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A large 19th Century Japanese Meiji period porcelain charger plate of circular form having hand painted decoration in ochre depicting a curved acer branch set with red flowers & leaves. The reverse imari decorated with central blue mark / signature. Some minor wear but no visible cracks or chips. Measures approx; 47cm wide.
A collection of three pieces of 18th century porcelain comprisingan English Bow 'blanc de chine' coffee can with raised prunus decoration in the Chinese taste, c 1752 (6.4 cm) (A/F - hairline cracks and raised prunus edges rubbed);a Dr Wall period Worcester 'Imari' prunus pattern tea bowl and saucer c 1765 - 1775, of fluted form with under glaze blue Worcester fret mark (saucer 12 cm in diameter) (saucer crack); a Chelsea two-handled cup and cover with enamel moulded rose finial and floral sprays with red anchor mark to base, c 1750 (16 cm high) (A/F - cup body damaged)
Four ceramic pieces:1. An early 19th century fine English ceramic plate decorated in the Imari palette with cobalt blues, iron oxide reds and gilding, three Moorish-style panels against cobalt-blue reserves and depicting birds and flowers (23 cm in diameter). (Some damage, 3 cm chip to rim);2. An 18th century Oriental miniature conical coffee pot with domed cover decorated in the Imari palette (13 cm high);3. A tea bowl and saucer;4. A teacup with blue mark to base.Condition Report: 3 cms chip to rim of plate, glaze fritting to tea bowl and saucer rim. 3 mm chip to lid rim underside and firing crack to rim of chocolate pot. Otherwise good commensurate with age and use.
An 18th century Dr Wall period Worcester 'Queen Charlotte' pattern teapot. The finial modelled as a flower (restored and with metal pin), above a domed flat rim lid (underside of lid with rim chip). The body of Asian globular form and decorated with swirling blue and iron red enamels in the Imari palette and style. Underglaze blue Worcester fret mark to base c1765 - c1775. Height 15 cms x Width 20 cms, (A/F).The pattern takes inspiration from Japanese Imari wares and it was a widely-copied style both in Europe and China. Charlotte of Mecklenburg-Strelitz met the soon to be George III at the marriage altar and became Queen just two weeks later. We know that the King and Queen visited the Worcester factory in 1788 and made purchases but its is most likely that Worcester simply took the opportunity to use the name Queen Charlotte as a marketing ploy. Had the Queen herself inspired a design then surely it would be reasonable to expect something more Teutonic, less oriental and almost certainly a design containing flora as she is known to have been a very keen botanist. Queen Charlotte is clearly a more memorable a name than just "fence pattern" or "fruit and moths" - a marketing ploy which still shows its worth some 250 years later. (P103 of H. Sandon's The Dictionary of Worcester Porcelain.)
Royal Crown Derby: A collection of nine tea cups and nine saucers (one saucer second quality, rest of saucers and cups are first quality), seven side plates (all first quality), seven dinner plates (all first quality) and six dessert plates (all first quality) , all in Old Imari 1128 pattern. All good condition - no damage, only slight loss to gilding commensurate to age, most in original individual plastic bags.
A collection of Asian ceramics to include: a large Japanese Satsuma ginger jar and cover, decorated with a Geisha playing a Koto, decorated with flowers in high relief, red character mark to base together with pair of Satsuma Kutani tea cups and saucers; a Chinese Imari scalloped dish, four blue character marks to underside and a Japanese satsuma bowl and cover, decorated with Samurai warriors (1 box)
A selection of 19th century and later ceramics to include four Imari style serving dishes, Limoges meat platter with crest, five early 19th century porcelain coffee cups with wrythen moulded and painted floral sprig decoration, a small Copeland Spode wash jug and bowl, Coalbrookdale style pot (lid and one handle missing), Wedgwood cream jug, Staffordshire pottery cow creamer, 20th century, and a Wedgwood Alphabet bowl by Eric Ravillions from the Brighton Museum and Art Gallery, and other ceramicsLocation:
A Royal Crown Derby thimble collection on stand, with photographic brochure, some boxes, associated paperwork, Diamond Thimble, the Spiral Stripe Thimble, the Golden Flower Thimble, the Art Deco Thimble, the Imari Scroll Thimble, the Flower Sprig Thimble, the Old Imari Thimble, the Moses Webster Thimble, the Moth Thimble, the Chinois Thimble, the Art Nouveau Thimble, the Victorian Persian Thimble, the Billingsley Roses Thimble, the Purple Scroll Thimble and one other; Pair of commemorative thimbles to celebrate the marriage of HRH Prince Andrew and Miss Sarah Ferguson on July 23rd 1986, boxed with certificate and a further pair of commemorative thimbles to celebrate the accession of of Queen Victoria 10th June 1837 and Albert, Prince Consort of Queen Victoria from their marriage on 10 February 1840 until his death in 1861, boxed; qty
A Royal Crown Derby Posie pattern cake stand, candle snuffer, bread and butter plate, three miniature vases, salt pepper and mustard pot and cover, side plates, cup and saucers, assorted trinket dishes, trinket pot, preserve pot and cover, christening mug, cream jug, etc; a Derby Days pattern cream jug, tea plate and ginger jar with cover; an A750 pattern Imari plate; Royal Albert Lorraine pattern sucrier and cover; a Spode Campanula sucrier; Dresden trinket dish and pot; a Royal Albert Old Country Roses pattern cabaret set on tray; etc
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75908 item(s)/page