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Lot 1238
Jonathan Harris - A contemporary Silver Cameo glass trial vase, of footed ovoid form, the high sided body cased in silver aventurine over opal and tonal blue and cut fish, engraved signature and dated 2004, height 23cm. NB - This is one of two vases made in this pattern, the other was presented to King Charles.
Lot 1310
Timothy Harris and Jonathan Harris - Isle of Wight - A later 20th Century studio glass vase in the Woodland Silver Birch pattern, of shouldered ovoid form with everted rim, decorated with a wave spiral trail in green and opal against the mottled iridescent pink ground, unsigned, but retains label, height 21cm.
Lot 1321
Michael Harris and Elizabeth Harris - Isle of Wight - A collection of five studio glass pieces in the Flower Garden pattern in the Lilac colour way, including a cylindrical vase, height 16cm, a scent bottled of compressed ovoid form with disc stopper, a scent bottle of squat form with globe stopper, an egg form paperweight and a globe form paperweight, all decorated with pink and green against the mottled opal ground above iridescent green, all unsigned but retaining labels. (5)
Lot 1322
Michael Harris and Elizabeth Harris - Isle of Wight - A collection of three studio glass pieces in the Flower Garden pattern in the Lilac colour way, comprising a vase of compressed sleeve form, height 17cm, a similar smaller example, and a bowl of footed high sided form, diameter 15cm, decorated with pink and green against the mottled opal ground above iridescent green, all unsigned but retaining labels. (3)
Lot 1324
Michael Harris and Elizabeth Harris - Isle of Wight - Two studio glass vases in the Flower Garden pattern in the Lavender colour way, the first of cylinder form with flared rim, height 17cm, the other of compressed sleeve form, both decorated with purple and green against the mottled opal ground above iridescent green and purple, both unsigned but retain labels. (2)
Lot 1325
Michael Harris and Elizabeth Harris - Isle of Wight - Two studio glass vases in the Flower Garden pattern in the Lavender colour way, the first of squat low shouldered form with flat rim, height 11cm, the other a similar smaller example, decorated with purple and green against the mottled opal ground above iridescent green and purple, both unsigned but retain labels. (2)
Lot 1326
Michael Harris and Elizabeth Harris - Isle of Wight - A collection of studio glass pieces in the Flower Garden pattern in the Lavender colour way, comprising a squat vase of low shouldered form with flat rim, height 8cm, a vase of compressed ovoid form, a scent bottle of low shouldered form, stopper A/F, and a paperweight of globe form, each decorated with purple and green against the mottled opal ground above iridescent green and purple, all unsigned but retain labels. (4)
Lot 1327
Michael Harris and Elizabeth Harris - Isle of Wight - A studio glass vase in the Flower Garden pattern in the Laburnum colourway, of squat low shouldered form with flat rim, decorated with yellow against the mottled opal ground above iridescent green and purple, unsigned but retains label, height 11cm. NB - The Laburnum colourway was produced as a trial only in 1991.
Lot 1329
Michael Harris and Elizabeth Harris - Isle of Wight - A studio glass vase in the Flower Garden pattern in the Laburnum colourway, of cylindrical form, decorated with yellow against the mottled opal ground above iridescent green and purple, unsigned but retains label, height 16cm. NB - The Laburnum colourway was produced as a trial only in 1991.
Lot 1331
Michael Harris and Elizabeth Harris - Isle of Wight - Two studio glass vases in the Flower Garden pattern in the Larkspur colourway, the first of compressed sleeve form, engraved signature and retains label, height 17cm, the other a similar smaller example, unsigned but retains label, both decorated with blue against the mottled opal ground above iridescent green and purple. (2)
Lot 1332
Michael Harris and Elizabeth Harris - Isle of Wight - Two studio glass scent bottles in the Flower Garden pattern in the Larkspur colourway, the first of compressed ovoid form with disc form stopper, unsigned but retains label, height 13cm, the other of squat form with globe stopper, unsigned but retains label, decorated with blue against the mottled opal ground above iridescent green and purple. (2)
Lot 1333
Michael Harris and Elizabeth Harris - Isle of Wight - Three studio glass vase in the Flower Garden pattern in the Larkspur colour way, each of squat low shouldered form with flat rim, decorated with blue against the mottled opal ground above iridescent green and purple, all unsigned but retain labels, height of tallest 12.5cm.
Lot 1334
Michael Harris and Elizabeth Harris - Isle of Wight - Three studio glass pieces in the Flower Garden pattern in the Larkspur colour way, comprising a cylindrical vase with flared rim, height 12.5cm, a paperweight of egg form and a paperweight of globe form, decorated with blue against the mottled opal ground above iridescent green and purple, all unsigned but retain labels. (3)
Lot 23
Loetz - A late 19th Century large glass vase, circa 1890, PN. I-1808, of shouldered ovoid form with dimpled sides below a short collar neck, decorated with an unknown DEK enamelled winter scene, with robins flying amongst snowy branches and falling snow, all over a graduating peach to opal ground, height 19cm.
Lot 50
Galle - An early 20th Century cameo glass scent bottle, of ovoid form, cased in amethyst over the opal ground and cut with floral motifs, mounted with a silver hallmarked cap repousse decorated with daisy stems, Birmingham 1913, cameo signature to the body, height 10cm, together with a small Galle cameo vase, of squat ovoid form and tall collar neck, cased in amethyst over opal, cut with flowers to the neck, cameo signature to the neck, height 10cm. A/F (2)
Lot 469
Edward Roper Stapleton Sandys (1845 - 1909)The Wishing Tree, signed, charcoal, 57 x 42.5cm NB. The work has previously been on the market erroneously attributed to Emma Sandys however it is now identified as by the British Topographical artist Edward Roper Stapleton Sandys (as above).Edward Roper Stapleton Sandys was the surveyor and paymaster aboard H.M.S. Opal in the Australia Squadron of the Royal Navy. The vessel was based in Australia from 1885-1890 and Sandys did extensive topographic drawings in Australia, New Zealand, and throughout the South Pacific. Latterly, he worked extensively in many regions of the British Isles.
Lot 458
A group of Shona stone sculpture, comprising: Misheck Makaza, Zimbabwean, b.1977, Humble, an opal stone sculpture of a kneeling figure, signed M MAKAZA, 36cm high; Enos Gunja, Zimbabwean, b.1947, a carved stone bust, signed GUNJA E. to underside, 18.5cm high; and a carved stone figural sculpture, 16cm high; together with a block of polished and cut petrified hardstone, approx. 13cm high, 11.3cm widePlease refer to department for condition report
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66237 item(s)/page