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Lot 235
A collection of original vintage Palitoy Action Man accessories comprising of various clothing items, weapons and equipment accessories. Clothes to include Royal Canadian Mounted Police jacket, Mountaineer anorak, Jungle Fighter uniform, Football socks, Command Post overall and many more. Weapons and equipment including 81-MM Mortar, Machine guns helmets rope ladder, and more. Manual equipment booklets and instruction manuals present. Interesting selection.
Lot 611
Solid oak telescopic dining table, the top with canted corners, raised on square supports and brass castors, with leaf, (122cm x 244cm, H76cm) and eight (6+2) ladder back chairs with upholstered seats, (W46cm) Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Lot 2
A Cypriot bichrome ware pottery jug Iron Age, cira 1050-900 B.C.With a dot and circle bird's eye to either side of the trefoil lip, the body decorated with chevron and arrow motifs and two swastikas, the handle with ladder pattern with a painted curled 'tail' at the base, a Cypriot lead export bulla attached, 19.5cm highFootnotes:Provenance: Alfred de la Penha (d.1953) collection, inv. no. 203 (recorded on underside).Japanese art market, early 1980s.There is a similar 'bird-jug' from the Cesnola Collection, with arrow and swastika motifs in the Metropolitan Museum, New York, acc. no. 74.51.738This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 4
A Cypriot bichrome ware pottery jug Iron Age, circa 1050-900 B.C.Decorated below the trefoil lip with bird's eye, swastika and hemispherical motifs, the body with arrow ornament flanked by a pair of swastikas, the handle with ladder pattern and a curled 'tail' at the base, 14.5cm highFootnotes:Provenance:Old collection number on the underside 'P238'.Japanese art market, early 1980s.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 5
A Cypriot bichrome ware amphora Iron Age, circa 750-475 B.C.A wavy band of decoration around the short neck, the shoulder with six concentric circle motifs, the handles with a ladder pattern, the body with encircling bands of varying width, 32cm highFootnotes:Provenance:Japanese art market, 1975-1978.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 2375A
Barbara Firth (1928-2013). Jack the terrier with a broken rope round his neck escaping his captor, three vignettes, from the great Escapes Series written by David Lloyd, water-colour on paper, approx 24 x 24 cms overall, annotated Great Escapes Jack p 22. Panoramic garden view with Jack the terrier and his angry captor brandishing a spanner, from the great Escapes Series written by David Lloyd, water-colour on paper, 5 x 38 cms annotated Jack pps 22/23. Jack the terrier with friends at the top of a hill, from the great Escapes Series written by David Lloyd, water-colour on paper, 30 x 55 cms , annotated Great Escapes Jack p 28/9. Jack title page, from the great Escapes Series written by David Lloyd, water-colour on paper, 5 x 10 cms, annotated Great Escapes Jack title page marked on overlay not used. Mr and Mrs Munro carrying a ladder, illustration from The Munros' new house written by Jonathan Gathorne-Hardy illustrated Barbara Firth, water-colour on paper, 17x 39 cms. Barbara Firth (1928-2013) was a children’s book illustrator specialising in animal paintings. She was born in Cheshire and enjoyed drawing as a child but had no formal art education. When she was three, she began drawing plants and animals, and when she was eleven years old, her family moved to the country, enabling her to spend even more time sketching the flora and fauna around her. Firth delighted in her lack of training: and stated I have been very lucky, as my career in drawing is also my favourite hobby. She qualified in pattern cutting at the London College of Fashion and worked for 15 years for Vogue as production director on books on crochet, knitting and dressmaking. She moved to Marshall Cavendish, and there met Amelia Edwards who commissioned her to illustrate some non-fiction work. Her long term partnership was with publishers Walker Books She collaborated regularly with Martin Waddell on his Little Bear books. She won the 1988 Kate Greenaway Medal, awarded by the Library Association for distinguished illustration in a book for children, for her work on Martin Waddell's Can't You Sleep Little Bear, which has been called as perfect a picture-book as anyone could hope to makeFirth lived much of her life in Harrow, with her sister Betty and a household full of pets including Waldo the tortoise. She was survived by her sister Betty and the centenarian WaldoProvenance; This Studio collection was acquired from her estate by the vendor after the Artist’s death, and comprises original art-work from various books that she illustrated. Many of the works are annotated with studio instructions and none are signed. Very few of her water-colours have ever come on to the open market and this collection provides a unique opportunity for buyers
Lot 2376A
Barbara Firth (1928-2013). A house of cards, illustration from The Munros' new house written by Jonathan Gathorne-Hardy illustrated Barbara Firth, water-colour on paper, 30 x 11 cms. Bear and a cat with Grumpalump, illustration from Grumpalump written by Sarah Hayes ill Barbara Firth,water-colour on paper, 27 x 43 cms. First of all Mr Munro took off all three chimneys, illustration from The Munros' new house written by Jonathan Gathorne-Hardy illustrated Barbara Firth, water-colour on paper, 23 x 37 cms, overall. Mr Munro made the ladder longer , illustration from The Munros' new house written by Jonathan Gathorne-Hardy illustrated Barbara Firth, water-colour on paper, 20 x 35 cms. That night in the middle of the night , illustration from The Munros' new house written by Jonathan Gathorne-Hardy illustrated Barbara Firth, water-colour on paper, 24 x 39 cms. In the morning he found more cracks , illustration from The Munros' new house written by Jonathan Gathorne-Hardy illustrated Barbara Firth, water-colour on paper, 24 x 34 cms (6). Barbara Firth (1928-2013) was a children’s book illustrator specialising in animal paintings. She was born in Cheshire and enjoyed drawing as a child but had no formal art education. When she was three, she began drawing plants and animals, and when she was eleven years old, her family moved to the country, enabling her to spend even more time sketching the flora and fauna around her. Firth delighted in her lack of training: and stated I have been very lucky, as my career in drawing is also my favourite hobby. She qualified in pattern cutting at the London College of Fashion and worked for 15 years for Vogue as production director on books on crochet, knitting and dressmaking. She moved to Marshall Cavendish, and there met Amelia Edwards who commissioned her to illustrate some non-fiction work. Her long term partnership was with publishers Walker Books She collaborated regularly with Martin Waddell on his Little Bear books. She won the 1988 Kate Greenaway Medal, awarded by the Library Association for distinguished illustration in a book for children, for her work on Martin Waddell's Can't You Sleep Little Bear, which has been called as perfect a picture-book as anyone could hope to makeFirth lived much of her life in Harrow, with her sister Betty and a household full of pets including Waldo the tortoise. She was survived by her sister Betty and the centenarian WaldoProvenance; This Studio collection was acquired from her estate by the vendor after the Artist’s death, and comprises original art-work from various books that she illustrated. Many of the works are annotated with studio instructions and none are signed. Very few of her water-colours have ever come on to the open market and this collection provides a unique opportunity for buyers
Lot 591
Pair of Arts and Crafts, beech ladder back chairs, with later rush seats and another two chairs and a Victorian towel rail, (condition: all slightly ricketty, general wear, Prov: family connection with local Arts & Crafts Movement) (5) PURCHASERS: PAYMENT BY BANK TRANSFER ONLY. COLLECTIONS BY APPOINTMENT ONLY - CALL 01793 861000.
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