger List June 11, 1955, Pacific Northern airlines passenger ticket and baggage check road maps, Montana Idaho, The Province of Alberta Canada Highways, British Columbia road map:- One Box.

A small group of collectors' items, including a bus ticket machine and punch, a surgeon's sterilising bottle, a money box tankard and a cased surveyor's instrument.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

An Almex bus or tram ticket machine, no 845, serial no 2204 216330, and a money or change box.

§ PAUL NEAGU (ROMANIAN/BRITISH 1938-2004) ONGOING HYPHEN, 1992 Signed with initials and dated '92, gesso, pencil and wood(63cm x 23.3cm x 30cm (24.75in x 9.25in x 11.75in))Provenance: Gifted by the artist to the Romanian art historian, critic and curator Ruxandra Garofeanu c. 2000; gifted by Garofeanu to the current ownerFootnote: Note: Paul Neagu’s legacy within the UK artworld is one of quiet but profound impact, with the generation of students he taught – Rachel Whiteread, Antony Gormley and Anish Kapoor (who authored his obituary), attesting to his influence on their own work. His artistic practice was underpinned by his personal philosophical theory of the world; a sophisticated if esoteric approach which, though valued by curators, institutions and centres of education here from the early stages of his career, was out of step with his contemporaries at the time. As a Romanian émigré, Neagu’s output inevitably had a cross-cultural outlook, and his sculpture, drawings and performances were underpinned by an exploration of the metaphysical, and can be described as straddling craft and conceptualism. Though these features distinguished him and set his work apart, it also meant he did not fit within the general trends in the British art world at this point, to the detriment of his standing amongst collectors of British sculpture today. Kapoor in his tribute remarks that, “…inevitably, he struggled against a British art world that preferred to see the artist as a maker of things rather than, as he saw it, art, and therefore the artist, as a generator of a philosophical world view.” Growing up in tough conditions behind the Iron Curtain, the young Neagu enrolled at the Bucharest Institute of Fine Art in 1963. Social Realism was the official visual language under the Communist regime, and so he was forced to make forays into abstraction in secret. These constraints ultimately led to the development of his core belief that art is an expression of 'desire in the face of the systems that attempt to inhibit it'. Throughout the 1960s he developed his ‘palpable objects’: construction-like box assemblages made out of humble materials and traditional Romanian woodworking techniques; a thread to his practise which he never abandoned and can be observed in the work offered here for sale, ‘Ongoing Hyphen’. His ticket to the West came in the form of an invitation from the now legendary art impresario Richard Demarco to exhibit at his gallery in 1969. A powerhouse behind the Edinburgh Art Festival, Demarco was extraordinarily outward looking for the time and made it his mission to discover and expose talent from Eastern Europe over in the West (other names he is responsible for championing include Marina Abramovich and Joseph Beuys). Neagu settled in the UK permanently in 1970, making London his home. Before long he became a well-respected teacher, most notably lecturing at the Hornsey, the Slade and the Chelsea School of Art, and in 1976 becoming Associate Professor at the Royal College of Art. His work encompassed aspects of performance as well as drawing and construction, and explored the relationship between ritualism and sculpture, as well as spirituality. Sculpture, as Neagu saw it, was to be experienced by all five senses and had the potential to have a profound, spiritual, and potentially healing impact on its audience. In order to convey these aims, he developed specific totemic symbols which he then continued to re-work over the course of his career. The first and most significant of these was the Hyphen form. As Kapoor describes, “…in 1975, Neagu made his first Hyphen - it started life as a three-legged workbench assembled somewhat in the folk tradition of Romanian furniture. Quickly Neagu understood the immense metaphysical potential of this tripod structure. From it he evolved a complete anthropocosmic view which, in parallel with Joseph Beuys in Germany and, previously, Yves Klein in France, suggested a spiritual remedy for the ills of contemporary man.” These reference points are notably European, again underpinning that Neagu’s process was something of an anomaly within the British art movements of the period. This though, as I alluded earlier, is to the advantage of discerning collectors with a more internationalistic outlook today, as his work remains accessibly priced. Lyon & Turnbull are pleased to offer for sale ‘On-going Hyphen’, from 1992. Crafted in some of Neagu’s traditional materials, wood and gesso, it represents a later iteration of the original hyphen form, which Neagu approached again with vigour in this year. We are also pleased to offer one of his ‘human cell’ drawings, ‘Human Foot Shadow’, from 1973 – a further aspect of his ‘Anthropocosmic’ concept which he developed in the early 1970s. In 2003 Tate Britain acquired Neagu’s 30-year archive and exhibited some of his work from the 1970s and 1980s, and his work can be found in public collections including, among others, the British Museum, London, le Fond départemental d'art contemporain, Seine Saint-Denis, Bobigny, France, the Hugh Lane Municipal Gallery of Modern Art, Dublin, the Musee Cantonal de Beaux Arts, Lausanne, Switzerland, the National Museum of Art of Romania, Bucharest, the Philadelphia Art Museum, Philadelphia, USA, and the Tate Gallery, London.

§ PAUL NEAGU (ROMANIAN/BRITISH 1938-2004) HUMAN FOOT SHADOW, 1973 Signed, inscribed with title and dated '73 lower left, further inscribed 'Human Foot, 35 cells, GENERATIVE ART GROUP', mixed media on paper(39cm x 27cm (15.25in x 10.5in))Provenance: Gifted by the artist to Silvia Radu and Vasile Gorduz, Romanian artists and close friends of Neagu (work bears inscription from Neagu to the pair verso); Gifted by Silvia Radu to the present ownerFootnote: Note: Paul Neagu’s legacy within the UK artworld is one of quiet but profound impact, with the generation of students he taught – Rachel Whiteread, Antony Gormley and Anish Kapoor (who authored his obituary), attesting to his influence on their own work. His artistic practice was underpinned by his personal philosophical theory of the world; a sophisticated if esoteric approach which, though valued by curators, institutions and centres of education here from the early stages of his career, was out of step with his contemporaries at the time. As a Romanian émigré, Neagu’s output inevitably had a cross-cultural outlook, and his sculpture, drawings and performances were underpinned by an exploration of the metaphysical, and can be described as straddling craft and conceptualism. Though these features distinguished him and set his work apart, it also meant he did not fit within the general trends in the British art world at this point, to the detriment of his standing amongst collectors of British sculpture today. Kapoor in his tribute remarks that, “…inevitably, he struggled against a British art world that preferred to see the artist as a maker of things rather than, as he saw it, art, and therefore the artist, as a generator of a philosophical world view.” Growing up in tough conditions behind the Iron Curtain, the young Neagu enrolled at the Bucharest Institute of Fine Art in 1963. Social Realism was the official visual language under the Communist regime, and so he was forced to make forays into abstraction in secret. These constraints ultimately led to the development of his core belief that art is an expression of 'desire in the face of the systems that attempt to inhibit it'. Throughout the 1960s he developed his ‘palpable objects’: construction-like box assemblages made out of humble materials and traditional Romanian woodworking techniques; a thread to his practise which he never abandoned and can be observed in the work offered here for sale, ‘Ongoing Hyphen’. His ticket to the West came in the form of an invitation from the now legendary art impresario Richard Demarco to exhibit at his gallery in 1969. A powerhouse behind the Edinburgh Art Festival, Demarco was extraordinarily outward looking for the time and made it his mission to discover and expose talent from Eastern Europe over in the West (other names he is responsible for championing include Marina Abramovich and Joseph Beuys). Neagu settled in the UK permanently in 1970, making London his home. Before long he became a well-respected teacher, most notably lecturing at the Hornsey, the Slade and the Chelsea School of Art, and in 1976 becoming Associate Professor at the Royal College of Art. His work encompassed aspects of performance as well as drawing and construction, and explored the relationship between ritualism and sculpture, as well as spirituality. Sculpture, as Neagu saw it, was to be experienced by all five senses and had the potential to have a profound, spiritual, and potentially healing impact on its audience. In order to convey these aims, he developed specific totemic symbols which he then continued to re-work over the course of his career. The first and most significant of these was the Hyphen form. As Kapoor describes, “…in 1975, Neagu made his first Hyphen - it started life as a three-legged workbench assembled somewhat in the folk tradition of Romanian furniture. Quickly Neagu understood the immense metaphysical potential of this tripod structure. From it he evolved a complete anthropocosmic view which, in parallel with Joseph Beuys in Germany and, previously, Yves Klein in France, suggested a spiritual remedy for the ills of contemporary man.” These reference points are notably European, again underpinning that Neagu’s process was something of an anomaly within the British art movements of the period. This though, as I alluded earlier, is to the advantage of discerning collectors with a more internationalistic outlook today, as his work remains accessibly priced. Lyon & Turnbull are pleased to offer for sale ‘On-going Hyphen’, from 1992. Crafted in some of Neagu’s traditional materials, wood and gesso, it represents a later iteration of the original hyphen form, which Neagu approached again with vigour in this year. We are also pleased to offer one of his ‘human cell’ drawings, ‘Human Foot Shadow’, from 1973 – a further aspect of his ‘Anthropocosmic’ concept which he developed in the early 1970s. In 2003 Tate Britain acquired Neagu’s 30-year archive and exhibited some of his work from the 1970s and 1980s, and his work can be found in public collections including, among others, the British Museum, London, le Fond départemental d'art contemporain, Seine Saint-Denis, Bobigny, France, the Hugh Lane Municipal Gallery of Modern Art, Dublin, the Musee Cantonal de Beaux Arts, Lausanne, Switzerland, the National Museum of Art of Romania, Bucharest, the Philadelphia Art Museum, Philadelphia, USA, and the Tate Gallery, London.

A Robbie Williams 'Sing When You're Winning' jersey together with a small quantity of ticket stubs

Beatles EP / 7" Singles, small collection comprising Magical Mystery Tour (MMT1 - complete EX/EX/EX), From Me To You, Hello Goodbye, She Loves You, Day Tripper and Ticket To Ride (all UK original) - sold together with three other singles by David Bowie, Status Quo and Elton John - various years and conditions

Concert Backstage Passes / Cardiacs, approximately forty-five Backstage Passes from the1980's and early 1990's, with artists including Prince, U2, Japan, Mike Oldfield, Tom Petty, Diana Ross, Bryan Adams, Culture Club, Cinderella. BB King, Boy George, Cher, Heart and more - sold together with a ticket / Invite to Cardiacs Christmas Party 1989 at Camden Palace - various conditions

Seventies Sheet Music, Programmes and other Memorabilia, collection of memorabilia, mainly from the Seventies comprising approximately twenty pieces of Sheet Music (with artists including Elton John, Procol Harum, Cat Stevens, Christie, Blue Mink and more), seven tour Programmes (Fruupp, John Mayall, Focus, The Rainbow, Memphis Slim (with ticket) and Cleo Laine), The Beatles Get Back book from the Box Set, four Stiff Little Fingers ads for Albums / Singles, Rock Star Magazine, Roots Reggae Magazine and Slade Magazine - various conditions

Beatles Signatures / Autograph Book, an autograph book with a number of signatures including signatures of all four Beatles on one sheet - Paul McCartney, John Lennon and George Harrison in Blue pen and Ringo in black - Ringo's has smudged rather but the other three are all nice and clear. Signatures are on ruled paper which has been stuck down in the book. Other signatures include Cliff Richard (signed photo), Billy J Kramer (with concert ticket), Tommy Quickly, Jimmy Edwards (with stage show ticket), Mike and Bernie Winters, Helen Shapiro, Kenny Lynch, Johnny Crawford and more plus concert tickets (stuck down) for Roy Orbison and Tommy Steele. The Book has come from a late collector of Beatles and Stones memorabilia, many items of which have been auctioned over the last three sales

Two boxes of miscellaneous items to include various ticket stubs, boxed Corgi Volvo car transporter, tinplate and jigsaws etc

BAG OF PENNIES DATED 1969,with a total value of five pounds, with ticket dated 18 June 1969

1980 FA CUP FINAL / WEST HAM UNITED AUTOGRAPHS Programme, signed on the line-up page by Phil Parkes and ticket plus 9 signed colour 12" X 8" photos, some with COA's, including Allen X 2, Brush, Cross, Parkes X 2, Stewart and Brooking X 2. Good

1980 FA CUP SEMI-FINALS / WEST HAM UNITED AUTOGRAPH All 7 West Ham United home and away programmes on their run to the Semi-Final plus a signed b/w 12" X 8" photo by Frank Lampard scoring in the Replay. Plus all 6 Semi-Final programmes, including 2 additional for West Ham, and a ticket for the Arsenal v Liverpool 2nd Replay. Generally good

FA CUP FINAL AUTOGRAPHS 1962 - A 16" x 12" b/w photo of Blanchflower scoring a penalty signed by 6 players including Baker, Smith, Jones, Greaves and Norman of Tottenham Hotspur and Blacklaw of Burnley with Chaucer Covers COA. 1964 - b/w 16" X 12" limited edition 13 of 75 of Howard Kendall shaking hands with the Earl of Harewood before the kick-off with photographic proof. 1967 - A b/w 16" X 12" of Billy Nicholson and Dave Mackay holding the Cup at the Town Hall signed by Mackay and a colour 16" X 12" of Mackay with the Cup on his head with Chaucer Covers COA. 1982 - A 16" X 12" montage of Steve Perryman with a Chaucer Covers COA. 1988 - Programme, ticket and colour signed 10" X 8" photo of Dave Beasant saving a penalty. 1989 - Programme, ticket,. tunnel pass and colour 12" X 8" photo signed by Ian Rush scoring a goal in the Final. Very good

ARSENAL Programme for the home League match v Brentford 6/5/1939 with season ticket application form. Slightly folded in four. Generally good

ENGLAND AUTOGRAPHS Official programme, FA Itinerary and ticket. The England line-up page is signed by 17 players including Lineker, Seaman, Smith, Platt, Woods, Beardsley, Merson and Dixon. Good

1996 FA CUP FINAL Programme, black & white teamsheet and ticket for Liverpool v Manchester United. Good

ARSENAL 1970/1 Ticket for the away FA Cup tie v Leicester City 6/3/1971. Good

IPSWICH TOWN V REAL MADRID 1973 Ticket for the UEFA Cup tie at Portman Road 19/9/1973. Good

MANCHESTER UNITED Programme and ticket for the Sammy McIlroy Testimonial 23/11/1981 and programme for the Matt Busby Testimonial 11/8/1991. Good

WEST HAM UNITED / 1964 FA CUP Programme for the semi-final v Manchester United and Final v Preston North End, team changes and scores entered, plus a ticket for the Final

1950 FA CUP FINAL Programme and ticket for Arsenal v Liverpool. The programme has a very slight vertical crease, team changes and scores entered. The ticket is in very good condition. Generally good

MANCHESTER UNITED Ticket for the away FA Cup Replay v Watford 28/1/1969, very slight vertical crease. Generally good

NORTHERN IRELAND V ENGLAND 1964 Ticket for the match at Windsor Park, Belfast 3/10/1964, Name written on the back. Generally good

WEST HAM UNITED Ticket for the home ECWC Quarter-Final v F.C. Den Haag 17/3/1976, very slight vertical crease. Generally good

RANGERS V PSV EINDHOVEN 1978 Unused ticket for the European Cup tie at Ibrox 18/10/1978, folded and small ink marks. Generally good

1986 WORLD CUP SEMI-FINAL Unused ticket for Argentina v Belgium 25/6/1986 at the Aztec Stadium. Good

LEEDS UNITED Programme and ticket for the away league match v Southampton 8/9/1951, scores entered. Ticket is good. Generally good

GEORGE BEST TESTIMONIAL Programme and double sided original ticket for George Best XI v An International XI 8/8/1988 in Belfast. Good

JACK CHARLTON Programme and ticket for the Testimonial at Leeds United v Celtic 7/5/1973. Programme very slightly worn and ticket is slightly marked. Fair to generally good

KEN BARNES TESTIMONIAL Programme and ticket for Ken Barnes Testimonial for Manchester City v Don Revie's International All Star XI 28/4/1975 at City. Good

ANFIELD 89 / LIVERPOOL V ARSENAL / TITLE DECIDER Programme and ticket for the Title Decider 26/5/1989. The ticket has very small paper loss on the right on entry. Both items are slightly creased. Generally good

POOLE TOWN V WATFORD 1962 FA CUP Gatefold programme and ticket for the Replay at Poole 6/11/1962 with the result typed at the top of the cover and typed team changes and scores entered. Plus a coach ticket and newspaper reports. Generally good

WEST HAM UNITED 1965/66 ECWC Semi Final Borussia Dortmund v West Ham United (2nd Leg) played 13/4/1966 at Stadion Rote Erde, Dortmund. Original match ticket. Good

NO RESERVE Needlework.- Album of embroidery patterns, over 130 leaves of pen & ink designs, on rectos only, some light offsetting, ink inscription "Sarah Vivian Marino May 18th 1817" to front pastedown and ticket of Rowe & Waller Stationers of London, original half roan, rubbed, worn patch to lower cover, 4to, [1817].

Edwardian mahogany bureau bookcase, architectural split pediment with thirteen pane astragal glazed door, flap opening to reveal four stationery compartments and three small drawers, lower section with four graduated drawers each with original brass button handles, all standing on brass and porcelain casters.width 48cm (19"), depth 49cm (19"), height 200cm (79")Condition report: Original adjustable shelves, all locks and keys present, antique dealers ticket included showing sale price of £3295.

Edwardian mahogany miniature ladies writing bureau, fretwork gallery top, flap with white wood shell inlay, interior with flour stationery compartments, central cupboard and two sycamore veneered drawers, lower frieze drawer with chequered stringing, four square section tapering legs united by platform shelf.width 48cm (19"), depth 22cm (8.5"), height 99cm (39")Condition report: Overall immaculate condition, accompanied by purchased ticket showing a price of £2,250. Dimensions of the open writing desk part 46.5cm wide, 21.5cm deep. Height of the compartment with shelves and drawers 21cm.

Kevin Keegans farewell - Newcastle vs Liverpool ticket and signed player sheet by himself and other present footballers