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A 14k yellow gold, diamond, and opal ringin the Modernist taste, set with a round cabochon opal triplet, with four small diamond accents, the openwork naturalistic mount with textured finish, size L 1/2.Condition report: Opal with chip; slightly loose in mount but appears to be set securely. 10 grams.
A yellow metal, opal, and diamond ring, set with three oval cabochon opals, the shank indistinctly marked 18, size P 1/2, together with a 9ct yellow gold and cabochon opal ring, set with a round opal within a bezel setting (opal abraided), size O. (2)Condition report: 18 ring, 3.3 grams; 9ct ring, 1.3 grams.
A very rare Venetian opalescent glass vase, circa 1700Of double ogee form moulded with fourteen vertical ribs, the flared neck with a folded rim and a trailed vermicular collar, applied with two curled ribbed hollow handles with pincered ornament in clear glass, set on a hollow ribbed globular knop between collars, on a twelve-sided spreading folded foot, 23.9cm highFootnotes:ProvenanceLady 'Lili' Maria Elisabeth Augusta Cartwright (née von Sandizell)Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Park, OxfordshireThence by family descent to the present ownerVases of this form are very rare and whilst they are recorded in several important collections this would appear to be the only known example in opal glass. A vase of similar form in clear glass with diamond-point decoration is illustrated by Anna-Elisabeth Theuerkauff-Liederwald, Venezianisches Glas der Veste Coburg (1994), p.510-11, no.645, and another in clear glass with damaged handles is in the Museo del Vetro di Murano (accession no. Cl.VI n.01690). The curled handles on both of these vases closely resemble those on the present lot and Theuerkauff-Liederwald notes that their form is unusual.Two vases of comparable shape applied with flowers are in the Danish Royal collection at Rosenborg Castle in Copenhagen. They include an example in clear glass containing a lampwork flower bouquet and another in latticinio, both illustrated by Gudmund Boesen, Venetianske Glas på Rosenborg (1960), nos.19 and 50. Another latticinio example is in the Kunstgewerbemuseum, Cologne, illustrated by Brigitte Klesse in the catalogue Glas (1963), p.96, no.181 and by Barovier Mentasti et al., Mille Anni di Arte del Vetro a Venezia (1982), p.146, no.215. See also the damaged clear glass example applied with turquoise lion masks in the Museo del Vetro di Murano (accession no. Cl.VI n.02034). The handles of all of these examples differ from those on the present lot.This vase has very close parallels to small spouted ewers in opal glass, notably the double ogee form, the knop between collars and the use of vermicular trailing around the neck. Only five such ewers appear to be recorded, including two in the Museo Nazionale di San Martino, Naples, illustrated by Barovier Mentasti et al. (1982), pp.164-5, nos.254a and 254b, one in the Kunstgewerbemuseum, Berlin (accession no. K 132), illustrated by Franz Dreier, Venezianische Gläser (1989), p.85, no.69, one in the Musée Ariana in Geneva, illustrated by Erwin Baumgartner, Reflets de Venise (2015), pp.203-4, no.96 and one at Veste Coburg, illustrated by Anna-Elisabeth Theuerkauff-Liederwald (1994), p.406, no.442.The form is also closely related to large ewers or jugs in clear glass. Examples are in the Museo del Vetro di Murano (accession nos. Cl.VI n.01294 and n.01425), in the British Museum (accession no. S.505) illustrated by Hugh Tait, The Golden Age of Venetian Glass (1979), p.57, no.61, in the Rijksmuseum (accession no. NM 8013) illustrated by Pieter Ritsema van Eck, Glass in the Rijksmuseum (1993), p.101, no.141, in Toledo Museum of Art (accession no. 1925.130) and at Rosenborg Castle illustrated by Boesen (1960), no.1. Compare also to the ewer with combed decoration at Rosenborg illustrated by Boesen (1960), no.88.For further information on this lot please visit Bonhams.com
A very rare Venetian opalescent glass candlestick, circa 1700The tall cylindrical nozzle moulded with twelve ribs and folded at the rim, applied with a trailed vermicular collar, set on a hollow wrythen-moulded inverted baluster stem between similarly moulded hollow cushion knops separated by collars, the high waisted double-ogee domed base moulded with fourteen ribs and with a folded footrim, 23.2cm highFootnotes:ProvenanceLady 'Lili' Maria Elisabeth Augusta Cartwright (née von Sandizell)Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Park, OxfordshireThence by family descent to the present ownerTwo very similar opal glass candlesticks are in the Civici Musei di Arte e Storia in Brescia (accession nos. VT 176 and VT 177) illustrated by Paolo Zecchin, The Inventory of Matteo Priuli in the Year 1700, in Study Days on Venetian Glass (2014), p.49, fig.1. Zecchin states that two Candellieri di girasole (opal candlesticks) are listed in the inventory of Matteo Priuli's glass at his home in Padua in 1700, demonstrating that candlesticks of this type were being produced in opal glass prior to the 18th century.A handful of candlesticks of similar form with distinctive wide domed feet, for stability, are known in clear glass. One from the Christopher Crabtree Collection was sold by Bonhams on 16 December 2009, lot 133, and is now in the Corning Museum of Glass (accession no. 2009.3.102). Another is in the Musée Ariana in Geneva (accession no. MF 4079), illustrated by Erwin Baumgartner, Reflets de Venise (2015), pp.190-3, no.88. An example with diamond-point engraved decoration is in the Gemeentemuseum Den Haag (accession no. OGL-1966-0002), illustrated by Jet Pijzel-Dommisse and Titus Eliëns, Glinsterend Glas (2009), p.79, no.103 and another is in the Gewerbemuseum in Nuremberg, illustrated by Erich Egg, Die Glashütten zu Hall und Innsbruck (1962), fig.69. See also that from the Guépin Collection sold by Christie's on 5 June 1989, lot 29.Two examples with floral lampwork stems in the Rosenborg Caste glass collection are of related form and are illustrated by Gudmund Boesen, Venetianske Glas på Rosenborg (1960), nos.25 and 89.For further information on this lot please visit Bonhams.com
A Georgian 22ct gold mourning ring, a split pearl star set to the black enamel band, London 1833, 3.45g, finger size S, together with a gold initial 'D' slide, grain set with rose cut diamonds to a white enamel border, tested as approximately 15ct gold, with gold buckle, marked 15ct, and a black grosgrain ribbon strap, a gold mother-of-pearl button motif dress stud, tested as approximately 18ct gold, 1.03g, two 9ct gold wedding rings, a 9ct gold Libra charm, and a 9ct gold opal and sapphire ring, 5.30g total (7)
A 9ct gold opal and amethyst ring, with alternating round cabochon opals, two possibly later replacements, and circular mixed cut amethsyts, claw set in two rows, to scroll shoulders and a plain shank, London, common control mark, 2.45g.Finger size TCondition report: Minor surface marks/scratches to mount.
A 9ct gold opal star pendant, a round cabochon opal in clawed collet to the centre, to eight rayed star grain set with graduated rows of round cabochon opals, with wire bars between terminating in an opal grain set to star shaped collet, with concealed pendant loop verso, London, 32mm, 4.73gCondition report: Surface marks to a couple of the opals.Minor surface marks to gold.
A 9ct gold opal and garnet hinged bangle, c.1980, an alternating row of round cabochon opals and oval mixed cut garnets, claw set to rex collets to the upper half, with tapered ridged shoulders, and a plain polished lower half, with concealed box clasp, figure of eight safety catch, and suspension loops fo safety chain, no chain, London 1979, interior dimensions 57 x 51mm, 13.04gCondition report: Slight wear to the claws.One of the opal has some surface reaching inclusions on the crown.Surface marks/scratches to mounting.Clasp loose.No safety chain.
A collection of gold, silver and costume jewellery, to include a gold cross by UnoAErre, marked 375, Italian official national marks 1968 to present, for Arezzo, a pair of 9ct gold opal triplet earrings, a pair of 9ct gold oval stud earrings, a pair of 9ct gold berry cluster stud earrings, a pair of 9ct gold drop earrings, a single 9ct gold earrings, three 9ct gold earring backs, a 9ct gold curb chain, a silver ring, and a small quantity of costume jewellery (qty.)9ct gold - 13.94g total
A collection of ten stick pins, to include one with gold disc finial star set with a rose cut diamond, tested as 18ct gold with 9ct gold pin, 3.84g, a single stone imitation pearl stick pin, tested as approximately 18ct gold, 1.00g, a single stone ruby stick pin, a single stone peridot stick pin, and a single stone blue paste stick pin, all with finials tested as approximately 15ct gold and pins as approximately 9ct gold, 3.76g total, an amethyst stick pin, a garnet-and-glass doublet and split pearl stick pin, and an opal stick pin, all tested as approximately 9ct gold, 3.71g total, a garnet stick pin, the finial tested as approximately 9ct gold, the pin as metal, and a metal rose cut paste stick pin (10)
A gold diamond set bar brooch, a scroll collet grain set with eight cut diamonds, to a three row bar, tested as approximately 9ct gold with metal pin and 'C' catch, a 9ct gold single stone opal brooch, Birmingham, a gold two stone opal brooch, with pin and safety catch, tested as approximately 9ct gold, and a gold haematite and pearl bar brooch, tested as approximately 15ct gold with 9ct gold pin and 'C' catch (4)9ct gold - 5.87g total, 15ct gold - 3.62g
A gold garnet and split pearl bar brooch, with pin and 'C' catch, tested as approximately 15ct gold, with 9ct gold pin, 42mm long, 1.97g, together with a gold single stone opal bar brooch, marked 9ct, with metal pin, 59mm long, a 9ct gold diamond set brooch, Chester, with metal pin, and a gold amethyst set brooch, tested as approximately 9ct gold with metal pin, broken, 6.80g total (4)
A collection of insect jewellery, to include a gold opal and purple sapphire beetle brooch, tested as approximately 18ct gold with 'C' catch and metal pin, 33mm long, 2.36g, a gold paste set spider bar brooch, marked 9ct, with metal pin, 'C' catch and safety chain, 2.61g, a gold pearl set spider pendant, marked 9ct, suspended from a Prince-of-Wales rope chain, 2.18g, two gilt metal brooches and two silver examples (7)Condition report: Surface marks/scratches/tarnish to all.Beetle brooch:One minor surface reaching inclusion to the opal.Spider bar brooch:Abrasions to edge of gemstone.Spider pendant:Slight wear to suspension loop and jump ring.One of the legs of the spider has been resoldered to frame, and solder has bled slightly.Silver cornelian brooch:Cornelian slightly loose in setting, but still secure.One marcasite missing, and one looks to be a replacement.Slight chips to two marcasite.Gilt metal brooches:One possibly missing a paste terminal.Possible soft solder repair to reverse of both.
A silver opal filigree necklace, two cabochon opals claw set to the filigree pendant, to necklace of filigree links with oxidised finish joined by plain wire links, with bolt ring clasp, tested as approximately sterling silver, pendant 75mm long, chain 455mm long, 22.35gCondition report: Oxidised finish slightly worn in places, especially edges of links.Top opal slightly wonky in setting.Some of the links are slightly out of shape.Bolt ring in working order.
A 9CT GOLD OPAL AND DIAMOND CLUSTER PENDANT NECKLACE, the pendant designed with a central claw set oval cut opal cabochon within a single cut diamond surround, to the plain polished bail, hallmarked 9ct gold Birmingham, suspended from a fine curb link chain, spring claspm stamped 375, length 450mm, approximate gross weight 1.5 grams
A SELECTION OF LOOSE GEMSTONES, to include a 0.92ct trillion cut fire opal, 7.8 x 7.9 x 4.8mm, a 6.09ct oval cut brown zircon, 11.0 x 8.8 x 6.3mm, together with a selection of mix cut emeralds, total combined 2.31ctsCondition: Cuts include - oval pear, emerald cut, natural stones, mostly included chips and surface reaching fractures to some

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74386 item(s)/page