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Lot 190
A silver and opal and cubic zirconia choker necklace, formed from a series of alternating links four claw set oval cabochon opal and round cut cubic zirconia, impressed "925", length 40.5cm, together with a pair of yellow metal and opal drop earrings, each having tied yellow metal bow suspending tear drop cabochon opal, shepherd hook fitting, (yellow metal assessed as 9 carat gold), both with invoices. (2).
Lot 212
A 9ct. rose gold signet ring, shank hallmarked Birmingham 1918, (3.8g), together with a 9ct. gold, amethyst and diamond ring, set row of five graduated amethysts alternating pairs of diamond chips in between, shank impressed "375", (gross weight 1.8g), a 9ct. gold garnet and opal cluster ring, set central round cabochon opal surrounded alternating rings of round cut garnets and smaller round cabochon opals, shank hallmarked for 9 carat carat (lacking one opal), (gross weight 4.5g), a 9ct. gold ladies' bracelet watch, manual wind, having circular Arabic numeral dial with subsidiary Arabic numeral seconds dial, case interior hallmarked 1935, to gold plated silver bracelet, movement currently not working, with original invoice dated 1936, (gross weight 14.7g), and a yellow metal "hunting horn" pin. (7)
Lot 261
A 9ct gold, garnet and opal ring, having central round cut garnet in rub over white metal setting surrounded six round cabochon opals in similar setting, shank impressed "9ct", together with a yellow metal, opal and garnet cross-over ring, claw set central round cabochon opal flanked by round cut garnet to either side, (yellow metal assessed as 9ct. rose gold). (total gross weight 6.6g). (2)
Lot 276
A yellow metal, opal and pearl pendant choker necklace, having bezel set oval cabochon opal to centre suspending cluster of three seed pearls in between long bar links terminating in large bezel set round cabochon opal, drop 5.7cm, to fine belcher link chain, (yellow metal assessed as gold), length 41.5cm..(gross weight 6.7g)
Lot 309
A 14ct. yellow gold, lilac-blue tanzanite and diamond ring, the centre set oval cut lilac-blue tanzanite with burnish set single round cut diamond to either side, shank impressed "14k", (gross weight 1.7g), together with a 9ct. gold and opal ring, having stepped mount set oval cabochon opal, (gross weight 1.6g) and a 9ct. gold, sapphire and diamond ring, set round cut sapphire to centre flanked round cut diamond to either side, shank hallmarked for 9 carat gold, (gross weight. (1g). (3)
Lot 194
A group of late 19th Century Stourbridge glass to include a two vases of ovoid form with wave rim in graduated blue over opal, another in frosted blue with bands of pale blue decoration and a bowl with crimped rim, enamelled decorated on the graduated blue to white over opal raised to clear feet, height of tallest 12cm, S/D.
Lot 202
A group of late 19th to early 20th Century Stourbridge glass bowls, all cased over opal, comprising two examples in graduated pink with enamelled floral decoration and raised on clear feet, a quilted satin air trap example with a diamond pattern in pink and a vase with triform rim with alternating bands of blue, height of tallest 14cm. (4)
Lot 205
A group of late 19th to early 20th Century glass posy bowls comprising a satin pink example with crimped rim and enamelled decoration, height 7cm, a wrythen moulded example with collar neck with applied rigger work with alternating bands of mottled pink and another with ruby cased over opal, S/D. (3)
Lot 263
An early 20th Century Loetz glass posy vase of shouldered ovoid form with everted collar neck decorated in the Candia Papillon, unmarked, height 10cm, together with a similar smaller example in a Rusticana type moulded finish with green iridescence, a continental rose bowl in the manner of Loetz in a green petrol iridescence and a posy vase with pink iridescence over an opal ground. (4)
Lot 265
An early 20th Century glass bowl, possibly Kralik, of cylindrical form with a flared rim and internally decorated with pink iridescent flecks over an opalescent ground with tonal amber pull up detail, unmarked, diameter 24cm, together with an Isle of Wight glass vase with pink and white spots and swirls over a golden iridescent ground and a Guernsey studio glass vase in clear crystal over tonal blue and green with an opal core. (3)
Lot 315
Diecast - eigteen diecast vehicles and a plastic tank by Minitanks, comprising three CC59193 Forward March figures, two EFE commercial vehicles comprising 10111 and 10502, Gama Four Opal Lotus racing cars and similar, models appear to be in near mint to mint condition in good to near mint boxes, Est £30 - £50.
Lot 24
A GROUP OF FOUR MODERN PENDANTS AND TWO BROOCHES comprising; an early 20th century gold mounted & glazed round pendant enclosing a hand-painted wirework floral display, indistinct Italian(?) marks, approx. 22mm diameter (¾ in); a sodalite oval pendant; a carnelian heart-shaped pendant; a gold-plated and opal-triplet drop-shaped pendant and chain; a chalcedony oval brooch; and a Victorian agate oval brooch with a gold-plated floral chased border
Lot 477
* DAPHNE CONSTANCE ALLEN (BRITISH 1899 - 1985), THE SCOTTISH KING AND THE THREE WITCHES FROM ''THE SCOTTISH PLAY'' watercolour on paper, signed 37cm x 27cm Mounted, framed and under glass Note: Born in London, Allen was undertook training from an early age from her parents - her father, Hugh Allen, himself, was a recognised artist. This childhood tutelage provided Allen with considerable opportunity to develop as an artist and her first exhibition occurred at the tender age of 13 and she remains one of the youngest artists to exhibit with the Society of Women Artists. As a child, suites of Allen's illustrations were published in two illustrated books, A Child's Visions and The Birth of the Opal. At the age of 17, a third book including her illustrations was published, The Cradle of Our Lord and in her adult life, a further very rare book including her illustrations was published, The Silver Birch Tree. Allen also contributed illustrations of fairies and religious subjects to a number of magazines, including The Illustrated London News, The Sketch and The Tatler. Daphne Allen's work rarely appears at auction but a set of four 6 x 6 inch watercolours (Spring, Summer, Autumn, Winter) sold at Sotheby's London on 12th June 2003 lot 210 for £10,000 (hammer).
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74393 item(s)/page