33619 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

WORLD CUP 1986 Original ticket for Scotland v Uruguay at Estadio Neza, 1st Phase / Match 3, 13th June. Slight vertical creases. Generally good

WORLD CUP 1986 Original ticket for Argentina v Uruguay at Estadio Cuauhtemoc, Puebla Round of 16, 16th June. Very slight vertical creases. Generally good

WORLD CUP 1986 / "HAND OF GOD MATCH" Original ticket for England v Argentina at Estadio Azteca, Mexico City Quarter-Final, 22nd June. Creased. Generally good

WORLD CUP 1986 Original ticket for Argentina v Belgium at Estadio Azteca, Mexico City Semi-Final, 25th June. Slightly creased. Generally good

WORLD CUP 1982 Original ticket for Peru v Cameroon at Estadio Riazor, La Coruna, Match 4, 15th June. Slightly creased. Generally good

EURO 1988 Original ticket for Holland v USSR 12/6/1988 in Cologne. Slightly creased. Generally good

OLYMPIC GAMES / MISCELLANEOUS Nine 1948 Olympic Games programmes between 5th to 14th August covering Boxing, Swimming, Cycling (4), Equestrian (with used ticket) and Fencing plus the programme for the closing ceremony. Results neatly inserted. Fair to generally good

WAR CUP FINAL 45 Ticket for War Cup Final South, 1945, Chelsea v Millwall, 7/4/45 at Wembley, reserved seat . Good

2008 CHAMPIONS LEAGUE FINAL Nine different booklets, pamphlets issued to supporters at 2008 Champions League Final in Moscow, Chelsea v Man Utd. Does not include programme or ticket but all the booklets etc were issued to fans attending the Final. Good

CRYSTAL PALACE   A season ticket from 1895 at the Old Crystal Palace which included entrance to the FA Cup Final between Aston Villa and West Bromwich. Some scuffing at the top. Generally good    

A collection of child's hats dating from the 1940s comprising a childs red felt hat, a blue felt bonnet with felt flower trim, straw bonnet (unworn with original price ticket) bridesmaid white pillar box hat, yellow cloth cap, and a tweed bakers boy cap with CC41 utility label (6)

Georgian bottle ticket cast as a vine leaf pierced “sherry” London 1834 2.5” wide 28 g

Georgian bottle ticket pierced “Madeira” London

Georgian bottle ticket with canted corners London 1894 by JR

A 19th century agate casket with jewelled silver gilt mounts and accompanying agate caddy spoon, unmarked, probably London, circa 1835, rectangular with a domed cover, the cagework mounts chased with scroll foliage and set with turquoises and coloured gemstones, enclosing panels of honey agate with mossy inclusions, 12cm (4 3/4in) high, 13.3cm (5 1/8in) wide; the banded greyish agate spoon with a shaped handle, 13cm (5 1/8in) long Provenance: The Duke of Hamilton, K.T., sale, Hamilton Palace Collection, first portion, Christie's, 17/20 June 1882, lot 2033, described as: AN OBLONG CASKET, formed of slabs of moss agate, with chased silver-gilt mounting, set with coloured stones - 5 in. by 3 1/2 in., 5 in. high; and an agate spoon The lot purchased by the Hon. William Massey-Mainwaring, an Irish collector, who lent many of his objects of art to the Victoria & Albert and Bethnal Green Museums, for £220 10/-. The lot is accompanied by a visiting card envelope inscribed: Hamilton Palace Label of Agate Casket and containing its printed Hamilton Palace sale lot ticket numbered: 2033.The sale, by the 12th Duke of Hamilton (1845-95), in 1882, of his family collections, was one of the great auctions of the nineteenth century. As an article in the Spectator (24th June 1882) described, it had caused unprecedented interest and curiosity among the general public as well as rich connoisseurs. For generation after generation the owners of Hamilton Palace have filled it with fine furniture, and rare china, and scarce articles in unprocurable stone …. Until it has become a grand museum of all rare and costly things. … Hardly any house except Windsor Castle so full of treasures has escaped the desolator so long. Now, therefore, that the financial muddling of the head of the house - for … it is financial muddling rather than the usual mad wastefulness which has partly crippled the Duke - has brought the long collected treasures of Hamilton Palace to that Clearing-house of the millionaires, Christie and Manson’s, the great buyers are all agog.

A George III silver rectangular snuff box by Matthew Linwood, Birmingham 1802, the cover engraved with two oval panels with figures of Justice and the muse Terpsichore, on a linear ground, the plain sides with a beaded band, the base with a canted rectangular panel with three children playing musical instruments, the interior gilt, 6cm (2 3/8in) long, 49g (1.6 oz) Provenance: With Tessiers Ltd, London (sales ticket).

A collection of rock concert related items including hand bills, flyers, ticket stubs, drum sticks, plectrums etc, artists include Ramones, Hawkwind and Motorhead, together with four albums of fan photos from a variety of gigs, fan club correspondence etc, Monsters of Rock and Motorhead flags

Theatre and concert programmes, artists include Ravi Shankar, The Hollies, Gerry and the Pacemakers, Billy Fury, Sandie Shaw, Englebert Humperdink etc together with ticket stubs for John Martyn etc

A collection of Rolling Stones autographs, to include all five of the original lineup including Brian Jones on a loose page, possibly from an album, another Charlie Watts on a sheet of exercise paper dedicated 'To Gay' and obtained by the vendor and Cheltenham Odeon on 10 Sept 1964, accompanied by a newspaper article featuring an image of her with Charlie as he signs captioned with details of how she climbed through a toilet window to reach the dressing room and a loose page signed by Mick Jagger and dedicated 'To Gay' together with the vendor's original ticket for 10 Sept 1964 at the Cheltenham Odeon and an All Stars 64 Souvenir Programme signed by various featured artists including Jet Harris, The Swinging Blue Jeans.

Sardinia.- Gemelli (Francesco) Rifiorimento della Sardegna proposto nel Miglioramento di sua Agricoltura, 2 vol., first edition, vol.1 title in red and black, both titles with engraved vignette, occasional spotting, uncut in original wrappers, paper spine labels, spines torn, Turin, Giammichele Briolo, 1776 § Cossu (Giuseppe) Discorso Georgico, half-title, engraved head-piece, later morocco-backed boards by Tommaso Unia (bookbinder of Turin, with ticket), Cagliari, Stamperia Reale, 1787; and another on Sardinian agriculture, 4to and 8vo (4)

Marshall (William) The Rural Economy of the West of England, 2 vol., first edition, folding engraved map, contemporary sprinkled calf by Smith of Bedford with his ticket, vol.2 foot of spine chipped, Printed for G. Nicol &c., 1796; Minutes, Experiments, Observations, and general Remarks, on Agriculture, in the Southern Counties, 2 vol., double-page engraved map and 5 double-page plates, contemporary sprinkled calf (uniform with previous work, all 4 vol. with bookplate of Francis, Duke of Bedford, Oakley House), head of spine vol.2 nicked, 1799; and 5 others by Marshall, 8vo (9)

Surveying.- Leigh (Valentine) The Moste Profitable and commendable science, of Surveying of Landes, Tenementes, and Hereditamentes, first edition, variant issue, largely printed in black letter, small woodcut device on title, woodcut diagrams and initials, blank leaf A4 present, 2 folding tables in Latin conjoined to form one, ?lacking the folding table for measuring land (2 conjoined sheets), two lower corners defective but with no loss of text, early 20th century calf by Sangorski & Sutcliffe, small ticket of Myers & Co., [STC 15416a; Fussell I, p.7], small 4to, Imprinted at London for Miles Jennings, 1577.⁂ Scarce. ESTC locates 5 copies (including this one) in the UK and 2 in America. The other issue of this date has Andrew Maunsell in the imprint (see previous lot). ESTC calls for 3 folding tables in the Maunsell printing and only one in this one, but this would appear to be an error. The few auction records generally mention 2 folding tables but this is presumably because both are formed of 2 conjoined sheets.Provenance: John Bradshawe (contemporary signature on title).Rothamsted acquisition date 1918.

Tusser (Thomas) Five hundred pointes of good Husbandrie, as well for the Champion, or open countie, as also for the woodland, collation: A-Y4 Aa4 (lacking A1, blank except for signature), largely printed in black letter, woodcut title border, woodcut printer's device to final leaf, small repair to title margin, 2 small holes to N4 causing very slight loss of text, ink finger-pointers, 19th century green morocco, gilt, g.e., [STC 24380; Fussell I, pp.8-9], 4to, Imprinted at London, by Henrie Denham, dwelling in Pater noster Row, at the signe of the Starre, 1580.⁂ "As McDonald says: 'The precepts of Tusser are excellent and show very much cool, collected sense, and at the early age in which he lived it was a grand conception of his mind to write upon agriculture in poetry.' It was unfortunate that either the instability of his purpose or his business incapacity prevented him making a success of farming, but his failure, similar to that of so many great writers on farming, left his 'writings which were long the handbook of the English country gentleman.'" (Fussell). Provenance: Henry Huth (book ticket).Rothamsted acquisition date 1920.

Sealed Pattern Royal Air Force Ocean Weather Service Arm Badge, mounted onto Inspectorate of Clothing card with wax seal to the reverse. Dated 4-5-48 to the side of the card. Accompanied by a sealed pattern ATC rank badge with Working Pattern Ticket attached to the inspectorate card. (2 items)

A vintage ticket machine, a product of Setright Registers Ltd, Serial.No. 47960, in a working condition

1950's Britains painted lead zoo animals to inc lion, tiger, bears and ticket booth with turnstyle and trees (24)

Edmondson's patent railway ticket stamper Knowsley St Cheetham Manchester approx 25cm high

CASINO ROYALE (2006) Lot to include - UK Quad (Main Design) - JAMES BOND 007 - First appearance of DANIEL CRAIG as Bond - (30" x 40" - 76 x 101.5 cm) - Rolled (as issued) - Fine / Opening night Premier Program from 60th Royal Film Performance / Press screening ticket #0783 from Friday 3rd November at Odeon Leicester Square plus promotional postcards (x 2) given out at this screening.

 BERLIN OLYMPICS: A rare printed oblong 12mo card booklet containing six ticket stubs for the athletics events of 2nd - 9th August at the Berlin Olympiade 1936. Each ticket depicts the Olympic Stadium overprinted with Leichtathletik, the date, time of the event, ticket price and ticket number, the left edge giving further details of the entrance, block and seat number, together with a perforated portion to the right edge indicating the valid date and seating block, all of which are either partially or completely torn out. A small hole to the front cover, dust toning and light age wear. G Over 650,000 tickets were sold for the athletics events during the 7-days period it was being held, and it was during these events on the 3rd August that Jesse Owens won his gold medal in the 100mts dash, then on the 4th he won a gold medal in the long jump, on the 5th he won a gold medal in the 200mts sprint and on the 9th Owens won his fourth gold medal in the 4 x 100 sprint relay. Owens' record-breaking performance of four gold medals was not equalled until Carl Lewis won gold medals in the same events at the 1984 Summer Olympics in Los Angeles. 

ALI MUHAMMAD: (1942-2016) American Boxer, World Heavyweight Champion. A slim 4to printed menu & programme for a dinner and boxing evening organised by the World Sporting Club in The Great Room at Grosvenor House on Park Lane, London, 18th October 1971, individually signed by the Guests of Honour and other famous individuals present at the event comprising Muhammad Ali, Ken Buchanan (World Lightweight Champion 1971), Jack Bodell (British Heavyweight Champion 1969-70, European Heavyweight Champion 1971, and British & Commonwealth Champion 1971-72) and Jack Solomons (British Boxing Promoter). All have signed in bold blue inks with their names alone to clear areas of the front and back covers of the programme. Together with a loosely inserted admission ticket to the event. Some very light, extremely minor surface and corner creasing, otherwise VG

A Large Collection Of Harrods Christmas Teddy Bears ( 6 ) In total, Each a limited edition from various years, each with original swing ticket, various designs.

POP MUSIC, concert ticket stubs from Manchester Free Trade Hall, 1976-1980, inc. Captain Beefheart, Herbie Hancock, Rush, Barclay James Harvest, Blue Oyster Cult, Crosby & Nash, Rickie Lee Jones, Ian Hunter's Overnight Angels, Little Feat, Gladys Knight, B.B. King, Thin Lizzy, Wishbone Ash, Frankie Valli and the Four Seasons, Manfred Mann's Earthband, The Chieftains, Genesis, Diamond Head, Steeleye Span, Abba, Johnny Mathis, Don McLean, Shirley Bassey, The Spinners, Slade, Caravan, Stephane Grappelli, Sheena Easton, Ella Fitzgerald & Count Basie etc., approx. 42 x 70mm paper issue, duplication, some tears to corners, FR to VG, 235*

A fact file on Emlyn Hughes, signed photograph, a quarter final ticket for the Goodison Park World Championship 1966, a Jules Rimet Cup, quarter final ''Saturday July 23rd''.

Ephemera, a Liverpool International Exhibition of Navigation, Commerce and Industry white metal brooch, together with three Newcastle Exhibition 1929 badges, Manchester Royal Jubilee Exhibition 1887, fold over tooled leather ticket, and white metal medallion, Glasgow 1938 lion & ribbon badge, Glasgow 1911 gilt fob ,two badges, two pendants and brooch. Parcel.

World Cup 1966 plus memorablilia, World Cup 1966 Tournament programme, teams are written inside, boxed soap on a rope, cloth World Cup Willie badge, World Cup book, small pennant, pen, two scrap books from the period with press cuttings of the tournament and matches of that era together with twenty seven international programmes featuring England dating from 1950 to 2002 that include V Argentina 1951, Scotland 1965 and Czechoslovakia 1966 and five ticket stubs from the 1970s.

Cup Final/Schools' programmes, twenty two programmes from a variety of finals including 1951, 1952, 1953, 1960, 1961, 1964 & 1965 FA cups plus a 1949 FA cup final programme with a card programme of the same final, eight Schools' International programmes dating from 1953 to 1968 with three ticket stubs for these matches and three The Topical Times Football books 1965, 1966 and 1967 , generally good condition with some writing on some programmes

A DANSETTE BERMUDA RECORD PLAYER, in grey and teal green fitted with a Monarch turntable, inspection ticket and guarantee medallion

London Transport RT bus BODYBUILDER'S PLATE for Weymann's Ltd plus a bus conductor's wooden TICKET RACK, a double-sided, 14-position example including a selection of tickets (non-London). Items in ex-use condition. [2]

London Transport Bell Punch TICKET MACHINE complete with backing-plate & strap, correct box (ex Merton (AL) garage) and wooden ticket rack with tickets (not LT). Machine no 80114, punches correctly and rings. Box contains 1958 sheet issued by Lens of Sutton re servicing ex-LT Bell Punch machines. [Punch, box, ticket rack]

London Transport bus conductor's WEBBING HARNESS for a Gibson ticket machine. A complete item with all clips and the apron. In well-used condition with wear to the apron but entirely usable. [1]

Selection of TICKET MACHINES comprising a Bell Punch Automacheckit, a Setright Insert and an Almex A. Original operators unknown. All come with their boxes and are cosmetically in good condition but have not been checked for functionality. [3]

London Transport GIBSON TICKET MACHINE with original box and spare ticket rolls. Machine no 21500, prints money values from 1 1/2p to 12 1/2p. It prints a good ticket, 'London Transport' was erased from the printing plate upon disposal by LT. [1 set]

Selection of Routemaster etc mainly second-hand SPARE PARTS: grab rail (50" - 127cm), chrome wheel trims x 3, small body panels ref RM 001 CL7 x 2 (unused), indicator switch, window-winder handles x 2, several small decals (unused), light switch and a conductor's ticket-machine box with a considerable number of unused bulbs. [15 + quantity of bulbs]

Pair of bus conductor's wooden TICKET-RACKS, double-sided, with spring loaded compartments, the first a 24-section (4 x 6), double-tiered example and the second a 20-position (2 x 10) version. Both are in good, ex-use condition and contain a selection of used and unused punch tickets. [2]

London Underground items comprising a perspex SIGN 'Tickets and Information' with two bullseye logos, designed to be backlit and situated above a ticket office window at a station. In good, ex-use condition, a small loss at one corner. Plus six brass AIR PRESSURE GAUGES with a variety of company names including LER, District Railway, CLR, LT, all in ex-use condition. [7]

A parcel lot of Wolverhampton Wanderers memorabilia to include a 1949 FA Cup Final programme and ticket stub, a 1960 FA Cup Final programme and two ticket stubs, a 1939 FA Cup Final programme, various newspaper cuttings and souvenir ephemera, all items in this lot have been stuck down to white paper or brown card, S/D.

A collection of 1960s West Bromwich Albion football programmes, also a scrap album of signed cuttings, various by Bobby Robson during his Albion playing career, also Peter Billingham, David Burnside, Alec Jackson etc, other team programmes, five Albion plastic star pin badges and two ticket and five various full page Sports Argus souvenir papers Aston Villa 1957 (qty)

A bus conductors ticket machine by the Bell Punch Co Ltd of London, patent No.568805

A Hornby Dublo 2232 Co-Co diesel electric locomotive, three railway coaches, four wagons, rail accessories including a ticket office platform unit pack, all boxed and a mail coach

A vintage bus conductor's ticket machine in tin box & with ticket reels

An Enamelled Coin Brooch, Workpeople return tickets and ticket punches.

A framed autographed photograph of Tina Turner and a Wembley stadium 2000 ticket.

A Quantity of Triang "OO" Gauge Locomotives, Rolling Stock, Lineside Accessories, including Princess Class 4-6-2 Locomotive, R/No. 6201, 'Princess Elizabeth', LMS maroon, six wheeled tender, #R23 Operating Royal Mail Coach Sets, Suburban Composite Coach, #R582 Ticket Office Platform Unit, Fog Signal, #R240 Bogie Brick Wagon, #R.76 Engine Shed, nearly always boxed, playworn.

Football Launch of the HMS Liverpool ticket 1980 signed by Liverpool legends Bill Shankly, Bob Paisley, Phil Neal and Terry McDermott. William Shankly, OBE (2 September 1913 - 29 September 1981) was a Scottish football player and manager, who is best known for his time as manager of Liverpool. Shankly took charge of Liverpool when they were in the Second Division and rebuilt the team into a major force in English and European football. He led Liverpool to the Second Division Championship to gain promotion to the top-flight First Division in 1962, before going on to win three First Division Championships, two FA Cups, four Charity Shields and one UEFA Cup. Shankly announced his surprise retirement from football a few weeks after Liverpool had won the 1974 FA Cup Final, having managed the club for 15 years, and was succeeded by his long-time assistant Bob Paisley. He led the Liverpool team out for the last time at Wembley for the 1974 FA Charity Shield. He died seven years later, aged 68. Robert Paisley OBE (23 January 1919 - 14 February 1996) was an English footballer and manager who spent almost fifty years with Liverpool as a wing half, physiotherapist, coach and manager. Due to his achievements as Liverpool manager, Paisley is one of the most successful English football managers of all time. Paisley and Carlo Ancelotti are the only managers to have won the European Cup three times. Philip George Neal (born 20 February 1951) is an English retired footballer who played for Northampton Town, Liverpool and Bolton Wanderers as a full back. He is one of the most successful English players of all time, having won eight First Divisions, four League Cups, five FA Charity Shields, four European Cups, one UEFA Cup and one UEFA Super Cup during his eleven years at Liverpool. Terence McDermott (born 8 December 1951) is an English former football midfielder who was a member of the Liverpool team of the 1970s and early 1980s, in which he won three European Cups and five First Division titles. He was also capped 25 times for England. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.99, Overseas from £7.95

Football James Milner 10x8 signed colour montage photo pictured playing for Man City. James Philip Milner (born 4 January 1986) is an English professional footballer who plays for Premier League club Liverpool. A versatile player, he has been used in many different positions such as on the wing, in midfield and at left back. Milner's talent in football, cricket, and long-distance running was recognized at a very young age. He represented his school in these sports and played football for amateur teams from Rawdon and Horsforth. He supported Leeds United from a young age and was a season ticket holder at the club. In 1996, he joined the Leeds United youth academy. He made his debut for the first team in 2002 aged only 16 and gained prominence as the youngest player to score in the Premier League. While at Leeds United, he spent time on loan at Swindon Town to gain experience as a first-team player. Following his move to Newcastle United, he was loaned to Aston Villa for a season. He went on to make over 100 appearances for Newcastle, before returning to Aston Villa on a permanent transfer in 2008. After playing an influential role in Aston Villa's run to the 2010 League Cup Final and being named 2009-10 PFA Young Player of the Year, Milner joined Manchester City for a reported £26m transfer fee in 2010, going on to win the 2011-12 and 2013-14 Premier League titles, 2010-11 FA Cup and 2013-14 League Cup. After five seasons with Manchester City, Milner signed for Liverpool on a free transfer in 2015. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.99, Overseas from £7.95

A George III silver bottle ticket, 'PORT', Thomas Phipps, Edward Robinson & James Phipps, London 1815, the curved rectangular label with gadroon border, hinged and attached to a ring, 0.5ozs.

NO RESERVE Latini Brunetto. l tesoro di m. Brunetto Latino firentino [!], precettore del divino poeta Dante, nel qual si tratta di tutte le cose che à mortali se appartengono. [Venezia: Melchiorre Sessa il vecchio] (Al colophon:) In Vinegia: per Marchio Sessa, 1533.In-8° (mm 150x93). Carte [8], 249 [i.e. 251], [1]. Carattere corsivo e romano. Al frontespizio titolo inquadrato da cornice xilografica che incorpora la marca tipografica del Sessa, ripetuta alla carta II4r. Capilettera xilografici animati e ornati. Buon esemplare, margine interno del frontespizio rinforzato, lieve gora al margine inferiore delle prime carte, qualche leggera fioritura. Legatura novecentesca in mezza pelle, piatti coperti da carta decorata; dorso a quattro nervi con titolo impresso in oro su tassello e scomparti decorati da ferri floreali dorati. Etichetta cartacea con nota di collocazione al dorso e al contropiatto anteriore, etichetta della Legatoria Politi alla sguardia posteriore.Rara edizione della traduzione italiana del Tresor, trattato enciclopedico in tre libri, strutturato sul modello dello Speculum Maius di Vincent de Beauvais e redatto dal celebre letterato, giureconsulto e uomo politico fiorentino Brunetto Latini. L'opera fu stampata per la prima volta a Treviso nel 1474. L'autore, esule dalla patria dopo la vittoria dei ghibellini a Montaperti (1260), scrisse l'opera in francese perché, come afferma egli stesso, si trovava in Francia mentre la componeva e perché la riteneva la lingua più dilettevole e all'epoca più conosciuta da tutti. Il Latini è protagonista di uno dei più celebri episodi dell'Inferno (xv 22-124). Dal passo dantesco apprendiamo che Brunetto aveva insegnato all'Alighieri «come l'uom s'etterna», cioè come la gloria che l'uomo si procura tramite le sue azioni servirà a conservare la sua fama anche dopo la morte, chiaro riferimento a un passo del Tresor. 8° (150x93 mm). [8], 249 [i.e. 251], [1] leaves. Italic and roman type. Title-page within woodcut border including Sessa printer's device; the same device repeated on fol. II4r. Woodcut decorated and animated initials. A good copy, the gutter of title-page reinforced, the lower margin of the first leaves slightly waterstained, a few foxing in places. 20th-century half-leather executed by Politi (ticket on the rear flyleaf). Marbled covers, spine with four raised bands, compartments decorated in gold, gilt title on lettering-piece. Paper label with old shelfmark pasted on the spine and front pastedown. Rare edition of the translation into Italian vernacular of the celebrated Tresor, an encyclopaedic treatise divided into three books, and written originally in French by the well-known Florentine scholar, lawyer and politician Brunetto Latini, whom Dante mentions in his Commedia, placing him in Hell. The work covers a great variety of topics, and is relied on the medieval Speculum Maius by Vincent de Beauvais. The first edition of the Tesoro was issued in Treviso in 1474.

NO RESERVE Alighieri Dante. La Divina Commedia novamente illustrata da artisti italiani a cura di Vittorio Alinari. Firenze: fratelli Alinari, 1902-1903.In-4° (mm 354x255). Pagine [2], XVI, [2], 140, [2]; [4], 146, [2]; [6], 166, [2]. 381 illustrazioni a colori e in bianco e in nero, di cui 36 tavole fuori testo impresse su cartoncino (11 per l'Inferno, 16 per il Purgatorio, 9 per il Paradiso) e numerose illustrazioni in bianco e nero retinato a piena pagina e nel testo. Esemplare in buono stato di conservazione, una tavola parzialmente staccata. Legatura novecentesca in mezza pelle nocciola realizzata da Barast (etichetta al verso della sguardia anteriore), piatti ricoperti da carta caillouté, dorso liscio decorato da giglio fiorentino dorato e con titolo impresso in oro. Contropiatti e sguardie in carta marmorizzata. Sbucciature e piccole abrasioni ai piatti.Prima edizione di questo capolavoro grafico, frutto del concorso bandito per artisti italiani nel maggio del 1900 da Vittorio Alinari. La commissione preposta al giudizio delle opere in concorso - che prevedeva l'invio di tre disegni a illustrazione di almeno due canti dell'Inferno - assegnò il primo premio ad Alberto Zardo (per le illustrazioni dei canti VIII e IX), il secondo ad Armando Spadino (per le illustrazioni dei canti XII e XXV), e il terzo a Duilio Cambellotti ed Ernesto Bellandi. L'editore fiorentino commissionò nello stesso periodo anche l'illustrazione del Purgatorio e del Paradiso. Mambelli, n. 501; Martini, p. 83; «E nell'idolo suo si tramutava». La Divina Commedia novamente illustrata da artisti italiani. Concorso Alinari 1900- 1902, Bologna, settembre-ottobre 1979, a cura di C. Cresti e F. Solmi, Bologna 1979; Dante fra Simbolismo e Liberty. La Divina Commedia illustrata da artisti italiani. Concorso Alinari 1900-1902, Chiavari, Palazzo Rocca, 19 marzo-25 aprile 1988, a cura di C. Cresti, Firenze 1988; Pagine di Dante, p. 284; Milano, n. 58.Alighieri Dante. La Divina Commedia novamente illustrata da artisti italiani a cura di Vittorio Alinari. Firenze: fratelli Alinari, 1902-1903.4° (354x255 mm). [2], XVI, [2], 140, [2]; [4], 146, [2]; [6], 166, [2] pages. 381 colour or black-and-white illustrations, of which 36 are printed as plates hors texte ( (11 for Inferno, 16 for Purgatorio, 9 for Paradiso). Numerous black-and-white illustrations, full-page as well as in the text. A good copy, a plate partly loose. 20th-century half-leather binding, executed by Barast (ticket on the verso of the front flyleaf), marbled covers. Smooth spine, decorated in gilt with Florentine feur-de-lys shaped tools; title in gilt lettering. Marbled pastedowns and flyleaves. A few scratches and minor wears to covers. The first edition of this artistic masterpiece, which collects the illustrations made mainly on the occasion of the competition to illustrate Dante's poem held in May 1900 by the Fratelli Alinari firm in Florence. The competitors had to send drawings for at least two cantos from the Inferno, and in June 1901 the works were exhibited at La Società di Belle Arti in Florence. The first prize was awarded to Alberto Zardo, the second one to Armando Spadini, while the third priz was divided equally between Duilio Cambellotti and Ernesto Bellandi. In the same period the Alinaris commissioned illustrations for the other two cantiche of the poem.Mambelli, n. 501; Martini, p. 83; «E nell'idolo suo si tramutava». La Divina Commedia novamente illustrata da artisti italiani. Concorso Alinari 1900- 1902, Bologna, settembre-ottobre 1979, a cura di C. Cresti e F. Solmi, Bologna 1979; Dante fra Simbolismo e Liberty. La Divina Commedia illustrata da artisti italiani. Concorso Alinari 1900-1902, Chiavari, Palazzo Rocca, 19 marzo-25 aprile 1988, a cura di C. Cresti, Firenze 1988; Pagine di Dante, p. 284; Milano, n. 58.

Frank Reynolds (1876-1953)3 pen and ink cartoons'Going to ave a look at the gee gee's at Kempton Park today sir, no I am going to watch the squirrels at Kew Gardens'; 'Old lady (quite carried away) - how nice it is to have the ticket proffered at it were instead of thrust upon one', and 'Assistant to customer requesting artistic door knocker - I am sorry we don't have what you want - the fact is people aren't knocking so much now. they are ringing more!'signedlargest 15 x 10.5in., unframed

EARLY LOTTERY COLLECTION, including a British State Lottery Advert printed by Whiting & Branston, 1784 Lottery ticket, 1/16th share Lottery ticket for 1811 and others