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Advertising & Lightbulbs - F & P color click lock transparency holders, 6x6, qty boxed; Ferraniacolor invertible photographic film rolls, others Dufay, Kodak etc; assorted shape and sizes, lightbulbs inc Opal, fluorescent tubes, Osram, Phillips, Sylvania blue top projector lamps, Thorn, Aramee, Maxim etc, mostly boxed; Mullard Master Valve TDD2A 7/6 etc
A GARNET AND OPAL RING AND A RUBY AND PEARL RING set with an oval cut orange garnet between six opal cabochons, with applied scrolling wire, to a chased tapering shank. Marked 15, Birmingham, 1873 Ring size P Weight 2.7gms A claw set ruby and bezel split pearl cluster, between pierced scrolling shoulders. Unmarked Ring size P 1/2 Weight 1.3gms
Y ANDREW GRIMA, A WHITE MUSHROOM CORAL AND BOULDER OPAL PENDANTThe oval white mushroom coral (fungiidae) centred with a polished pear shaped boulder opal, with a gold coloured three claw setting, stamped GRIMA 0.750, with loop fitting, suspended from an associated rope twist chain signed Uno-A-Erre and stamped 750, in a Grima London caseSize/dimensions: pendant 7.2cm longGross weight: 38.3 gramsAndrew Grima was a British society jeweller of the 1960s and 70s, and his early clients included Queen Elizabeth II, Princess Margaret and Jackie Kennedy Onassis. The entirely self taught Andrew Grima joined his father-in-law's jewellery manufacturing business, H.J. Company, in 1946, and introduced new designs and techniques to the company, away from the more traditional and figural jewellery designs, to organic and abstract jewel forms. Through his unique jewellery design, Grima has subsequently become known as the father of post war jewellery design. His pieces have won numerous awards including the DeBeers Diamonds International Awards a record breaking 11 times, and can be found in many of the most important museums in the world, and private collections. One of Andrew Grima's favourite stones to use was opal, and they featured in a number of his pieces during his career.Y Indicates that this lot may be subject to CITES regulations when exported. The import of lots that are subject to CITES regulations are banned in certain countries. Please check your country's import regulations before bidding. Condition Report: There is a large chip to the boulder opal to the centre, no noticeable damage to the mushroom coral, but due to the nature of the coral damage would be difficult to see. The Grima stamp is clear. Condition Report Disclaimer
A MID 20TH CENTURY DIAMOND, OPAL, AND RUBY TIARAThe scrolled gold coloured tiara with graduated old cut diamond and polished cabochon opal clusters, with further rose cut and old mine cut diamond accented settings, approximately 10.32 carats total, with circular cabochon, circular cut and step cut ruby accents, the principal oval cluster removes from the setting, with additional screw in brooch fitting, the two smaller diamond and opal clusters unscrew, with fold out stud fittings verso, unmarked, in a partial box, with sticker verso stating Marquis Jean P. De Chambrun, Vernon Manor Hotel, Cincinnati, Ohio 45219 Size/dimensions: the front section 7.8cm high, principal opal, diamond and ruby cluster 3.8cm longGross weight: 211.4 grams Provenance: The Late Jean Pierre François Joseph Pineton de Chambrun, Marquis de Chambrun, Marquis d'Amefreville (1903 - 2004) and Muriel, Marquise de Chambrun. Thence by family descentJean Pierre Pineton was the eldest son of French politician and diplomat Charles Louis Antoine Pierre Gilbert Pineton de Chambrun (1865-1954) and his American wife, Margaret Rives Nichols (1872-1949). The de Chambrun family had a distinguished history as important French politicians in the French Senate and French Chamber of Deputies and were direct descendants of Gilbert du Motier, Marquis de Lafayette. Margaret Rives Nichols was born into the 19th century millionaire Longworth Storer family in Cincinnati. Although profoundly deaf, Jean Pierre studied biochemistry at the Institut Pasteur and art at the Horace Vernet school. As a member of at the Cercle de l'Union Artistique in France, Jean Pierre became an acclaimed painter and designer of jewellery, wrought iron and crystal for Baccarat. He married his first wife the French heiress, Gisèle Hugot-Gratry (1909-2005), in the late 1920s and they had three sons together. The family left France during World War II as Jean Pierre was a staunch opponent of the wartime Vichy Government in France, and they settled in Cincinnati for the duration of the war. After the war Gisèle returned to France with their sons and their marriage ended in divorce. Jean Pierre lived in Lucca in Northern Italy with his sister Marthe de Chambrun, Principessa Ruspoli-Poggio Suasa, in the 1950s although they subsequently moved to Tangier. Whilst living in Tangier Jean Pierre was introduced to Muriel McIntosh Villar. Muriel had moved to Tangier after the war, having lost her first husband during the Malayan Emergency, to live with her retired Sergeant Major father. Muriel and Jean Pierre married in 1963 and would spend their 40 year marriage between France, the United States and the Algarve in Portugal. When they stayed in America between the late 1960s and early 1970s, they would always stay at Vernon Manor Hotel in Clifton, Cincinnati. Interestingly the base of the tiara box offered with the tiara has a label stating the Marquis of Chambrun's name and confirming the address as the Vernon Manor Hotel. Jean Pierre and Muriel toured America lecturing about his ancestor the Marquis de Lafayette, and Lafayette's role in defeating the British during the American Revolution and War of independence. Muriel also became a celebrated poetess and won several awards including Ohio Poet of the year in 1976 for her Book Of Poems "Sudden Spring", and an award from Cincinnati University in 1970 for her first book "Salisbury Cathedral". Jean Pierre and Muriel were fêted by American society at large, and were known to several American President's including Ronald Reagan, Bill Clinton and George Bush Junior for their work in promoting Franco-American relations. Opal tiaras are extremely rare, and only one other tiara set with opals is known. The Princess Marie of Denmark opal tiara was an exuberant Art Nouveau creation of large, towering opal set floral sprays. The tiara was re-set by Princess Marie's daughter-in-law Princess Viggo, into a simpler diadem. This opal diadem was passed down to the Count and Countess Flemming of Rosenborg, and has not been seen being worn in public since it was last worn at the wedding of King Harald V and Queen Sonja of Norway in 1968.Condition Report: The seven graduated opal and diamond clusters appear to have originally been part of an earlier piece, and have been soldered onto the gold scrolling tiara. There is evidence of lead solder being used to attach these clusters, but the soldering is all very tidy. The clusters are in our opinion late 19th century/early 20th century. The removable central panel and earring clusters were originally fixed to the body of the tiara, and then the bar supports and screw in fittings later added in order to make the tiara convertible. There are very small areas of lead solder repair below the cluster to the central front panel, one of the joins is visible to the front of the tiara. The opals have surface reaching and internal crazing that is visible to the naked eye, no chips nicks or scuffs. The diamonds are all present and correct, bright and lively, mostly VS-SI, some with inclusions visible with a 10x loupe. One of the smaller diamonds is chipped. The rubies are all present and correct, well matched in colour, one square cut ruby is cracked right through. The setting is unmarked, but is in our opinion 18 carat gold. Condition Report Disclaimer
An opal, diamond and cultured pearl pendant by Arno Thuile, designed as a central round cabochon opal collet set within textured hinged mount set with three brilliant cut diamonds and suspending cultured pearl drop, stamped to the reverse '750', pendant measures approx 43mm x 25mm (including pearl), suspended from 18ct gold rope twist chain necklace with lobster claw fastening, total weigt approx 29gNote: This necklace was commissioned by the vendor and is titled 'Sunrise'. The opal representing the sun within a seascape
A late 19th century emerald and opal brooch with matching earrings, the circular brooch designed as a central square faceted emerald mounted within yellow metal engraved stylised entwined plait, each 'ribbon' set with a central oval opal and flanked by two emeralds, with brooch pin reverse and attached safety chain, 43mm diameter, not stamped, together with a pair of matching earrings, with hook fittings, earring clusters measure approx 20mm diameter, not stamped, total weight approx 16.4g (3) (some damage)Brooch- two of the smaller emeralds have been replaced with paste, all of the stones with small chips or abrasions, some small splits to the yellow metal mountEarrings- all of the stones with chips or abrasions, some stones may be replacements, some holes and general wear to mountsRefer to images
A diamond ring and a wedding band with certification, single stone diamond ring with diamond shoulders, claw set in hallmarked 18ct white gold, with a diamond half eternity ring, in hallmarked 18ct white gold, both ring size O, together with a pear cut opal pendant surrounded by diamonds set in 9ct white goldCondition Report: Gross weight 6 gramsSingle stone engagement ring comes with Leo Diamond certificate
Three necklaces and a pendant, including an imitation opal pendant set in 18ct, on a 9ct curb chain, a tri-colour 9ct necklace, an amethyst pendant on an 18ct box link chain, together with a locket pendant set in 9ct with seed pearlsCondition Report: 9ct gross weight 19.3 grams18ct gross weight 7.2 grams
An opal and diamond pendant, with an oval cabochon cut opal measuring 14.41x11.08mm, surrounded by rose cut diamonds, suspended from opalescent beads, on an integrated chain tested as 9ct, together with an opal and gilt metal bracelet and an opal brooch in 15ct goldCondition Report: 9ct gross weight 5.63g15ct gross weight 2.61ggilt metal 13.78g
A group of 9ct brooches and pins, including three matching ruby knot brooches, boxed, a pale purple paste bar brooch, with a base metal pin, a cameo brooch, a floral brooch with a base metal pin, a three stone brooch with a base metal pin and an opal stick pinCondition Report: One of the opal knot brooches is missing its pin, the three stone brooch has a loose pin and the opal stick pin is missing five opalsGross weight 26.2g
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66634 item(s)/page