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33617 Los(e)/Seite
BURNLEY 1948/9 AUTOGRAPHS An album sheet hand signed by 19 players including Potts, Mather, Spencer, Martindale, Johnson, Knight, Atwell, Harrison, Woodruff, Billingham. Hays, Strong and Chew. Plus a seat ticket for the FA Cup Semi-Final v Newcastle United 30/3/1974 at Hillsborough, very slightly marked on the back. Generally good
A SET OF TWELVE WILLIAM IV SILVER WINE LABELS, WILLMORE & CO., BIRMINGHAM, 1835-37 each bottle ticket with chain and shaped and matted as a vine leaf, pierced for the following: CLARET, MADEIRA, SHERRY, BUCELLAS, LISBON, MARSALA, BRANDY, TENERIFFE, PORT, BRONTE, RUM and WHISKEY, 7cm wide, 167g
Uxbridge Blues & Folk Festival 1965 - several items relating to this one day festival which took place on Saturday 19th June 1965 and featured The Who, John Mayall, Marianne Faithfull, Spencer Davis, Long John Baldry, Zoot Money, The Birds, Solomon Burke and more, includes the 'souvenir and programme of events' which features profiles and photos of the acts plus advertisements for The New Fender Club, Marshall amplification and more, The Who profile reads 'Reputed to be one of the most contraversial (sic) groups to come on the scene for many a year, but with two hits behind them I can't explain and Anyway Anyhow Anywhere, they have proven beyond any doubt their popularity; additionally there is a flyer for the festival, plus a press pass and complimentary ticket; additionally there is a poster for the festival, framed measuring 31.5 x 21 inches. These items come from the estate of concert promoter Bill Reid who was a friend and colleague of the Uxbridge Festival promoter Eddie Norman (1930-1999). (5)Condition Report: The framed poster appears to be a later reprint.
Indiana Jones Film Interest A4 Ring Binder containing the following:- Indiana Jones and the Last Crusade Cast & Crew Screening Ticket, (1); Indiana Jones and the Last Crusade original signed still with image of Harrison Ford & Sean Connery, signed by Harrison Ford, (1); Indiana Jones and the Temple of Doom special screening ticket, (1); Raiders of the Lost Ark Karen Allen (Marion) Original Colour Stills, (2); Raiders of the Lost Ark Anthony Higgins (Gobler) letter and 2 photographs together with a card signed, (4); Raiders of the Lost Ark Anthony Higgins (Gobler) signed original still from the film,(1); Raiders of the Lost Ark stills of Karen Allen, (Marion), Paul Freeman, (Belloq), & Wolf Kahler, (Dietrich), (3); with a signed card by Wolf Kahler and a signed image from the film of Wolf Kahler (Dietrich); together with an original still from the film signed by Paul Freeman as Belloq Karen Allen as Marion & Wolf Kahler as Dietrich, (1); Raiders of the Lost Ark Original signed black & white still with Kate Allen as Marion and Malcolm Weaver as Ratty Nepalese, (1) Original photographs of cast and signed cards, (11) Original still from film of the Arab Swordman, signed by Terry Richards who played the part, (1) signed cards and signed still from Kevork Malikyan who played Kazim in Indiana Jones, (3); Alexei Sayle who played the Sultan, signed card (1); signed cards and photo from Suzanne Roquette Film Director, (4); signed picture card from Karen Allen who played Marion Ravenwood, (1); signed cards and picture from Taliban Vic who played Barranca - The Monkey Man, (3); signed cards from Michael Sheard who played the U Boat Captain, (2); signed photo and card from Isla Blair, (1);signed photo and cards from Peter Pacey who played the Hatay Tank Driver, (3); signed card and photo from Paul Humpoletz who played a Gern Officer at the Hitler Rally, (2); signed card from John Rhys Davies who played Sallah in raiders of the Lost Ark and acted in the Last Crusade too, (2); signed card from Tony Vogel who played the Tall Captain in raiders of the Lost Ark (1981), (2); signed card from Jerry Harte who played professor Stanton in the Last Crusade, (1); signed cards grom Paul Freeman who played Dr Rene Belloq in Lost Ark, (2); signed card from Anthony Higgins, (1); signed card from Vernon Dobtcheff, who was in the Last Crusade and The Spy Who Loved Me, (1); and 2 original black & white stills of Kate Capshaw with a signed card, (3), (59)Provenance: from the collection of a former supporting actor working in the film industry, amassed over a number of years.Condition Report: CR:- All in very good condition, housed in an A4 folder and 59 items. Worth viewing!
Carry On London (1974). An original Treatment Script for the film that was not made, loose pages. Along with a large theatrical programme, x2 smaller programmes (each different versions) and a ticket from the show at Victoria Palace (5). Provenance: from the collection of a Carry On films collector. Some items in this sale from this collection are from the archives of Studio Canal.
Saint-Exupéry (Antoine de) The Little Prince, first edition in English, first issue with 5-line colophon, translated by Katherine Woods, numerous plain and colour illustrations by the author, bookplate, bookseller's ticket and contemporary ink gift inscription to front free endpaper, p.71 tear into text without loss, original salmon-coloured cloth, slight creasing to spine ends, some very light rubbing to spine ends and corners, first state dust-jacket with publisher's address listed as "386 Fourth Avenue" on front flap, priced $2.00, few light marks, panels lightly browned with some faint spotting, very slight creasing and some tiny nicks to extremities, spine and joints lightly rubbed with some small chips or short tears to ends, 4to, New York, Reynal & Hitchcock, 1943. *** An excellent example of the children's classic. The English (as here) and French editions were published concurrently in New York, but the French edition in France was not published until 1945.
[Polidori (John)] The Vampyre; A Tale, first edition, third issue, lacking half-title, occasional light soiling, Printed for Sherwood, Neely, and Jones, 1819, bound with 2 others 19th century, together 3 works in 1 vol., book-label of J.O. Edwards and small binder's ticket to front pastedown, some light browning and damp-staining to second and third works, contemporary half calf, morocco spine label lettered "Vampyre" in gilt, quite worn in places, rubbed, 8vo. *** The circumstances surrounding the birth of this work, and Mary Shelley's Frankenstein, during a night of ghost-story telling with Byron and friends is well documented. This is the third issue, without Byron's name on the title, with the preliminaries reset to 23 lines and the word "almost" in the last line of p.36 missing the first letter. The two other works are Don Pedro, Kind of Castile by Lord Porchester (1828) and The Battle of Talavera, tenth edition (1816).
Edwards (Gwladys).- Dickens (Charles) The Chimes: A Goblin Story..., colour frontispiece and additional decorative title by F.D.Bedford, bound in dark brown crushed morocco tooled in blind, by Gwladys Edwards of the Guild of Women-Binders, covers with Art Nouveau style decorative border of heart-shaped leaves and small dots in blind, spine with title & compartments of heart-shaped leaves in blind and four raised bands, turn-ins with similar leaves, binder's ticket to front free endpaper, very slight fading to spine and rubbing to joints, small 8vo (c.150 x 100mm.), 1899.*** Gwladys Edwards trained at the Guild of Women-Binders in its later years and, following the Guild's closure in 1904, she continued binding until c.1916.
Rolex - A steel 'OysterDate Precision 34' wristwatch, circa 1979, model number 6694, serial number 5699457, circular champagne dial with gold coloured batons and hands, centre sweep and date window under a Cyclops at 3H, 17 jewel mechanical crown wind movement calibre RB 1225, case, 34mm diameter, verso screw down, interior signed and numbered, to a steel 'Oyster' link bracelet with fold over clasp number 78350 VD (for 1979) the end links numbered 557, presented in the original case with outer card box, paper guarantee dated 16/9/1980, booklet, spare link and swing ticket Crystal - Complete. Some surface scratches all over, as to be expected and commensurate with age and wear.Dial - In good condition. Some minor deterioration to the hands and batons, more obvious under magnification.Movement - In working order, but not tested for timekeeping or endurance.Case - Some surface scratches and minor nicks, as to be expected and commensurate with age and wear. Bracelet a bit stretched, clasp fully operational.
Felca, Grenchen - A Swiss 14ct gold wristwatch, circa 1950, model 676, square convex silvered dial with gold coloured quatre Roman numerals, batons and hands, 17 jewel mechanical crown wind 'Mod-B' movement calibre 1080, square case, 26cm wide, verso snap on, numbered, together with Swiss mark for 14ct gold, additionally marked 14K 0.585 and with Poinçon de Maître: Hammer Head number 151 for Hermann Heggendorn AG, to a brown stitched strap with gilt pin buckle, presented in a liveried case with original guarantee paperwork and swing ticket Crystal - LackingDial - Some very minor spotting, visible under magnification, together with very minor deterioration to the hands and the very edge of the dial, especially at 9H & 3HMovement - Not currently operationalCase - Some minor surface scratches, as to be expected and commensurate with age and use.
Bristol Old Vic Theatre - An 18th century George III silver token for Bristol Theatre, King Street. The token engraved to read ' Bristol Theatre, King Street, May 30 1766.; The obverse engraved ‘No. 31 The Proprietor of this Ticket is Entitled to the sight of Every Performance to be Exhibited in the House'.(Viewing available by appointment only)The token was originally issued by the Bristol Theatre (now the Bristol Old Vic) allowing its owner unlimited free entry to any production. Fifty silver and two gold tokens were minted, and given to the first fifty shareholders who had each raised £50 to fund the construction of the theatre in 1766. The original shareholders of these tickets insisted that they could be loaned or traded, which led to great difficulty for the Theatre managers to keep track of who was entitled to enter the performances at no cost. The original owner of the token being theatre shareholder, Daniel Harson, Collector of Customs in the port of Bristol and formerly a dissenting minister from 1758 until his death in 1779. In 1816 the ticket and share of the theatre was held by John Palmer who was assigned his shares (and presumably the ticket) on 15 July 1793. The ticket and share had previously been in the hands of Antony Palmer Collings who had been the executor of the Original Proprietor, Daniel Harson, Collector of Customs. The share associated with the ticket was held by various persons in the 19th century to include Theatre Lessee’s James Henry Chute in 1861 and Andrew Melville in 1887. In 1925 the Final Dividend List shows ticket 31 as being owned by A A Levy-Langfield wherein it stayed in the family until being sold at auction in 2009 to the current owner. Supplied with some printed history. Bristol Old Vic will still honour this token should it be presented - the offer applies to Bristol Old Vic productions only, not visiting shows. (Confirmed October 2024). Measures approx. 31mm diameter. Total weight 12.9g.
ROWLING (J.K.)The Prisoner of Azkaban, FIRST EDITION, FIRST PRINTING, with the number sequence 10 down to 1 on reverse of title-page, SIGNED BY THE AUTHOR on the dedication page, publisher's pictorial boards, dust-jacket [Errington A7(aa)], 8vo, Bloomsbury, [1999]Footnotes:Provenance: Signed for the vendor's mother at a special event at the Post Office Theatre on 27 August 2000, during the Edinburgh International Book Festival, with ticket stub loosely inserted.Saleroom notices:Should read Errington A7(aaa), third state, NOT A7(aa), second state. The dust-jacket flap shows price '£10.99'. Some consider this to be an Australian printing.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
DODGSON (CHARLES LUTWIDGE) 'LEWIS CARROLL'Alice's Adventures in Wonderland... With Forty-Two Illustrations by John Tenniel, SECOND (FIRST PUBLISHED) EDITION, first issue with page 30 correctly numbered and the inverted 'S' in the last line of the contents page, half-title, frontispiece and numerous illustrations by Dalziel after Tenniel, some spotting and soiling, short tear to fore-edge of pp.5-6, one corner creased on pp.81-2, light blue endpapers, tissue guard between frontispiece and title, publisher's pictorial red cloth gilt (with 'Bound by Burn...' ticket on rear paste-down), g.e., recased with lower joint restored, spine ends and corners strengthened, hinges repaired (with paper to match endpapers), 1866; Through the Looking-glass, and What Alice Found There, FIRST EDITION, FIRST ISSUE, with misspelling 'wade' on p.21, frontispiece and illustrations by John Tenniel, tissue guard between frontispiece and title, dark endpapers, publisher's pictorial red cloth gilt (with 'Burn & Co.' at rear), recased with short repairs to joints and spine ends, hinges strengthened, 1872, housed together in fleece-lined box, gilt lettered on spine [Williams, Madan & Green 46 and 84], 8vo, Macmillan and Co. (2)Footnotes:Provenance: First book, 'H.M. Archer, Oxford, 1865', ink inscription on half-title, blind-stamp of 'Wheeler & Day, 106 High St., Oxford' on front free endpaper; second book, 'H.M.A[rcher] from F. Wilberforce Bird, 1871', inscription in two hands on half-title.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Collection of various Cup Game Programmes - To include: World Cup (USA 1994) Italy v Ireland opening ceremony programme 18/06/1994 + 2 ticket stubs, 2 FA Cup Finals -Fulham v West Ham 1975, Everton v Man Utd 1985 + ticket stub, Man Utd v Arsenal League Cup 23/02/1983 - Munich Air Disaster 25 year Commemorative Issue, Ajax v Panathinaikos European Cup Final at Wembley 02/06/1971, Various other Arsenal FA Cup Finals, Various league cup finals from 1968 and many others programmes. Quantity, 1 (box).
Elizabeth I, Sixpence 1561, third and fourth issues, 3.43g, mm. pheon, large bust 3D with hair swept back (N.1997, S.2559) very minor flan split at 2 o'clock o/wise nice full flan, with lovely rainbow tone and well struck legends, very fine, better in parts and rare, sold with old cabinet ticket
A white wood paint decorated Tunbridge ware sewing box in the form of a cottage, red panel door below thatched canopy, six double and single trellis windows, the roof in thatch with two pairs of double trellis windows and central chimney. The sliding lid with roof void over a compartmentalised interior in original red paper, the right hand side incorporating a base drawer in original red paper and with sales ticket of 'Arthur S. Vernay of New York', 17 x 12 x 12.2cms. From the Collection of Anne Wick
Scarce WW2 Officer's Khaki Undress Reefer Jacket khaki, woollen, double breasted, open collar tunic. Lower, hidden pockets with plain flaps. Plain composite buttons. Brown cotton lining with two buttoned pockets. Together with a pair of khaki woollen, Officer pattern, wide leg breeches. Waist with ticket pockets. Seat with hidden open top pocket. Lower calf with tie cord. 2 items. See British Army Uniforms & Insignia Of WW2 by B Davis. Page 160.
William Hogarth, FRSA, British 1697-1764- Theatre ticket design for 'The Mock Doctor'; etching, 13.8 x 13.7 cm.: together with further engravings of theatre ticket designs, with banners entitled 'The Author's Benefit Pasquin'; 'For the Benefit of Mr Walker'; and 'For the Benefit of Joe Miller'; from the original plates restored by James Heath, each approx. 11.8 x 13.8 cm., four (4).
* Little Dalby Hall Theatre Tickets. A rare group of three theatre tickets, c. 1803 or slightly earlier, engravings on thin card, the first with an image of Lady Macbeth with flowing hair and holding a dagger in one hand and a chalice in the other, inscribed in contemporary blue ink, ‘21st July Macbeth with High Life belowstairs’, the second with an image of the Comic Muse holding the dramatic mask and dancing next to a pedestal, inscribed ‘July 14th. The Wonder with Atheling Castle’, the third ticket hand-coloured with an image of a partially covered woman flying in the clouds, the banner inscribed ‘Dalby Theatre. July 9th. The Castle Spectre with a farce called Transformed or No?’, all inscribed in blue ink to verso, ‘Admission Ticket, Not Transferable’, the first two 75 x 56 mm and fractionally smaller, the third with a small brown stain to upper left corner, 52 x 65 mmQTY: (3)NOTE:Three theatre tickets used for productions at Dalby Theatre, the private playhouse of Edward Hartopp (1758-1808) at his seat Little Dalby Hall in Leicestershire. The British Museum has all three of these tickets mounted on a sheet with six further admission tickets to private theatres in gentlemen’s houses (C, 2. 1535-1543). Yale University Library has three specimens of the Macbeth ticket and one of the Castle Spectre ticket. No other locations have been noted.
*Watercolour Albums. An album of watercolours, pencil studies and copied manuscript verse by Charlotte Grimston, Countess of Verulam, 1826, consisting of a decorative pictorial title in pencil by Katherine Grimston (daughter of the Countess of Verulam), titled The Countess of Verulam 1826, 19 leaves of verse copied in manuscript (including Lines inscribed on a Tablet in Quidenham Church in memory of The Lady Sophia MacDonald who died September 29th 1824, aged 27, Stanzas inscribed to Lady William Russel, To Lady Mary Grimston-aged 6 years on giving the author a kettle-holder, To the Countess of V...M..etc.), 12 watercolour (and some pencil) studies by various hands, including Emily Mary Grimston, dated 1826, a pencil landscape with ruins by Henry Vincent, a small study of picturesque old buildings by M. J. Villiers, two pencil copies after Van Dyck by S. G. Lushington, and another of a hunting dog and pheasant by the same hand, a small architectural study by Richard Cavendish, a watercolour sketch of a Bermudian fisherman by F de Ros, a view of the island of Capri by Colonel Tisdall, a watercolour view of Drakenfelts initialled K.G.[Katherine Grimston] etc., all contained in a small album, all edges gilt, modern light brown quarter plain morocco, together with Gorhambury and some its Environs, Drawn by Katherine Grimston, circa 1846, an album containing 34 attractive watercolour views of Gorhambury House in Hertfordshire, with manuscript title in watercolour, heightened with gold, all by Katherine Grimston, daughter of James and Charlotte Grimston, Earl and Countess of Verulam, with Charlotte Verulam's signature to verso of front endpaper, a short manuscript preface by Charlotte Verulam dated September 1846 'To me, this book is deeply interesting, containing drawings all by my daughter Katherine Countess of Clarendon, of dear Gorhambury and its environs', the views include Northeast view of Gorhambury, Part of the interior of the hall at Gorhambury, West view of Gorhambury, The ruins of Lord Bacon's house at Gorhambury as it stood in the year 1832, The Kiss Oak at Gorhambury, The house at Gorhambury built by Sir Nicholas Bacon, South view of Gorhambury, Part of the Interior of the Library at Gorhambury, View from Still End, The Abbey and Tower of St. Albans, Gorhambury in the Evening, In the Library, Hatfield House, Verulam House, St. Albans Abbey and Sopwell Nunnery, all carefully captioned in ink, many album leaves at end unused, contemporary stationers ticket of Dobbs & Compy. Ornamental Stationers, 13 Soho Square to verso of front pastedown, modern dark green quarter morocco, small oblong 4to, plus a further album compiled by the Countess of Clarendon, containing approximately 70 various watercolour views and sketches, generally dated circa 1844-1853, some in pencil or pen & brown ink, including The Grove [Watford], Constance's Birthday 2 September 1846, two studies of a baby captioned Hyde, and dated 1846, three careful watercolour studies of butterflies inscribed 'from the ceiling of our room at Wiesbaden, 1844', Constance and Alice, 1847, various views of the Vice Regal Lodge, Phoenix Park, Dublin [where her husband George Villiers, 4th Earl of Clarendon resided as Lord Lieutenant of Ireland], three miniature portraits of children (unidentified), two early photographs of an old lady and young child sitting in garden, several sketches by Villiers Lister, a few sketches of Dublin Bay and Dublin Castle, etc., several small engraved views of Dublin, and a few clipped autograph signatures (Earl of Clarendon, Wellington, the red seal of Prince Albert, etc.), and one other related album relating to the same family, containing 20 pages of manuscript diary commencing September 16th 1833 [author not identified], two original sketches of Lord Clarendon by his eldest daughter Lady Constance Villiers, and another similar of Lord John Russel (Earl Russel) asleep, dated 1840, both by Lady Constance Villers after Lady Derby, a printed programme for Grove Theatricals, Wednesday 7th January 1863, in which the actors are listed by name etc., the majority of the album left blank, modern quarter maroon plain morocco, oblong 4toQTY: (4)NOTES: An attractive group of four related albums compiled by Charlotte Grimston, Countess of Verulam (1783-1862), who wrote a History of Gorhambury, privately printed in 1821, and listed in Twyman, Early Lithographed Books. Charlotte married James Grimston, the 1st Earl of Verulam in 1807, and they had six sons, as well as four daughters (all of whom married Earls). One of these daughters was Katherine Villiers, née Grimston, Countess of Clarendon (1810-1874) who married George Villiers, 4th Earl of Clarendon in 1839, and lived at the Grove, Watford. Amongst their children was Constance Villiers, later Countess of Derby, born in 1840.George Villiers, 4th Earl of Clarendon (1800-1870), was a senior figure in the Liberal governments of the mid-19th century and served as President of the Board of Trade from 1846 to 1847, as Lord Lieutenant of Ireland from 1847 to 1852, and as Foreign Secretary on three occasions (1853-1858, 1865-1866, and 1868-1870).Gorhambury in Hertfordshire was the seat of the 3rd Viscount of Verulam, who lived there from 1784 to 1809. He was succeeded by his son James, created Earl of Verulam in 1815.
JERNEGAN'S LOTTERY, A GEORGE II LOTTERY TICKET, 1736. A silver Lottery ticket by J.S. Tanner with Minerva standing between military trophies and emblems of the Arts and Sciences. Reverse with Caroline robed, watering a grove of young palm trees. 39 mm. (Eimer 537). *CR Some rubbing, a nice example.
Louis William Wain (1860-1939), Ticket Mistress, watercolour, signed, 24cm x 21cm (Please note condition does not form part of the catalogue description. We strongly advise viewing to satsify yourself as to condition. If you are unable to view and a condition report is not already available, please ask for one and it will be provided in writing).
† Archbishops of Canterbury, Ceolnoth (833-70), silver Penny, Canterbury mint, moneyer Wunhere, Group I, facing bust breaking inner linear circle, legend surrounds + CI?LNOD ?RC, rev. DOROBERNIA CIVI MONOGRAM within toothed inner circle, outer legend surrounds +VVNERE MONETA, 1.34g (cf. Naismith: C.105f; N.242; S.893). Toned, obverse die breaks or striking striations, otherwise pleasing portrait and legible legends, very fine, very rare.Provenance:Ex The William Oldknow Collection, New York Sale, 14.1.2021, lot 3083 Ex Tim Owen – with supporting ticket in his hand.Previously slabbed as AU53 - NGC Certification 4930811-030 relates, complete with NGC label and certification slip.
† Henry VIII (1509-47), silver Halfgroats (2), first coinage, York mint, archbishop Wolsey, crowned bust of Henry VII right, rev. shield over long cross fourchée, keys and cardinal's hat below, mintmark star; second coinage York mint, Archbishop Wolsey, mintmark voided cross, shield on long cross fourchée, T W beside shield, hat below, weights respectively, 1.27g, 1.32g (S.2325, N.1770; N.1805; S.2346; Stewartby p.473). First with striations, otherwise good very fine, second darker tone a little flat, about very fine. (2)Provenance:Ex Spink & Sons retail, with green ticket [for the second coinage example].
g George III (1760-1820), gold Half-Sovereign, 1820, engraved by Benedetto Pistrucci, laureate head right, date below, legend GEORGIUS III DEI GRATIA, raised rim both sides, rev. crowned shield of arms, dot below, REX FID: DEF: BRITANNIARUM (Hill 402 R2; Bull EGC 933; MCE.469; S.3786). Richly toned with some light marks to obverse side, die crack between I and A of GRATIA but great clarity in reverse shield, graded by NGC as MS63, only four graded higher at NGC, and rare with the lowest calendar year mintage, sold with old collector ticket stating FDC.NGC Certification 6947414-003We note that as of October 2024, NGC have slabbed and graded 75 examples, of which only 4 are finer.Calendar year mintage 35,043.The Latin obverse legend translates as "George the Third, by the Grace of God", continuing on the reverse as "King of the Britains, Defender of the Faith."Provenance:Ex Baldwin’s Auctions Ltd, Auction 116, 10 July 2024, lot 261
† Edward VI, coinage in name of Henry VIII, 1547-51, silver Groat, Durham House (December 1548 - Oct 1549), initial mark bow both sides, HENRIC 8 D G AGL FRA Z HIB REX surrounds, Roman lettering both sides, facing crowned, bearded bust, bust 6, pellet stops on obverse, saltire stops on reverse, rev. long cross fourchée over shield, crescent in forks, REDDI/CVQVE/QVOD S/VVM EST, 2.52g (N.1873; S.2405; Whitton p.310; Stewartby p.528). Fine for issue, very rare.The abbreviated Latin legends translate as on the obverse “Henry VIII by the grace of God, King of England, France and Ireland" and on the reverse "Give back to each what is his.”Provenance:Ex Spink ‘Ivan Buck’ sale, lot 404, hammered for £160 With old ticket stating bought from Roger Shuttlewood for £9 in November 1971
Concert Tickets, approximately thirty-five concert tickets with artists including Queen (1978), David Bowie (1987 ticket and VIP Pass), Alice Cooper, Genesis, The Cure, Eric Clapton, Fleetwood mac, Yes, Frank Zappa, Pearl Jam, Michael Jackson, Stevie Wonder, Asia, Gary Walker and more - various years and conditions
Thunderball Charity Premier Programme, a Programme for the Gala Charity Premier of Thunderball in aid of the Newspaper Press Fund at The London Pavilion and Rialto Theatre, Wednesday, 29 December 1965 - ninety-eight pages approx and comes with a cloakroom ticket for the Rialto Theatre - a little creasing on the front cover, otherwise in very good condition
Rock and Pop Tour Programmes / Tickets, twelve programmes, some with tickets with artists comprising The Who, Yes, Elton John (With tickets), Michael Jackson, Meat Loaf (with tickets), Stevie Wonder, Hot Chocolate (with tickets) , MC Hammer, Gloria Estefan, Neil Diamond (with ticket) and Kool and the Gang - generally all in very good condition
Eric Clapton CDs, approximately thirty-three CDs by Eric Clapton including Back Home, Sessions For Robert J, 461 Ocean Boulevard, MTV Unplugged, Riding With The King, One More Car one More Rider, Rainbow Concert, Eric Clapton and Steve Winwood, Another Ticket, Reptile, Backless, Pilgrim, Money and Cigarettes, 24 Nights, Journeyman, Old Sock and more - mainly all in Excellent condition
THE BEATLES AND SOLO - 7" COLLECTION. A collection of around 39 7" singles by The Beatles and related solo releases. The Beatles titles include Love Me Do (45-R 4949, red Parlophone. Record G+), Lady Madonna (R5675, incorrectly has both sides with same label. Record G), The Beatles Hits (GEP 8880), The Beatles Million Sellers (GEP 8946), Ticket To Ride, Yesterday, Help, Yellow Submarine, She Loves You, Paperback Writer, I Want To Hold Your Hand, Day Tripper, I Feel Fine, All You Need Is Love, Hey Jude. Wings/ McCartney inc Mull Of Kintyre, Mary Had A Little Lamb. Live And Let Die, This One, No More Lonely Nights, Take It Away, Once Upon A Long Ago, C Moon. George Harrison inc Bangla-desh. Lennon/ Yoko inc Happy Xmas, Just Like Starting Over, Give Peace A Chance. Ringo Starr - Only You. Condition is generally VG to Ex, some many drop below.
17 assorted 1950s / 60s concert programmes, some with ticket stubs. To inc: Gene Pitney 1965 (with ticket), Larry Parnes 'Lucky Stars' 1963 (with ticket), Billy J Kramer 'Pop Parade' 1963 (with ticket), Little Richard with Bluesology (Elton John, with ticket) 1966, Big Teenage Special 1958 and more inc Cliff Richard.
PROG - LP COLLECTION. A forward-thinking collection of approx 46 x LPs. Artists/ Titles include Genesis inc Trespass, Wind & Wuthering, Duke (inc concert ticket), The Lamb Lies Down On Broadway, Three Sides Live, ..and then there were three... (inc poster, concert programme and ticket), Mama and Seconds Out, Peter Gabriel - Shaking The Tree, Phil Collins, Emerson Lake & Palmer, Rainbow, Yes, Mike Oldfield and Nazareth. The condition is generally VG+ to Ex+, some may drop slightly below.

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33617 Los(e)/Seite