Imperial German Baden Infantry Regiment Nr 170 (9th Baden) Other Ranks Pickelhaube with Trench Cover, leather bodied other ranks pickelhaube with brass other ranks helmet plate for the state of Baden. Other ranks pattern reichs cockade and well worn Baden state cockade. Helmet has a replacement leather chinstrap. Brass front trim, rear spine and circular spike base with other ranks spike and plain domed rivets. Interior of the helmet with the original leather liner. The rear peak has ink stamp ‘J.R.170’. Helmet is complete with its original field trench cover with green painted numerals ‘170’ to the front. Helmet has two of the three hook fixings to the front peak section and both rear peak clips. Some crazing and wear to the shell and cover but generally a good set. Late Gordon Anderson collection
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Imperial German Baden Infantry Regiment Nr 113 (5th Baden Infantry Regiment) Other Ranks Regimentally Marked Pickelhaube, good untouched example of an enlisted ranks helmet for the state of Baden. Brass other ranks helmet plate to the front. Brass peak trim, rear spine, circular spike base with plain domed rivets and other ranks pattern spike. Helmet is complete with original other ranks state and reichs pattern cockades and original leather chinstrap. Helmet retains the original leather liner. Rear peak with inked regimental stamp ‘J.R.113’ 1st battalion stamp and date stamp which is not completely clear ‘191-‘. Good sleepy dusty condition. Late Gordon Anderson collection
James Gillray, British 1756-1815- Tiddy-Doll the great French-Gingerbread-Baker, drawing out a new Batch of Kings; hand-coloured etching, signed 'Js. Gillray inv & fec' (within the plate lower right), published 23 January 1806 by H. Humphrey, 27 St. James's Street, London, 25..5 x 27.6 cm. Provenance: Private Collection, UK. Literature: M. Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VIII, 1947, p.85-86. Note: The title continues: 'his Man, Hopping Talley, mixing up the Dough'. Gillray’s prophetic image of Napoleon as a baker feverishly creating gingerbread monarchs expresses British anxiety over the emperor’s rapid conquest of continental Europe and his evident intent to install relatives and favourites in positions of power. Freshly baked kings of Bavaria, Württemburg, and Baden are withdrawn from the oven (ready to replace rulers defeated by the French at Austerlitz in December 1805) while a cluster of 'True Corsican Kinglings' (Bonaparte relatives) occupy a wicker delivery basket at left. Acting as baker’s assistant, French Foreign Minister Tallyrand kneads up Poland, Hungary and Turkey. Discarded monarchs are consigned to the oven’s ash-hole by the 'Corsican Broom of Destruction.' The name Gillray gave Napoleon was borrowed from Tiddy-Dol Ford, a famous London street hawker who sold gingerbread in Mayfair. [British Museum no.1868,0808.7410].
A Betfred Cesarewitch (Heritage Handicap) presentation salver, awarded to Frankie Dettori, the central field engraved 'BETFRED / Race Winner / Betfred Cesarewitch (Heritage Handicap) / Newmarket Racecourse / Saturday October 8 2011'25.5cm diameter;together with a Baden-Racing.com - Race presentation salver, the central field engraved 'Baden-Racing.com - Race / Newmarket 6th August 2011' awarded to Frankie Dettori21.75cm diameter;a City Index Craven Stakes presentation salver, the central field engraved 'THE / CITY INDEX CRAVEN STAKES / 15TH APRIL 1999 / WINNING JOCKEY' awarded to Frankie Dettori17.5cm diameter (3) Provenance:Frankie Dettori
Urkunden aus dem Nachlaß des Obristlieutnant Carl von Zimmermann: Patent als Rittmeister 12.6.1877 (noch nicht geadelt), Anschreiben der General Ordens Kommission zum RAO 4. Klasse, Besitzzeugnis zur Kaiser Wilhelm Erinnerungsmedaille 1897, Verleihungsurkunde zum Kronen-Orden Kreuz 3. Klasse 1896 (nebst zwei Anschreiben), Baden Verleihungsurkunde Orden vom Zähringer Löwen Ritterkreuz 1. Klasse 1892. - Zustand II
Hans Kuhn, Pop art-Collage, Mischtechnik um 1970Hans Kuhn, 1905 - Baden-Baden - 1991, deutscher Maler und Grafiker, hier: Fotos von Menschen, eingebunden in eine abstrahierte Blüte, Ölgemälde/Collage, Öl/Lw., 80 x 60 cm, r. u. sign.Hans Kuhn studierte von 1924 bis 1926 bei Ludwig Meidner in Berlin und von 1926 bis 1929 in Paris bei Georges Braque und an der Ranson Academy bei Roger Bissière. Von 1929 bis 1935 lebte er auf dem italienischen Festland und auf Sizilien, von 1936 bis 1941 in Berlin. Eine Kollektivausstellung der Berliner Galerie Buchholz mit Werken Kuhns wurde 1937 beschlagnahmt, und Kuhn hatte danach Ausstellungsverbot. Nach der Kriegsgefangenschaft in Baden-Baden wurde Kuhn von Karl Hofer an die Hochschule für Bildende Künste in Berlin berufen, wo er bis 1974 tätig war. Ab 1975 lebte er abwechselnd in Baden-Baden und in Berlin.
Carl Heinrich Hoff, nach, große, meisterhafte Kopie um 1885 seines Hauptwerkes "Zwischen Leben und Tod" in der Staatl. Kunsthalle KarlsruheCarl Heinrich Hoff, nach, 1838 Mannheim - 1890 Karlsruhe, hier: Vielfigurige Szene mit Schwarzwald-Bewohnern, die den Tod eines vornehmen jüngeren Herrn betrauern, Öl/Lw., 100 x 165 cm, r. u. sign. "cop. n. Carl Hopp", meisterhafte, zeitgleiche Kopie des um 1885 entstandenen Hauptwerkes in der Kunsthalle Karlsruhe.Der Sohn eines Konditors besuchte 1855-1858 die Großherzogliche Kunstschule in Karlsruhe. Er erhielt Unterricht in Landschaftsmalerei bei Johann Wilhelm Schirmer, in Figurenmalerei bei Ludwig Des Coudres. Hoff setzte sein Studium an der Düsseldorfer Akademie unter anderem als Meisterschüler von Benjamin Vautier bis 1861 fort. Anschließend hielt er sich 1862 ein halbes Jahr in Paris auf. Nach einer Reisephase, die ihn nach Frankreich, Deutschland, Italien und auf den Balkan führte, ließ er sich in Düsseldorf nieder. 1878 folgte er einem Ruf als Professor an die Kunstschule in Karlsruhe. Hoff war Vertreter einer genrehaften Historienmalerei. Szenen aus dem Volksleben standen am Beginn seines Werkes. Dann wandte er sich verstärkt der Schilderung novellistischer Motive des 17. und 18. Jahrhunderts zu. Sein guter Ruf als Künstler gründete sich auf dem feinen Empfinden, das aus seinen Bildern sprach, und ihrer malerischen Qualität. Unter dem Einfluss der französischen Kunst favorisierte er eine relativ freie Pinselführung. In seiner Karlsruher Zeit hellte sich das Kolorit seiner Gemälde auf. Zu seinen Hauptwerken zählen "Die Taufe des Nachgeborenen" (1875), "Des Sohnes letzter Gruß" (1878), "Familienporträt des Großherzogs Friedrich I. von Baden" (1881) und "Zwischen Leben und Tod" (1885, Staatliche Kunsthalle Karlsruhe).
Willem Panneels nach Peter Paul Rubens, Herkules, den Bären bezwingend, Radierung um 1625Willem Panneels, um 1600 Antwerpen - um 1634 Baden Baden, flämischer Kupferstecher, der für Rubens in dessen Werkstatt gearbeitet hat, hier: Herkules ringt mit dem Bären, der sich in seinen Oberschenkel verbissen hat, daneben liegen ein toter Löwe und ein totes Schaf, im Hintergrund rechts eine Herde, Radierung in tiefer Schwärze, 10,8 x 14 cm, mit Plattenrand, bez. "P.P. Rubeniuss inuent / G. Panneels fecit".Willem Panneels ist vor allem für seine Kopien von Zeichnungen aus dem persönlichen Arbeitszimmer von Rubens bekannt, für den er ab 1624/1625 als Kupferstecher arbeitete. 1628 wurde er bei der Antwerpener Lukasgilde registriert, die besagt, dass er ein Assistent von Rubens war.
![The Pelman System of Mind and Memory Training. London, [1914]. Numbers 1 - 12 bound in one volume, tall 8vo, contemporary red](https://cdn.globalauctionplatform.com/9f62f50f-e3e9-488b-bedd-b02f00c8e0e3/4c81c6e9-2dfe-47a9-af01-b03000b5faa5/468x382.jpg)
The Pelman System of Mind and Memory Training. London, [1914]. Numbers 1 - 12 bound in one volume, tall 8vo, contemporary red morocco by Zaehnsdorf, with presentation stamp to L. G. Chiozza Money on the upper cover.The Pelman System of Mind and Memory Training. London: The Pelman School of the Mind, [1914]. Numbers 1 - 12 bound in one volume, tall 8vo (203 x 100mm). Folding "examination sheet" at the end of each number [uncompleted in all cases] (some light mainly marginal spotting and staining). Attractively bound in contemporary red crushed morocco gilt by Zaehnsdorf, with the binder's slip inserted at the front in addition to the binder's name stamped in gilt on the lower front dentelle [as usual], the covers with triple gilt ruled borders, the spine gilt with 5 raised bands, top edges gilt, others uncut (extremities rubbed), original printed grey wrappers bound in with each number. Provenance: "Presented by 'The Daily News' to L. G. Chiozza Money Esq., M.P." (presentation inscription stamped in gilt on the upper cover). Sir Leo George Chiozza Money (1870-1944) was an Italian-born British "New Liberal" economist and presumably - along with Prime Minister Asquith, Robert Baden-Powell, Rider Haggard and Jerome K. Jerome - a follower of the system of 'brain training', taught mainly through correspondence, known as 'Pelmanism'. Money was Lloyd George's Permanent Private Secretary and a Government Minister during the First World War. He was knighted in 1915, despite the fact that his life was dogged by repeated accusations of "indecency".
A late 19th century French engraved brass carriage clockGrohe 7 Wigmore Street London, No. 2695 and 3801The ribbed handle above an oval escapement viewing window framed by floral engraving over a moulded cornice, the concave pillars supporting three glass panels and a hinged rear door with shuttered and named winding/setting squares within a series of engraved scrolls on a matted ground, the base similarly decorated. The signed white enamel Roman dial set in an elaborately engraved brass mask, and with good blued steel Breguet style hands. The twin spring barrel movement with jewelled English lever platform escapement and half-cut bimetallic balance with timing screws, the backplate numbered 3801 with rack striking on a bell. Ticking and striking. 15.5cms (6ins) highFootnotes:Provenance: Purchased from Tony Woodburn. James Grohé was born in 1803 in Baden, Germany. It is unclear where he served his apprenticeship, but around 1829 he came to the UK and established himself as a watch and clock maker in London. Interestingly, an entry in the 1831 London Morning Post makes brief reference to a James Grohe, who is described as a French and Genevan watchmaker. Baden is an area of Germany, situated between the French and Swiss borders. It is not known exactly where in Baden Grohé originally lived and it is possible he was educated, horologically or otherwise, in France and/or Switzerland.He is recorded as having taken over a watch and clock shop on Wigmore Street in 1834. The shop was originally the premises of the celebrated Charles Haley, who patented a chronometer remontoire escapement in 1796. It appears that Grohé purchased the shop from Haley's son, the previous business being 'Haley & Son.'An 1838 insurance certificate shows him working at 7 Wigmore Street next to Cavendish Square, as a clockmaker. A few months later, he is also recorded as occupying 3 Wimpole St. Cavendish Square and practicing as a watchmaker, possibly indicating separate premises for each trade. By 1843, he is advertising as a clock and watchmaker from the Wigmore address. At some point he married Harriet, a native of Marylebone and a year his junior. By 1845, the couple had two children, Catherine Elizabeth, and Mary Theresa. That same year, Grohé applied for, and was granted, British naturalisation. In 1852, Grohé was still working out of the Wigmore Street premises and advertising as a watch and clock maker. Possibly around this time, Grohé began to be supplied with carriage clock movements by Holingue Frères, Raingo Frères, and later Drocourt, these last movements being supplied in the 1870's. Some carriage clocks are known with the dial signed 'Grohé a Paris', though whether he had an actual shop in Paris remains unknown, no reference having been found of one. One of the carriage clocks, a repeater, was purchased by Queen Victoria in 1855 and is inscribed 'To Princess Helen Victoria by Queen Victoria in 1855', indicating that Grohé's business must have been thriving. The 1861 census records his full name as John James Grohé and describes him as a watch and clock maker, with his residence listed as 7 Wigmore Street. Harriet is also mentioned living at this address, as are three servants; a cook, a porter and a housemaid. By 1864, the 7 Wigmore Street shop had become 'Grohe Pennington & Typke'. It appears that Grohé had sold his business to John Pennington and Herrmann Wilhelm Typke between 1862-1864, possibly moving to 47 Princes Square, Bayswater, immediately after the sale.John Pennington was part of a dynasty of celebrated chronometer makers; presumably he was apprenticed to his father Robert Pennington Jr. though no record of this is known. After his marriage, he self-described as a 'gentleman' rather than a 'chronometer maker' on official documents. In 1846, however, he entered into partnership with his father, exhibiting a novel chronometer balance designed to control middle temperature error, at the Great Exhibition of 1851. His father died in 1854, and John continued the shop for another two years, before moving to various central London locations, eventually settling at 7 Wigmore Street.Herrmann Wilhelm Typke was born around 1821 in Prussia, and moved to the UK around 1849, setting himself up as a watchmaker. It is unknown where he served his apprenticeship, though it seems likely, considering his age when he moved, that it was served in Prussia. By 1859, he had married and was working out of 26 Devonshire Street, Portland Place in Middlesex. This same year he met John Pennington and the two became friends. Two years later, Pennington supported Typke's successful petition for naturalisation, along with several of Typke's neighbours. His petition also reveals that in 1861, he had five children, though their identities remain unknown. Grohé died in 1872, at 47 Princes Square, Bayswater in Middlesex, leaving around £25,000. It might be that Harriet predeceased him, though this is not definite. His will was proved by his two children, Catherine Elizabeth who had married a German merchant, and Mary Theresa, who had also married a German merchant; whether the couples were living in the UK or Germany is not indicated. William Wier Marshall and Frederick Gould, both listed as Esquires, also served as executors, but their relation to Grohé is unclear. Despite his death, entries continued to appear in trade directories under his name. In 1882 he is listed as working out of 24 Wigmore Street. By 1895, his address is listed as 3A Wimpole Street, Cavendish Square, an address he apparently vacated before his death. Around 1910, his entry has changed in trade directories to 'James Grohé, watchmaker, late 3A Wimpole St. & 24 Wigmore St. removed to Smith (Bolton), 26 Duke St. Manchester Sq. TN755 Paddington.' This entry continues to be recorded through 1920. It is known that Pennington and Typke would advertise their business as 'Pennington and Typke, successors to Grohe' until at least 1870, sometimes even signing new pieces simple as Grohé, until the early 1880's. John Pennington died in 1882, and it appears that Typke changed the signature of the business to 'Herman William Typke, Watchmaker, and James Grohe, Watch and Clock Maker.' Oddly though, in the same trade directories that list Grohé, there is a separate entry for Typke which reads 'Typke, Herman William (successor to Grohé)', though both addresses match. A very enthusiastic article did appear in 1893, in which Typke's shop at 24 Wigmore Street is lavishly described, and it is noted that he is a maker to the Queen and Royal Family. This may have been from Queen Victoria's purchase, in 1855, of a carriage clock from Grohé. The article also states that Typke took over Grohé's shop in 1849 (the year Typke moved to the UK), with no mention of the partnership between himself and Pennington. Whether this was a mistake on the writer's part or intentional misdirection from Typke remains unknown. Typke died in 1909, so it is unclear who continued to list James Grohé's details in the trade directories for the next 11 years, or why. University of Leicester (2022)For further information on this lot please visit Bonhams.com
‘It has often happened to me while composing to find in my musical thoughts the reflection of those harmonies which sing of the deep forests’ BERLIOZ HECTOR: (1803-1869) French composer and conductor of the Romantic era. A.L.S., Hector Berlioz, two pages, n.p., 17th July 1860, to [Claude-Francois] Denecourt, in French. Berlioz announces 'Je suis tres reconnaissant et tres fier, Monsieur, de l'idee que vous avez de donner mon nom a l'un des sites pittoresque de la foret de Fontainebleau' (Translation: 'I am very grateful and very proud, Sir, of the idea you have of giving my name to one of the picturesque sites in the forest of Fontainebleau') and expresses his appreciation of nature and its 'enivrement mysterieux de la solitude' (Translation: 'mysterious intoxication of solitude'), further remarking 'souvent il m'est arrive en composant de retrouver dans ma pensee musicale le reflet de ces harmonies qui chantent les forets profondes et qui sans doute ont pour vous aussi un charme special' (Translation: 'It has often happened to me while composing to find in my musical thoughts the reflection of those harmonies which sing of the deep forests and which no doubt also have a special charm for you') although also adding 'Ce serait donc avec un plaisir tres vif que je me rendrai a votre invitation si je ne partais dans trois jours pour Bade; mais peut etre cet automne pourrai-je vous dedommager' (Translation: 'It would therefore be with very lively pleasure that I would accept your invitation if I did not leave in three days for Baden; but maybe this autumn I can compensate you'). With a pencil annotation in an unidentified hand to the upper edge of the first page and some light overall age wear, about VGClaude-Francois Denecourt (1788-1875) French geographer and tourism entrepreneur, remembered as one of the inventors of modern hiking and for his devotion to the promotion of the riches of the forest of Fontainebleau.
HUGO VICTOR: (1802-1885) French novelist, poet and dramatist. An excellent, significant and attractive D.S., Vtr. Hugo, one page, large folio (33 x 41.5 cm), Paris, 27th August 1840, in French. The partially printed document (featuring an attractive printed border of decorative floral frieze work) is completed in manuscript and is the Passe-port a l'Etranger (Foreign Passport) issued to Hugo in the name of the King by the General Police of France (Department of the Seine) for the period of one year. The left margin is completed with various personal details and physical characteristics relating to the novelist, stating that he is aged 37, is one metre and seventy-two centimetres in height, has brown hair, a high forehead, chestnut eyes, a medium nose, a chestnut beard, and a round chin etc. The main body of the document states that Hugo, a native of Besancon and residing at 6 Place Royale in Paris, accompanied by his wife and their son, should be allowed free passage to visit Spain, the Sardinian States, Lombard-Venetia, Switzerland, the Duchy of Baden, Prussia and Belgium. Signed at the foot by the prefect of police and countersigned by two other officials. The verso of the document is filled with the various official stamps, visas and signatures of the officials of the legations, embassies and territorial authorities of the Duchy of Baden, Switzerland, Belgium, Spain, Sardinia, Prussia and Lombardy-Venetia, providing a valuable primary record of Hugo's travels during 1840 (the last entry at Forbach, Baden-Wurttemberg, bearing the date 29th October 1840). Some light overall age wear and with a few minor, neat tears to the edges, about VGHugo's passport for the year 1840 is of literary significance as it was from August to October of that year that the novelist, in the company of his mistress and travelling companion Juliette Drouet, made their summer trip to Belgium and then from Cologne to Mainz, on the banks of the Rhine, the landscape and history of which greatly fascinated the novelist. After an excursion to Frankfurt, the couple travelled to Heidelberg to visit the Rhine falls at Laufen, near Schaffhausen. During the trip Hugo kept a diary and made various drawings which would form the basis of his travel guide Le Rhin (1842), a work which marked the rebirth of romance in the novelist's works.
Cliff Richard signed Lord Baden-Powell FDC. 24/3/82 London SW7 postmark. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Wilding, LudwigGrünstadt, 1927 - Buchholz, 201050 x 50 x 7 cm, R.Ohne Titel (20), 1967. Serigraphie auf Acryl über Serigraphie auf Karton, in Kastenrahmen. Rückseitig auf einem Etikett signiert, datiert und nummeriert 6/50 sowie bezeichnet "20".Galerie De Riik Fine Art, Den Haag (rückseitig mit Galerieaufkleber).Privatbesitz, Baden-Württemberg.
Winter, FritzAltenbögge, 1905 - Herrsching am Ammersee, 197648 x 32 cm, o. R.Ohne Titel (Häuser), 1928. Tusche und Aquarell auf Papier. In Bleistift unten rechts monogrammiert und datiert, rückseitig gestempelt "Fritz Winter" und in Bleistift bezeichnet "A. 8".Privatsammlung, Baden-Württemberg.Ausstellung"Bilder der Bauhauszeit", Fritz-Winter-Haus, Ahlen 1983, Kat.-Nr. 59 (rückseitig mit Aufkleber auf dem Passepartout)."Fritz Winter zum 60. Geburtstag", Städtische Kunstsammlungen, Kassel 1965 und Städtische Kunsthalle, Mannheim 1966, Kat.-Nr. 2 (rückseitig mit Aufkleber auf dem Passepartout).
Dalí, SalvadorFigueras, 1904 - Cadaques, 1989Blattgröße: 38,5 x 28 cm; 31,8 x 23,9 cm, R."Faust (La nuit de Walpurgis)", 1968/1969. Folge von 11 aquarellierte Radierungen mit Kaltnadel und Roulette auf Japanpapier. Alle in Bleistift unten rechts signiert und datiert sowie unten links nummeriert "105/145".Michler/Löpsinger, 298k - 309k.Privatbesitz, Baden-Württemberg.
Stöhrer, WalterStuttgart, 1935 - Scholderup bei Schleswig, 200077 x 56 x 1,5 cm"Zum Kopf des Vitus Bering", 1976. Folge von 20 Radierungen auf Bütten, in Orig.-Mappe. Alle in Bleistift signiert und bezeichnet "e. a." sowie auf dem Titel datiert und bezeichnet "Eigendruck 20 e. a. Ex.".Privatbesitz, Baden-Württemberg.
Culbert, BillPort Chalmers/Neuseeland, 1935 - Croagnes/Provence, 201932,5 x 32,5 x 30,5 cm"Bulb Box Reflection II", 1975. Licht-Spiegel-Installation. Holzbox, farbig gefasst mit Spiegel und Glühbirne, elektrifiziert. In weißer Farbe rückseitig signiert, datiert und nummeriert 3/10 sowie betitelt.Forum Kunst Rottweil.Privatbesitz, Baden-Württemberg, dort 1976 erworben.
Richter, GerhardDresden, 193220,5 x 16 x 2,7 cm"Gerhard Richter. Graue Bilder", 1974. Ausstellungkatalog in Kassettenform, auf hellem graubraunem Karton, Deckel von Richter mit grauer Rostschutzfarbe ausgespritzt, mit unbetitelten Text von Johannes Cladders auf einem separatem Faltblatt aus Karton, Leporello aus Karton mit 12 Abbildungen, Offsetdruck in Schwarz. Auf dem Textfaltblatt nummeriert 67/330. Herausgeber: Städtisches Museum, Mönchengladbach.Butin, 54.Städtisches Museum, Mönchengladbach.Privatbesitz, Baden-Württemberg.Der Katalog erschien anlässlich der Ausstellung "Gerhard Richter. Graue Bilder", im Dezember 1974 im Städtischen Museum, Mönchengladbach.
Baselitz, GeorgDeutschbaselitz, geboren 1938"Adler", 1975. Folge von vier Radierungen, vier Holzschnitten und drei Holzstichen mit Strichätzungen auf aufgewalztem imitierten Japanpapier, Ingres Bütten und Umdruckpapier, auf Fotokarton aufgelegt. Vier Holzschnitte überarbeitet. Alle in Bleistift unten rechts signiert und datiert sowie unten links nummeriert 13/30. Herausgeber: Edition der Galerie Heiner Friedrich, München.Blatt 1: Ohne Titel 1974. Radierung, Aquatinta und Kaltnadel auf imitiertem Japanpapier, blau auf Bütten aufgelegt. Plattenformat 13,7 x 10,1 cm, auf Rives Bütten im Format 70 x 50 cm aufgewalzt.Blatt 2: Ohne Titel 1974. Radierung, Ätzung auf Kupfer, blau auf imitiertem Japanpapier, Plattenformat 33 x 24,6 cm, auf Rives Bütten im Format 70 x 50 cm aufgewalzt.Blatt 3: Ohne Titel 1974. Radierung, Ätzung und Kaltnadel auf Kupfer, blau auf imitiertem Japanpapier, Plattenformat 18,6 x 13,5,1 cm, auf Rives Bütten im Format 70 x 50 cm aufgewalzt.Blatt 4: Ohne Titel 1974. Radierung, Ätzung und Kaltnadel auf Kupfer, blau auf imitiertem Japanpapier, Plattenformat 33 x 24,8 cm, auf Rives Bütten im Format 70 x 50 cm aufgewalzt.Blatt 5: Ohne Titel 1974. Holzstich und Strichätzung, blau/schwarz auf imitiertem Japanpapier, Papierformat 28,4 x 18,5 cm, auf Fotokarton im Format 70 x 50 cm aufgelegt.Blatt 6: Ohne Titel 1974. Holzschnitt und Fingermalerei, blau/rot auf imitiertem Japanpapier, Papierformat 28,4 x 18,5 cm, auf Fotokarton im Format 70 x 50 cm aufgelegt.Blatt 7: Ohne Titel 1974. Holzstich und Strichätzung, blau/schwarz auf Ingres, Papierformat 28,4 x 18,5 cm, auf Fotokarton im Format 70 x 50 cm aufgelegt.Blatt 8: Ohne Titel 1974. Holzschnitt und Fingermalerei, blau auf imitiertem Japanpapier, Papierformat 28,4 x 18,5 cm, auf Fotokarton im Format 70 x 50 cm aufgelegt.Blatt 9: Ohne Titel 1974. Holzschnitt, übermalt, blau, rot und schwarz auf imitiertem Japanpapier, Papierformat 28,5 x 18,6 cm, auf Fotokarton im Format 70 x 50 cm aufgelegt.Blatt 10: Ohne Titel 1974. Holzstich und Strichätzung, blau/schwarz auf Ingres, Papierformat 28,4 x 18,5 cm, auf Fotokarton im Format 70 x 50 cm aufgelegt.Blatt 11: Ohne Titel 1974. Holzschnitt, übermalt, blau/rot auf Umdruckpapier, Papierformat 45,7 x 35,5 cm, auf Fotokarton im Format 70 x 50 cm aufgelegt.Jahn, 170 - 181.Privatsammlung. Baden-Württemberg.
Grieshaber, HAPRot an der Rot, 1909 - Reutlingen, 1981Blattgröße: 19,6 x 26,5 cm, R."Zwei Bauhandwerker", 1933. Farbholzschnitt auf Bütten. In Bleistift unten rechts signiert. Fürst, 33/9b.Sammlung Walter Renz.Galerie Schlichtenmaier, Stuttgart.Privatbesitz, Baden-Württemberg, dort 2001 erworben.
Haring, KeithKutztown, 1958 - New York, 1990Blattgröße: 64 x 91 cm; 56 x 83 cm, R."Untitled #3", 1982. Lithografie auf Bütten. In rotem Farbstift unten rechts signiert, datiert und nummeriert 30/40 sowie bezeichnet "3". Herausgeber: Barbara Gladstone Editions, Ltd., New YorkLittmann, S. 20.Barrington Gallery, London.Privatsammlung, Baden-Württemberg, dort 1998 erworben.
Glover, AbladeAccra/Ghana, 193477 x 102 cm, R.Afrikanische Stadt, 1990. Öl auf Leinwand. In Öl unten links signiert und datiert sowie rückseitig bezeichnet "27".Atelier des Künstlers.1991 von dem damaligen deutschen Botschafter in Ghana erworben.Privatbesitz, Baden-Württemberg, durch Erbschaft vom Vorgenannten erhalten.
Schmidt-Rottluff, KarlRottluff, 1884 - Berlin, 197626,5 x 39,5 cm, R.Landschaft am Lebasee, um 1935. Farbkreide über Tusche auf Maschinenbütten. In Bleistift unten links signiert.H. Tennier, Auktion 39, 26. 10. 63, Lot 4244. Privatsammlung Heidelberg. Nagel Auktionen, Stuttgart, Auktion 8M, 19. April 1997, Lot 3006. Privatbesitz, Baden-Württemberg.
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