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Four items to include a pair of small circular tapestry foot stools (27.5 dia), and a long stool (119cm wide x 29cm deep) and a raised oval wash bowl 62 cm long x 46.5cm deep

10 pieces of general furniture to include tapestry stools, occasional tables, and a triangular fall flap table etc, all as found

A mahogany butlers tray on folding stand, and a tapestry fire screen of a girl with a Spaniel 102cm HIgh (with a broken barley twist left support) and an Edwardian bijouterie table (76cm high x 37 x 37)

The settee with double-arched pack upholstered in 17th Century verdure tapestry, the chairs upholstered in machine-made tapestry.Height of settee 4 feet 8 inches, length 5 feet 4 inches, depth 26 inches; height of chairs 4 feet, width 20 inches, depth 28 inches.Literature:The settee is featured in Iris Apfel, Accidental Icon, pg. 58. Qty: (3)The settee is pictured on page 26 and 58 of Iris Apfel, Accidental Icon.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Each cartouche-shaped back with tapestry upholstery depicting a rabbit or a heron, raised on cabriole legs.Height 35 1/2 inches (90.1 cm), width 18 inches (45.7 cm), depth 17 inches (43.1 cm).No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

16th century A.D. Rectangular velvet tapestry panel with crimson field and gold-yellow detailing, made up from individual strips and with a central void; more recent fabric backing; the design an arcade with rosettes and tendrils. 2.6 kg, 90 x 243 cm (35 1/2 x 95 5/8 in.). [No Reserve] Ex central London gallery.

A FLEMISH BIBLICAL TAPESTRY OF JUDITH AND HOLOFERNES BRUSSELS, 17TH CENTURY After Hendrik Goltzius, with Judith elegantly dressed, feather plumage to her hair, holding aloft Holofernes head and his bloodied sword, maidservant at her side, within architectural side borders with scrolling foliage, upper and lower borders with cartouches inscribed with text: "FORTITUDO JUDITH SAPIENTA CONFORTAT SAPIENTEM SUPER DECEM PRINCIPES CIVITATIS, ECCL VII" AND "APPREHENDIT CENIAM CAPITIS EIUS ET ABSCIDIT CAPUT EIUS, jud XIII" approximately 380 x 263cm Provenance: Acquired from Paolo Asta, Venice The composition and details would seem to be drawn from a woodcut print from 1600-1610 by Christoffel van Sichem I after Hendrik Goltzius (1558-1617) a painter, engraver and publisher in Haarlem. For comparison, please see an example of this print held in the British Museum (Museum number 1856,0614.131). This scene is taken from a series depicting the story of the heroine- Judith of Bethulia. Her city besieged by the Assyrians, Judith pretended to desert her people and was captured by the enemy. Attracting the attentions of its general Holofernes she took advantage of his drunken slumber after a feast, drew his sword and struck off his head. News of his death caused panic amongst his army and they fled- leaving Judith and her city safe. A very similar example of this scene, almost certainly woven by the same workshop and only lacking the text to the lower cartouche, is supposedly held in the French National Collections in Palais des Beaux-Arts, Lille, France but, at the time of cataloguing, this has not been confirmed. The text to the cartouches is loosely drawn from biblical text. The upper section is taken from Ecclesiastes chapter 7, verse 20 and exemplifies Judith's most important virtues to historians and readers of her tale- "Fortitudo and Sapienta"- strength and wisdom. "Sapientia confortavit sapientem super decem principes civitatis" (Wisdom makes one wise person more powerful than ten rulers in a city) The lower cartouche is abbreviated from verses 9 & 10 from Judith chapter 13: 9 Cumque evaginasset illum, apprehendit comam capitis ejus, et ait: Confirma me, Domine Deus, in hac hora." (And when she had drawn it out, she took him by the hair of his head, and said: Strengthen me, O Lord God, at this hour) 10 Et percussit bis in cervicem ejus, et abscidit caput ejus, et abstulit conopeum ejus a columnis, et evolvit corpus ejus truncum. (And she struck twice upon his neck, and cut off his head, and took off his canopy from the pillars, and rolled away his headless body). Condition Report: With wear, marks, and surface wear as per age, handling, use, and cleaning. The whole with characteristic slight muting to colours from sunlight and exposure but still retaining stronger pinks, yellows and shades of blue. Not rebacked and inspection from reverse reveals that edges have been wrapped slightly and then backed- visible main field from reverse showing holes from pulling to fabric, scattered small insect holes throughout. Lowest band to base probably later and some small areas of historic stitch repairs- mostly at good conservation level but of their time. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators, and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

A TURKISH COTTON VELVET CUSHION WITH RAISED METAL THREAD WORK EMBROIDERY CIRCA 1800 86cm length, 40cm high Together with a Venetian silk velvet cushion in the Baroque taste, with raised couch work embroidery including metal threads and border, fringed to each end, 54cm x 38cm; A French Aubusson tapestry cushion, with heavy cotton fringing, 45cm x 45cm; A 1920's cotton velvet cushion set a tapestry band with fringed border, 47cm x 55cm; A cotton velvet cushion applied earlier silk brocade and metal panel, with metal thread banding and silk fringing, 60cm x 50cm.  Condition Report: The Turkish cushion rebacked in 20th century, old stitching lines have small rips and repairs to each end, the raised metal work has small losses overallThe Venetian cushion has losses, wear and splits to ground and embroidery, backing is very rubbedAubusson has splits and losses to tapestry.1920's cushion is good for age but backing silk has a stain and small rip to groundThe silk brocade cushion has heavy wear to brocade area. Condition Report Disclaimer

A Louis XVI-style wing armchair, with a carved and painted frame, on turned tapering legs,71cm wide71cm deep110cm high,together with a fringed tapestry cushion (2)Condition Reportpaint work pleasingly rubbed to arms, good condition

A Framed Tapestry, West Highland Terrier, 20x28cms

A Framed Tapestry Depicting Tavern, 42x58cms

An Ornate Gilt Framed Tapestry, Young Boy and Dog Cartouche, Frame 35x43cm

A mahogany tapestry upholstered chair and a tripod wine table.

A wicker hamper containing ornate gilt framed prints and a needlework tapestry.

A Victorian mahogany tapestry storage footstool, width 35 cm

Collection of late 20th century rock LP vinyl records, examples including The Beatles Rubber Soul PMC 1267, Stevie Wonder Songs In The Key Of Life TMSP 6002, The Beatles Sgt. Peppers Lonely Hearts Club PCS 7027, Abba Super Trouper EPC 10022, Carole King Tapestry AMLS 2025, and more. Approximately 45 records.

A wall hanging tapestry with all-over floral designs along with three needlework cushions. L.173 W.109cm

WWI Large Memorial tapestry with photograph, contained in oak and glazed frame

A vintage tapestry Welsh tweed coat and a lady's sheepskin coat.

A Kashmiri hand stitched wool chain, tapestry style wall hanging, 184 x 121cm.

An ebonised Aesthetic Movement adjustable piano stool with tapestry seat, height 46cm.

A Burmese tapestry wall hanging, embroidered with sequins and applied decoration, framed, 80 x 140cm. Condition - fair/good

A Victorian style tapestry long stool, width 126cm, depth 42cm, height 28cm. Condition - fair

FIVE BOXES AND LOOSE MOSTLY MID-TWENTIETH CENTURY CERAMICS to include a large quantity of assorted Hornsea items to include a pair of 'Acanthus' patterned tea and coffee jars, two 'Tapestry' tea jars 'one without a lid), and two shakers, a group of 'Fleur' plates, butter dish, milk jug, coffee, tea and sugar jars, three 'striped' jars, an 'Heirloom' biscuit barrel and coffee jar, shakers, an egg cup, milk jug, condiment pot (brown and green colours) two 'Bronte' lidded tureens and a matching butter dish, two small 'Raindrop' planters, a pair of 'Apple' shakers, a pair of gilt 'Fish' shakers, two 'Saffron' jars, a Saddler 'Tea' jar, assorted egg cups, and shakers, a box of Hillstonia planters of various forms, an enamelled metal bread bin, a Thorntons toffee pot, assorted stoneware items, etc (5 boxes and loose) (s.d)

A vibrant textile artwork by Israeli artist Kopel Gurwin (1932-1990), featuring a stylized depiction of a woman holding a branch, set within an intricate floral and geometric border. Crafted with rich, colorful wool applique on a fabric backing, this piece exemplifies Gurwin's characteristic blend of modern and Judaic artistic influences. The reverse side is lined with green fabric for added durability. Kopel Gurwin, known for his tapestry designs, drew inspiration from traditional Jewish motifs and modernist aesthetics, creating works that celebrate heritage and artistic innovation.Dimensions: 45.5"HCountry of Origin: Kopel GurwinCondition: Age related wear.

VICTORIAN WALNUT ARMCHAIR. Howard style with floral tapestry manner upholstery, buttoned back and turned tapering front supports, 67cm W.

Kashmirean handmade tapestryIn Kashmir geborduurd wandtapijt met een geabstraheerde tekening à la Klimt - 178 x 118 cm

Elona Varai, Hungarian school: Wall tapestry, mixed technique on linen, 2nd half 20th C.H 270 x L 324 cm

Needlework tapestry in oak Oxford frame, and an oil lamp with floral shade

A 20th Century tapestry, depicting King Charles I (1600-1649), on the day before his execution, with his children Henry and Elizabeth being escorted away by guards in the background, housed in a carved foliate frame, H-113cm x 92.

19thc naive tapestry picture of a castle with figures 24" x 28"

Old carved Fijian conch shells, weighted ropework fishing priest, Regency wine coaster, Victorian tapestry teapot stand

Victorian tapestry of figures together with a coloured print titled verso "Whispering Breeze"

Tapestry picture of flowers and a needlework applique picture of a bird, both in maple frames

Pottery Spaniels, plates, other ceramics, tapestry scroll, Picquot Wares, Recorder, etc:- Two Boxes.

XIX Century Tapestry, featuring roses over text- Elizabeth Enos, her work done in the year 1883, Maesteg B. School, later framed 63.5 x 42cm modern freeform glass bowl (2).

An Art Deco influenced black Lucite and chromium electroplate mounted, coarse-grain black leather clutch bag, circa 1930s, together with a brown reptile skin and floral tapestry examples

A heavily carved hall chair with tapestry style upholstery, repeating leaf motif and turned legs

A Hines Of Oxford reproduction wall hanging tapestry of a Classical scene - total dimensions 84cm x 137cm

AN ENGLISH NEEDLEWORK TAPESTRY signed F. B. H and dated 1949, depicting a verdure landscape with a waterfall to the distance, 83cm x 130cm

A GEORGE III MAHOGANY RECTANGULAR STOOLthe drop-in seat upholstered in floral patchwork, on square legs with later carved leaf brackets, 49cm high (including pad) x 53cm wide x 38.5cm deep; together with another mahogany stool with tapestry covered seat and fretwork brackets, 48cm high (including pad) x 52.5cm wide x 39cm deep (2)

Set of eight oak framed high backed dinning chairs upholstered in a floral tapestry fabric. H116cm,  Condition : Good , with no issues.

A large quantity of needlepoint, embroidery & tapestry related books

A large quantity of tapestry yarns including Appleton & Anchor

Large collection of embroidered needle point tapestry pictures

'The Bayeux Tapestry: the Complete Tapestry in Color, with Introduction, Description, and Commentary by David M. Wilson', London, Thames & Hudson, 1985, pp.20, 148pp of colour plates, and 63pp of fully illustrated commentary and notes, large 4to, original cloth, orig. slipcase, together with a circa mid 20th Century b/w reproduction of the Bayeux Tapestry, linen backed, on scroll, approx. 7m long, height approx 9cm, wooden batons (2)

A late 19th/early 20th Century tapestry, depicting a Classical scene of an orator addressing a crowd of learned men, in ornate gilt frame, 110 x 127cms wide overall.

Laidler Robsons & Co, Sunderland: a Victorian carved oak corner chair, with foliate carved top rail and splats with turned column supports, above carved frieze and legs, with maker’s plaque to the underneath, the seat pad with floral tapestry upholstery, 71 x 69 x 76cms high.

A Victorian walnut piano stool, with adjustable seat pad, raised on turned and carved column, one of the legs stamped ‘HB 34509’, the seat pad upholstered in a floral tapestry; 49cms high; a Victorian walnut piano stool, with adjustable beadwork seat pad, 53cms high; a Victorian carved walnut salon chair, with floral tapestry upholstery and foliate carving, 43 x 44 x 84cms high; a Victorian walnut and brass inlaid armchair, with tapestry upholstery, 54 x 50 x 85cms high; and a Victorian button back nursing chair, with green upholstery, 57 x 71 x 92cms high. (5)

A pair of Victorian brass foot stools, with reeded decoration throughout raised on paw feet, the foot pad upholstered in a red floral tapestry, 26 x 26 x 13cms high.

An oval oak framed wall mirror, a tapestry and a print

A tapestry wall hanging, 47ins x 60ins

A 17th century style open arm chair with tapestry back and seat and leafed carved arms and carved front stretcher 

A French woolwork tapestry, The Lady and the Unicorn, À mon seul désir, after the medieval, 83cm x 80cm, 20th century

Local Interest - a George VI commemorative needlework tapestry, Nottingham Goose Fair 1930-1938, the centre with a pair of riders on horseback within a lettered and floral border and a band of exotic and farmyard animal silhouettes, 82cm x 118cm

Mary Queen of Scots - an 18th century manuscript containing a fragment of the curtains of the state bed of Mary Queen of Scots at the Palace of Holyroodhouse, Edinburgh, inscribed A PIECE OF THE CURTAINS OF THE STATE BED OF MARY QUEEN OF SCOTLAND, 3.5cm x 7cm; another, a fragment of tapestry from the Supper Room in the Palace of Holyroodhouse, where Queen Mary dined with David Rizzio on Saturday, 9 March 1566, the night of his murder, inscribed A PIECE OF THE HANGING OF THE ROOM WHERE RIZZIO WAS AT SUPPER WITH MARY QUEEN OF SCOTLAND THE NIGHT HE WAS MURDERED, 3.5cm x 6cm (2)

A 19th century sketchbook, enclosing various watercolour studies, many annotated, Flemish Tapestry, first half of 15th century; Fig Leaves; St Albans Choir Ceiling; Norbury Church & Manor; botanical subjects; etc; Three Chinese watercolours on silk (4)

Tapisserie mit Jagdgesellschaft. Um 1900. Rechts unten bezeichnet "d`après C. Detti". Flachgewebe aus gefärbter Wolle. Ca. 196 x 131 cm. Wandbehang mit weiter Landschaft und historisierenden Figuren bei der Jagd. Schmaler Bordürenstreifen mit Floraldekor. Cesare Agostino Detti (1848 Spoleto-1914 Paris): italienischer Maler, der vor allem für seine historischen Genreszenen aus dem 17. und 18. Jahrhundert bekannt ist, die vom Troubadour-Stil inspiriert waren. Provenienz : Der Wandteppich wurde bei der Auflösung des Schlosses Wörth an der Donau erworben und hing danach jahrzehntelang in der "guten Stube" einer oberpfälzischen Großbauernfamilie. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 20:20 Uhr (CET)Tapestry with hunting party. Circa 1900. inscribed "d`après C. Detti" on the lower right. Flat weave in dyed wool. Approx. 196 x 131 cm. Wall hanging with a wide landscape and historicizing figures hunting. Narrow border strip with floral decoration. Cesare Agostino Detti (1848 Spoleto-1914 Paris): Italian painter, best known for his historical genre scenes from the 17th and 18th centuries, which were inspired by the troubadour style. Provenance : The tapestry was acquired when Wörth Castle on the Danube was dissolved and then hung for decades in the "parlor" of a large Upper Palatinate farming family. Aufrufzeit 28. | Feb. 2025 | probably 20:20 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Signierter Seiden-Bildteppich mit goldbroschierter Bordüre. 2. H. 20. Jh. In der Bordüre oben signiert. Seide auf Seide, äußerst feine Handknüpfung mit 1 Million Knoten pro Quadratmeter, Goldlahn. Polychromdekor. Ca. 155 x 94 cm. Hochrechteckiges Mittelfeld mit orientalischen Figurenpaaren in teils erotisierender Zuwendung, im Hintergrund eine blühende Landschaft mit exotischen Vögeln. Mehrteilige Bordüre mit aufgestickten Lahnfäden, Blumenranken, Tieren und Schuppenborten. Leichte Alters- und Gebrauchsspuren. Provenienz : Aus einer sächsischen Privatsammlung. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 20:26 Uhr (CET)Signed silk tapestry with gold brocaded border. 2nd half 20th century Signed in the border at the top. Silk on silk, extremely fine hand-knotting with 1 million knots per square meter, gold thread. Polychrome decoration. Approx. 155 x 94 cm. High rectangular central field with pairs of oriental figures in a partly eroticizing depiction, in the background a blossoming landscape with exotic birds. Multi-part border with embroidered lahn threads, flower tendrils, animals and scale borders. Slight signs of age and wear. Provenance : From a private collection in Saxony. Call time 28 | Feb. 2025 | presumably 20:26 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

19th CENTURY THRONE CHAIR, foliate carved cresting with tapestry upholstery