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A pair of late 19th Century Loetz Federzeichnung or octopus cases of footed ovoid form with flared collar neck, cased in clear crystal over cinnamon over opal, internally decorated with a scrolling air trap line over decorated with enamelled and gilded flowers and foliage, marked Pat 9159 to the base, height 22cm. (2)
A late 19th Century Harrach satin air trap vase of shouldered ovoid form with collar neck cased in purple over pink over opal interior with repeat air trap spot pattern over decorated in the Oriental taste with a gilded flowering blossom bough, acid and enamel marks to the base, height 17cm.
A large late 19th Century Harrach pitcher of spherical form with triform collar neck and applied clear crystal loop handle, cased in clear crystal over ruby over opal and relief gilt decorated in the Oriental style with flowering prunus blossom and insects, together with three matched cups, enamel propeller mark, height 21cm.
A late 19th Century Stevens & Williams moon flask posy vase designed by John Northwood, domed foot rising to a compressed moon flask shape body with flared collar neck and applied loop handles, cased in jade green over opal and polished intaglio cut in the Neoclassical style with a figural cartouche within repeat foliate borders, height 16.5cm.
A late 19th Century Thomas Webb & Sons Queens Burmese cameo glass vase, footed shouldered cylindrical form with a shallow collar neck, case in opal over magenta over a graduated pink to yellow Queens Burmese ground, cut with flowers, foliage and scrolling tendrils between repeat pattern and linear borders, unmarked, height 16cm.
A large late 19th Century Thomas Webb & Sons cameo moon flask vase of footed compressed form with slender collar neck and applied loop handles, cased in opal over blue and carved in the Chinese taste with flowers and foliate scrolls with repeat floral borders and Chinese inspired geometric shoulders, unmarked, height 26cm, width 16cm.
A late 19th Century Stevens & Williams Dolce Relievo vase of footed ovoid form with collar neck cased in a pale butterscotch over opal, acid cut with a version of the Three Graces with a classically dressed lady playing a lyre to the reverse with anthemion to the shoulders, unmarked, height 17cm.
A late 19th Century Thomas Webb & Sons vase of globe and shaft form with shouldered ovoid base rising to a slender neck, cased in opal over ruby and polished intaglio flash cut by William Fritsche with a deep scrolling band of stylised flowers and foliage between repeat pattern borders, engraved signature to the base, height 17cm.
A late 19th Century Stevens & Williams polished intaglio vase possibly by John Northwood of footed slender cylindrical form with flared collar neck, cased in deep purple over opal and polished intaglio cut with a squirrel resting to a fruiting pine nut bough between linear borders, height 26cm.
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66237 item(s)/page