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1990 Toyota Land Cruiser 4.2D Auto Make: Toyota Model: Land Cruiser Year: 1990Mileage: 216800VIN: HDJ810004639Configuration: Right Hand DriveRegistration: H874NRUTransmission: automatic 4,200cc. This Land Cruiser has been owned by the vendor since 2006 and during the last fifteen years has been for the use of his mother who has recently passed on, hence the decision to sell. It has covered less than 30,000 miles during his ownership. The vehicle has benefited from regular oil, filter and belt changes. Five years ago it was fitted with a re-con injector amp and injectors. Fitted with a stainless ladder and aluminium roof rack and bull bar. Five owners from new. Comes complete with current V5 and MoTs. The mileage is recorded at 216,800. PLEASE SEE BELOW FOR VIDEO PRODUCED 6TH JUNE BY ACA OF THIS CAR.
dating: Late 18th - Early 19th Century provenance: Europe, Made of brass, with opening for five bullets, four 18 mm caliber and one 15 mm caliber; hallmarked with crossed keys, another mark with crossed keys probably under a ecclesiastical galero), '330' and numbers from 1 to 5. Iron handles with ladder closure. length 39.5 cm.
Angelou (Maya) Gather Together in My Name, first edition, signed presentation inscription from the author to half-title, original boards, dust-jacket, light sunning to spine, spine ends a little creased, otherwise excellent 8vo, New York, 1974.⁂ The second in Angelou's 7-book memoir series, following immediately on from the events in I Know Why the Caged Bird Sings. Written three years after Caged Bird, the book depicts a single mother's descent down the social ladder into poverty and crime and touches on similar themes of poverty, racial abuse, family and identity.
A near pair of 18th century and later provincial ash ladder back armchairs with turned top rails and rush seats, height 103cm, width 61cm, together with a set of seven late George III mahogany pierced splat back dining chairs with block legs, height 94cm, width 54cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A set of six late George III mahogany dining chairs with pierced and carved ladder backs above upholstered seats, height 95cm, width 57cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A set of six late 18th/early 19th century ash and elm shaped ladder back kitchen chairs with recessed panel seats, on turned legs and pad feet, height 100cm, width 47cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
CHEMA MADOZ (Madrid, 1958)"Untitled. 1992.Black and white photography.It has a label from the Madrid gallery Moriarty, on the back.Size: 33 x 33 cm; 62 x 52 cm (frame).Visual paradox is the fertile ground in which Chema Madoz moves. His way of interpreting art through photography and his poetic vision make Madoz one of the most interesting, influential and recognisable creators on the contemporary art scene. Emphasising the irony that underlies the objects and the hidden relationships between them. In a surrealistic search for new meanings, through which to let the imagination wander towards new paths. Playing with the everyday, generating associations, metamorphoses, in a playful background, he generates a singular strangeness. His artistic work has been described as "analytical photography or visual trope" and his visual style as "surreal rationality or the logic of the oneiric", to refer to the compositions of objects that are the protagonists of his works - in the words of the philosopher and art historian Luis Arenas. Madoz manipulates, invents and photographs objects. Defined as a visual poet, the associations he develops from objects as commonplace as a key, a stone or a ladder lead to a torrent of creativity. In 1999 the Museo Nacional Centro de Arte Reina Sofía presented the exhibition Madoz. Objects 1990-1999, the first solo exhibition that the museum dedicated to a living Spanish photographer. Internationally, he has exhibited at institutions such as the Centre Pompidou in Paris, the Nederlands Fotomuseum in Rotterdam, the Fondazione M. Marangoni in Florence, the Museo de Bellas Artes in Caracas and the Multimedia Art Museum in Moscow. He has received the National Photography Award and the PHotoEspaña Award in 2000, and the Culture Award of the Community of Madrid in the category of Photography in 2012, among others.
CHEMA MADOZ (Madrid, 1958)"Untitled. 1999.Black and white photography. Copy: 5/15.Signed, dated and justified by hand on the back.Size: 30 x 40 cm.Visual paradox is the fertile ground in which Chema Madoz moves. His way of interpreting art through photography and his poetic vision make Madoz one of the most interesting, influential and recognisable creators on the contemporary art scene. Emphasising the irony that underlies the objects and the hidden relationships between them. In a surrealistic search for new meanings, through which to let the imagination wander towards new paths. Playing with the everyday, generating associations, metamorphoses, in a playful background, he generates a singular strangeness. His artistic work has been described as "analytical photography or visual trope" and his visual style as "surreal rationality or the logic of the oneiric", to refer to the compositions of objects that are the protagonists of his works - in the words of the philosopher and art historian Luis Arenas. Madoz manipulates, invents and photographs objects. Defined as a visual poet, the associations he develops from objects as commonplace as a key, a stone or a ladder lead to a torrent of creativity. In 1999 the Museo Nacional Centro de Arte Reina Sofía presented the exhibition Madoz. Objects 1990-1999, the first solo exhibition that the museum dedicated to a living Spanish photographer. Internationally, he has exhibited at institutions such as the Centre Pompidou in Paris, the Nederlands Fotomuseum in Rotterdam, the Fondazione M. Marangoni in Florence, the Museo de Bellas Artes in Caracas and the Multimedia Art Museum in Moscow. He has received the National Photography Award and the PHotoEspaña Award in 2000, and the Culture Award of the Community of Madrid in the category of Photography in 2012, among others.

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31159 item(s)/page