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An 18ct gold sapphire and diamond ring, one stone missing, size R, approx 3.1g; together with a gold and opal five stone ring (one missing), tests as 18ct, size O, approx. 1.5g (2)

A Birmingham Guild of Handicrafts silver buckle or clip, with pierced and engraved leaf decoration set with an opal, Birmingham 1900 - Good condition

Richard P. Golding - Okra - A contemporary studio glass vase in the Nebula design, of globular form with everted rim, decorated with decorated with petrol iridescent swirls and pulled threads all over a deep blue iridescent ground, engraved signature, dated 2008, height 12cm, together with an Okra small ovoid vase with frill rim and floral decorative patterning and a ovoid vase with mottled blue and opal spiral decoration. (3)

Michael Bang - Holmegaard - A Palet series large pepper shaker, of mushroom form, internally decorated in opal and cased in yellow, complete with cork stopper, height 15cm, together with a Palet series cruet bottle, of cylinder form decorated in opal and cased in yellow, complete with clear crystal sphere stopper, height 16cm. (2)

Michael Bang - Holmgaard - A later 20th Century spice jar from the Palet series, of compressed cylinder form with collar neck and flat rim, cased in yellow over opal, complete with 'Peber' label and cork stopper, height 9cm, also a pair of red and blue spice jars from the same series. (5)

Richard P. Golding - Station Glass - A contemporary studio glass vase, of globe and shaft form with everted rim, decorated with iridescent swirls and pulls over a green iridescent ground, engraved signature, dated 2011, height 19.5cm, together with another Okra vase of ovoid form with mottled iridescent spots and trailing over a mottled amethyst ground, dated 2011, and an Okra squat ovoid vase with opal mottled decoration over a petrol iridescent ground, engraved signature, dated 2004. (3)

Richard P. Golding - Station Glass - A contemporary studio glass vase of ovoid form with everted rim, decorated with copper trails and opal spots against the iridescent blue ground, engraved signature and dated 2011, height 16cm, together with another vase of ovoid form decorated with copper trails over the mottled opal ground, also dated 2011. (2)

Okra - A contemporary studio glass paperweight of domed form, decorated with mottled opal and iridescent pulls and swirls, relief mark, height 5cm, together with four similarly decorated paperweights by Scottish Borders Art Glass and Laugharne Glass, tallest height 9cm. (5)

Michael Bang - Holmegaard - A Palet series cruet bottle, of cylinder form decorated internally in opal and cased in blue, complete with clear crystal sphere stopper, retains original paper label, height 16cm, together with the matching cruet bottles in red and cinnamon by the same hand. (3)

Richard P. Golding - Station Glass - A contemporary studio glass vase, of ovoid form with short collar neck, decorated with green mottled spots and opal pulls all over a petrol iridescent ground, engraved signature, dated 2012, height 25cm.

Richard P. Golding -  Station Glass - A contemporary studio glass vase of ovoid form with tall neck and Jack in the Pulpit style rim, decorated with petrol iridescent mottled spots and swirls over a mottled opal ground, engraved signature, dated 2011, height 29cm, together with a Neo Art Glass petrol iridescent bowl with wavy rim designed by Kris Heaton, engraved signature, diameter 15cm. (2)

Michael Bang - Holmegaard - A later 20th Century Atlantis range glass vase circa 1980, of swollen sleeve form with everted rim, decorated with internal blue whiplash lines over an opal ground and cased in clear crystal, height 26cm.

Richard P. Golding - Station Glass - Two contemporary studio glass scent bottles, the first of ovoid form, the other of globe form, each decorated with petrol iridescent trails and opal spots against the blue iridescent ground, with spire stopper, both with engraved signature and dated 2011, height of tallest 18cm. (2)

Venini - A post war glass, internally decorated with spiralling coloured canes in yellow, blue, deep red and opal, over a solid base, acid marked, height 7.5cm.

Michael Bang - Holmegaard - Four Palet series egg cups, of short cylinder form with flat rim, internally decorated with opal and cased in blue, diameter 9.5cm. (4)

Ercole Barovier - Barovier & Toso - A post war Graffitto Lattimo E Aventurina glass vase of tapering cylinder form internally decorated with elongated controlled air bubbles, opal ribbon trails and gold aventurine, height 22cm.Ref  -Marina Barovier collection - A similar example illustrated on page 202, Art of the Barovier glassmakers in murano 1866 to 1972.

Michael Bang - Holmegaard - A Harmony vase, of flared form with ribbed bands, internally decorated in opal and cased in clear retains original paper label, boxed, height 13.5cm, together with the small Harmony vase in opal by the same hand, boxed, height 10.5cm. (2)

Michael Bang - Holmegaard - A Palet series cruet bottle, of cylinder form decorated internally in opal and cased in blue, complete with clear crystal sphere stopper, retains original paper label, height 16cm, together with a Palet series medium salt shaker, of mushroom form, decorated in opal and cased in blue complete with cork stopper and another smaller salt shaker also in blue by the same hand. (3)

Richard P. Golding - Station Glass - A contemporary studio large glass scent bottle of compressed twisted form with a central aperture, the core formed of polychrome inclusions cased in clear, with conforming twisted spire form stopper, engraved signature, dated 2013, height 40cm, together with another scent bottle of shouldered tapering form raised to a circular spread foot, internally decorated with a ruby core and externally decorated with opal and silver pulls, complete with the conforming spire form stopper, engraved signature, dated 2013, height 38cm. (2)

Milan Vorbruba - Gusum - An Aleppo glass vase of square section with applied swollen neck with everted rim, the textured body decorated with opal and blue spotting and trails against the mottled opal ground, height 18cm.

Michael Bang - Holmegaard - A Palet series cruet bottle of cylinder form, decorated internally in opal and cased in green, complete with clear crystal sphere stopper, height 16cm, together with a Palet series medium salt shaker, of mushroom form, decorated in opal with a green swirl cased in clear, complete with cork stopper, and another smaller salt shaker by the same hand, S/D. (3)

Holmegaard - A post war glass vase of ovoid form with flared rim internally decorated in opal and cased in clear, acid mark to base, retains original label, height 21cm, together with a Harmony vase designed by Michael Bang, all in opal, and a Cascade vase designed by Per Lutken, decorated with mottled amethyst, green and cinnamon spots over an opal ground. (3)

Loetz - A late 19th Century Onyx glass vase, circa 1887, of footed globe and shaft form with a single ring neck, decorated with raised enamel and gilt in the Islamic taste over an opal ground marbled with tonal burgundy threads, height 23cm.

Richard P. Golding -  Station Glass - A contemporary studio glass footed bowl of ovoid form with wide wavy rim, externally decorated with mottle opal spots and swirls over a blue iridescent crackle effect ground, engraved signature, diameter 22cm.

Richard P. Golding - Station Glass - A contemporary studio glass scent bottle, of globular form with everted rim, decorated with blue iridescent mottled spots and opal streak all over a deep petrol iridescent ground, complete with the matching sphere stopper, engraved signatures, dated 2011, height 12cm, together with another scent bottled of ovoid form with facet cut decoration and green internal core, and a small squat ovoid scent bottle with iridescent blue and opal swirl decoration, by the same hand. (3)

Loetz - A late 19th Century Onyx glass vase, circa 1887, of ovoid form with flared neck, gilt and enamel decorated with flowers over an opal ground marbled with tonal brown threads, supported on three gilt metal feet, height 18cm.

Ulrica Hydman Vallien - Kosta Boda - Two Mine range glass bowls, each of circular section, decorated with internal trails in opal with moulded mark to base, retain labels, diameter 25cm.

Archimede Seguso - A post war 1950s glass vase of tapered and rounded square section, cased in a graduated opal over pink, retains original label, height 26cm.

Richard P. Golding - Okra - A contemporary studio glass vase in the Pink Charlock pattern, of ovoid form with everted rim, decorated with opal stylised flower heads and blue iridescent trails against the pink ground, engraved signature, height 18.5cm.

Sven Palmqvist - Orrefors - A post war Kraka glass vase of waisted form cased in clear crystal over an opal ground decorated with a fine bubble mesh, engraved signature, height 19cm.

Karina Sellars - Okra - A contemporary studio glass vase in the Midnight Blossom pattern, of globe form with flared collar neck, decorated with stylised opal flowers against the mottled blue and green iridescent ground, engraved signature and dated 2009, height 9.5cm, together with another vase by Richard P. Golding in the Golden Brown pattern, of globe form decorated with stylised flowers and trails against the golden ground, engraved signature and dated 2008. (2)

Unknown - A pair of post war Murano glass vases of bottle form, decorated with an internal opal spiral trail, height 30.5cm.

Richard P. Golding - Station Glass - Two contemporary studio glass scent bottles, the first of ovoid form with internal decoration of a yellow flower with leaves cased in clear crystal, with spire form stopper, engraved signature and dated 2011, height 18.5cm, the other with ruby and opal spot decoration, signed and dated 2013, together with another scent bottle by Eirian with blue trails against the clear ground, retains label. (3)

In the manner of James Powell & Sons - An early 20th Century straw opal glass vase with quatrelobed dimple knocked sides and ribbed collar neck and everted rim, decorated with an internal wave line and spot pattern, height 15.5cm.

A collection of opal set jewellery to include an opal 9ct gold pendant, set with oval opal within rope border, size approx 19 x 16mm, on a fine 9ct gold chain, total gross weight approx 4.4gms along with an opal and diamond set 14ct gold pendant set with three oval opals and small diamond accents, size approx 30mm,with enhancer bale and a pair of opal and diamond 14ct gold cluster earrings, length approx 19mm, post and omega clip fittings, combined total gross weight approx 8.4gms Further details: good all stones present, minor wear and tear only

A collection of early 20th century gold rings to include an opal and emerald five stone 9ct gold ring, size R1/2, a pearl and sapphire 9ct gold ring with embossed shoulders, size S, a unmarked ruby and pearl set band, size M, (stone detached) possibly 15ct gold and a ruby and diamond narrow band, size N, combined total gross weight approx 7.9gms Further details: good all stones present (one detached from mount) minor wear and tear commensurate with age 

An opal and diamond 18ct gold cluster comprising a cluster of small round cabochon opals with four small diamond accents, set to the centre with a round brilliant cut diamond, setting diameter approx 11mm, to a textured 18ct gold band, size N, total gross weight approx 4.8gms along with an opal and 9ct gold single stone, comprising an oval opal within a rope border, size M1/2, (opal abraded) total gross weight approx 1.9gms Further details: good all stones present and intact, wear and tear commensurate with age 

A collection of eight 9ct gold gem set rings to include two opal and garnet three stone rings, sizes N, T, a three stone diamond cross over ring, size P, white topaz set eternity ring, size O, white and blue sapphire half eternity, size R, fancy set diamond ring, size O, textured boule ring, size P and a turquoise type sing, size T, combined total gross weight approx 18.5gms Further details: good all stones present, opals with slight abrasions, wear and tear commensurate with age  

An amethyst and diamond 9ct gold ring, comprising an oval amethyst approx 10x 13mm, within  border of illusion set diamonds, setting approx 16 x 18mm, split shoulders, size M1/2, total gross weight approx 4.7gms , along with a silver gilt pendant set with opal triplet on a fine gilt chain, costume jewellery including a faux opal metal bracelet and green and white paste set metal bracelet and necklace (1 bag)Further details: wear and tear commensurate with age 

A collection of six vintage tone set 9ct gold rings to include a ruby and diamond three stone ring, size M, along with various designs and stones including peridot, size M, pearl, size N, opal and diamond size O, diamond, size  M and quartz, size N, combined total gross weight approx 9.4gms Further details: good all stones present, opal abraded, wear and tear commensurate with age 

Opal and diamond ring set in 14ct gold, size H.

Three 9ct gold Gems tv rings, two with 'As New' tags, set with sapphire, size O1/2, Ethiopian opal size N1/2, brown and clear gem ring Q, weight together 7.7gms and a silver diamond set ring Condition Report:Available upon request

Four 9ct gold gem set rings to include mystic topaz P1/2, emerald Q, citrine and diamond accent size O, Ethiopian opal and colour change gem stones, size O, three 'as new' with tags weight all together 7.6gms Condition Report:Available upon request

Two 9ct gold Gemporia gem set rings. A 9ct gold pink spinel, and diamond accent ring, size Q, and a Ethiopian opal, emerald and zircon ring, size Q, one with 'As new' tags and Gemporia certificates, weight together 3.9gms Condition Report:Available upon request

A 9ct gold trilliant cut Ethiopian opal, and diamond accent ring, with 'As new' tags and Gemporia certificate, finger size Q, weight 1.9gms Condition Report:Available upon request

A 9ct gold ring, claw set with an oval opal between circular cut diamond set three stone shoulders, ring size approx S1/2, and a 9ct gold ring, claw set with a rectangular sapphire carved with foliate decoration between diamond single stone shoulders, with scrolled pierced decoration between cable sides, ring size approx N1/2, total weight 8.6g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A silver gilt and opal pendant of abstract design, detailed 'STG SIL', weight 4.4g, length 3.6cm, with a gilt metal neckchain, length 46.5cm, and a silver gilt and oval opal triplet pendant, detailed 'STG SIL', weight 4.1g, with a gilt metal neckchain.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A 9ct gold, garnet and colourless gem set oval cluster ring, Birmingham 1991, ring size approx L, a 9ct gold ring, claw set with a fire opal between colourless gem set shoulders, and a 9ct gold, opal and colourless gem set oval cluster ring, total weight 8.4g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A 9ct gold and garnet seven stone cluster ring with pierced heart shaped shoulders, Birmingham 1977, ring size approx K, a pair of gold and garnet seven stone cluster earstuds with post and butterfly fittings, each butterfly detailed '9ct', a 9ct gold ring, claw set with an oval opal between ruby set shoulders (one ruby lacking), and a 9ct gold and diamond half-hoop ring, total weight 6.8g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A pair of gold and opal triplet earstuds, each claw set with an oval opal triplet, detailed '14ct', weight 2.2g, with associated odd gold butterflies, detailed '375' and '9', length 1.1cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A 9ct gold, sapphire and diamond oval cluster ring, claw set with the oval cut sapphire within a surround of alternating sapphires and diamonds, London 1982, ring size approx N1/2, a 9ct gold and opal three stone ring and a 9ct white gold, diamond and black diamond ring in a five row design, total weight 8.4g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

An 18ct gold, black opal and diamond ring, collet set with the oval black opal between diamond four stone set shoulders in a scrolling design, Sheffield 1992, weight 5.1g, ring size approx P1/2, with a case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

An 18ct gold, opal and diamond ring, mounted with three oval opals with two pairs of rose cut diamonds at intervals, weight 2.7g, ring size approx M1/2, with a case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

An 18ct gold ring, mounted with an oval opal, Chester 1910, weight 3.8g, ring size approx N1/2.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A 9ct gold, pale green and colourless gem set square cluster ring, ring size approx O, a 9ct gold ring, claw set with two oval opals (the third opal lacking), total weight 6g, and a gold and smoky quartz solitaire ring, claw set with a rectangular step cut smoky quartz, unmarked, weight 4.5g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A gold and opal necklace, the front collet set with a row of five sliding circular opals, detailed '750', on a sprung hook shaped clasp, detailed '750', weight 9.6g, length 43.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A collection of jewellery including an 1850 1 dollar coin, an 18ct gold Maltese cross pendant, an opal and pearl swan pendant, gemstone beads etc.(B.P. 21% + VAT)

9 CARAT GOLD AND OPAL RING 2.3GRAMS

A 9ct hallmarked gold ring set with oval aquamarine coloured stone; a 9ct hallmarked gold ring with dark opal style central stone surround by clear stones, test as white sapphires, pear shape design weight 6.3gms

GALLE EMILE: (1846-1904) French artist and designer who worked in glass, considered one of the major innovators in the French Art Nouveau movement. An excellent Autograph Manuscript Signed, Emile Galle (in the third person to the title page and also within the text), twenty pages (including the title page), 4to (and a few smaller), n.p. (Nancy), n.d. (1884), in French. The manuscript, largely penned to the versos of Galle's personal printed stationery, is the artist's working draft (containing numerous corrections) of his report to the jury of the Central Union of the Decorative Arts VIII Exposition on the production and manufacture of his glass, including various specimens, and featuring details of the technical procedures of decoration and the diverse new applications derived from it, in particular new glass colouration including double and triple marbled glass, precious stone imitations, the use of air bubbles, extension of the palette of opaque enamels on glass, the use of transparent and translucent enamels on glass (other than cobalt oxide enamel), rare and strange decorations and new engraving procedures etc., in part, 'The exhibitor presents this year some tones coloured from the block (chrome oxide, iron oxide and diverse combinations of iron oxide, cobalt, manganese); some free imitations of precious stones, transparent, translucent or marbled with opaque veins. These colourations are obtained by introduction of diverse oxides and metallic salts in the glass, of opal glasses, and glasses coloured with gold or copper oxide….He still presents glasses with the introduction of gold sheets, platinum, finally some doublets and triplets with marbled sheet. Some specimens offer absolutely new effects, unprecedented use of which, neither modern or antique, offer any example…..the exhibitor asks the jury to examine the following samples…..Octopus light cigar case….cylindrical pot and tray…..basin with glass stopper, sapphirine colour, or blue quartz colour (composition based on potash) with translucent enamels…..Emile Galle incidentally reminds that glass, coloured with a small quantity of cobalt oxide in a pretty sapphire tone, colour which was since vulgarised by some French and foreign glass manufacturers, was emitted by him in 1878…..(and)…..commercialised by him under the name Clair de Lune, it was produced successively in Germany under the name Mondschein and in England under that of Moonlight Glass. A sample of this shade can be seen in the Decorative Arts museum……Marbled glasses with purple and bluish colours disclose the presence of gold. These marbling are yellowish when seen by reflection and red or pink by refraction…..These colours, interesting from the point of view of techniques, are not less interesting as regards decoration for the resources they offer the artist. Unfortunately, in considering the industrial use only, this procedure does not seem very practical, its effect being too variable…..it still requires some spendings of imagination to create interesting subjects out of their strange shapes…..The exhibitor also presents some tinted glasses containing gold and platinum sheets introduced in the glass in order to serve as foreground to enamels…..all the exhibitors decorations are handmade……The vivid desire to create….enamels on glass, a production with a really modern and French character, has led the exhibitor to research the colours that neither the Damas or Venise enamellers, nor the German painters have used in their productions, some reds and blues for example, some blacks, yellows and greens, some purples, pinks and violets, and most of all half tones, fine and broken shades, greys, flesh and ivory tones. Their judicious use, without dashing the decoration of the glass, can add to it a certain piquant…..diverse appropriateness between the decoration and the objects' destination had led Galle to research other translucent enamels than the old and magnificent blue derived from cobalt. Some objects having to represent the decorations by refraction as well as by reflection, it became necessary to enlarge the enamel palette in a sense contrary to opacity…..Emile Galle pays the greatest attention to the composition of the drawings intended to be executed in touret engraving. He never uses the fluor hydric acid engraving. It can be no use to him in the artistic effects he is searching for…..' Within the draft Galle details over eighty glass objects that he is presenting at the exposition including vases, scent bottles, bowls, tankards, goblets, cornets, a clock (made for the Queen of Italy), jugs, wine glasses etc. A manuscript of fascinating content and accompanied by a vintage unsigned 5 x 8.5 cabinet photograph, the albumen print by Otto Wegener of Paris depicting Galle in a head and shoulders pose and with the photographer's imprint to the lower mount. Some light overall age wear and a few creases and small tears (most noticeable to the left edge of the title page). G to VG, 2