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POSTCARDS, topographical, Devon, inc. Bull Point Lighthouse, Lynmouth, The Convent Dawlish, High Street Ilfracombe, Seaton, Exmoor, Torrington, The Harbourh Lynmouth, monuments, art style, Burrator Reservoir Plymouth, Jacob's Ladder Sidmouth, Salcombe Harbour, Woolacombe, parks and gardens etc., u, G to VG, 121*
A quantity of Hornby 0 gauge 3-rail track, 6x straight rails, 12x curved rails, RH and LH points, all items would benefit from a light cleaning (G), and 2 framed and glazed repro pictures of Hornby trains (G) and a No. 2 signal, grey base and ladder (G-BP)Condition report: Straight tracks are banked.
A gentlemen's 18ct gold Vacheron Constantin Genève slimline mechanical bracelet watch, c.1960, with a 26.50mm case. A champagne dial with raised gilt batons and hands, integral Milanese bracelet and ladder snap clasp. Import hallmark London 1964. Case no. 402341, movement no. 574888, calibre 1003, 63.70g. A case by 'Mappin & Webb Ltd.'. No papersCondition report: The winder/crown has no crest or marks, but is in proportion to the case.Some marks to the glass.Marks to the dial at the 8 baton.Winds and ticking but no guarantee as to time keeping or running. Tarnished.Surface marks to case and bracelet.Slight twist to the bracelet, but no tears or damage.Glass secure. See additional images.
A gentlemen's 9ct gold bracelet watch, c.1960,with a later replacement quartz movement. A circular case 33mm diameter, with white enamel dial, black Roman numerals, black hands, gold centre second sweep and date aperture. Integral Milanese bracelet with raised bands and diamond cut decoration to a ladder snap clasp. London 1966. Case no. C4834 C778, movement signed 'Harley Ronda' no. 3975. 43.08g
A ladies' 9ct gold Omega mechanical bracelet watch, c.1960,with a circular 19.50mm case. A silvered dial, raised gilt batons and hands, an integral bracelet with wrapped diamond cut bar links, to a ladder snap clasp, with integral safety catch. London 1967. A later Omega watch case. 177mm long, 33.36gCondition report: Marks to the glass.Odd specks of dust to the dial, but no marks.Bracelet dirty and tarnished to the underside but no damage.Clasp secure. Does not wind.
A ladies' 9ct gold Omega 'de Ville' quartz bracelet watch,with a 22.5mm case. A cushion-shaped champagne dial with a diamond at '12', raised dot batons and gold hands. A fluted bezel with wriggle decoration and an integral graduated Bismark bracelet, with ladder snap clasp. Swiss Assay mark and common convention mark. Case no. 1350. 158mm long, 30.56g. No box or papersCondition report: Not running.Deterioration to the dial. Missing part of the wording of Swiss Made and missing part of the Q from Quartz.Dirty and dusty under the glass.No obvious damage to the bracelet. Clasp secure.
A gentlemen's 18ct gold Audemars Piguet automatic bracelet watch,with a cushion shaped case 32.50mm. A blue dial with raised gold batons and hands and champagne date aperture. A bark textured case with integral Milanese tapered bracelet, with a satin finish top and ladder snap clasp. Marked 750 K18. Case no. 65295. 165mm long, 83.92g. Case, no outer box or papersCondition report: Hands adjust - winds and ticking but no guarantee as to running or time keeping.Vendor states the watch was recently refurbished, although no paperwork has been submitted for this. Case and bracelet - no obvious marks, so it may well have been done.168mm long.No marks to the glass.Under 10x magnification, marks around the batons, gold dots - possible loss of blue lacquer.No strain or tears to the bracelet.
A BOXED DINKY SUPERTOYS 20T LORRY MOUNTED COLES CRANE, No 972, appears complete and in working order, minor paint loss and wear, partially repainted, flat spots to tyres, in a blue striped box which is complete with box packing pieces, but has some minor damage and wear, with an unboxed Dinky Toys Commer Fire Engine, No 555, complete with extension ladder and orange Land Rover trailer, No 341, both in lightly playworn condition with minor paint loss and wear, both have flat spots to tyres (3)
Norman Rockwell (1894-1978) "Extra Good Boys and Girls (Santa on Ladder with Map)" Pencil signed lower right, numbered (30/200) lower left. After the original image for the 1939 Cover of The Saturday Evening Post, December 16, 1939.Image Size: 25.75 x 20 in. Overall Framed Size: 39.25 x 31.75 in. Framed behind glass.
Tom McNeely (Canadian, B. 1935) "Edward G. Robinson; Legends of Hollywood Series" Signed lower right. Original Watercolor painting on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 33c Edward G. Robinson stamp issued October 24, 2000. The Warner Brothers gangster triumvirate of the 1930s included Edward G. Robinson, James Cagney and Humphrey Bogart. Edward G. Robinson was born in Rumania in 1893 with the birth name of Emanuel Goldenberg. To escape persecution, his family managed to scrape together enough fare for steerage passage to America. "At Ellis Island I was born again." Robinson wrote. "Life for me began when I was 10 years old." Growing up on New York City's jam-packed Lower East Side, he learned English and began reciting speeches to family and friends. He planned to become a criminal lawyer and defend the abused and exploited, but his love of performance drew him into acting. In 1913 Robinson made his professional debut in a career that spanned 50 years of silent films, "talkies," theater, radio and TV. A versatile actor who played a wide range of roles in 40 Broadway plays and more than 100 films, he is best remembered as the curled-lip, cigar-chomping gangster, Enrico Bandello, in Little Caesar (1931). In Depression America, anyone who could quickly scale the ladder of success became a hero, even cold-blooded killers. Robinson's prototypical performance as "Rico" was so convincing that real gangsters affected his screen persona. Typecast as a hood, Robinson actually was a gentle, cultured man who spoke eight languages, had a world-famous Impressionist art collection, and contributed generously to many philanthropic and humanitarian causes. Edward G. Robinson died of cancer in 1973. Image Size: 17.75 x 15.25 in. Overall Size: 24.25 x 21.25 in. Unframed. (B16870)
C. 1100-1300 AD. Byzantine. Silver ring with circular hoop, floral decoration on the shoulders and a trumpet bezel bearing an incised bird motif. Byzantium was justly famous for the elegance of its jewellery, whether in precious metals for the aristocracy, or in bronze for people further down the social ladder. This item probably belonged to a Byzantine nobleman. Excellent condition; wearable.Size: D: 16.1mm / US: 5 1/2 / UK: L; 3.1g; Provenance: Private London collection, formed since the 1980s on the UK and European art market.
1100-1300 AD. Byzantine. Beautiful gold hoop earrings with openwork motifs depicting stylised arcaded structures; additional hoops, each enclosing rock crystal spheres, hang from the bottom of each earring. Byzantium was justly famous for the elegance of its jewellery, whether in precious metals for the aristocracy, or in bronze for people further down the social ladder. This item probably belonged to a Byzantine noblewoman. Excellent condition; wearable.Size: L:35mm / W:25mm ; 7.3g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1990s.
1100-1300 AD. Byzantine. Gold ring with niello details comprising round hoop with Greek lettering and rosette-shaped plate bezel, depicting Christ with long hair and beard, flanked by the Greek letters “TAG†(AG = Agios, “holyâ€). Byzantium was justly famous for the elegance of its jewellery, whether in precious metals for the royalty and aristocracy, or in bronze for people further down the social ladder. This beautiful item may have belonged to a member of the nobility. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina.XRF certificate with full report will accompany this lot. All samples correspond to the metal content of the period specified; no modern trace elements were detected in the patina; expertly cleaned and conserved. Excellent condition; wearable.Size: D: 15.8mm / US: 5 1/8 / UK: K; 7g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
1100-1300 AD. Byzantine. Gold cross with four round-section arms of equal length set around a garnet cabochon; the space between each of the arms is filled with a pair of confronted crozier-like spiral motifs and the cross is suspended from a rounded, ribbed suspension loop. Byzantium was justly famous for the elegance of its jewellery, whether in precious metals for the aristocracy, or in bronze for people further down the social ladder. The Cross is the principal symbol of Christianity, recalling the Crucifixion of Jesus Christ and the redeeming benefits of his Passion and death. The Cross is thus a sign both of Christ himself and of the faith of Christians. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina.XRF certificate with full report will accompany this lot. All samples correspond to the metal content of the period specified; no modern trace elements were detected in the patina; expertly cleaned and conserved. Excellent condition; wearable. Size: L:51mm / W:37mm ; 24.84g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1990s.
1100-1300. Byzantine. Stunning gold cross with rounded, ribbed suspension loop, gold terminals and crosspiece with elaborate filigree decoration and tapering garnet arms; the centre of the cross-piece is set with a hemispherical garnet cabochon. Byzantium was justly famous for the elegance of its jewellery, whether in precious metals for the aristocracy, or in bronze for people further down the social ladder. The Cross is the principal symbol of Christianity, recalling the Crucifixion of Jesus Christ and the redeeming benefits of his Passion and death. The Cross is thus a sign both of Christ himself and of the faith of Christians. The rich red of the garnets recalls the blood of Christ on the cross, adding to the powerful effect of this gorgeous piece. All samples correspond to the metal content of the period specified; no modern trace elements were detected in the patina; expertly cleaned and conserved. Excellent condition; wearable.Size: L:mm / W:51mm ; 10g; Provenance: From the collection of a gentleman based in London; formerly in an old British collection; acquired in the 1980s.
C. 1100-1300 AD. Byzantine. Gilt silver with ring with circular, ribbed hoop and elaborate domed crown bezel. Byzantium was justly famous for the elegance of its jewellery, whether in precious metals for the royalty and aristocracy, or in bronze for people further down the social ladder. This beautiful item may have belonged to a member of the imperial family or to someone claiming royal authority. Excellent condition; wearable.Size: D: 19.1mm / US: 9 1/8 / UK: S; 6.2g Provenance: Obtained from a B.F; previously in a collection formed in the 1980s on the UK art market.
MODERN WILLIS & GAMBIER OAK DINING SUITE comprising sideboard, 156cms wide, draw leaf dining table, 184cms wide (closed), eight ladder back dining chairs (8)One of the table leaf’s has a few scratches (see photograph)There are a few small chips and scratches to the block feet.There is no damage, the table looks good, no damage to the top.The chairs all have leather wear, they are either cracked or have leather missing.The sideboard has scratches to the top (see photographs)
A graduating parent and child pair of 19th Century Victorian English antique Rocking chairs comprising a Macclesfield ladder back example in ash / elm wood with rush seat raised on sleigh rockers and a smaller rail back example with waxed rush seat. Fantastic period examples. Measures: 103cm x 47cm x 52cm & 81cm x 43cm x 45cm.
A set of four 1960s teak ladder back dining chairs with hopsack style striped upholstery to the seats, stamped AFH to the frames, together with an extending dining table of rectangular form with a flip-over central extension leaf and raised to tapered legs, unlabelled, height 73cm, length 145cm (191cm when extended) and width 89cm. (5)NB The chairs in this lot are offered for sale as works of art. They may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason should not be used in a private dwelling

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31159 item(s)/page