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Click here to subscribeA collection of Royal Crown Derby Imari porcelain 20th century, to include two amphorae, the largest 8cm high, seven vases, the largest 11cm high, a pot and cover, 6cm high, two teacups, 6cm high, a breakfast cup, 12.5cm wide, and various plates and saucers, the largest 16cm diameter (qty.)Condition ReportMinor nibbles and slight areas of rubbing.
A collection of Royal Crown Derby imari tea wares,20th century, pattern no. 2451, comprising ten coffee cans and saucers, the cans 5cm high, a sugar bowl, 11cm wide, and a cream jug, 8.5cm high (qty.)Condition ReportSmall chip to one of the saucers. Six of the coffee cans with cracks adn restoration to the bases. A hairline cracks to one saucer.
FOUR BOXES AND LOOSE CERAMICS, to include a large pair of Staffordshire style spaniels, a pair of Imari style cats, a Capodimonte rose wall plaque, a blue and white mottled Caithness vase, Foster's Studio Pottery coffee set, two cut glass cruet sets, a sailing ship ornament made from horn, a Kodak No.2 A folding Autographic 'Brownie' camera, three boxed cast plaster wall plaques of medieval knights, etc (s.d) (4 boxes + loose)
A GROUP OF ROYAL ALBION IMARI PATTERN TEA WARE, LLADRO NAO FIGURES AND GLASSWARE, comprising two cake plates, milk jug (hole in the base), sugar bowl, ten tea cups, twelve saucers, twelve tea plates, a Wedgwood 'Wild Strawberry' pattern trinket box, scallop shaped dish and pin dish, Aynsley 'Cottage Garden' pattern trinket dish and bud vase, a Lladro 'Girl with lamb' 1010, a Lladro Nao 'Spaniel puppies playing' 386 figure, 'Poodles and Dots' 1082, a Staffordshire enamels 'Harebell' pill box, three cut glass preserve pots, a rose bowl and bud vase, etc. (s.d) (Qty)
ONE BOX OF BRASSWARE, to include a large 1920's embroidered silk piano shawl, cream coloured silk with vibrant pink, blue, orange and purple flowers, with a long crocheted fringe (some staining to silk, no rips or tears), together with a small brass coal scuttle, brass fireside companion set, trivet, a pair of brass peacocks, a pair of candle sticks, and a two Japanese Imari bottle vases (one has a chipped and reglued top) (s.d) (1 box + loose)
A GROUP OF NAMED CERAMICS, comprising a Royal Crown Derby 'Imari' 1128 pattern vase (marked as second quality on the base), a Royal Crown Derby 'Imari' pattern compote date mark 1918 (restoration work to stand), a large 'Derby Posies' pattern fruit bowl (marked as second quality), a large footed fruit bowl 'Olde Avesbury' pattern (cracked and damaged foot and base, marked as second quality), and a trinket box (cracked lid), a small floral pattern bon-bon dish pattern A454, three Aynsley 'Orchard Gold' pattern trinket dishes (some small surface scratches), a Moorcroft Pottery 'Pomegranate' pattern pot with a hammered pewter rim (broken in many places, reglued), two Wedgwood black Jasperware pieces, a Portland Blue Jasperware ashtray, and green Jasperware planter, a Royal Grafton 'Malvern' pattern trio, two Royal Albert 'Old Country Roses' pattern pin dishes, twelve pieces of Aynsley 'Pembroke' pattern giftware and a 'Cottage Garden' pattern vase, etc. (33) (Condition Report: obvious damage is mentioned in description)
A Chinese export stoneware bowl, of hexagonal form, enamel decorated with floral roundels, having red seal mark verso, w.12cm; together with a Japanese imari bowl; a Japanese ginger jar and cover, one other ginger jar and cover; and a blue and white vase (5)Imari bowl – free from cracks, chips or restoration, painted decoration has bubbled slightly, otherwise good.Hexagonal bowl – hairline crack and chip to rim.Sleeve vase – hairline crack to rim.Ginger jars – both appear in good condition.
An early 20th century vase of cover, of hexagonal baluster form, decorated in the imari palette with vases issuing flowers, with opposing reserves of exotic birds, the domed cover with acorn finial (with old break and repair to rim), h.43cmCover with 5x8mm low relief surface chip to underside edge of cover.Another graze to outer edge of one pointed area.Base with large area of restoration to top edge.Further smaller hairline cracks in the same area.Gilt wear throughout.
A box of oriental ceramics to include an Imari pattern jar and cover, and a blanc de chine figure of a seated buddha (with damages)Teapot – cover lacking finial, two small enamel losses to top, hairline crack visible to underside outer edge, base with low relief chip to top edge of spout, several further heavy enamel surface losses; mostly to handle and lower edge of body. Breaks, cracks and chips throughout.
A 19th century Crown Derby vase, decorated in the Imari palette in shades of iron red and cobalt blue heightened in gilt, the neck having applied gilt floral decoration, having printed crowned mark verso and numbered 2664, h.20cmRestoration and overpainting to the neck. Wear to decoration. Stained to the underside. Crazed throughout.
Two Royal Crown Derby paperweights, Turtle in the Old Imari 1128 pattern, date mark for 1990 (LIII), red Royal Crown Derby stamp on the base, gold stopper and a Terrapin, gilt decoration, silver stopper and printed marks on the base (2). In good condition with no obvious damage or restoration.
A Japanese Ko-Imari Dish, Edo period, painted in Chinese Kraak style with large blooms in a jardiniere within a scale ground border and with further trailing flowers, stilt marks 21cm diameter A Chinese Porcelain Plate, Kangxi, painted in underglaze blue with a basket of flowers under a border of further sprays, seal mark to the reverse 21cm diameter A Similar Saucer Dish, Qianlong, painted with figures under the shade of a willow tree 16cm diameter (3) Japanese dish - flat chip under the rim. Numerous glaze scratches to the front and backKangxi plate - numerous rim chips and fritsQianlong suacer dish - badly cracked and with numerous rim chips
THREE JAPANESE PORCELAIN DISHES, comprising Arita blue and white Sho Chiku Bai dish, Edo period, centre painted with sprigs of plum, bamboo and pine, within foliate border, running fuku mark, 21cms diam, Arita blue and white charger, Taisho period, painted with Chinese style river landscape, 39.5cms diam.; and Imari leaf-shaped dish, Meiji period, 21cms diam. (3)Provenance: private collection north Wales
ASSORTED JAPANESE PORCELAIN, Meiji period and later, including large Imari ribbed jar and cover with karashishi knop, five various Arita pear shape vases with crenulated rims (one rim ground down), an Edo-style bottle vase and two cache pots, largest 49cms h (9)Provenance: collection of the Late Dai Evans, former Director of Picton Castle and former curator of Petworth HouseComments: Imari vase and cover both badly damaged.
CHINESE 'NANKING CARGO' PORCELAIN TEABOWLS & SAUCER, Qianlong c. 1752, comprising 'Pagoda Riverscape' pattern blue and white teabowl and saucer (ex. Nanking Cargo part lot 5063), and an 'Imari Pavilion' pattern teabowl (ex. Nanking Cargo part lot 5201) (3)Provenance: Christie's Amsterdam 'Nanking Cargo' sale 28/4/86 - 2/5/86. Imari teabowl purchased from Harrods, 7/6/86; blue & white teabowl and saucer purchased from Spink 1/8/86 (paperwork available on request); private collection South Wales.Auctioneer's Notes: The Geldermalsen built in 1746 was one of the newest and finest Dutch East Indiamen. It is one hundred and fifty feet long and forty-two feet wide. Captain Jan Morel, 33 years old, his many Dutch sailors and sixteen Englishmen set sail from Canton. On Monday January 3rd 1752 the Geldermalsen on its way to Holland hit a reef and sank. The survivors struggle on in a barge and long boat and reach Batavia in eight days. The wreck held a most valuable cargo of tea, as well as Chinese silks and textiles. All now lost. The vast porcelain cargo, as well as gold has survived. Tea was the real reason for the journey, ceramics accounting for only five per cent of the total value. The loss of the Geldermalsen cost the Dutch East India Company 900.000 guilders. However the porcelain from the sister ship the Amstelveen sold for far more than normal because it now carried all the porcelain to be sold in Holland that year.Comments: all retain 1 or 2 labels. Glazes and enamels naturally degraded from seawater.
FOUR JAPANESE IMARI RIBBED VASES & COVERS, the smaller pair painted with panels of flowering trees, 24cms h, and another two larger 23.5cms and 33cms h (4)Provenance: collection of the Late Dai Evans, former Director of Picton Castle and former curator of Petworth HouseComments: cracks, repairs and chips
* A Japanese Nabeshima blue and white porcelain plate, 18th century, decorated with a view of Fujisan (Mount Fuji), several stilt marks to the base, cracked and repaired, 28.6 cm diameter, together with a petal rim porcelain plate, Edo, circa 1750-1780, decorated with a blue and white landscape with hills, bamboos and flowers, surrounded with polychrome flowers and fruits on a celadon ground, the base marked in underglaze blue “Daming Chenghua Nianzhi”, 27.6 cm diameter, plus an Arita porcelain dish, Edo (17th century), decorated in the Imari pallete with carp leaping out of water, surrounded with motifs of scenery gardens in panels alternated with peony heads, chrysanthemum twigs decorated exterior, with single circulate base mark, cracked in half and old staple repairs, 25 cm diameterQTY: (3)NOTE:Provenance: The David & Sarah Battie Collection.NOTE:Provenance: The David & Sarah Battie Collection.
* Chinese and Japanese porcelain teawares, 18/19th century, comprising a polychrome milk jug with lid, Qianlong (1735-1795), decorated in the Mandarin pattern, 14 cm high, a teacup, Qianlong, decorated in the Mandarin pattern, the base marked “Daqing Kangxi Nianzhi” (but this is later), 7.5 cm diameter, a famille verte teacup, circa 1750-1780 in the late Ming (mid-17th century) style, depicting Baxin (The Eight Deities), the base marked “Daming Wanli Nianzhi”, 7.4 cm diameter, a Chinese octagonal Imari-style teacup and saucer, decorated with animals and flowers in alternating panels, another saucer, 18th century, two octagonal famille verte tea cups, 18th century plus five further Imari tea cupsQTY: (11) NOTE:Provenance: The David & Sarah Battie Collection.
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