9953 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

WORLD/ LATIN - LP COLLECTION. A fine collection of around 57 LPs. Artists/ titles include Gilberto Gil inc A Voz De, Raca Humana. Ali Akbar Khan - Ragas Of India (SRL 1103, 3 LP set), Baden Powell - Series Autografos De Sucesso, Miriam Makeba - The Many Voices Of, Frances Yip - Greatest Hits, Nana Twum Nketia - Traditional African Music And Dances. Baden Powell, Cheb Khaled - The Rai King Of Algeria, Sergio Ricardo, Najma - Atish, Various - Brasil, Arthur Lyman - Taboo, Ravi Shankar, Flora Purim, Oscar Castro-Neves, Opera Do Malandro, Joe Arroyo, Debarata Chaudhuri - Sitar Music. This Is The Music Of India, Chaba Zahouania, Celina Gonzalez, Papa John Creach, Miriam Makeba, Marcos Silva. Condition is generally VG to Ex+.

SPORT: 1- Nicholson, William: An Almanac of Twelve Sports. Words by Rudyard Kipling. Heinemann, 1898, 1st. Edn. With 12 colour lithographic plates, 4to. Original pictorial boards, lacking the spine, the block is loose; 2- Baden- Powell, Sir R: Pig-sticking or hog-hunting: A complete account for sportsmen and others. Jenkins, 1924, With the Publisher’s slip, tipped-in: “Advance Review Copy, this book will be published 14 Nov. 1925”, DW (also with the Publisher’s slip), VG; 3- Badminton Library, 3 vols. Phillipps-Wolley: Big Game shooting, in 2 vols. 1902-03; & Walsingham: Shooting, 1887, all three in the publishers’ pictorial boards. (5)

Original vintage advertising poster for an exhibition at Kunsthalle baden baden entitled Altamerikanische Schriftbilder / Old American Typefaces that took place from 10 April to 9 June 1963. Design features a decoration from one the Maya piramyds of a man holding out his hand. Good condition, creasing, staining. Country of issue: Germany, designer: Unknown, size (cm): 84x59, year of printing: 1963.

WERNER BERGES Cloppenburg/Niedersachsen 1941 - 2017 Schallstadt/Baden: „Rasur“. Farbsérigraphie 1967. Gäßler G 1967.11. - Expl. 14/20 (Gesamtaufl. 25) Signiert, datiert und betitelt. Auf kräftigem Vélin. 57,5 x 80 cm. Mit schwachen (teils durch den Druck entstandenen) Farbspuren und vereinzelten Bereibungen. Unterrand mit kurzen Knickspuren. [ms]

WERNER BERGES Cloppenburg/Niedersachsen 1941 - 2017 Schallstadt/Baden: „soso“. Farbsérigraphie 1967. Gäßler G 1967.13. - Expl. 68/100. Signiert, datiert und betitelt. Auf chamoisfarbenem Vélin. 51 x 40,5 cm. Mit kurzen Randknickspuren, hinterlegtem kurzem Randeinriss und winzigen Nadelspuren in den Ecken. [ms]

RESI (THERESE) BORGMANN Berlin 1861 - 1945 Baden-Baden: Nelken in einer Glasvase. Oel auf Karton. Signiert. 49 x 20,5 cm. Mit leichten Retuschen. R. Borgmann leitete von 1888-1900 die Blumen- und Stillebenklasse der Malerinnenschule Karlsruhe. Gerahmt. [ms]

ARTHUR GRIMM 1883 - Mudau/Odw. - 1948: Blumenstrauß in grüner Vase. Oel auf Leinwand 1924. Signiert und datiert. 38,5 x 31,5 cm. Diese Arbeit stammt aus seinem ersten Jahr in Baden-Baden auf dem Quettighof, als er endlich die Enge und Bedrücktheit der Nachkriegsjahre in Karlsruhe hinter sich ließ und einen Neuanfang für sich sah. Gerahmt. [bg]

SALVADOR DALÍ (1904-1989)Rideau-chevelure semi-humain séparé par une fermeture éclair (Hairy half-human curtains separated by a zipper) signed 'Dalí' (lower right)pen and India ink on card27 x 22cm (10 5/8 x 8 11/16in).Executed circa 1937Footnotes:The authenticity of this work has been confirmed by Nicolas Descharnes.ProvenanceJohn U. Sturdevant Collection, Palm Beach (acquired by 1971).Daniel Varenne Collection, Switzerland.Thence by descent to the present owner.ExhibitedBaden-Baden, Staatliche Kunsthalle, Dalí, Gemälde, Zeichnungen, Objekte, Schmuck, 29 January – 18 April 1971, no. 139.LiteratureHouston Chronicle, 13 February 1937 (detail illustrated p. 9 with the caption: 'A Pair of 'Hairy, Half-Human Curtains Separated by a Zipper' Will Be a Feature of One of M. Dalí's Rooms Fifty Years From Now. In the Doorways of an Apartment These Curtains Will Be Hung to Warn a Person of the Fate That May Await in the Next Room. They Will Quiver and Shake at the Sign of Danger, and Caress the Oncomer If Joy or Good Fortune Waits Within'), later reproduced in Detroit Free Press, 18 February 1937; Florence (S.C.) News, 21 February 1937; Birmingham (ALA.) News-Age, 21 February 1937; Tulsa (OKLA.) Tribune, 21 February 1937).Exh. cat., Dalí, Paris, 2012 (illustrated p. 252).Rideau-chevelure semi-humain séparé par une fermeture éclair presents a rectangular doorway, entrance through which must be made through a zippered curtain of flowing hair. The hard vertical and horizontal ink strokes forming the flooring, skirting and architrave juxtapose sharply with the organic waves of hair which drape gently to the floor. Drawn circa 1937, the work is closely related to Dalí's magnificent oil and collage work, Singularitats of 1935-1936 – which was featured on the front cover of the catalogue for the 2022 exhibition Salvador Dalí: Myth and Singularity at the Museum of Cycladic Art in Athens. The finished composition picks out features in blood-red pigment against an inky black background and shows the curtained doorway of the present work to the left of an eerie landscape. Here, the door is situated on a small box-like red building, a certain faded elegance recalled by a triangular pediment and cracking exterior. The zip and curtains of hair conjure obvious sexual overtones, as does the intrigue of what is to be found within the box, guarded by a feathery silhouette to the right, and a flamboyant, goddess-like woman to the foreground.The concept of the door as a sexual gateway was revisited by Dalí in 1939 when he constructed the Dream of Venus installation at the New York World's Fair, transforming the pavilion into an erotic funhouse which was entered through a monumental pair of gartered legs. Dalí explored the use of different materials in the 1930s to enhance the erotic associations of an artwork, believing, in Dawn Ades' opinion, that 'the erotic can find expression in a variety of ways, most obviously via the gaze and the touch. The object as incarnation of desire is realised in, for instance, the fur pom-poms on Dalí's Venus de Milo with Drawers' (D. Ades, 'Eroticism', in Dalí/Duchamp, exh. cat., London, 2017, p. 108). Created in 1936, Dalí's version of the famous Venus de Milo was provocatively adorned with tactile mink tufts to her forehead, bare breasts, stomach, and uncovered knee.It is thought that the artist was a virgin when he first met his wife at the age of 25 ('until Gala entered his life, Dalí was clearly afraid of young women, with the fear of fascination' – R. Descharnes & G. Néret, Salvador Dalí, The Paintings, Vol. I, 1904-1946, Cologne, 2007, p. 70) and was rumoured to prefer masturbation or voyeurism more than the act of consummation. A fixation with sexuality played out across his oeuvre, noticeably in the late 1920s-1930s, a period which spawned controversial works such as Le grand masturbateur (1929) – Dalí's 'main obsession at that time can best be termed desire' (ibid, p. 145).The Mae West Room in the Dalí Theatre-Museum in Figueres (opened in 1974) revisits the idea of hair as curtain. Dalí constructed an apartment with the help of designer Òscar Tusequets, which, when viewed through a reducing lens, conjured the face of the Hollywood film star. Her out-scale hair was lavishly arranged to form a grand theatre-like curtain, framing the tableau formed by the furniture and paintings beyond. The concept came from the artist's collage of 1934-1935, Le visage de Mae West qui peut être utilisé comme appartement surréaliste, whose curtain-like hair and red tones echo elements of Singularitats.The present work was executed in the midst of Dalí's most successful years, following his marriage to Gala in 1934 and his celebrated debut in New York. During his trip to the US in 1934, Dalí held six solo exhibitions and delivered a lecture at MoMA. He embraced his fame, going out of his way to court publicity: 'Dalí liked going into drugstores with an immense loaf tucked under his arm, ordering fried eggs, and then eating them with a small piece of bread cut off the loaf – to the great amusement of anyone who happened to be there at the time [...] Before they departed, Caresse Crosby threw a Dream Ball in Dalí's honour. The Americans vied to out-Dalí each other. Dalí confessed that even he (who was so rarely impressed by anything) was astounded by the riotousness of the ball at the 'Coq Rouge'' (op. cit, p. 235).Despite his individual success, Dalí maintained a dialogue with his fellow Surrealists, most notably René Magritte, whose 1966 sketch Le Viol ('The Rape') undoubtedly echoes the present work. The composition by the same name to which it refers was painted in 1934, preceding Dalí's Singularitats, and depicts a female face formed by her torso, a triangle of pubic hair taking the place of her mouth, the whole framed by her auburn hair. When the painting was exhibited at the Palais des Beaux-Arts de Bruxelles in the year of its execution, it was deliberately excluded from the exhibition catalogue and displayed behind a velvet curtain, in an area reserved for adults only. The portrait is believed to allude to the artist's mother's tragic suicide by drowning when Magritte was just fourteen – she was discovered with her face veiled by her gown, her naked body exposed. The peep-show nature of the presentation of Le Viol in 1934 leads us to question what is behind the curtain in the present work, shown to be the portal to a red booth in the larger composition. Eroticism was intrinsically linked with danger and uncertainty for Dalí, as the enticement of sexual promise in Singularitats is threatened by the eerie setting, filled with unknown and inexplicable objects. An animate object is draped in red cloth to the lower left, while the Dalínian clock melts to the lower right, and the faceless female figure morphs into foliage. Choosing to focus solely on the curtained doorway in Rideau-chevelure semi-humain séparé par une fermeture éclair, Dalí invites the viewer to step through to an alluring unknown.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

German States. 1851-1923 Collection in an album with some additional stamps and covers, loose or on pages, including Baden; Bavaria with 1865 Return Mail stamps (31), a good range of 1920 issue varieties with imperf and misperforated stamps, missing or shifted colours, some proofs and colour trials; Saxony 1850 3pf on piece heavily repaired; Wurttemberg, etc. (100s).

Germany, Baden, Long Service Medal, Third Class, for 9 Years’ Service, silver, good very fine Germany, Bavaria, Merit Cross, First Class, with crossed swords, gilt and enamel, very fine Germany, Mecklenburg-Schwerin, Military Merit Cross 1914, bronze, on combatant’s riband, good very fine Germany, Saxony, Friedrich August Medal, bronze, good very fine Germany, Württemberg, Military Merit Medal, Wilhelm II, silver, good very fine (5) £70-£90

German Second World War Female Hitler Youth DJ Arm Gebiet (Area) Patches. Comprising Patches for Nord Nordsee, with ticket on the reverse; South Vienna, with ticket on reverse; South Tirol Vorarlberg; West Westfalen; Nord Nordmark; West Niederland, with ticket on reverse; and South Baden, all with traces of glue where adhered to a collectors display board, generally good condition (lot) £140-£180

Lady Baden Powell and Patience Baden Powell signed 2001 Internetstamps official Scouting FDC. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10

Emailschild "Miele" (50er Jahre)Heissmangel für schonende Wäschepflege; 49,5 x 74 cm; leicht gewölbt; mit Abschlägen; Pyro-Email Boos & Hahn, Ortenberg/Baden

Stamps Interest Germany 1872 - 1940's mint or used in album collection with sets or part sets etc, + German states from 1849 early mixed condition imperfs, includes Baden, Bavaria, Bergdorf, Brunswick, Bohemia, Danzig with nice mint (57 mint stamps) Hanover, Hamburg, Prussia, Saxony, North German confederation, thurn and taxis + Wurtenberg, states cat £1,500+, total cat £3,000+ 800+ stamps mint or used. Prices from 2018 cat's so will be higher now.

Robert Baden Powell and Baden Powell family interest ephemera comprising cased bronze and silver medals with accompanying silver thread badges, monogrammed leather cigar / cigarette case with vintage cigar receipt, embroidery, photograph albums and ephemera relating to the Scout / Scouting and Girl Guiding Movement. The collection consists of cased bronze and silver Napoleon III medals 'Paris Exposition Universelle entitled Baden Powell pour services rendus' by Joseph - Hubert Ponscarme, diameters 7 and 3.5cm. An embroidery / embroidered hessian panel of approximately one hundred signatures of Girl Guides and Scouts (possibly from the 1934 World Jamboree featured in the photograph album), names including ?? Baden Powell (initial indistinct but probably Mave or Aggie Baden Powell) Eric Bonham, Alice Howarth, Florence Purvis, Fraser N Penny, Alice Sandford, Henrietta Gordon, Reginald Courtenay, Augusta Blackenbury, E Jessica Shields, Nisbett B Lodge, Harriet Spencer etc, 82 x 79cm. Framed photograph of Lieut General Robert Baden Powell in oak frame with lily of the valley moulded surround, image 20 x 15cm and frame 39 x 34cm. 'The Moral of the Acorn and the Oak', in frame. Albums include photographs of the Baden Powell's chalet in Odelboden 1938, Baden Powells at the opening of the chalet 1932, Scouts Chalet Kandersteg, Guides and Scouts in surrounding countryside, arrival and departure of Guides Schutzenbruche 1948, Dutch and Belgian Guides, Sawmills at Adelbaden, Whitsun camp, watercolour of a Scout 'Be Prepared' folio of photographs, Scouts cooking and on parade, World Rover Scout Meet Kandersteg Switzerland 1931 and Shropshire contingent with Chief Scout and Guide Baden Powell. Also included is a scrapbook 'The Scouts Yarn' 1932 onwards, loose photographs etc

A GROUP OF FIVE SCENT AND SNUFF BOTTLES comprising: A floral decorated porcelain scent bottle, with a cork lined plated screw top and collar, c. 1900, 9cm high; A German Lattacino / Zanfirico glass snuff bottle with a metal mounted cork stopper, the body decorated with fine latticino/zanfirico spirals in white and red, 8.75cm high; a phial-form glass scent bottle with hinged brass patterned top, the textured clear glass body cased over streaky white and pink, c. 1900, probably Bohemian, 12cm long; a ruby flashed and engraved glass souvenir scent bottle, with a hinged brass top, and glass stopper the round body with bevelled edge, engraved to the front with a flower and leaf spray above the words "Souvenir de Bade" (souvenir of Baden-Württemberg), the back clear to allow light, c. 1880, 5.5cm high; and an enamelled opaline milk glass scent bottle with a cork lined brass screw top, the satin finish body enamelled with a delicate flower and leaf spray in coral tones, c. 1890, 7.5cm high (6)Provenance: The Richard Hoppé Collection

[MISCELLANEOUS] Fox, Frank, & Spence, Percy, illustrator. Australia, first edition, Black, London, 1910, decorative blue cloth gilt, top edges gilt, paper-protected colour plate illustrations, small quarto (spine faded, dulled, and nicked at head); Baden-Powell, Sir Robert. Indian Memories, first edition, Jenkins, London, 1915, plain brown cloth, plate and text illustrations, octavo; and The Life and Explorations of David Livingstone, Murdoch, London, no date, full bevelled pictorial black leather gilt (re-backed), all edges gilt, colour vignette half title page, frontispiece and further plate illustrations, large quarto, (3).

A FINE IMPERIAL GERMAN BADEN GENERALS PICKELHAUBE, the black leather skull with gilt brass mounts to include Baden eagle helmet plate surmounted by a white metal rayed star with enamelled highlights, enamelled cockades, leather backed chin scales, fluted spike finial with quatrefoil base, leather and silk liner, paper maker's label for GUSTAV GFRORER, STUTTGART, complete with field service cover and contained in its double helmet transit case.

A World War One Autograph Album, containing signatures and some notes by various notable men including - T. E. Lawrence (handwritten signed note), Rudyard Kipling, D. Haig, David Lloyd George, Arthur J. Balfour, H. H. Asquith, Robert Baden Powell and numerous V.C. recipients including - G. Lyall, G.Tearkes, G. Sanders, W.D. Bissett, J.P. Johnson, E.P. Marriott M. G. Christie and John Galsworthy. Provenance: The vendor's great-grandfather collected these signatures by writing letters addressed to the above

A collection of continental silver and white metal coins to include George III Essequibo & Demerary 1/2 Guilder 1816, four Papal States coins comprising three 10 Soldi (1866 and two 1869) and one 5 Soldi (1867), two Kingdom Of Bavaria 6 Kreuzer both 1808, two German States (Baden) 6 Kreuzer (1834 and 1846) and similar

Bologneser Maler des 17. JahrhundertsHALBBILDNIS EINES HERRENÖl auf Leinwand.80 x 75 cm.Gerahmt.Vor unbestimmtem Grund blickt ein Herr mit kurzem weißem Kragen aus dem Bild heraus, dessen realistische Auffassung so portraithaft wirkt, dass eine reale Person vielleicht aus der Gegend um Bologna für das vorliegende Gemälde gesessen haben mag.Provenienz:Privatsammlung, Baden-Württemberg. (13501518) (13))

Ferdinand Keller,1842 Karlsruhe – 1922 Baden-BadenNAJADENÖl auf Leinwand.200 x 165 cm.Links unten monogrammiert und datiert „FK. 1893.“.Gerahmt.Das im Stil eines Gobelins gehaltene Gemälde zeigt an einem großen wasserspeienden Brunnenbecken, der seitlich rechts und links unten von Schilf umgeben ist, zwei sitzende Najaden, jeweils eine große Muschel in der Hand haltend, mit denen sie versuchen zu spielen. Malerei in überwiegend beige-brauner Farbgebung, vereinzelt leicht rötlich durch die gehaltenen Muscheln. Der Autor Michael Koch beschreibt diese große Leinwand als einen Entwurf des Künstlers aus einer Serie von vier Großformaten nach antiken Motiven für Wandbehänge, die alle 1893 entstanden. Thema für diese Gobelin-Malereien waren Bacchanale. Diese Arbeiten wurden für Kellers Sommerhaus gefertigt. Leinwand am unteren rechten Rand etwas gelockert.Provenienz:Privatbesitz, Deutschland.Anmerkung:Keller war ein deutscher Historienmaler. Sein Vater war Bauingenieur und erhielt 1857 den Auftrag Flussregulierungen und Brücken in Brasilien zu errichten. Der Künstler durfte seinen Vater dabei begleiten. Nach der Rückkehr aus Brasilien begann er im Jahr 1862 ein Studium an der Kunstakademie Karlsruhe. Er studierte unter anderem bei Johann Wilhelm Schirmer. Von 1867-1669 lebte Keller in Rom, wo er die Bekanntschaft von Anselm Feuerbach machte. Von 1880-1913 schließlich war er Direktor der Kunstakademie Karlsruhe.Literatur:Michael Koch, Ferdinand Keller (1842-1922), Leben und Werk, Karlsruhe 1978, WVZ Nr. 242 mit Abb. (1350511) (18))

Apollonio Domenichini, auch genannt „Maestro delle Vedute della Fondazione Langmatt“, tätig 1740 – 1770, zug.Venezianischer Maler des 18. JahrhundertsBLICK AUF DEN CANAL GRANDE, VENEDIGÖl auf Leinwand.23 x 53 cm.In vergoldetem Prunkrahmen.Dieses Lagunenpanorama zeigt den Blick auf den belebten Canal Grande. Auf der rechten Uferseite ist die große Kuppel der Basilika Santa Maria della Salute zu sehen. Auf der gegenüberliegenden Seite sind die Patrizierpaläste und Häuser sowie auf dem Wasser zahlreiche Boote und Gondeln zu bewundern. Darstellung unter hohem blauem Himmel mit weißen Wolkenformationen.Anmerkung:Der Künstler ist auch bekannt als „Maestro delle Vedute della Fondazione Langmatt“ aufgrund von vierzehn seiner Werke in der gleichnamigen Sammlung in Baden bei Zürich. Zwischen 1740 und 1770 wirkte er als Schüler von Luca Carlevarijs und Johan Richter als Vedutist in Venedig. Neben seinen bekannten Venedigansichten entstanden jedoch auch eine Reihe höchst fantasievoller Capricci. (1350613) (4) (18)Apollonio Domenichini,also known as “Maestro delle Vedute della Fondazione Langmatt”, active 1740 – 1770, attributedVenetian painter of the 18th centuryVIEW OF THE GRAND CANAL, VENICE Oil on canvas.23 x 53 cm.Notes:The artist is also known as “Maestro delle Vedute della Fondazione Langmatt” as fourteen of his works are held in the eponymous collection in Baden near Zurich.

PIUS VPontificale Romanum ad omnes Pontificias ceremonias, printer's device on title and at end, full-page woodcut of the Crucifixion, numerous small woodcuts throughout, printed in red and black, small repairs to title and to first and last 2 leaves, C8 upper corner defective with loss of text, contemporary calf blind-stamped with several concentric rolls, upper cover with initials 'F.M.E' and date '1573', rebacked, clasps missing, a little worn, folio (370 x 270mm.), Venice, Giunta, 1572--Missale ad sacrosancte Romane ecclesie usum cum variis additamentis, title within ornate woodcut border with printer's device, printed in red and black throughout, numerous woodcuts (one full-page) throughout, some manuscript inscriptions, lacking C3, C4 supplied in manuscript on vellum leaf with illuminated historiated initial with God the Father, upper and side margins trimmed, minor soiling and spotting, rebacked, hinges softened, new endpapers, worn [USTC 145429; Weale & Bohatta 1049], folio (310 x 220mm.), [Paris], Thielman Kerver and Wolfgang Hopyl, 1521--Breviarium Romanum, ex Decreto Sacrosancti Concilii Tridentini restitutum, printed in red and black, woodcuts and woodcut initials throughout (some full-page), first blank repaired at external margin and with extensive early manuscript inscriptions, modern calf, new endpapers [Bohatta 306], 4to, Venice, Giunta, 1574; and 2 others, sixteenth century theology (5)Footnotes:Provenance: First work, Ochsenhausen Abbey, Baden-Würtenberg, Germany, stamp on title; Second work, 'Philippus Probus Possesor', inscription above printer's device on final leaf.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

German Empire - Grand-duchy of Baden - Frederick I (1856-1907) silver Five Marks, bust of Grand Duke Friedrich I, right, ./. Imperial Eagle, crown above and denomination below, proof like

A pair of LILIPUT HO gauge German outline steam locomotives comprising a BR93 class in DR black and a VIc class in Baden blue livery - VG in G/VG boxes (2)

A TRIX HO gauge Baden outline 22182 class IVh steam locomotive in Baden blue livery, DCC sound fitted - VG in VG box

A pair of HO gauge steam locomotives comprising a LILIPUT Baden IVh class and a RIVAROSSI Prussian P10 class, both in photographic grey livery - G/VG in G boxes (Rivarossi in non-original box) (2)

Coins, to include Baden 5 mark 1908, Otto Koenig Von Bayern Funf Mark 1908, Netherlands Willem III, 1872, 1850 and Austria 1 FL, 1873, 1875 and 5 1909, (7)

A late 19th Century Kay & Co. sewing machine with highly decorated floral finish and text 'Made in Baden'. with inlaid cover and tabletop, set on an ornate painted cast iron treadle base

11 moderne Künstlergraphiken (20. Jh.) Dabei 1x Markus Prachensky (1932 Innsbruck – Wien 2011), handsign. Farbradierung (min. Altersspuren), Blattmaß 46x 34.5 cm; Arnulf Rainer (1929 in Baden bei Wien). Farbradierung (l. verschmutzt) "W. Blake", in der Platte sign. und dat. (19)68; 1x Franz Ringel (1940 Graz 2011); 1x Lois Pregartbauer (1899 Misselsdorf - Wien 1971); 1x Alfred Hrdlicka (1928 Wien 2009) sowie 6x weitere Druckgraphiken unbekannter Künstler mit verschiedenen Motiven und Drucktechniken, mit Bleistift sign. (einige Arbeiten teils stärkere Altersspuren).

ATLAS. - Adam Ignaz Valentin HEUNISCH. Taschen-Atlas über alle Theile der Erde für den geographischen Unterricht in Knaben und Mädchen Schulen. Carlsruhe und Baden: D.R. Marxschen Buchhandlung, [circa 1840.] Small 4to (122 x 149mm.) 31 lithographed plates with outline hand-colouring, including 18 plates relating to Europe, 3 to Asia, 3 to the Americas, 1 to Africa and 5 continent plates, 1 hemisphere plate. (Browning to several plates, severely to 1 plate, toning.) Near contemporary paper-covered boards (extremities rubbed).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Rainer, Arnulf(Baden bei Wien 1929)"Selbst mit Ecke". Radierung. ex aut. Plattengrösse 27,8x31,8 cm. Blattgrösse 44,5x55,5 cm. Gerahmt.- Blatt verso partiell an Rückkarton montiert.

Postcards, Scouting, 3 cards, possibly Baden Powell inspecting scouts believed to be in Latvia 1933 following World Jamboree in Hungary, RP of Scout inspection (somewhere in Europe). Also printed Good Luck card showing rider and horse (illustrated) with Baden Powell facsimile signature (gd)

Postcards, a Scouts and Guides selection of approx. 94 cards and photographs, inc. RPs of Guides, Scouts (individual and groups). Kings review of Scouts with Baden Powell, comic (Ibbetson, Spurgin), Moot Camp at Monzie Castle, Jack Cornwell commemorative card, Scout band, Princesses Elizabeth and Margaret as guides with the Queen Mother. Also Kirchner illustrated glamour card 'The Scout' (age toning) (mixed condition)

Postcards, a selection of 37 cards with 30 foreign from Siam (market), Cuba (streets, buildings, ethnic, harbour, orphan, asylum), Sanchow Creek Shanghai, Bolivia (RP), cyclone damage Regina Canada (2 RPs), ruins Robin Hood Mills, Moose Jaw Canada (RP), Ascension (settlement), Spain, Chile, Columbia, Curacao (early Gruss Aus style monochrome), Bahamas, Barbados. Also Girl Guides (3 inc. RP Princess Mary and Lady Baden Powell). Sold with Clapham LL no. 23 and RP of crowd at Jan. Election (RP published by Cribb) (mainly gd)

Ephemera, Scouting, 70+ photographs corner mounted in a vintage album showing the 1929 3rd World Scouting Jamboree at Arrowe Park Birkenhead. Several photographs of Baden Powell (inc. mounted on a horse), camps, sports, japes etc. Album also includes several photographs of the band 'Avenue Dance Band' at practice (gd)

Germany, Wilhelm I, One Mark, 1882 G (Staatliche Munze Baden-Wurttemberg), low mintage, choice and toned

Musson of Louth - mid-19th century oak and mahogany 8-day longcase clock, with a swan's neck pediment and ball and spire brass finial, break arch hood door flanked by reeded pilasters with brass capitals, canted angled trunk, flat topped door with concave corners, rectangular plinth on bracket feet, fully painted break arch dial with Roman numerals and minute track, subsidiary seconds dial and calendar aperture, matching stamped brass hands, eight day rack striking movement with anchor escapement. With weights and pendulum.H206 W44 D23Balthazar Musson from Baden (Germany) is recorded as working in Louth from 1835, naturalised 1861-8. Succeeded by his son, George Balthazar 1872-1920. Dimensions: Height: 206cm  Length/Width: 44cm  Depth/Diameter: 23cm

Gemälde Ivan Kenneth Eyre1935 Kanada - 2022 Kanada "La Salle Ridge" 1973 verso auf dem Keilrahmen sign., bez. u. dat. Eyre `73 Acryl/Lwd., 148 x 168 cm Provenienz: Frankfurter Kunstkabinett Hanna Bekker vom Rath 1979, Ausstellung 473, Kat.-Nr. 14, S/W-Abb. (verso mit dem Etikett, Katalog beiliegend); Privatsammlung Baden- Würtenberg. Lit.: AKL

Gr. Tafelaufsatz, Jugendstil,Karlsruhe um 1910. Entw. wohl W. Süss. Heller Scherben, bunt bemalt u. glasiert. Halbkugelige Schale m. um- laufenden Vergissmeinnicht-Girlanden, gehalten v. 4 auf Rundsockel sitzenden Putti, d. auf ihren Nacken sitzenden Schalenrand m. d. Händen stützend. Sockel nach unten 4-paßig aus- schwingend. Am Boden bekrönte Wappenschild- Pressmarke (blau staffiert), Pressmarke "Baden, versch. Pressnr., Malerzeichen. Glasur m. leichtem Krakelée, Lippe minim. bestoßen, Putti u. Standkante minim. bestoßen. H 27,3 cmBadisches Wappen, Girlanden, Festons, Putti, Vergißmeinnicht, Wappen, W. Süss

Aquatinta Johannes Hüppigeb. 1965 Baden-Baden "Kellnerin V" wohl 2005 u. re. sign. Joh. Hüppi Exemplar 70/99, 14,3 x 19,5 cm (Darstellung)

Fussbecher mit Ansichten von Baden-Baden Um 1860 Farbloses, rot lasiertes Glas. Auf Wandung zwei Medaillons mit geschnittenen, teils polierten Ansichten, bez. ''Salle de Conversation'' und ''Chateau d'Eberstein pres de Bade''. Rueckseitig Monogramm ''HR''. Dazwischen Rankendekor. H. 13,5 cm

A WWI M1895 German Baden Picklehaube, with Baden helmet plate to centre, helmet is complete with pair of cockades and later leather chin strap, interior retains liner.

A WWI German Prussian Kugelhelm, with Baden helmet plate to centre, helmet is complete with pair of cockades and leather chin strap, interior retains liner.

Prince George, Duke of Cambridge. A series of 16 autographed letters signed from Prince George, Duke of Cambridge (1819–1904) to Colonel George Thurles Finucane (1791–1879), between 1842 and 1867, discussing military, political and personal matters over the course of their long friendship, commencing January 1845 while stationed in Corfu, ‘I sit down to give you a line from here to show you, that your friends miss you dreadfully and that you are not forgotten’, and the following year from London, ‘I nail my faith in Sir Robert Peel, being fully persuaded that he is the only man to be at the head of affairs of this great country and I am therefore truly sorry to find that there is a very strong feeling against him and that the general impression is that his Government cannot stand’, and later noting his own promotion, ‘…I make no doubt you will have heard of my being appointed to the Limerick District in succession to Lord Downes’ and sharing distress at the Finucane’s lack of progress, ‘I wish my dear Fin I could hear of your appointment to a better place’, and in 1846, commenting on the famine in Ireland, ‘The country meanwhile is really in a most terrible state, nothing but starvation staring me in the face in all directions. God knows what is to become of it, I for my part see no chance whatever of improvement. Every body cries out but nobody seems to know what to do or what to propose and meanwhile poor John Bull is paying through the nose…’, and discussing a shared interest in theatre, ‘We have two operas, Jenny Lind a great singer and carries all before her with overwhelming success. Covent Garden is however decidedly the finest company of the two with the best orchestra’, and inviting intelligence on military matters, ‘So much has been said of late of the disturbances in Cephalonia and the conduct of Sir George Ward on that occasion, that I am extremely anxious to hear from one on the spot the real state of the case and I therefore tip you a line my dear Finucane to beg of you to enlighten my mind’, while sharing his movements, ‘I confess I am one of those who are delighted at the Austrian Monarchy having been saved from destruction and I admire the gallantry and devotion of the Austrian Army. I am also much pleased with the Prussians of whom I saw a good deal during last summer, as I went over for a fortnight to see them in their campaign against Baden, when all behaved remarkably well’, and noting his position at the war in Crimea, ‘Our Infantry are all quite ready for a win. I have a splendid division’, but later conceding, ‘Here it is impossible to remain and to sacrifice an Army and Fleet at the Crimea seems to me madness, though the people of England appear to expect it’, 97pp., some with envelopes; and a further ALS to George Finucane from Henry Finucane, dated 16 June 1842, informing him of the death of his sister, 3pp.; an ALS from A. E. Loughnan to the Duke of Cambridge, concerning a charitable donation, 3pp.; an ALS from the Duke of Cambridge to Lord Home, congratulating him on the promotion of his son, 2pp., and a passport issued to Colonel George T. Finucane on 16 August 1870, 1pp.; and various recent research notes, v.s. (a quantity). ** Varied

The rare ‘Ashanti 1900’ C.M.G. group of four awarded to H. B. W. Russell, Private Secretary to Colonel Sir James Willcocks, Commanding Ashanti Field Force, whose actions during the course of the campaign to relieve Kumassi went above and beyond the conventional duties of a private secretary - often acting as a guide, and being involved in the fighting, despite being present in a civilian capacity The Most Distinguished Order of St. Michael and St. George, C.M.G., Companion’s breast badge, silver-gilt and enamels, complete with ribbon buckle; Coronation 1902, bronze; Ashanti 1900, 1 clasp, Kumassi, high relief bust (H. B. W. Russell, C.M.G., A.F. Fce:); Colonial Auxiliary Forces L.S. & G.C., G.V.R. (Capt. H. B. W. Russell, C.M.G.) mounted as worn but lacking pin; together with original Warrant and Statutes for C.M.G. and contemporary portrait photograph of recipient in uniform, rank partially officially corrected on last, generally good very fine (4) £2,600-£3,000 --- Provenance: Dix Noonan Webb, September 2014. Henry Blythe Westrap Russell was born in Toronto, Canada, on 3 August 1868. He was educated at the Liverpool Institute and at Freiburg in the German State of Baden. He travelled extensively in West Africa and in the 1880s founded the firm of H. B. W. Russell and Co., merchants on the Gold Coast, Southern Nigeria. The company later had offices at Kumassi, Accra, Lagos and Liverpool. Whilst at Cape Coast in June 1900, Russell volunteered his services as private secretary to Colonel J. Willcocks, then assembling his staff for the Ashanti Field Force that he was to lead to the relief of Kumassi. Russell receives several mentions in From Kabul to Kumassi by Brigadier General Sir James Willcocks: ‘On this same day a gentleman at Cape Castle, Mr H. Russell, a trader of whom I had heard a good deal, and who had considerable experience of the Gold Coast, came and offered his service to me in any capacity. I was only too glad to accept them, and offered him the post of Private Secretary, an appointment which was at once approved by the Secretary of State; he proved most valuable. His knowledge of the country and language and his untiring energy were godsends in those days, and he accompanied me to Kumassi. For his services he received the C.M.G. at the close of the campaign, and it was well deserved.’ Further into the campaign, Russell was to prove considerably more hands on than a normal private secretary acting as a guide and indeed taking part in the fighting (despite being there in a civilian capacity): ‘Mr Russell, my Private Secretary, whom I had sent with this column, owing to his knowledge of the people, rendered very useful service, not only in a political sense, but by more than once accompanying the scouts and joining in the fighting.’ (Ibid) Some ‘spoils of war’ brought back to the UK by Russell have appeared on the market in recent years, but not his gift from Willcocks: ‘Among the souvenirs given to me by the officers was a fine donkey from Berekum. I took it down to the coast when I left, and gave it as a Christmas present to my Private Secretary, Mr Russell.’ (Ibid) Russell’s all action approach is further recorded by the Morning Post, 4 October 1900: ‘Operations from Kumassi - Punitive Measures. Hardships of the Campaign: On the following day a fighting column of 900 men with three guns and five Maxims under the command of Colonel Brake, who had with him as staff officers Captains Bryan and Reeve, and as political officer [sic] Mr Russell, a merchant on the West Coast left Bekwai with orders to attack Ejesu, where Queen Ashantuah was supposed to have concentrated a large force, and to have massed a quantity of loot. Advance on Ejesu: Our scouts, who were under the command of Lieutenant McKinnon, and with whom were the guides in charge of Mr Russell, were suddenly fired on by the enemy, who were lying snugly hidden behind a stockade on the bank of a river bed which crossed the road obliquely. Mr Russell went back and reported the situation personally to Colonel Brake, who hurried to the front with two 75 millimetre guns under the Hon. Lieutenant Halfpenny, of the 3rd West African Frontier Force.’ Russell was mentioned in the despatch of Colonel J. Willcocks, Commanding Ashanti Field Force, London Gazette 4 December, 1900: ‘Mr H. B. W. Russell, Private Secretary. - This gentleman volunteered his services at Cape Coast, and I was most fortunate in getting him; he has worked incessantly ever since I landed, and I strongly recommend him, especially as his chief object in coming was in order to have an opportunity of doing some service to the State.’ Russell was created a Companion of the Order of St Michael and St George, London Gazette 9 November 1901 ‘in recognition of his services while employed with the Ashanti Field Force.’ This is believed to be 1 of only 2 such awards for the Ashanti campaign. In 1906 Russell was appointed Consul of the Netherlands at Cape Coast Castle, for the Gold Coast, Lagos and Nigeria, Togoland and Dahomey. In the same year he was appointed a captain in the Gold Coast Volunteers. Russell was honourably discharged in 1912, at his own request, upon his departure from the Gold Coast for England. He died in a motoring accident, when his car collided with a pony trap driven by man under the influence of alcohol. The accident occurred outside of Chester, 24 July 1912, and the other driver was put on trial for manslaughter. Russell resided at Brock House, Tattenhall at the time. Sold with copied research.

GERMAN STATES nine album collection of 100s of stamps, mostly used, accompanied by much reproduction/philatelic reference. Nevertheless, much to study, completely uncatalogued from the imperfs onwards. The albums are specifically made for the collection and one of the best areas would be Mecklenburg Strelitz, also Bavaria, Baden among other states such as Lubeck with a four margined #3 imperf and #5b unused but could be reference. In any event, this pattern continues with NGC, Thurn and Taxis, Brunswick, Hamburg and HannoverQty: 9Completely uncatalogued and with a bit of work could become the foundation of an excellent collection.

BADEN-POWELL ROBERT: (1857-1941) British Lieutenant-General, the founder and first Chief Scout of the world-wide Scout Movement. An interesting, lengthy A.L.S., Robert Baden-Powell, four pages, 8vo, n.p., 1st April 1927, to Lieutenant-Colonel [Edwin] Smedley Williams, on the printed stationery of the Union-Castle Line R.M.M.V. Carnarvon Castle. Baden-Powell informs his correspondent that he has sent Mansergh a final appeal 'to reconsider his view against decentralisation in the distant ports of the Cape Province and against the making (of) a Central Coordinating executive for the Union', adding that Mansergh responded with a further definite refusal, and continuing 'I have pointed out in letters and conversations and, in what his executive committee termed “homilies”, to them how essential such reorganisation is to progress and how it is asked for by the four other Provinces and by the three northern districts of the Cape Province. I explained that if the Scout spirit prevailed at Cape Hd. Qrs. they would as members of our team sink their own local prejudices or even interests for the good of the whole. All they did was to move a resolution not quite complimentary to me. I could not help thinking new Scouters would laugh if they saw it! At any rate I did - as I felt inclined to explain to them that our brotherhood is not a Parish Council and we don't move resolutions against people - least of all against “poor bloody old me” as General Tucker would say', further adding 'I am glad however to have seen for myself the entire absence of the Scout spirit at C P. H Q. and thus, if the Union Council ask Imperial Hd. Qrs. in England for powers to alter the Constitution so as to admit of decentralisation and coordinating executive we shall know how to act', concluding by remarking that he is pushed for time as the ship is departing and that he wishes for Strickland and Raftery at Kimberley to see his letter 'to show them how matters stand and that I am entirely in sympathy with your desire to go ahead and expand this movement to do big work for the country, under personal touch of leaders through a completed organisation of compact districts under Dist. Commissrs'. Some light foxing to the upper edges of the page and with a couple of paperclip rust stains to the upper left corner, otherwise about VG In September 1926 Baden-Powell had travelled to South Africa, where he was to remain for six months, in an effort to iron out the radical tensions in the fledgling scouting movement there, Originally, it was proposed that Indians be allowed to become Scouts, but in segregated troops. If this worked, then blacks and 'coloureds' would be formed into troops. However, this was unacceptable to Scouts in the Transvaal, where a separate movement for non-whites, called 'Pathfinders', had been instituted. For some, Scouting was to be a whites-only privilege. In 1927, Natal refused to start a 'Pathfinder' group and began to register Indians as Boy Scouts. Similarly, the provincial commissioner for Cape Colony, C. L. Mansergh, decided to ignore a separate organisation for 'coloureds' called 'Paladins' on the grounds that if he recognised them, the Boy Scouts would remain an all-white preserve. Clearly, Baden-Powell faced a difficult situation with each side lobbying for his support. The Chief Scouts efforts at compromise proved futile as, in 1931, the South African government created a youth movement for boys of Dutch descent - the Voortrekkers.   

BERLIOZ HECTOR: (1803-1869) French Composer. A good A.L.S., H. Berlioz, three pages, small 8vo, n.p. [Karlsruhe], n.d., to Mr. Bennet, Beethoven´s Hall, in Paris, in French. Berlioz explains that he will be the next two days with the rehearsals at the Cathedral, but tells his correspondent that he can join them earlier, later stating in part `…vous nous trouveriez en train de répéter dans la salle du Museum, près de l'Hôtel du Prince héréditaire. Si vous arrivez trop tard pour répéter, au moins vous resteriez à Karlsruhe pour la répétiton du lendemain, et cela vous éviterait un voyage de Bade à Karlsruhe´ (Translation: “…you would find us rehearsing in the hall of the Museum, near the Hotel of the Hereditary Prince. If you arrive too late to rehearse, at least you would stay in Karlsruhe for the next day's rehearsal, and that would save you a trip from Baden to Karlsruhe”) Addressed in his hand to the last page. G to VG

WILHELM I: (1797-1888) King of Prussia 1861-88 and the first German Emperor 1871-88. D.S., Wilhelm, three pages, folio, Berlin, 14th March 1885, in German. The manuscript document relates to a Patent dated 5th October 1883 for Colonel Ernst v. Twardowski, Commander of the 1st Bodyguard Grenadier Regiment of Baden. Lightly tipped at the left edge to a card. Some light age wear, VG 

Two framed 19th century coloured engravings after George Walker. Engraved by by E Kaufmann (Baden), published by Richard Jackson, 1885, each depicting figures on horseback or on a donkey, in landscape. 31cm x 22.5cm exc. frame

Flechtner (Thomas) Snow, number 20 of 25 copies with an original signed print, from an edition limited to 1500, colour illustrations, original print numbered, signed & dated by Flechtner on verso, original white boards, together in aluminium box with lid, scratch to lower cover, Baden, 2001; and 3 others by Flechtner, 4to (4)

A 19th century 1898 Luise Grossher-Zogin Von Baden white metal commemorative medallion.

A collection of items belong to Harry Lister, Harry Lister was a personal friend of Baden Powell and was involved in forming Staffordshire's scout group - we have a collection of his scout badges, some silver, a gold plated Thomas Russell & Sons hunter pocket watch, West Lancashire silver & enamelled badge also his book "Aids to Zoology" book a signed copy dated 1937.

German Third Reich NSDAP Gau Baden Honour Badge by Friedrich Klett, Karlsruhe. A good scarce late late war die-cast gold coloured metal example. Eagle and swastika superimposed on oval oak wreath bearing GAU BADEN in black. The flat reverse bearing hinged vertical needle pin with securing hook and incised maker name. Instituted in 1933 by Robert Wagner, Gauleiteer of Baden.

2 Ogden's Guinea Gold albums, 1 a Christmas present dated 1900, subjects including the Royal Family, important historical figures, including Baden Powell and military (2)

A car accessory mascot in the form of Scout founder Lord Robert Baden-Powell, approx. 5 1/2" high.

Fisher ( Claude), The World Jamboree, The Quest of the Golden Arrow. Second edition, published 1929 by The Boys Scouts Association. Together with a single leaf of paper signed by Baden Powell, dated 1937, an ASTOC Boy Scout's record book, membership card, two cloth badges and a leather woggle

* German playing cards. Hamburg playing cards, Hamburg: Hanchen Rübcke, circa 1860, a complete deck of 52 stencil coloured lithographed playing cards (French suits), each heart pip sign with a central Hansiatic cross, all cards with illustrations depicting the history, topography and folklore of Hamburg, most captioned, double-ended courts (kings with additional decorative border) with stencil colouring, pip card illustrations printed in sepia, each ace with two views, except ace of hearts with one view & with maker's details and tax stamp, generally toned, occasional minor marks, versos red dotted branching pattern, gilt edges, square corners, each card 93 x 62 mm, together with: Fynste Java Speelkarten no.117, Stralsund: VSS, circa 1885, a complete deck of 52 colour lithographed playing cards (French suits), double-ended courts and aces, kings depicting Dutch rulers, captioned queens and jacks portraying local inhabitants, each ace showing two views in the Indonesian Dutch colonies, ace of hearts with tax stamp, maker's trademark on king of spades, no condition points to note, versos green coats of arms with two lions, printed above: Van Duym & Co, Soerabaja, rounded gilt corners, each card 93 x 64 mm, with original pictorial box, plus: Portrait No.11 (Whist Superfine de portraits), Goslar: F.A. Lattmann, circa 1861, a complete deck of 52 stencil coloured engraved playing cards (French suits), double-ended courts depicting named monarchs, queens and lieutenants, double-ended aces with views of palaces, tax stamp on ace of hearts, two aces (hearts & clubs) with some staining to one end, versos red dotted hexagons, silver-gilt edges, square corners, each card 89 x 60 mm, with 4 other complete decks of 52 cards with scenic aces: unknown maker, circa 1860, aces with two scenes mainly around Baden-Baden (French captions); unknown maker, circa 1860, aces showing Heidelberg & river Necker; unknown maker, circa 1870, see IPCS pattern sheet 75, aces show German views; Wüst, circa 1925, House pattern courts (repeated in each suit), aces showing two named Dutch paintings from the Dutch National Gallery (pictured on versos), a quantity of cards from each deck corner mounted onto 7 display boards, encapsulated in clear plastic (not examined out of boards), the remainder contained in plastic bags, the boards 55 x 41 cm and smallerQTY: (7)NOTE:First item: Hamburgische Spielkarten (1984) no.11; Schreiber collection, Sheets German 44 & 50.Second item: an unusual variant of the Dondorf design (see Braun (Schriftenreihe 'Spielkarten' band 4) BD 1874/1 (pp.66-68), with the borders on the aces corresponding to variants 1 & 2. Third item: Berry (The Waddington Playing-card Collection, part 2) W537.