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Original vintage music poster advertising a concert presented by Bill Graham featuring Blood Sweat and Tears, John Handy and Son House. The event took place between from March 15 to 17 1968 at the Avalon Ballroom, San Francisco. Great psychedelic design by Stanley Mouse. Blood, Sweat & Tears is a jazz-rock Canadian-American music group. They are noted for their combination of brass and rock band instrumentation. The group recorded songs by rock/folk songwriters such as Laura Nyro, James Taylor, the Band and the Rolling Stones as well as Billie Holiday and Erik Satie. They also incorporated music from Thelonious Monk and Sergei Prokofiev into their arrangements. They were originally formed in 1967 in New York City. Since their beginnings, the band has gone through numerous iterations with varying personnel and has encompassed a multitude of musical styles. The band is most notable for their fusion of rock, blues, pop music, horn arrangements and jazz improvisation into a hybrid that came to be known as "jazz-rock". Unlike "jazz fusion" bands, which tend toward virtuosic displays of instrumental facility and some experimentation with electric instruments, the songs of Blood, Sweat & Tears merged the stylings of rock, pop and R&B/soul music with big band, while also adding elements of 20th-century classical and small combo jazz traditions. Artwork featuring a minimalist graphic of a silhouette of the Statue of Liberty in New York, in black against a bright red background with psychedelic letters. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Stanley Mouse, size (cm): 51x35.5, year of printing: 1968

Original vintage advertising poster for a concert titled Quicksilver Messenger Service, at the Avalon Ballroom, with an artwork featuring a monotone negative photograph of a woman smoking a cigarette, in white against a black background. The poster is designed as a poker card in the 8 of clubs. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Casey Simpson, size (cm): 54x35.5, year of printing: 1968

Original vintage advertising poster for a concert titled Bill Haley and the Coments, the Drifters, The Flaming Groovies, The Vulcan Light Co., at the Avalon Ballroom, with an artwork featuring a photograph of a grinning man next to a vinyl player, with a young girl with a dotted hairbow kneeling down in front of the man, and wearing a white lace dress. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Jerry Wainwright, George Hunter, size (cm): 56x35.5, year of printing: 1968

Original vintage music advertising poster for a concert by Buddy Guy at the Avalon Ballroom in 1968. Supporting acts featured Quicksilver and Messenger Service and Son House. The event was organised by Family Dog Productions. The Avalon Ballroom was a music venue in the Polk Gulch neighborhood of San Francisco, California. The space operated from 1966 to 1969, at the height of the counterculture movement. Fantastic design by Paul Zavorskas. The Avalon Ballroom was founded by Robert E. Cohen, impresario Chet Helms and his music production company, Family Dog Productions, which had offices on Van Ness. Bands were frequently booked to perform at the Avalon on Thursday, Friday and Saturday. Extraordinary posters advertising each event were produced by psychedelic artists, including Rick Griffin, Stanley Mouse, Alton Kelley and Victor Moscoso. In the 1960s, at the Avalon, two bands typically performed two sets during the evening beginning at about nine o'clock. Many local bands, such as Quicksilver Messenger Service and the Steve Miller Band, served as backup bands, as did the early Moby Grape and headliners such as The Doors, the 13th Floor Elevators, the Butterfield Blues Band and Big Brother and the Holding Company, which Helms organized around singer and performer Janis Joplin in spring 1966. The Grateful Dead played at the Avalon twenty-nine times from 1966 through 1969, and recorded two live albums, entitled Vintage Dead and Historic Dead, in the autumn of 1966. 2 tracks of their famous "Live/Dead" album were also recorded there in early 1969, The Eleven and Turn On Your Love Light. On January 29, 1967, it hosted the Mantra-Rock Dance musical event, organized by the local Hare Krishna temple, which featured Hare Krishna founder Bhaktivedanta Swami, along with Allen Ginsberg, The Grateful Dead, Moby Grape and Big Brother and the Holding Company, with Janis Joplin. Artwork featuring a psychedelic coloruful trippy line drawing of different cariactures. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Paul Zavorskas, size (cm): 51x35.5, year of printing: 1968

Original vintage advertising poster for a concert at Avalon Ballroom that took place in 1968 and included the performers - Blues Project - Genesis - Taj Mahal. Psychedelic illustration by Neon Park, an American artist, comics artist and illustrator, best known for the images that have strongly defined covers for nearly every Little Feat album except for the band's self-titled first album. The Avalon Ballroom was a music venue in the Polk Gulch neighbourhood of San Francisco, California, at 1244 Sutter Street. The space operated from 1966 to 1969, at the height of the counterculture movement. Psychedlic artwork featuring a yellow biomorphic organic, flower like object, expelling smoke. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Neon Park, size (cm): 51x35.5, year of printing: 1968

Original vintage advertising poster for a concert at Avalon Ballroom that took place in 1968 and included the performers - Siegel Schwall Buddy Guy Hour Glass Mance Lipscomb. Psychedelic illustration by Joel Beck of a man riding a dinosaur with people looking at him from the garden of a straw roofed house . The Avalon Ballroom was a music venue in the Polk Gulch neighbourhood of San Francisco, California, at 1244 Sutter Street. The space operated from 1966 to 1969, at the height of the counterculture movement. Psychedelic artwork featuring a landscape scene with a dinosaur, large disproprotionate thatched house, women with baskets, a man smoking a pipe with a rifle and dog, with distorted text above and beneath. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Joel Beck, size (cm): 53x35.5, year of printing: 1968

Original vintage advertising poster for a concert titled Mason Cass, with guest stars Bread, John Fahey, and Joy of Cooking. The artwork features a photograph of the musicians Mason and Cass, with purple rose vine decorations, ocean waves and art deco style text. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Randy Tuten, size (cm): 54x36, year of printing: 1970

Original vintage advertising poster for a concert titled Ike and Tina Turner and Boz Scaggs, with a text artwork with stylistic font in brown and yellow. Presented by Direct Productions and held at Berkeley Community Theatre on 25 September 1970. Small text below describe ticket outlets for the concert. Excellent condition. Country of issue: USA, designer: Tom Mix, size (cm): 37x29, year of printing: 1970

Original antique travel advertising poster published by the PLM Paris Lyons and Mediterranean Railway and issued abroad to promote its train services to the alpine resorts of Chamonix in the Mont Blanc region from London and Geneva with a list the winter activities and events: Winter Sports Chamonix Mont-Blanc / Skating Skiing Curling Sledging Tobogganing Bobsleighing / International Ski-ing and Skating Tournaments from 3-20 January 1908. Stunning Art Nouveau design featuring a small black and white photograph of Chamonix in the snow with the title above in stylised letters and the schedule information with ticket fares detailed below. Printed in France by Imp. Maulde, Doumenc & Cie., Pairs., T. Sv. Martin. Very good condition, minor creasing, small tears, minor foxing at the top. Country of issue: France, designer: Unknown, size (cm): 102x63, year of printing: 1907

Original vintage Soviet propaganda poster featuring the title in bold blue letters - The Hunter's Helper - with the Ukrainian Society of Hunters and Fishermen logo and text - Hunting is permitted with a dog recorded on the hunting ticket - below an image of an Irish setter type gun dog standing in shallow water and holding a mallard duck in its mouth in front of two hounds chasing a fox and a pointer dog standing in the field in the background. Published by the USSR government of Kiev Ukraine. Good condition, staining on margins. Country of issue: Ukraine, designer: G. N. Glinkman, size (cm): 88x58, year of printing: 1964

Original vintage music advertising poster for a concert by Other Half and Sons of Champlin at 1601, W. Evens, Denver Colorado in 1967. The event was organised by Family Dog Productions. The Sons of Champlin are an American rock band, from Marin County in the San Francisco-Bay area, formed in the late 1960s. They are fronted by vocalist/keyboardist/guitarist Bill Champlin, who later joined rock band Chicago, from 1981 - 2009, placing Sons of Champlin on hiatus from 1981 - 1996. They brought to the late 60's music scene in the Bay Area a soulful sound built around a horn section, sophisticated arrangements, philosophical themes, Bill Champlin's songwriting and blue-eyed soul singing, and Terry Haggerty's jazz-based guitar. They are one of the 1960s San Francisco bands, along with Jefferson Airplane, The Grateful Dead and Moby Grape. The Other Half was an American psychedelic garage rock band, based in San Francisco, and active in the mid-to-late 1960s. The band gained interest after one of the Nuggets compilations in the 1980s included their single, "Mr. Pharmacist". The top left and right feature illustrations of a mushroom cloud from a nuclear explosion and a mushroom cap. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Mouse Studios, size (cm): 57.5x34.5, year of printing: 1967

Original vintage music advertising poster for a concert by Canned Heat and Siegel Schwall at the Avalon Ballroom in 1967. The event was organised by Family Dog Productions. The Avalon Ballroom was a music venue in the Polk Gulch neighborhood of San Francisco, California. The space operated from 1966 to 1969, at the height of the counterculture movement. The Avalon Ballroom was founded by Robert E. Cohen, impresario Chet Helms and his music production company, Family Dog Productions, which had offices on Van Ness. Bands were frequently booked to perform at the Avalon on Thursday, Friday and Saturday. Extraordinary posters advertising each event were produced by psychedelic artists, including Rick Griffin, Stanley Mouse, Alton Kelley and Victor Moscoso. In the 1960s, at the Avalon, two bands typically performed two sets during the evening beginning at about nine o'clock. Many local bands, such as Quicksilver Messenger Service and the Steve Miller Band, served as backup bands, as did the early Moby Grape and headliners such as The Doors, the 13th Floor Elevators, the Butterfield Blues Band and Big Brother and the Holding Company, which Helms organized around singer and performer Janis Joplin in spring 1966. The Grateful Dead played at the Avalon twenty-nine times from 1966 through 1969, and recorded two live albums, entitled Vintage Dead and Historic Dead, in the autumn of 1966. 2 tracks of their famous "Live/Dead" album were also recorded there in early 1969, The Eleven and Turn On Your Love Light. On January 29, 1967, it hosted the Mantra-Rock Dance musical event, organized by the local Hare Krishna temple, which featured Hare Krishna founder Bhaktivedanta Swami, along with Allen Ginsberg, The Grateful Dead, Moby Grape and Big Brother and the Holding Company, with Janis Joplin. Trippy and surrealist artwork featuring two robed figures on a water chariot pulled by four large fish, with the orange sun in the background with text embedded. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Robert Fried, size (cm): 51x36, year of printing: 1967

Original vintage music advertising poster for a concert by The Soul Survivors in Denver, Colorado, 1601 West Evans on 15 and 16 December 1967 with supporting acts including Box Tops and Jimmerfield Legend. The event was organised by Family Dog Productions. Great design featuring a black and white of a motorbike by Alton Kelley & Stanley Mouse. The Soul Survivors are an American, Philadelphia-based, soul and R&B group, founded by New York natives Richie and Charlie Ingui along with Kenny Jeremiah. The Soul Survivors are known for their 1967 hit single "Expressway to Your Heart", which was the first hit by Philadelphia soul record producers and songwriters Kenny Gamble and Leon Huff. The Soul Survivors are still performing and recording new music and covers, most recently working with David Uosikkinen of The Hooters and his project "In the Pocket" which is paying tribute to the vast catalog of music created in Philadelphia. Monotone image of a motorbike with a silver plaque on its side reading Truth. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Alton Kelley & Stanley Mouse, size (cm): 36x51, year of printing: 1967

Original vintage music advertising poster for a concert by Blue Cheer and Superfine Dandelion, at the Denver Dog music venue in Denver, Colorado in 1967. The event was organised by Family Dog Productions and the artwork is by Bob Fried. Trippy and surreal artwork featuring a nude woman in a bonnet hat and riding a white owl bird, against a huge orange hologram style graphic of the moon, against a blue background, with text arranged below from a low three dimensional perspective point of view. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Bob Fried, size (cm): 51x35, year of printing: 1967

Original vintage music poster advertising a concert presented by Bill Graham featuring Charlatans The event took place between from September 22-24 1967 at the Avalon Ballroom, San Francisco. Great psychedelic design by Bob Fried. Bill Graham was a German-American impresario and rock concert promoter from the 1960s until his death in 1991 in a helicopter crash. On July 4, 1939 he was sent from Germany to France to escape the Nazis. At age 10 he settled in a foster home in the Bronx, New York. Graham graduated from DeWitt Clinton High School and from City College with a business degree. In the early 1960s, he moved to San Francisco, and, in 1965, began to manage the San Francisco Mime Troupe. He had teamed up with local Haight Ashbury promoter Chet Helms and Family Dog, and their network of contacts, to organize a benefit concert, then promoted several free concerts. This eventually turned into a profitable full-time career and he assembled a talented staff. Graham had a profound influence around the world, sponsoring the musical renaissance of the '60s from the epicenter, San Francisco. Chet Helms and then Bill Graham made famous the Fillmore and Winterland Arena; these turned out to be a proving grounds for rock bands and acts of the San Francisco Bay area including the Grateful Dead, Jefferson Airplane, and Big Brother and the Holding Company with Janis Joplin, who were first managed, and in some cases developed, by Chet Helms. psychedelic 60s design with a yellow and pink lined checkered pattern swirling from a yellow sun shape with a man on a blue and green flying machine above, set against a red background with the bold orange lettering on blue hills below - North American Ibis Alchemical Co Avalon Ballroom Sutter & Van Ness September 22-24 Charlatans Buddy Guy Dance Concert - and the ticket outlets listed in typewritten text below the yellow and red border. Published by Family Dog Productions 639 Gough Street San Francisco California. Excellent condition. Country of issue: USA, designer: Bob Fried, size (cm): 51x35.5, year of printing: 1967

Original vintage music advertising poster for a concert by Quicksilver Messenger Service at the Avalon Ballroom in 1967. Supporting acts featured The Other Half and Melvin Q. The event was organised by Family Dog Productions. The Avalon Ballroom was a music venue in the Polk Gulch neighborhood of San Francisco, California. The space operated from 1966 to 1969, at the height of the counterculture movement. Quicksilver Messenger Service (sometimes credited as simply Quicksilver) is an American psychedelic rock band formed in 1965 in San Francisco. The band achieved wide popularity in the San Francisco Bay Area and through their recordings, with psychedelic rock enthusiasts around the globe, and several of their albums ranked in the Top 30 of the Billboard Pop charts. They were part of the new wave of album-oriented bands, achieving renown and popularity despite an almost complete lack of success with their singles (apart from "Fresh Air", which reached number 49 in 1970). Though not as commercially successful as contemporaries Jefferson Airplane and the Grateful Dead, Quicksilver was integral to the beginnings of their genre. With their jazz and classical influences and a strong folk background, the band attempted to create an individual, innovative sound. Music historian Colin Larkin wrote: "Of all the bands that came out of the San Francisco area during the late '60s, Quicksilver typified most the style, attitude and sound of that era." Member Dino Valenti drew heavily on musical influences he picked up during the folk revival of his formative musical years. The style he developed from these sources is evident in Quicksilver Messenger Service's swing rhythms and twanging guitar sounds. After many years, the band has attempted to reform despite the deaths of several members. In 2009, original members Gary Duncan and David Freiberg toured as the Quicksilver Messenger Service, using various backing musicians. Psychedelic artwork of an etching with blue human figures and trees. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Jack Hatfield, size (cm): 51x35.5, year of printing: 1967

Original vintage music advertising poster for a concert by The Youngbloods at the Avalon Ballroom in 1967 with supporting acts including Siegel-Schwall Band. The event was organised by Family Dog Productions. The Avalon Ballroom was a music venue in the Polk Gulch neighborhood of San Francisco, California. The space operated from 1966 to 1969, at the height of the counterculture movement. The Avalon Ballroom was a music venue in the Polk Gulch neighborhood of San Francisco, California. The space operated from 1966 to 1969, at the height of the counterculture movement. Fantastic design by Paul Zavorskas. The Avalon Ballroom was founded by Robert E. Cohen, impresario Chet Helms and his music production company, Family Dog Productions, which had offices on Van Ness. Bands were frequently booked to perform at the Avalon on Thursday, Friday and Saturday. Extraordinary posters advertising each event were produced by psychedelic artists, including Rick Griffin, Stanley Mouse, Alton Kelley and Victor Moscoso. In the 1960s, at the Avalon, two bands typically performed two sets during the evening beginning at about nine o'clock. Many local bands, such as Quicksilver Messenger Service and the Steve Miller Band, served as backup bands, as did the early Moby Grape and headliners such as The Doors, the 13th Floor Elevators, the Butterfield Blues Band and Big Brother and the Holding Company, which Helms organized around singer and performer Janis Joplin in spring 1966. The Grateful Dead played at the Avalon twenty-nine times from 1966 through 1969, and recorded two live albums, entitled Vintage Dead and Historic Dead, in the autumn of 1966. 2 tracks of their famous "Live/Dead" album were also recorded there in early 1969, The Eleven and Turn On Your Love Light. On January 29, 1967, it hosted the Mantra-Rock Dance musical event, organized by the local Hare Krishna temple, which featured Hare Krishna founder Bhaktivedanta Swami, along with Allen Ginsberg, The Grateful Dead, Moby Grape and Big Brother and the Holding Company, with Janis Joplin. Psychedelic artwork featuring a photograph of a bodybuilder and a woman lying down on a chaise lounge, in red and navy blue. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Victor Moscoso, size (cm): 51x35.5, year of printing: 1967

Original vintage advertising poster for a concert titled South Side Sound System, also the Phoenix and Freedom Highway, at the Avalon Ballroom, with a psychedelic cult etching artwork featuring spiritual healer figures, expelling yellow smoke and releasing the distorted lettering above in red. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Greg Irons, size (cm): 52x36, year of printing: 1967

Original vintage music poster advertising a concert featuring The Youngbloods and Ace of Cups. The event took place between 5-7 March 1969 at Avalon Ballroom , San Francisco. Great psychedelic design by Charles Laurens Heald. The Avalon Ballroom was founded by Robert E. Cohen, impresario Chet Helms and his music production company, Family Dog Productions, which had offices on Van Ness. Bands were frequently booked to perform at the Avalon on Thursday, Friday and Saturday. Extraordinary posters advertising each event were produced by psychedelic artists, including Rick Griffin, Stanley Mouse, Alton Kelley and Victor Moscoso. In the 1960s, at the Avalon, two bands typically performed two sets during the evening beginning at about nine o'clock. Many local bands, such as Quicksilver Messenger Service and the Steve Miller Band, served as backup bands, as did the early Moby Grape and headliners such as The Doors, the 13th Floor Elevators, the Butterfield Blues Band and Big Brother and the Holding Company, which Helms organized around singer and performer Janis Joplin in spring 1966. The Grateful Dead played at the Avalon twenty-nine times from 1966 through 1969, and recorded two live albums, entitled Vintage Dead and Historic Dead, in the autumn of 1966. 2 tracks of their famous "Live/Dead" album were also recorded there in early 1969, The Eleven and Turn On Your Love Light. On January 29, 1967, it hosted the Mantra-Rock Dance musical event, organized by the local Hare Krishna temple, which featured Hare Krishna founder Bhaktivedanta Swami, along with Allen Ginsberg, The Grateful Dead, Moby Grape and Big Brother and the Holding Company, with Janis Joplin. Psychedelic artwork featuring a tree with swirls and spirals, decorated in the background with fluffy clouds and large raindrops, with bright pink text beneath. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Charles Laurens Heald, size (cm): 51x36, year of printing: 1967

Original vintage advertising poster for a concert titled Youngblood, Mad River, at the Avalon Ballroom, with a fun artwork featuring a line drawing of a man with round glasses and a moustache, against an orange background, with an icon of a sunflower with a face beneath. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Chris Johnson, size (cm): 51x36, year of printing: 1967

Original vintage advertising poster for a concert titled Junior Wells - Sons of Camplin Sanata Blues Band, with a trippy artwork featuring swirling and repetitive batterns in purple and yellow, against a light blue background, and featuring motifs of question marks and lightbulbs. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Bill Henry, size (cm): 51x35.5, year of printing: 1968

London Transport Gibson A14 TICKET MACHINE, serial no 23941. A decimal fares machine, 1 1/2p to 12p, in good working order and still prints 'London Transport' on the ticket. Comes with its original, correct box (serial no on the side, a bit battered)) plus spare ticket rolls and an emergency ticket-pack. [1 set]

London Transport bus conductor's WEBBING HARNESS for a Gibson ticket machine. A complete item with all clips and the apron. A superb example in excellent condition, appears to be unused. [1]

London Transport bus conductor's leather CASH BAG & wooden, spring-loaded TICKET-RACK containing a selection of used LT punch tickets. The bag is in excellent condition, possibly unused, with just some storage marks, and the rack is in well-used but good condition. [2]

Considerable quantity (est. several hundred) of mostly 1940s/50s foreign TRANSPORT TICKETS incl rail, bus, air. Ticket types include Edmondson card, paper, folders issued by travel agents etc. Countries include many European plus a small number of tickets from North Africa, Asia, South Africa etc. A very wide variety and a delver's delight. Mostly in very good, ex-use condition. [several hundred]

Pair of Almex 'A' TICKET MACHINES, the first is casing no 2752, s/n 250047, prints ticket for 'Express Lines', comes with correct, metal box, back-plate with strap, spare ink-ribbon & rolls. The other is casing no 2152, s/n 103642, possibly ex-London Country, handle operates but ticket doesn't push through. [2]

London Transport Tramways 'A'-type TICKET PUNCH with double backplate with extra position for a canceller plus original leather apron. Punch is s/n A 8139, marked 'London Transport'. Plus an 8-position, wooden TICKET-RACK (spring-loaded) which includes a number of unused/part-used TICKET PACKS from Last Tram Week in July 1952. The punch is in working good order and the set comes with a non-original but suitable BOX. [1 set]

London Transport Gibson ticket machine WEBBING HARNESS plus an LT bus conductors' leather CASH BAG with BUDGET KEY. Both items in very good, ex-use condition, the bag has the conductor's name and garage (Norwood) written on the LT bullseye. [2]

Bell Punch TICKET MACHINE (s/n 81763) with backing plate plus a London Transport wooden TICKET RACK with part-used LT ticket packs. The Bell Punch machines were in common use from the 1890s-1950s. Both items in good, ex-use condition, the machine punches and rings. [2]

Tour Programmes & Ticket Stubs - A 1978 Whitesnake Lovehunter Tour Programme 1978 with loose ticket stub for De Montfort Hall, Leicester 25th October, A 1980 UFO No Place To Run Tour Programme and loose ticket stub for De Montfort Hall Leicester 21st January and five further loose ticket stubs for Def Leppard 1978, Jethro Tull 1977, Uriah Heep 1977, Scorpions 1979 and Van Halen 1980.

Rainbow - A Rainbow tour programme from 1980, two loose ticket stubs one for Granby Hall, Leicester 2nd March and one for New Bingley Hall, Stafford 23rd February and a Holiday Inn compliments slip signed by Roger Glover, Don Airey and Graham Bonnet who signed the slip in the presence of the vendor who was staying at the same hotel after the concert.

Music Memorabilia - A small collection of tour programmes, ticket stubs and similar to include Uriah Heep Anniversary Tour, Ian Gillan, Greg Lake Band 1981 and a promo photograph for Samson signed by Paul Samson, Chris Aylmer, Barry 'Thunderstick' Purkis and Bruce Bruce (Bruce Dickinson)

A Loro Piana black leather Bellevu ladies handbag with grain touch, gilt metal fittings, interior zipped pockets with authentication card, cotton storage bag, original box and original purchase ticket for £1,895.

A FRAMED AND GLAZED SIGNED LIMITED EDITION PRINT BY DAVID SHEPHERD ENTITLED 'BUT TEDDY DOESNT NEED A TICKET' NUMBER 53/850 OVERALL SIZE INC FRAME 65CM X 56

An excellent selection of Ramones items to include: three 7" singles, each signed by Joey Ramone. Also a selection of items related to musical projects related to Joey Ramone's brother Mickey / Mitch Leigh inc handwritten letters, cassette, CDs, a ticket. Originally from the collection of Veronica Kofman, former secretary of The Ramones' UK Fan Club from the late 1980s until 2001.

Nine ticket stubs, eight assorted press/backstage/invite passes for assorted David Bowie tours and events. Provenance: from the collection of renowned Bowie super fan and collector Ton Van Der Horst who ran a popular Dutch fanzine 'The Voyeur'.

Excellent collection of 14 tickets/ticket stubs and a wristband. Mostly for concerts and events circa 1990s. Provenance: from the collection of renowned Bowie super fan and collector Ton Van Der Horst who ran a popular Dutch fanzine 'The Voyeur'.

Excellent collection of 25 tickets/ticket stubs. Mostly for concerts and events circa 00s. Provenance: from the collection of renowned Bowie super fan and collector Ton Van Der Horst who ran a popular Dutch fanzine 'The Voyeur'.

Nice pack of David Bowie memorabilia to include: 1995 Montreux Jazz Festival programme, 'Elephant Man' playbills for performances at Blackstone Theatre and at The Booth Theatre, press cuttings inc reviews of the Bridge School fundraising concert as well as memorabilia: two ticket stubs, a programme, a photocopied setlist. Also a Virgin 'Hours' promo flyer (21 x 15cm). Provenance: from the collection of renowned Bowie super fan and collector Ton Van Der Horst who ran a popular Dutch fanzine 'The Voyeur'.

Collection of David Bowie memorabilia to include: 'Lazarus' programme, printed bag, castlist, ticket and promo items. Items relating to the Sotheby's 'David Bowie Collector' sale. Also: a Dutch 'Concorde Film' 'Absolute Beginners' press release, RCA plastic shopping bag, a collection of mostly modern promotional leaflets, 1995 Montreux Jazz programme, stickers, card flats. Provenance: from the collection of renowned Bowie super fan and collector Ton Van Der Horst who ran a popular Dutch fanzine 'The Voyeur'.

Seven David Bowie concert programmes to include: Serious Moonlight '83 programmes from Europe, Japan, Australian and US leg of tour (EU with ticket stub), Glass Spider US and EU programmes, Sound + Vision programme. Provenance: from the collection of renowned Bowie super fan and collector Ton Van Der Horst who ran a popular Dutch fanzine 'The Voyeur'.

An excellent framed display bearing items relating to David Bowie's 1964 Toronto concert to include: torn ticket stub, O'Keefe Center seating plan, original mailing envelope, press cuttings. Frame to measure 40 x 50cm. Provenance: from the collection of renowned Bowie super fan and collector Ton Van Der Horst who ran a popular Dutch fanzine 'The Voyeur'.

Memorabilia relating to the 1999 VH1 Storytellers concert to include: a framed display to include set list bearing signatures from Sterling Campbell, Mark Plati, Mike Garson, Gail Ann Dorsey and one other musician, also a ticket stub. Also to include folder with numerous items relating to the concert inc details of a Bowie Net competiton. Provenance: from the collection of renowned Bowie super fan and collector Ton Van Der Horst who ran a popular Dutch fanzine 'The Voyeur'.

Tranmere Rovers Football Items. A box containing twelve empty official programme binders sold with approx 50 season ticket booklets from the 2000s (1 Box) Very good - Est £30 - £40

World Championship 1966 Jules Rimet Cup - a Semi-Final ticket, Goodison Park, Liverpool, Monday 25 July 1966, North End stand (Bullens Road) Row A seat 0056 - Est £40 - £60

XVI: Later Cromwell Medals, Cromwell Gardens, lead Sixpence, c. 1765, crude bust of Oliver Cromwell left, olivar d g r p ang sco hib & pro, rev. pax qværitvr bello, crowned arms in imitation of the Cromwell coinage flanking crom garden, value below, 30mm, 10.76g (W 1310; D & W 67/170; Young p.86; Henfrey p.178; cf. Baldwin FPL 1998, 99); together with a copper evasion Halfpenny, bust of Cromwell right, rev. crowned harp, 27mm, 6.52g (Atkins 414; Henfrey p.177) [2]. Fair £50-£70 --- Provenance: First Glendining Auction, 17 November 1988, lot 220; second R.E. Ockendon Collection [from Baldwin 1949], bt R.E.O. Cromwell Gardens, opened in the early 1760s, was named after a tradition that Oliver Cromwell once lived in the neighbourhood, though this is unproven. The early lessee was John Clarke and this admission ticket was exchangeable for refreshments

Telescope (Tom, pseudonym). The Newtonian Philosophy, and Natural Philosophy in General, explained and illustrated by familiar objects, in a series of entertaining lectures, 4th edition, Thomas Tegg and Son ..., 1838, engraved folding frontispiece, engraved vignette title, numerous engraved illustrations in text, half-title, terminal advertisement leaf, some light spotting (mainly at front and rear), front free endpaper with contemporary ownership inscription dated 1838, stitching slightly showing (but firm), original blind-stamped green cloth, gilt lettering to front cover, faded spine with gilt title and telescope (rubbed), corners rubbed, spine frayed at foot and worn at head, small 8vo, together with: Sobersides (Soloman, pseudonym), Christmas Tales for the Amusement and Instruction of Young Ladies and Gentlemen in Winter Evenings, London: Printed by R. Marshall, at No. 4, in Aldermary Church Yard ..., [1780?], 36 hand-coloured woodcuts (of 38), including frontispiece (with minor loss to upper right corner), 18 stories, 2pp. publisher's advertisements at rear, lacking 8 leaves (pp.25-26, 35-36, 85-86, 99-106, 121-122), some spotting and toning throughout, [A6] with repaired tear, B1 with some loss at gutter (affecting a few words), K4 with a few words crossed-out (and associated strike-through), book ticket of Elizabeth Crosfield, contemporary green quarter morocco, worn, 12mo, plus: Dean & Munday (publishers), The Book of Trades; or, Familiar Descriptions of the Most Useful Trades, Manufactures, and Arts, practised in England, London, c.1830, 18 full-page wood-engraved illustrations (including frontispiece), occasional spotting, contemporary red quarter morocco, worn, 12mo, with 17 others related, including Small Books for the Comman Man, a Descriptive Bibliography, edited by John Meriton and Carlo Dumontet, 2010, and Juvenile Introduction to History, or Historical Beauties for Youth..., for Darton and Co., 1790Qty: (20)NOTESChristmas Tales: Osborne p.306. An extremely scarce copy of apparently the first edition of this popular collection of instructive stories. The Osborne copy (also defective) is the only other one we have found with the same early imprint 'R. Marshall'.

Dickens (Charles). Hard Times. For These Times, 1st edition in book form, London: Bradbury & Evans, 1854, half-title, original green cloth, spine sunned, frayed at head and foot, tips bumped, 8vo, together with: ibid. Pictures from Italy. The Vignette Illustrations on Wood by Samuel Palmer, 1st edition, London: for the author, by Bradbury & Evans, 1846, half-title, advertisement leaf to front and rear, contemporary bookseller's ticket (David Bryce, Glasgow), original blue cloth, a few light bumps to extremities, pale marks to rear cover, housed in a custom blue cloth solander box, 8voQty: (2)NOTESSmith I 11 & II 7. Hard Times is in Smith's primary binding, with all requisite textual points.

Morrell (Harriette Anne, née Wynter, 1845-1924). Manuscript journal, 1885 & 1890, autograph manuscript in blue or black ink on ruled paper, [178] pp. + blanks, 19 lines to the page, ownership inscription 'Harriette Anne Morrell, Brussels, March 29th 1885' to front free endpaper, Brussels stationer's ticket and pen-and-ink sketch of a man in profile to front pastedown, contemporary green half vellum, marbled sides, rubbed, 8vo (16.2 x 10.5 cm)Qty: (1)NOTESHarriette Morrell was the mother of Philip, and consequently the mother-in-law of Lady Ottoline Morrell, who identified her as Henry James's inspiration for Adela Gereth in The Spoils of Poynton (see Rintoul, Dictionary of Real People and Places in Fiction, p. 687). An accomplished artist in her own right, she was the daughter of Philip Wynter (1793-1871), president of St John's College, Oxford and for a time university vice-chancellor; her husband was Frederick Parker Morrell (1839-1909), another St John's man and sometime mayor of Oxford. The journal records a leisured pre-Bloomsbury life of social engagements (and notably regular Catholic worship) at Lindfield (Sussex), Oxford and London and in Cornwall, and a European tour which takes in Brussels, Milan, Florence and Venice. In Florence Morrell enters a circle which includes the Duke and Duchess of Teck and lesser nobility such as Scottish baronet Sir Thomas Dick Lauder.

Crane (Walter, illustrator). Don Quixote of the Mancha, retold by Judge Parry, London: Blackie & Son, 1900, half-title signed in ink by the illustrator, 11 colour plates (including frontispiece), decorative title and frontispiece margins lightly toned (from tissue guard), p.126 with minor surface skinning at gutter (affecting 2 letters), bookplate 'W. L. Phillips', original pictorial cloth, lightly rubbed in places, rear cover a trifle scratched, spine somewhat darkened, 8vo, together with: A Wonder Book for Girls & Boys, by Nathaniel Hawthorne, London: Osgood, McIlvaine & Co., 1892, preliminary blank signed in ink by the illustrator, 60 colour designs, many full-page, bookplate as above, original pictorial cloth, somewhat rubbed and scratched, mainly to rear cover and extremities, darkened spine slightly cocked, 8vo, plus: Crane (Walter), Ideals in Art: Papers, theoretical, practical, critical, London: George Bell & Sons, 1905, half-title signed in ink by the author, numerous black & white illustrations (many from photographs), by Walter Crane and others, bookplate as above, front free endpaper with book ticket 'Library of J. Leon Williams', top edge gilt, original pictorial cloth gilt, a little rubbed and marked, some fading or darkening, 8voQty: (3)

Dodgson (Charles Lutwidge, 'Lewis Carroll'). The Hunting of the Snark, an Agony in Eight Fits, 1st edition, Macmillan, 1876, inscribed by the author in purple ink on the half-title, frontispiece and full-page black & white illustrations by Henry Holiday, advertisement leaf at rear, some spotting and marks, all edges gilt, front pastedown with bookplate of Edward Prioleau Warren, original gilt-blocked white cloth by Burn (with ticket on rear pastedown), rubbed and worn, all but a small piece of spine lacking (and that detached), upper cover near-detached, 8voQty: (1)NOTESWilliams, Madan, Green and Crutch 115. One of the rarest binding variants, inscribed by Lewis Carroll in his characteristic purple ink: 'Margaret Cecil Louisa Morrell from the Author. May 4. 1876'. Margaret Morrell was the daughter of Frederick Parker Morrell and Harriette Anne Morrell née Wynter (see lot 586 for Harriette's journal). Frederick Morrell was Steward of St John’s College between 1863 and 1882, a post his father had held before him. Margaret and her younger sister Frederica were both photographed by Lewis Carroll on several occasions between 1873 and 1874, and their mother also sat for the author. Margaret married architect and archaeologist Edward Prioleau Warren in 1894. Although typically found in black-blocked buff cloth, Lewis Carroll wrote to his publisher on 21 March 1876 ordering copies of The Hunting of the Snark in various colours stamped in gilt, intended as gifts for friends, requesting '100 in red and gold, 20 in dark blue and gold, 20 in white vellum and gold.'

Dulac (Edmund, illustrator). My Days With the Fairies, by Mrs. Rodolph Stawell. A New and Enlarged Edition of "Fairies I Have Met", London: Hodder and Stoughton, [1913], 8 tipped-in colour plates, some light spotting, Henry Sotheran ticket, original red pictorial cloth gilt, spine a little faded, edges lightly rubbed, covers slightly bowed, 4to, together with Dulac (Edmund, illustrator). Treasure Island, by Robert Louis Stevenson, London: Ernest Benn, 1927, 12 colour plates, light toning to endpapers, contemporary prize inscription to front endpaper, original cloth gilt, green label to spine, 4to, with four others: W. Heath Robinson's Bill the Minder, 1st US edition, Henry Holt, New York, 1912, Edmund Dulac's Picture-Book for the French Red Cross, [1915], Kim, by Rudyard Kipling, Limited Editions Club, New York, 1962, limited signed edition 80/1500 and Colin White's Edmund Dulac, Studio Vista, 1976Qty: (6)

Dulac (Edmund, illustrator). Princess Badoura. A Tale from the Arabian Nights, retold by Laurence Housman, London: Hodder and Stoughton, [1913], 10 tipped-in colour plates, Henry Sotheran ticket at front, top edge green, original cream and green gilt-decorated cloth, small indentation at foot of rear cover, 4toQty: (1)

Dulac (Edmund, illustrator). Shakespeare's Comedy of the Tempest, London: Hodder & Stoughton, [1908], 40 tipped-in colour plates, small previous owner blindstamp to front endpaper, Henry Sotheran ticket, original green cloth gilt, joints and edges lightly rubbed, covers a little bowed, 4to, together with Dulac (Edmund, illustrator). Dreamer of Dreams, by the Queen of Roumania, London: Hodder & Stoughton, [1915], 6 tipped-in colour plates, a few minor spots, light toning to half title and advertisement leaf verso, original cloth gilt, spine a little toned, 4toQty: (2)

Potter (Beatrix). The Tale of Benjamin Bunny, 1st edition, London: Warne, 1904, first or second issue (with date on title and 'muffetees' spelt incorrectly on p.15), half-title, colour illustrations throughout, occasional finger-soiling or minor marks, frontispiece partly detached, pictorial endpapers, front pastedown has booksellers ticket at foot, stitching strained, front hinge cracked, original tan boards, with inset colour pictorial panel to front cover, boards marked, some wear to extremities, front joint cracked, 16mo, together with 15 Beatrix Potter later editions (but all before May 1919), comprising 11 different titlesQty: (16)NOTESLinder p.424; Quinby 6. Frederick Warne and Co. of London were incorporated in May 1919, therefore these books which all have the imprint Frederick Warne and Co (without 'Ltd.' at the end) were published before that date.

Potter (Beatrix). The Tale of Timmy Tiptoes, 1st edition, London: Warne, 1911, first or second printing (with date on title), half-title, colour illustrations throughout, occasional light finger-soiling, pictorial endpapers, front pastedown with booksellers ticket at foot, stitching slightly showing, original brown boards, front cover with inset colour pictorial panel, extremities very lightly rubbed, front cover with tiny mark, 16moQty: (1)NOTESLinder p.429; Quinby 20.

Potter (Beatrix). The Tale of Mr. Tod, 1st edition, London: Warne, 1912, first or second issue (with date on title), half-title (lightly spotted), 15 colour illustrations (including frontispiece), black & white illustrations in text, pictorial endpapers, rear pastedown with booksellers ticket at foot, stitching showing (but firm), edges spotted, original buff boards, front cover with inset colour pictorial panel, minimally rubbed in places, top corners lightly bumped, 16mo, together with: The Tale of Mr. Tod, New York: Warne, circa 1921, half-title, colour frontispiece and 13 (of 14) colour plates (lacking p.31), black & white illustrations in text, generally toned throughout, pictorial endpapers (lightly spotted), blank reverse to rear free endpaper with booksellers ticket, original grey boards, front cover with inset colour pictorial panel, some extremities lightly bumped, pictorial dust jacket, soiled and rubbed, some edge-fraying and chips, front panel creased with adhesive tape repairs to verso of tears and loss to upper left corner, 16moQty: (2)NOTESFirst item: Linder p.429; Quinby 21.Second item: A rare survival of an unusual dust jacket design. The more common dust jacket simply repeats the image of Mr. Tod from the front cover, whereas this jacket makes use of the endpapers design seen in Quinby X. This book and jacket can be dated to circa 1921 due to: Warne's address (26 East 22d Street), no mention of Cecily Parsley in advertisements, but the French editions of Peter Rabbit and Benjamin Bunny (both published 1921) are listed as new editions, with no other French titles yet available.AMENDMENTS: The second name item is dated circa 1920s/30s. The above footnote for the second item has been revised to:Second item: This book and jacket have the following issue points: Warne's address at foot of title is 26 East 22d Street, dust jacket lists 15 titles with no mention of Cecily Parsley in advertisements, but the French editions of Peter Rabbit and Benjamin Bunny (both published 1921) are listed as new editions, with other French titles 'in course of translation'.

Fleming (Ian). Goldfinger, 1st edition, London: Jonathan Cape, 1959, previous owner inscription erased from front endpaper, bookseller ticket to front pastedown, original cloth gilt, price-clipped dust jacket, old small clear tape marks to verso (with light show-through to panels and flaps), 8voQty: (1)

Fleming (Ian). For Your Eyes Only, 1st edition, London: Jonathan Cape, 1960, previous owner signature to front endpaper, small ink stamp and bookseller ticket to front pastedown, original cloth, dust jacket, some fading to spine (as often), ink stamp at foot of front flap, small abrasions to spine and rear panel, small nicks and tears at spine ends and folds, 8voQty: (1)

Rowling (J.K.) Harry Potter and the Goblet of Fire, 1st edition, London: Bloomsbury, 2000, usual slight toning to textblock, original pictorial boards, dust jacket, 8voQty: (1)NOTESSigned by the author to dedication leaf, with a ticket to the signing event at the Edinburgh International Book Festival, 27 August 2000 loosely inserted.