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A set of twelve mahogany dining chairs in George III style A set of twelve mahogany dining chairs in George III style, early 20th Century each with shaped top rail and ladder back with leather padded seat and square section legs joined by stretchers to include two armchairs view on dreweatts.com
Set of seven lithographic prints comprising:lithographic print of drawing by Leonardo da Vinci entitled A Standing Masquerader, originally drawn c.1513Acquired by Charles II, King England (1630-85). Bequeathed to Francesco Melzi; purchased by Pompeo Leoni, c.1582-90; Thomas Howard, 2nd Earl of Arundel by 1630 and finally resting with The Royal Collection by 1690.Pen and ink and wash, over black chalk. One of a series of designs for court festivities. The last years of Leonardo`s life were spent in the service of Francis I of France, a time of extravagant festivities at the French Court. Descriptions of the celebrations held in 1518 are well documented and the costumes described show a close resemblance to Leonardo`s designs suggesting that these studies were for costumes to be worn at this time.Print size inches: 6.7 x 9.8 together with lithographic print of drawing by Michelangelo entitled The Risen Christ, originally drawn c.1532First recorded in The Royal Collection c.1810.Black chalk. One of the most magnificent of Michelangelo?s designs; he completed more than a dozen drawings of the Resurrection, some possibly intended as preparatory works. However much care has been taken with this work, and such highly finished drawings were a specialty of Michelangelo, as seen in his presentation drawings created as gifts for his closest friends.Print size inches: 6 x 9.8 together with lithographic print of drawing by Annibale Carracci entitled Study for St. Andrew, originally drawn c.1603-4The great collection of drawings by the Carracci in The Royal Library came from two sources; the Albani collection, purchased in Rome for George III, King of the United Kingdom (1738-1820) in 1762, and Consul Joseph Smith?s collection, bought for the King in 1763.Black chalk, heightened with white. A study from the life for the figure of St. Andrew in the picture of the Crucifixion at Munich. The painting is attributed to Carracci`s pupil Domenichino, who would have used the detailed studies of his master`s drawings.Print size inches: 9.3 x 8.7 together with lithographic print of drawing by Pietro Perugino entitled Study for a Man in Armour, originally drawn c.1490-3First recorded in The Royal Collection inventory of c.1810. Metal-point on a prepared blue surface, heightened with white. A drawing based on Donatello?s marble statue of St. George (now in the Bargello, Florence). Perugino used the figure for his St. Michael in the altarpiece, now in the National Gallery in London, which was commissioned (c.1496) for the Certosa di Pavia.Print size inches: 7.3 x 9.8 together with lithographic print of drawing by Michelangelo entitled Man Nude, with Proportions indicated, originally drawn c.1515-20Acquired by George III, King of the United Kingdom (1738-1820), by c.1810.Two tones of red chalk. With only two exceptions, the drawings by Michelangelo in the Royal Library were first recorded in the collection of George III. This is one of Michelangelo`s most majestic studies of a nude, possibly intended for teaching purposes having the proportions of various parts of the body indicated. Throughout his life the artist was drawn to the investigation of musculature and form, as reflected in this drawing. Of his few pupils, Sebastiano del Piombo (c.1485-1547) was probably the most adept and it was possibly drawn for Sebastiano as a teaching aid.Print size inches: 6.2 x 9.8 together with lithographic print of drawing by Jacopo Tintoretto entitled Study of a Man, originally drawn c.1555First recorded in The Royal Collection inventory of c.1810. Black chalk or charcoal on blue paper, heightened with white and brown oil paint. The drawing is a study for the turbaned man placing a ladder against the cross in the centre of Tintoretto`s canvas, The Crucifixion (c.1560- 65). Now in the Academia in Venice, the canvas was painted for the church of Saint Severo in Venice.Print size inches: 5 x 9.6 together with lithographic print of drawing by
A VERY ATTRACTIVE 19TH CENTURY PORCELAIN MANTLE CLOCK, by Nathan & Co. with outside count wheel, striking on a steel bell, the barrel shaped vine encrusted case surmounted and flanked with three cherubs, each holding a basket of grapes, above a convex enamel dial with Arabic and Roman numerals, on a flower encrusted rugged style base, with another reclining cherub, and a short ladder verso, 16in (41cm)h x 11in (28cm)w. (1)
An Ercol dark elm sideboard with plate rack above two drawers and two cupboard doors, a set of six Ercol dark elm stick back dining chairs, together with a matched dining table, an oak lift-top haberdashery box with lower tier, a child's carved light oak bench, a single mahogany side chair with turned front legs, one other similar side chair, an oak lift-top blanket box with linenfold decoration to front panels, a brass and onyx standard lamp, a brass bodied standard lamp, a ladder back carver chair, together with a dressing table mirror CONDITION REPORTS All with wear, scuffs and scratches, knocks and bumps to edges. Size of sideboard approx 128 cm wide x 49 cm deep x 90 cm high.
An Ercol dark elm sideboard with plate rack above two drawers and two cupboard doors, a set of six Ercol dark elm stick back dining chairs, together with a matched dining table, an oak lift-top haberdashery box with lower tier, a child's carved light oak bench, a single mahogany side chair with turned front legs, one other similar side chair, an oak lift-top blanket box with linenfold decoration to front panels, a brass and onyx standard lamp, a brass bodied standard lamp, a ladder back carver chair, together with a dressing table mirror CONDITION REPORTS All with wear, scuffs and scratches, knocks and bumps to edges. Size of sideboard approx 128 cm wide x 49 cm deep x 90 cm high.
A LADY`S 9CT. GOLD WRISTWATCH BY TISSOT the signed black dial with baton and dot numerals,quartz movement, on an integrated bracelet with ladder clasp, 22 grams, together with a gold plated and stainless steel wristwatch by Tissot.Condition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
14 Matchbox Yesteryear Fire Engine series. Including - 1920 Mac AC YFE01, 1930 Ford Model A Chiefs vehicle YFE12, 1932 Mercedes-Benz Ladder Truck YFE05, 1938 Mercedes-Benz KS15 Fire Truck YFE07. 1939 Bedford Tanker YFE04. 1947 Type H Van YFE13, 1948 Land Rover Auxillery YFE02, plus a 1948 Dodge Route Van Support Truck YFE16. Etc. All boxed. Contents VGC-Mint.
18 Fire related vehicles. Including 5 Conrad Volvo F12 6x6 Intercooler Fire Crash Tender, MAN 1921 LF10 Fire Engine, Emergency One American 3 axle Ladder Escape. 1928 Volvo Fire Truck and a 1920s style Dennis London Fire Brigade Fire Engine. Plus a Siku Mercedes-Benz Simon Snorkel. Matchbox ERF Simon Snorkel County Fire Dept. A Russian OMO Fire Engine. Oxford Bedford TK Northamptonshire. Solido Saviem Fire Engine. Etc. All boxed, minor wear /some wear to a few. Contents VGC-Mint.

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31159 item(s)/page