Trollope (Anthony). Cousin Henry, a Novel, 2 volumes, 1st UK bookform edition, London: Chapman and Hall, 1879, half-titles, volume 1 with 3pp. publisher's advertisements at rear, some finger-soiling, occasional short closed edge tears, volume 1 p.1 with long tear (previously repaired), stitching strained, rear pastedown with binder's ticket of W. Bone & Son, hinges cracked, original blue cloth, stamped in gilt, black and blind, circulating library labels removed from front covers (as often), darkened and soiled, lightly rubbed, somewhat cocked spines, with ends and front upper corners bumped, 3 corners showing, 8vo, together with: Ibid., Can You Forgive Her, 2 volumes, 1st bookform edition, London: Chapman and Hall, 1864-65, bound from the parts, half-titles, volume 1 with 20 etched illustrations by Hablot K. Browne "Phiz", volume 2 with 20 wood-engraved illustrations by Miss Taylor, variable toning and spotting to plates (affecting adjacent leaves), volume 2 sewing broken in gathering N, volume 1 front & volume 2 rear hinges cracked, armorial bookplates of Charles Walter Lyon and David Talbot Rice to each, contemporary dark brown half morocco, spines with gilt lines and lettering, rubbed, volume 1 front lower corner bumped, 8vo, plus: Lever (Charles), The Daltons or Three Roads in Life, 2 volumes, 1st edition, London: Chapman and Hall, 1852, 48 etched plates by 'Phiz', including frontispiece (in volume 2) and additional title, a few plates toned, occasional light spotting, one plate in volume 2 with short closed edge tear, armorial bookplate of David Talbot Rice to each front pastedown, volume 1 cover detached at rear hinge (front hinge cracking), contemporary half calf gilt, rubbed with some wear to extremities, spines with contrasting labels, 8vo, with: Edgeworth (Richard Lovell and Maria), Essay on Irish Bulls, 1st edition, London: for J. Johnson, 1802, 2 engraved vignettes, scarce light spotting, contemporary half calf, rubbed with some wear to extremities, 8vo, and 10 others, including: Comic Dramas in Three Acts, by Maria Edgeworth, 1817, and The History of Pendennis, by William Makepeace Thackeray, 1849-50, 2 volumes (volume 1 spine deficient)Qty: (21)NOTESCousin Henry: Sadleir Trollope 56. Vol. 1 with p. 95, line 2 "bedside" instead of "beside", and p. 197, has running headline "ABEL" for "ISABEL", also with page-numbers for vol. 1, p. 114, and vol. 2, p. 84, in a larger type, as noted by Sadleir in some copies. Cousin Henry first appeared as a weekly serial in early 1879. This bookform edition was published in November 1879 and was preceded by the US edition of September 1879. Can You Forgive Her: Sadleir Trollope 19.
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A super pack of 3 CD box-sets by Cream or related. Cream titles include Cream With Eric Clapton (Japanese 18 CD - Paper Sleeve Collection, No: 025 of 100 copies. Titles included in the set are: John Mayall Blues Breakers with Eric Clapton, Fresh Cream, Disraeli Gears, Wheels Of Fire Goodbye Cream, Cream Live, Live Cream Volume II, Blind Faith, Derek And The Dominos - Layla, 461 Ocean Boulevard, Slowhand. All in Ex+/ Like New condition. Presentation box still has shrinkwrap cover), John Mayall Blues Breakers with Eric Clapton (Japanese presentation box containing 9 relating CD albums by Clapton. Titles include Derek and The Dominos - Layla, Live Cream Volume II, Disraeli Gears, Blind Faith, Fresh Cream, Live Cream, Wheels Of Fire. CDs are in Ex+/ Like New condition, presentation box also Ex+/ Like New) & Eric Clapton (Japanese 18 CD boxset containing albums by or featuring Eric Clapton. Titles include John Mayall Blues Breakers With Eric Clapton, Another Ticket, Blind Faith, Backless, Derek And The Dominos - Layla, EC Was Here, Slowhand, No Reason To Cry, Just One Night, There's One In Every Crowd. CDs are in Ex+/ Like New condition as is the presentation box).
RCA 7" - 60s DEMOS. Superb collection of 20 x original UK RCA 7" release demos from the 60s loaded with choice rarities. Artists/titles/cat. numbers are Tommy Bruce - Monster Gonzales (RCA 1535 - Ex a few easily cleaned storage marks), The Ginger-Snaps - The Sh-Down Down Song (RCA 1483 - fantastic archive condition), Neil Sedaka - Oh! Carol/One Way Ticket (2 x single sided releases, released as RCA 1152 - Ex and VG+), Sylvie Vartan - Another Heart (RCA 1495 - Ex), The Other Two - Don't You Wanna Love Me Baby (RCA 1465 - archive), Nilsson - You Can't Do That (RCA 1632 - archive), Pat Hervey - Tears Of Misery (45-RCA 1332 - Ex), Rita Pavone (RCA 1553), Dick Francis (RCA 1572), The Mama's And The Papa's - Words Of Love (RCA 1564), Joe Williams (RCA 1477), Clodagh Rodgers (RCA 1748), Les Surfs (RCA 1461), Chet Atkins - Susie-Q (RCA 1382), Frankie Randall (RCA 1574), Ann-Margret (RCA 1267), Floyd Cramer (RCA 1259), Ulysses Smith (RCA 1728), Feliciano (RCA 1769) and Kelley With The Nevada Showband (RCA 1507). Condition is primarily Ex to Ex+/archive.
Ephemera, an interesting collection of late 18th/mid 20thC items to include 2 beer labels (Guinness and Hall and Woodhouse Coronation) photographs, documents, advertisements (inc. Horniman's Pure Tea), receipts, certificates, shipping, 18thC letter from a ship that was part of Admiral Greaves Squadron, chemists labels, signature and seal of Prince Edmund Batthyany (yachtsman and landowner), London Transport Forces ticket, 1907 Milky Way Club certificate etc. (gen gd) (qty)
Music, a quantity of assorted music ephemera to include a still complete picnic pack from the 2002 Queen's Golden Jubilee Concerts at Buckingham Palace, souvenir programmes (In The Park 1992, Tammy Wynette with ticket, Neil Young, War of the Worlds with 3D specs, Free South Africa, Gary Moore 1984, BBC Road Show 1988, Shirley Bassey, Ralph Mc Tell 1973, Meat Loaf 1982, Glastonbury 1999, Bob Dylan, Reading Rock 1982, Fifth International Festival of Country Music 1973 with tickets signed by Tex Withers), unopened 2004 Brit Awards pack, John Lennon 1980 exhibition programme, 1980s music papers Black Echoes (6), Hot Buttered Soul, Hot Wacks etc. and various music annuals (gen gd) (qty)
Football memorabilia, Southampton, 12 match tickets, homes v Chelsea (x2), Liverpool, Tottenham, Arsenal, Man Utd, Wolves, Ipswich & Coventry, plus two away tickets, Bristol City & QPR all 1978/9, together with Southampton v Nottingham Forest LC Final ticket 1979, sold with 26, 1970's Football League Reviews & a few other items (gen gd)
Football, Suffolk Premier Cup Finals played at Portman Rd Ipswich, Bury Town v Sudbury 18 Apr 1960 with match ticket, together with single sheet issue 7 May 1960 for replay (score & team changes noted) with press cutting sold with Bury Town v Ipswich Town A Suffolk Premier Cup s/f 12 March 1960 (fair/gd)
Football, a selection of Tottenham related items inc. programmes, flyers, 1962 FAC Final ballot card, European Match and flyer ticket information early 1960's, also 17 home programmes inc. 10 reserve & youth team games also GB v Netherlands Olympic Qualifier 59/60 & First Team games v Arsenal 59/60, Leeds 59/60, Chelsea 59/60 etc (some programmes with team changes, gen gd)
unmarked, an oval engraved silver admission ticket, rev. crest, named (Wa Williamson Admitted 26 Jan 1786), with integral suspension loop(4.4 x 3.1cm)Footnote: Provenance: From a private Scottish collector, by descent. Note: For a similar example see, Dix Noonan & Webb, Ancient, British and World Coins. Important World Banknotes. ‘The Norman Brodie Collection of Scottish Tickets and Passes,’ 8th October 2002, lot 523. Also, Dix Noonan & Webb, Tokens, Tickets and Passes, Historical Medals, 26th May 2020, lot 314.
A collection of 1948 London Olympics memorabilia, formerly the property of an Athletics Official. The collection includes Identity card, Officials medal, cloth badge and headscarf, two enamel badges, official souvenir, closing ceremony programme, eight athletics programmes, two swimming programmes (some duplications), opening ceremony and other ticket stubs and Reception cabaret menu
WARTIME FOOTBALL IN FRANCE 1944 Programme and ticket for the Friendly in Amiens 11/11/1944, British Army v. Amiens Select. The ticket has been stuck inside the 4 page programme and has a small piece torn off on entry. The British team included Short of Luton, Bradford of Southampton, Smith of Bristol Rovers, Pearce of West Ham, Raison of Aldershot, Wilson of Airdrie, Allen of Belfast Celtic and Hinchcliff of Derby. Folded and minor repairs. Fair
MANCHESTER UNITED A collection of ephemera including a notice of ticket prices on headed paper for the Bobby Charlton Testimonial, programme for the Pat Crerand Testimonial, Banqueting Suite details, portrait postcard for the 1970's and fixture lists 72/3, 73/4, 74/5, 79/80, 82/3 and 83/4, Generally good
SHEFFIELD UNITED A collection of 24 Sheffield United and Sheffield related tickets mostly homes and mostly 1970's to include v Manchester City , West Ham , Crystal Palace 1972/73, Norwich City , Manchester City 1973/74, Leeds United , Manchester City 1974/75 , Fulham (George Best played for Fulham ) 1976/77, Fulham , Arsenal (FAC) 1978/79, Burscough (FAC), Sheffield Wednesday 1979/80. Away matches at Arsenal 1963/64 with small paper loss bottom left, Chesterfield (FAC) 1979/80 plus Everton v Sheffield Wednesday (FAC Semi Final) 1985/86 and a Sheffield Eagles v Warrington Rugby League 1990 ticket. A few duplicates with some paper abrasion on a few tickets. Fair to generally good
Isaac Pailes (French, 1895-1978)Still life signed 'Pailes' (upper left)oil on canvas73 x 50cm (28 3/4 x 19 11/16in).Painted c. 1913Footnotes:Isaac Pailes grew up in a family of goldsmiths. His maternal grandfather was a wood engraver. At the age of thirteen, following in the footsteps of his grandfather, Isaac took an interest in engraving and in sculpture. His first sculptures are exhibited in museums in Kiev. In 1910, he enrolled in the School of Fine Arts in Kiev, where he met Issachar Ryback and Max Kaganovitch, who became his dealers forty years later. With his father's help, Isaac Pailes arrived in Paris in 1913. He shared a room with Mané- Katz and studied sculpture for a year at the Ecole des Beaux-Arts in Paris. One year later, he decided to return to Kiev and stole money from in the Russian embassy to go to Russia via London, Norway, Sweden, and Finland. When the Revolution broke out in Russia, he was sent to the Crimean front. As he refused to fight, he escaped and managed to embark on a ship without any papers or ticket. In exchange for a gold ring, the captain dropped him off in Constantinople. Pailes' dream was to return to Paris where he arrived in 1919 and went straight to the café La Rotonde to meet his friends Michel Kikoine and Isaac Dobrinsky. Initially, he worked as a model in order to earn his living. In 1920, he gave up sculpture for painting and started to collect tribal art. He then got in touch with the art lovers of the time: police chief Zamaron and dealers Paquereau and Georges Bernheim. Attached to his Slav origins, Pailes participated in the activities of the Russian Artists Society, which was set up by Russian artists in Montparnasse and presided by Wildhopff. When World War II broke out, Pailes settled in the Pyrénées - Orientales and later in the Auvergne region. He then joined a group of Resistance fighters in Rochefort. Following the Liberation, he returned to his studio in Montparnasse and continued to paint. In 1948, Isaac Pailes produced his first abstract works.For further information on this lot please visit Bonhams.com
Poignant Memento of a Fateful DaySunday, November 21st, 1920G.A.A. ? Grand Challenge Match (Football). Tipperary v. Dublin at Croke Park, on Sunday, November 21, 1920. An original printed ticket for this match. Printed on pink card with Serial No. & Admission 1/-. Exceptionally fine example. Excessively Rare, together with a reproduction Memorial Card of the victims.The period 1918 ? 1920 was a turbulent and dangerous period in Irish History. Martial Law was enforced in many areas, and the activities of the G.A.A. and other Sporting Organisations were severely curtailed. The behaviour of the British Forces in Ireland forced many young men to join the Irish Volunteers and other Republican Organizations, despite having no background in the movement. Especially in Tipperary many young men of the time, and particularly those involved in Gaelic Games, joined in the struggle for Irish Independence. With such exciting events as the Rescue of Sean Hogan at Knocklong Railway Station in May 1919, several of the country?s leading Footballers became involved in the War of Independence. By early March 1920, the number of Gaelic Games played almost came to a standstill. This trend continued into the early summer when normally the volume of activity should have been increasing. In October there came a sudden and brief revival of Inter-County Fixtures. However, the following month was to have a tragic outcome. In early October, approximately five thousand spectators who had so far that year had little exciting fare were entertained by a rousing Challenge Football Match in Croke Park, between Dublin and Kildare, which Dublin won. Soon afterwards, the Tipperary County Board issued a challenge to Dublin. A match was arranged for 2.45 p.m. on Sunday November 21st, again at Croke Park. The game was well organised, and advertised as The G.A.A. Challenge Match. It was intended that the money raised from the match would help the Association for the Dependents of the I.R.A. who had been killed or imprisoned.The events which occurred at that game, now known as ?Bloody Sunday,? followed the early morning assassination of eleven British Intelligence Agents, ?The Cairo Gang,? in an operation organized by Michael Collins. When the British retaliated later that day, it was to Croke Park that the Military and Auxiliary Forces came, recognizing that the Stadium was the centre and symbol of Irish Nationalism and Nationalistic Aspirations. ?Then suddenly and without any warning, Croke Park was the scene of a holocaust? They fired into the crowd indiscriminately, killing twelve people and wounding about sixty, ?On the field Michael Hogan, one of the Tipperary backs (and one of only two Irish Volunteer Officers on the Tipperary Team) lay mortally wounded, while within seconds a dozen spectators were dead or dying, many more seriously wounded.? This was Bloody Sunday.Nothing more strikingly illustrates the close connections between the G.A.A. and the Republican Movement between 1916 and 1922, than ?Bloody Sunday.? (1)Provenance: The Lovely family of O'Rahilly Parade, Dublin, by which a member attended the match and hence by descent as a Gift to the Present Vendor's Father.
Gaskell, Elizabeth. The Life of Charlotte Bronte, first edition, in two volumes, London: Smith, Elder & Co., 1857. Association copies bearing owner inscription of John Nussey [brother of Ellen Nussey], 4 Cleveland Row, on front free endpaper of each volume. Ellen Nussey was a lifelong friend of Charlotte Bronte, and her correspondence was a major influence for this landmark biography. Octavo, publisher's cloth, re-cased, pale yellow endpapers, binder's ticket (Westleys & Co., London), frontispiece present in each volume, facsimile manuscript plate in first volume, 16 pages of publisher's advertisements at rear of second volume. Contents generally very good, clean, bright; occasional little marks or nicks to page edges; spotting to frontispieces and protective tissue-guards with some offsetting to title of second volume; endpapers with marks and slight wear; publisher's cloth binding re-cased, slight fraying to joints, corners bumped and worn (2)
* JOHN G BOYD RP RGI (1940 - 2001), FLOWER PIECE oil on canvas, signed; further signed and titled verso 50cm x 50cm Framed and under glass. Provenance: Exhibited and acquired in 1996 at The Contemporary Fine Art Gallery, Eton. Labels verso and original sale ticket with price (£2000). Note: John Boyd was born in Stonehaven, Kincardineshire in 1940. He studied at Gray's School of Art, Aberdeen (1958 - 1962) where he was taught by Robert Henderson Blyth. He briefly studied at Hospitalfield where he met John Byrne and Sandy Fraser, who was to become a lifelong friend. Boyd moved to Glasgow and from 1967 - 1988 he taught at Glasgow School of Art before turning to painting full time. His first solo show was held in Edinburgh in 1967, after which he exhibited regularly at the RA, the RSA, the RGI and RSPP. A major retrospective of his work was held in Glasgow, in 1994. Boyd won numerous awards and was elected a member of the Royal Glasgow Institute of Fine Arts in 1982 and a member of the Royal Society of Portrait Painters in 1989. His work is held in private collections owned by, among others, the Earl of Moray and Lord MacFarlane as well as numerous corporate collections including The Fleming Collection, Bank of Ireland, Murray Johnson and Arthur Anderson. Public collections include the Paisley Art Gallery, the People's Palace, Glasgow Museums and the Lillie Art Gallery, Milngavie. He was noted for his strongly coloured landscapes, portraits and still life's, mostly in oils, with his best work being produced in the last ten years of his life.
COLLECTION OF SCOTLAND V. ENGLAND FOOTBALL PROGRAMMES, dated 13 February 1973, 19 May 1973, 15 May 1976, 4 June 1977, 26 May 1979, 24 May 1980 and 23 May 1981, along with other Scotland international football programmes including vs. Peru 12 September 1979, vs. Northern Ireland 25 March 1981, vs. Israel 28 April 1981, vs. Holland 23 March 1982, vs. German Democratic Republic 13 October 1982, vs. Portugal 26 March 1980, vs. Wales 21 May 1980, vs. Austria 17 October 1979, vs. Northern Ireland 1 June 1977, vs. Wales 6 May 1976, vs. Argentina 2 June 1979 and vs. Bulgaria 22 February 1978, also including other football programmes and a ticket from the Scottish Cup Final Tie at Hampden Park, 4 May 1963
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33619 Los(e)/Seite