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Lot 99
A 19th century Snider-Enfield rifle:, the 33 inch double banded barrel with brass capped fore end and steel ramrod beneath, rear ladder sight, breech loading conversion with thumb open, original plain sidelock action and cupped hammer, single trigger with brass guard and lanyard suspension on a walnut stock with brass butt cap, 125cm long
Lot 379
Three 19th century continental samplers, one large linen sampler embroidered in wood with a red alphabet, the bottom with floral bands and a pair of blue birds; a white cotton sampler embroidered in silk ladder stitch, possibly Balkan, dated 1827, by ILK; and a third by LV, dated 1841, 42 x 46cm; 29 x 38; 38 x 34cm1) ground is grey; 2)very clean ground 3)faded and with a little colour run to greens
Lot 191
A PART BOXED DINKY TOYS HILLMAN MINX SALOON, No.154, tan body with fawn hubs, very lightly playworn condition, box missing end flaps from one end, with a boxed Dinky Toys Ford Capri Rally Car, No.213, lightly playworn condition, some marking to decals, box damaged, with an unboxed Dinky Supertoys Commer Fire engine, No.955, later version with glazing and plastic hubs, complete with extending ladder, lightly playworn condition (3)
Lot 78
Three Dutch decorated Bowls,1720-1740, the first with underglaze blue floral sprays overpainted in red, green and gilt enamel with large floral baskets above a scrolling border, the interior with large central floral basket surrounded by hares, bordered by willow,the second in coloured enamels with figures in a garden setting and floral sprays, the interior with a large floral spray,the third with underglaze blue floral decoration, overpainted in red, green and yellow enamels with seated figures on rockwork, a figure on a ladder picking fruit between shaped vignettes, the interior with a large basket of flowers,14 to 14.7cm (3)Provenance: From the Helen Espir Collection, Nos. 109, 313 and 708. The first bowl with Robert McPherson label, the second with Geoffrey Waters label.清约1720-1740年 荷兰彩绘花卉纹碗 一组三件
Lot 578
SIR JAMES JEBUSA SHANNON R.A., R.B.A., P.R.S.P.P. (1862-1923)Portrait of Kittystanding full length, wearing a white dress and hatoil on canvas72 1/2 x 40 in (184.2 x 101.7cm)Provenance: The artist's family, by descent; thence to the present vendor's familyIn this portrait Shannon's limited colour palette, thinly washed paint surface and flattened compositional space shows the influence of WhistlerThis full length portrait of Shannon's only child Kitty (1887-1974) can be compared with an 1897 full length portrait of her in the Carnegie Museum of Art, Pittsburgh. A variant portrait of that was exhibited at The Royal Academy of Arts, Winter Exhibition 1928 no. 23 Shannon initially studied under Sir Edward Poynter Bt. PRA., and increasingly turned his attention to portraiture. He was a founding member of the Society of Portrait Painters in 1891. The purpose of this Society was to display and promote the variety of portraits available from a younger generation of portrait painters. Over the next few years Shannon's profile rose rapidly. Along with John Singer Sargent, and James Abbott McNeill Whistler, Shannon was considered by Munsey's Magazine in 1895 to be one of the three most 'distinguished American portrait painters to have flourished side by side in this generation among the mists and glooms of London'By the mid 1890's Shannon was at the height of his powers, elected an Associate of the Royal Academy in 1897. An American commentator of the time recorded 'As to Mr Shannon, his career in England has been simply phenomenal. Almost unknown three or four years ago he has, with his grace, elegance and refinement climbed to the very top of the ladder'
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