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A late 19th Century Stevens & Williams moon flask posy vase designed by John Northwood, domed foot rising to a compressed moon flask shape body with flared collar neck and applied loop handles, cased in jade green over opal and polished intaglio cut in the Neoclassical style with a figural cartouche within repeat foliate borders, height 16.5cm.
A late 19th Century Thomas Webb & Sons Queens Burmese cameo glass vase, footed shouldered cylindrical form with a shallow collar neck, case in opal over magenta over a graduated pink to yellow Queens Burmese ground, cut with flowers, foliage and scrolling tendrils between repeat pattern and linear borders, unmarked, height 16cm.
A large late 19th Century Thomas Webb & Sons cameo moon flask vase of footed compressed form with slender collar neck and applied loop handles, cased in opal over blue and carved in the Chinese taste with flowers and foliate scrolls with repeat floral borders and Chinese inspired geometric shoulders, unmarked, height 26cm, width 16cm.
A late 19th Century Stevens & Williams Dolce Relievo vase of footed ovoid form with collar neck cased in a pale butterscotch over opal, acid cut with a version of the Three Graces with a classically dressed lady playing a lyre to the reverse with anthemion to the shoulders, unmarked, height 17cm.
A late 19th Century Thomas Webb & Sons vase of globe and shaft form with shouldered ovoid base rising to a slender neck, cased in opal over ruby and polished intaglio flash cut by William Fritsche with a deep scrolling band of stylised flowers and foliage between repeat pattern borders, engraved signature to the base, height 17cm.
A late 19th Century Stevens & Williams polished intaglio vase possibly by John Northwood of footed slender cylindrical form with flared collar neck, cased in deep purple over opal and polished intaglio cut with a squirrel resting to a fruiting pine nut bough between linear borders, height 26cm.
A late 19th Century Stevens & Williams polished intaglio vase possibly by John Northwood of footed slender shouldered ovoid form with flared collar neck, cased in deep pink over opal and polished intaglio cut in the Egyptian taste with a stylised hawk above a floral motife, all between repeat pattern borders, height 24cm.
A late 19th Century Thomas Webb & Sons triple colour cameo vase of footed spherical form with everted rim, cased in ruby over opal over blue and cut in a repeat over lapping scroll work cartouche with foliate detail between foliate and stiff leaf borders, retains original paper labels to the base, height 10.5cm.
A late 19th Century Stevens & Williams Verre de Soire ewer with domed foot, ovoid body and knopped neck with pulled spout and applied clear crystal handle, cased in satin clear crystal over a graduated butterscotch to ruby with turquoise opal interior, decorated with an air trap spiral line, height 28cm.
A late 19th Century Stevens & Williams intaglio vase of spherical form with flared collar neck raised to four tonal pink sprue feet with matched wrap around handles, cased in pink over opal and polished intaglio cut with nesting hummingbirds to a flowering tree with spiders web above, height 21cm.
An early 20th Century Austrian vase of fluted triform with tall drawn neck decorated with a deep red iridescence, together with a Kralik vase of swollen ovoid form with whiplash decoration and a further Kralik example decorated with applied iridescent green trails and crackle over the opal tinted ground, tallest 24cm. (3)
A large later 20th Century limited edition plaque by Rachel Woodman for Dartington Crystal, the central well cased in deep burnt orange over opal with an incalmo rim decorated in the graal technique with a repeat black over clear diamond technique, engraved signature with date for 1991, numbered 4 of 10, together with a related copy of Crafts magazine, width 51cm.
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66634 item(s)/page