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A group of various jewellery items, to include an 18ct yellow gold and ruby ring, a 9ct yellow gold and blue stone ring (lacking one stone), a pair of yellow metal drop earrings, a multigem silver ring (lacking one stone), a pair of yellow glass drop earrings, mother-of-pearl buttons, a silver, topaz, and peridot pendant, a dichroic glass and silver ring, a white metal Whyler watch, a briolette-cut blue stone bracelet, a pair of yellow metal and pearl earrings and a pendant, a silver and opal bangle, a gilt metal and pearl costume necklace, a gilt chunky-link costume necklace, gilt cufflinks, two white metal and gemstone bracelets, etc.
A late Victorian opal and diamond cluster ring; the oval opal within a border of rose cut diamond ; to carved and engraved tapering shoulders and a plain gold shank marked '18'. Size N; could be resized. 4.45 grams.Condition report: The opal is scratched and scuffed and appears to have a small internal ccrack. The ring would benefit from a thorough clean.
A collection of jewellery and paste jewellery including an old brilliant-cut diamond-set bar brooch, approximately 0.75ct total, a garnet ring, a colourless paste and sapphire three-stone ring, a pair of diamante brooches, an opal three-stone ring, a pair of colourles paste rings, a ladies cocktail Everite wristwatch (9)
A collection of opal and diamond-set rings1st) set to the front with five opal cabochon mounted in 9ct yellow gold, stamped with UK hallmark, 2nd) set with an opal cabochon to a polished mount, stamped 18ct, 3rd) of bi-coloured design, the foliate plaque decorated with four old brilliant-cut diamonds, approximately 0.20ct total, with engraved shoulders, ring sizes L 1/2 and O, 7.04 grams (3)
A modern opal and diamond oval cluster ring, centred with an oval cabochon Ethiopian ‘Welo’ opal, approximately 14mm x 12mm, collet set within a small single-cut diamond single-line border, all set in white on a yellow shank each shoulder set with five diamond accents, unmarked, size O, 4.7 grams.
A 9 carat gold half hoop three stone opal ring with four stone ruby accents; in a carved and engraved mount; together with a foliate engraved 9 carat gold wedding band, a three stone half hoop garnet ring (9 one stone deficient); and two further 9 carat gold rings set with clear paste stones. Gross weight 9.19 grams
A 9ct gold ring and a collection of costume jewellery comprising of a 9ct ring set with a fancy-cut yellow and circular-cut coloureless paste, stamped with UK hallmark, ring size N, a blue paste-set ring, three fancy coloured paste and opal bracelets, two pendant necklace, two pendants, six brooches, a box and a pair of earrings (17)
An Art Nouveau opal openwork brooch, unmarked yellow metal settings with oval cabochon white opal, brooch length 34.3mm, 4.9gGeneral wear all over with some high points showing through to base metal, opal has a good play of colour with mostly blues and greens, brooch fitting working, unmarked
An Edwardian opal and diamond cluster bar brooch, unmarked gold settings with round high cabochon white opal and rose-cut diamonds, opal measures: 8.22mm x 4.09mm, brooch length 63.4mm, 3.8gNo damage or repairs, all stones present, opal has a very good play of colour with mostly reds blues greens and yellows, diamonds have a few surface chips, settings lightly abraded, brooch fitting working, mark partially rubbed
A 18ct yellow gold and opal ring, size M, approx 3.9g (one stone missing) and a further yellow metal ring mount, approx 1.7g (2).Additional InformationAs detailed the opal ring is missing a stone, heavy surface scratches and wear to the remaining opal. The setting would also require attention as the claw tips have been worn away.
A Thomas Webb & Sons three-colour cameo glass scent bottle, c.1900, of globular form, carved with trailing flowers in opal over purple, all to a ruby ground, rising to a 9ct gold stopper, 13.5cm high Provenance: The Peter and Pat Crofts Collection.Condition report: The neck has previously been broken and has now been restored with clear glass. This suggested the stopper is also associated. Otherwise, surface wear and minor chip to the area where the body and neck join.
A Thomas Webb & Sons three-colour cameo glass vase, c.1890, the short neck over a tapering body, carved with flowers in opal over pink, to a frosted clear ground, acid-etched ‘Thomas Webb & Sons’ mark, faint pencil markings ‘W1455’, 17.5cm high Provenance: The Peter and Pat Crofts Collection.Condition report: Pinhead chip to the base of the stem.Small chip to the underside of the foot.Surface marks, cullet and wear to the body.Small chip to one leaf - see image.
A walking stick of Napoleon Bonaparte interest, with an ivory handle, crisply carved with a dog's head and collar, mounted with diamonds, opals, garnet, split pearls, coral, turquoise and zircon, a banded agate in the dog's open mouth over a cast yellow metal collar which tests as 15ct gold, similarly mounted with gemstones, on a malachite cane, with an applied paper label which reads 'From The Collection of the Stansfield and Cooper-Horsfall families. This stick was presented to Marshal Soult, with gratitude from Napoleon' [sic],91cm longProvenance: The Peter and Pat Crofts Collection.Marshal General Jean-de-Soult, the 1st Duke of Dalmatia (born 29 March 1769, died 26 November 1851), commonly known as Marshal Soult, was a distinguished military commander during the French Revolutionary and Napoleonic Wars (including the Peninsular War).The Stansfield and Copper-Horsfall families were brought together by the marriage of the Reverend Michael Alfred Horsfall of West Thorpe, Whitby to Mabel Catherine Stansfield in 1897.As the name Stansfield is mentioned first, it is more than feasible that the stick came into the possession of the Copper-Horsfall family through Michael’s marriage to Mabel in 1897. The Stansfield family were a well-established family in the County of Yorkshire gentry. Likewise, the Horsfall family appear to have been long residents in the county.Condition report: Some gemstones not original.Discolouration to the gold collar amongst gemstones.Overall good.There is a drilled banded agate bead in the mouth of the dog. This is a later addition. Glue is visible around the bead. There are two green gemstones in collets to the nose of the dog. The gemstones and collets are later additions. Due to mount limitations we have been unable to make a positive identification as to the type and variety of these gemstones. The forehead and eyes are set with rose cut diamonds and turquoise cabochons (one cracked), which are probably original. There are coral cabochons and green gemstones glued to the head, these are later additions. There may originally have gem-set collets in these recesses. Due to mount limitations we have been unable to make a positive identification as to the type and variety of the green gemstones. The carved buckle style collar to the dog is set with diamonds, opal, turquoise, brown zircon, a colourless gem for a which a positive identification has not been possible due to mount limitations, all in collets, and three cabochon turquoise which have been glued in. The glued turquoise are later replacements, as are the opal and colourless gem, and possibly the brown zircon. The neck is set with a cushion cut amethyst (chipped), a round cabochon cat’s eye gem, possibly chrysoberyl, and a cabochon opal (cracked). The opal is a later replacement. There is a crack through the ivory where these three collets are set. The gold collar is set with a pink tourmaline, a colourless gemstone, possibly rock crystal quartz, a garnet, three pearls, and rose cut diamonds. The garnet is a later replacement. One of the pearls is a cultured pearl, and the nacre is very worn - largely deficient. This pearl is a later replacement. The other two pearls are untested. There is glue visible around most of the later gemstones.
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66634 item(s)/page