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A set of six 20th century French ash framed kitchen chairs with ladder backs and rush seats, height 92cm, width 44cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
De La SoulSix Original Studies for the De La Soul '3 Feet High and Rising' Debut Album Artwork, 1988/89designed by Grey Organisation/Toby Mott, original hand-drawn mock ups for the 12inch vinyl album record sleeve, comprising: black and white photographic print with Posca paint pen art work on acetate overlay bearing the band and album name with floral design motifs, adhered with small pieces of tape to each side, stamped Grey Organisation along lower right margin; D.A.I.S.Y. Age flower studies (x2), Posca paint pen on yellow painted A4 paper and stamped Grey Organisation 1988 in black ink along lower margin; D.A.I.S.Y. Age text studies (x2), Posca paint pen on yellow painted A4 paper and stamped Grey Organisation 1988 in black ink along lower margin; and text artwork, Posca paint pen on acetate overlay bearing the band name, stamped Grey Organisation along lower right margin, the larger 32.5 x 32.5cm (12 3/4 x 12 3/4in) each; the smaller 20 x 25.5cm (8 x 10in) each,Footnotes:In 1988, Tommy Boy Records contracted the Grey Organization to create a visual graphic identity for the hip hop group, De La Soul, comprising Kelvin 'Posdnous' Mercer, Dave 'Trugoy the Dove' Jolicoeur, and Vincent 'Pasemaster Mase' Mason, including art direction for their debut album, 3 Feet High And Rising. Released on March 3, 1989, the album became a critical and commercial landmark of late 20th century pop culture, selling millions of copies worldwide and expanding the vocabulary of hip hop as an emerging art form.In 1998, 3 Feet High And Rising was named as one of 'The Source' magazine's '100 Best Rap Albums' of all time. In 2010, the US Library Of Congress selected the album for inclusion in the National Recording Registry, which identifies American sound recordings 'that are culturally, historically, or aesthetically significant.'In an article for 'The Guardian' newspaper on the occasion of the album's 25th anniversary, Toby Mott recounted his collaboration with the group. Their starting point was De La Soul's psychedelic 'D.A.I.S.Y. age' concept (according to Posdnous, '...we coined the term 'the daisy age' after we noticed a nightgown in a store that had a picture of Minnie Mouse holding a daisy on it. Although the daisy stood for 'Da Inner Sound Y'All', it was also about suggesting a sunnier style of rap.') and Grey Organization developed a visual concept that incorporated the now iconic dayglo flower motifs associated with the group's early period.For the album cover photo shoot, De La Soul visited the Grey Organization's loft, where Mott asked Posdnuos, Trugoy and Mase to lie down on the floor, facing up, so their heads would form a triangle. 'We [Mott and photographer Marie Hennechart] photographed them precariously from the top of a step ladder, one idea being that the cover would not have a right way up.' Since compact discs had not yet become the dominant musical format, the design process centered on production for the album's 12inch LP record sleeve. Working at scale, Mott layered brightly colored hand-drawn flower designs made with Posca paint pens on acetate as an overlay for Hennechart's black and white portrait of the group. 'This was well before the time of Apple Macs and scanning,' Mott recalls. 'Our intent was to be new and bright, with the overlaying of the fluorescent flowers and text reflecting a synthetic pop cartoon look. For De La Soul, it was a self-conscious move away from the prevailing macho hip hop visual codes of the era, which continue to dominate today.' [Note: The final album cover layout based on this artwork is credited to graphic designer Steven Migilo]. Grey Organization provided tour support and directed two videos for the group, Potholes On My Lawn and Say No Go, 1988 and 1989 respectively.Toby Mott's relationship with music started when he was a teenager. Mott was 13 in 1977, when Punk exploded in London. His career encompasses co-founding East London art group, the Grey Organisation, in the early 1980s, creating the cover artwork offered here and designing the fashion line, Toby Pimlico.'Not only do I love this album, I also love the playful element of the design and the vibrancy of the colours. I have strong memories of seeing this album in the record stores when it was released and it was so incredibly eye-catching. I think the childlike illustrations really match the story telling style of De La Soul's music. So much joy!' - Camille WalalaFor further information on this lot please visit Bonhams.com
Four: Private A. Lawrence, 5th Dragoon Guards, later Chairman of the Cardiff Group of the Old Contemptibles Association 1914 Star, with clasp (14093 Pte. A. Lawrence, 5/D. Gds:); British War and Victory Medals (GS-11158 Pte. A. Lawrence. 5-D.Gds.); Defence Medal, mounted as worn; together with the recipient’s Old Contemptibles of Wales, Cardiff Group President’s Jewel, silver (hallmarks for Chester 1934) and enamel, the obverse featuring the dragon of Wales within a wreath, embellished with crossed rifles, the reverse engraved ‘Presented by our President Sir Robert J. Webber J.P., to the Cardiff Group of the Old Contemptibles of Wales, Nov. 1934’, on neck riband with engraved name plates of 12 past Presidents, including ‘Chum A. Lawrence 1958 - 60’, in case of issue, nearly very fine and better (5) £300-£400 --- Alfred Lawrence was born at Wem, Shropshire in 1894, and joined the Merchant Navy as a boy apprentice. In November 1912 had a serious accident falling from a ladder into the ship’s hold of the S.S. Iddesleigh, and was carried ashore unconscious. He was left behind by his ship and spent some time in the British Seaman’s Hospital at Constantinople, but was picked up by the Iddesleigh on its return voyage in December 1912. Lawrence attested for the 5th Dragoon Guards and served with them during the Great War on the Western Front from 20 September 1914. He survived the Great War and was transferred to the Army Reserve on 11 March 1919. Following the Great War he joined the Fire Service in Cardiff where he served as a Company Officer in the National Fire Service. In the 1939 Register he is recorded as residing in one of the Fire Station apartments in the Central Fire Station, Cardiff, where he is noted as Fireman / Constable. He died 19 May 1969, at Cardiff. The Past Presidents named on the Old Contemptible’s President’s Jewel are: 1934-35 Sir Robert J. Webber J.P; 1936 Sir William James Thomas, Bart., J.P; 1937-38 Captain Lionel Lindsay M.V.O., O.B.E.; 1938-41 F. E. Nunn; 1942-47 John Dunning; 1949-51 Captain Harry Wallace; 1952-54 Jos. Ware D.C.M, M.S.M.; 1955-57 Major F. C. Clifton; 1958-60 A. Lawrence; and 1961 T. Webb. Sold together with an extensive (and somewhat damaged) photograph and family press cutting album, including a fine portrait photograph of the recipient wearing his President’s Jewel and his war medals and with wartime letters and postcards home, pasted in fibre dog-tag ‘2527 A. Lawrence, C.E. 5.DG’, and 5th Dragoon Guards bi-metal cap badge, original Record Office issue slip for the 1914 Star, ‘Ypres 1914’ sweetheart badge fashioned from two small General Service buttons, photographs of Old Contemptibles remembrance day parades, reunion programmes, and other ephemera.
A 19th Century marquetry inlaid carver chair in the 18th Century Dutch manner, a Provincial Chippendale mahogany carver chair, a Provincial Chippendale panel seated dining chair, two 19th Century mahogany pierced wavy ladder back dining chairs and a Regency mahogany slat back carver chair (6)
A rectangular gilt framed wall mirror, a rectangular painted framed mirror, a painted four section ceiling towel airer, pair of child's painted rush seat ladder back chairs, child's painted elbow chair inscribed "Charlotte", a Lloyd Loom linen basket, two painted shelf units and a green painted bedside table
An oak refectory style dining table with notch carved edge on end pillar supports united by a centre stretcher, 182 cm long x 77 cm wide x 72 cm high, together with a set of six (4 plus 2 carvers) rush seat ladder back dining chairs to match (by Nigel Griffiths of The Old Cheese Factory Grangemill Derbyshire)
A 9ct yellow gold lady's Jaeger LeCoultre manual wind wristwatch, having a round silver baton dial and integral Milanese bracelet with ladder clasp, case diameter 18.7mm, overall length 175mm, bracelet w.10mm, movement number 1467374, gross weight 29.8g, hallmarked 9ct, London 1960, sponsor DTECondition report: Not currently working.
A 9ct yellow gold lady's Swiss Empress 12-jewel incabloc manual wind wristwatch, with round silver baton dial and integral openwork bracelet with ladder clasp, case diameter 15mm, overall length 160mm, bracelet width 11mm, gross weight 19.6g, hallmarked 9ct, Birmingham 1971, sponsor CY&CoCondition report: In working order.Dial is discolorued.
A RARE NEEDLEWORK SPOT SAMPLER MID-17TH CENTURY AND LATER worked with polychrome silk floss on an undyed linen ground with running, double running, cross, long armed cross, braid couching, rococo, petit point, eyelet and ladder stitches with a grapevine, an uncomplete alphabet, a stag, a panel of acorns, a bird and geometric designs, in a later glazed ebonised frame 52.7 x 21cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 1, pp.156-57 for a discussion of this sampler.
A RARE 36-BORE ENGLISH MADE PERCUSSION KENTUCKY RIFLE BY BROOK, 45.75inch sighted barrel fitted with pivoting ladder sights, the breech stamped J. BROOK, border and scroll engraved lock stamped J. BROOK HASTINGS, full stocked with brass mounts, brass topped wooden ramrod. Jeremiah Brook, Gun and Pistol Manufacturer, 3 The High Street Hastings.
A .700 CALIBRE PATTERN 1851 PERCUSSION RIFLED MUSKET OR MINIE RIFLE, 39inch barrel fitted with rear ladder sights, border engraved lock stamped with a crown over VR over TOWER and dated 1852, full stocked with regulation brass mounts, Lovell's bayonet catch, steel ramrod. Complete with chained nipple protector.
A .577 CALIBRE 1853 PATTERN THREE-BAND PERCUSSION ENFIELD RIFLE, 39inch sighted barrel fitted with ramp and ladder rear sights, border engraved lock stamped 1858 over TOWER and with a crown over VR at the tail, full stocked with regulation brass mounts, the butt plate tang marked V YW 29 249, steel ramrod.
A 1796 PATTERN HEAVY CAVALRY OFFICER'S LADDER HILT SWORD, 91.5cm pipe-backed blade with quill tip, regulation pierced steel hilt with single looping side bar, wire bound leather covered grip. See pages 76 and 77 of The British Cavalry Sword 1788-1912 by Richard Dellar for a similar example, circa 1815-20.
Modern Diecast Vehicles, a collection of 1970s and later private and commercial models in various scales includes partially boxed models Britains 9579 Elevator, Buddy L PeterBilt Crane Trailer (plastic/metal) Tonka 1125 Aerial Ladder (metal), Corgi 1:64 scale tanker boxed models Britains 9568 Manure Spreader, Matchbox Models of Yesteryear (14) and unboxed/playworn models examples by Britains, Corgi, Matchbox, Burago, and others together with two Matchbox Carry Cases each with four trays, P-G, Cases F, (90+) in three boxes
Gerry Anderson Captain Scarlet Bubble Bath Corgi Batmobiles various Hero and TV Toys, Euromark 1993 Captain Scarlet Bubble bath (no contents) and small figure with Bottle attached with contents, ET, Thunderbird No 1 and 2 Key rings, Aurora Spiderman Figure on stairs (unglued), Dick Tracey on Fire Ladder and Matador on a wall (not complete), Corgi Batmobile with red wheels, including Batman, another with black wheels, with Batman, Little Britain Lou and Andy with wheelchair, Rhini and Hobgoblin in original Sugar Puff cereal packets, Rocketeer Figure and Candy Helmet with contents, F-E (qty)

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