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A Flemish wall tapestry with 'Het Landjuweel', Manufacture Royale de Tapisseries d’Art Braquenie & Cie, Mechelen, 20th C.221,5 x 170,5 cm

Set of 7 (6+1) 19th century mahogany dining chairs, all with tapestry seats. Approx. 90cms H all used with wear due to age scuffs scratches etc

RETURN FROM HAWKING NEEDLWORK TAPESTRY AFTER SIR EDWIN LANDSEER the tapestry of large proportions, after an original oil painting by Sir Edwin Landseer162cm x 122cm Condition overall is good, some damage present to the gilt frame

PAIR OF WILLIAM IV ROSEWOOD BANNERET POLE SCREENS, each with shaped rectangular tapestry panel, on plain column above a turned baluster section, and concave tripartite baseeach 140cm highQty: 2

A selection of prints, a tapestry and a sealed wall mirror

A quantity of framed and glazed pictures to include tapestry, maps and a mirror

A large four fold screen with brussels tapestry panels.

a four fold screen with tapestry panels.

A tapestry frame and tapestry for a long kneeling stool, wool etc.

ROCK; albums comprising The Moody Blues 'Seventh Sojourn' and 'A Question of Balance', Clifford T. Ward 'Home Thoughts' on Charisma Mad Hatter label, Carole King 'Tapestry' on brown A&M, The Hit Makers 'Compilation Album' on Pye, Donovan 'The World of Donovan' on Marble Arch, 'Elton John's Greatest Hits', with inner sleeve and Simon & Garfunkel 'Wednesday Morning 3am'.

A quantity of vinyl LPs to include Stone the Crows 'Continuous Performance' signed by Jimmy McCulloch, Ronnie Leahy, Maggie Bell, Colin Allen and one other, also Fleetwood Mac 'Tusk', The Police 'Reggatta de Blanc', Status Quo 'Piledriver', '2001 A Space Odyssey' motion picture soundtrack, David Bowie 'Hunky Dory', Elton John 'Captain Fantastic and the Brown Dirt Cowboy', Stevie Wonder 'Talking Book', Alice Cooper 'Welcome to my Nightmare', Strawbs 'By Choice', Eagles 'One of These Nights', Nazareth 'Razamanaz', 10cc 'The Original Soundtrack', Cat Stevens 'Mono Bone Jakon', Creedence Clearwater Revival 'Pendulum', 'Motown Chartbusters Volume 4', Carole King 'Tapestry', Elton John 'Tumbleweed Connection' and 'Friends', The Monkees 'Meet The Monkees', Alice Cooper 'Billion Dollar Babies', David Bowie 'Aladdin Sane', Fanny 'Mothers Pride', Bee Gees 'Two Years On', Cat Stevens 'Tea for the Tillerman', The Monkees 'Headquarters', 'The Best of Jim Reeves', The Alan Parsons Project 'Vulture Culture', Joe Cocker 'Mad Dogs and Englishmen', Bruce Springsteen 'Nebraska', The Doobie Brothers 'The Captain and Me', Eurythmics 'Be Yourself Tonight', Meat Loaf 'Midnight at the Lost and Found', Pointer Sisters 'Break Out', Chris de Burgh 'Spanish Train and Other Stories', Stevie Nicks 'Rock a Little', UFO 'Phenomenon', Kansas 'Masque', Billy Joel 'Piano Man', Yes 'Fragile', Elton John 'Hunky Chateau', etc.

A 20th century wall hanging tapestry, depicting village scene by a river with farmers, approx. 181cm x 101cm. (stained)

Brüsseler Tapisserie414 x 443 cm.Brüssel, zweites Drittel 17. Jahrhundert.Eingewebte Werkstattmarke rechts unten auf dunkler Umrandung. Wandteppich in Wolle gearbeitet mit breiter Bordüre mit Maskarons und Pflanzenelementen, die allesamt den Bezug zur Antike evoizieren sollen. Darin zentrale Schlachtenszene nahe eines öffentlichen Gewässers. Vorne rechts ein geharnischter Feldherr zu Pferd, der das Geschehen dominiert und von einem Fähnrich hinterfangen wird, der mutmaßlich das Wappen der Stadt Zutphen trägt. Der Feldherr dürfte Alexander der Große sein und – wenn das Wappen als dasjenige von Zutphen zu interpretieren ist – mag der Bezug zum Namensvetter Alessandro Farnese gestattet sein, der 1586 die Niederländer und ihre englischen Hilfstruppen in der Schlacht von Zutphen schlug.Provenienz:Ab den 1970er-Jahren Privatsammlung, London und Madrid. (13706816) (13)Brussels tapestry414 x 443 cm.Brussels, second third of the 17th century.Woven in manufactory mark on dark border lower right. Provenance:From the 1970s private collection London and Madrid.

Brüsseler Tapisserie: Kaiser Konstantins Hinwendung zum Christentum416 x 445 cm.Monogrammiert mit Wappen flankierendem Monogramm BB.Brüssel, zweites Drittel des 17. JahrhundertsBordüre mit stark plastischen Effekten mit Maskarons, Rollwerk, Ovalkartuschen mit antiken Szenen und Palmettbändern. Ab 312, also seit der Schlacht an der Milvischen Brücke begünstigte Kaiser Konstantin immer mehr das Christentum, wobei er durch seinen Berater Bischof Ossius von Cordoba beeinflusst wurde. Es könnte sein, dass dieser links am Bildrand erscheint und Konstantin vor ihm knieend. Ebenso als Konstantin zu denken ist das geharnischte auf dem Pferd mit dem geteilten Allianzwappen vier Kreuze und einen steigenden Löwen zeigend. Sein Helm wird neben dem Löwen auch von einem Dornenkranz und von einem ihm gereichten Lorbeerkranz geziert, was den Sieg des Christentums über die traditionellen römischen Gottheiten versinnbildlicht.Provenienz:Ab den 1970er-Jahren Privatsammlung, London und Madrid. (13706812) (13)Brussels tapestry:Emperor Constantine converting to christianity416 x 445 cm.Monogrammed BB with flanking coat of arms.Brussels, second third of the 17th century.Provenance:From the 1970s private collection London and Madrid.

Louis le Brocquy HRHA (1916-2012) Cavanagh (1974) Aubusson wool tapestry, 382 x 386cm (150½ x 152'') Signed and dated (19)'74 UniqueProduced by Tabard Freres & Soeurs, France No:2031 (label verso)Provenance: Privately commissioned from the artist for Setanta House, DublinTapestry art was having somewhat of a renaissance in the twentieth century, becoming a medium, which was increasingly attractive to progressive modernist artists. French artist Jean Lucrat had pioneered this approach in tapestry design some years earlier, developing a technique, which prioritised the material as the guiding principle for the design rather than an attempt to make the tapestry conform to the characteristics of the painted image. Le Brocquy was drawn to Lucrat's example, whereby he could create very detailed and colour coded templates that the weavers would follow with exact precision. He rejected the painted cartoon in favour of a full-scale linear design. This allowed him to directly indicate each transition of colour and tone in the woven fabric.He had already collaborated on numerous occasions with the workshop of Tabard Frères et Soeurs in the Aubusson region. In 1973 he resumed working on a new series based on the themes and imagery of The Táin. This resulted in the Cúchulainn tapestries, which emerged in various iterations over the following decades. The Milles Tetes (Thousand Heads) series is a distinctive example of both Le Brocquy's sustained interest in representing the human head and the visual effect of inverting colour and tone. This work is a unique piece, commissioned for a private client, which draws on the similar design tropes of the series.The stylized heads arranged in rows, suggestive of some massing force, are distinctive, drawn with their own features and characteristics. Yet through their repeated presence across the woven surface, they blend into one another to create 'a mass of human presence' (Dorothy Walker, Louis Le Brocquy, Dublin, 1981, p.51). The dark austerity of the Tain's illustrations are replaced here by vibrant colours. The shift in tone from bold primary colours in the centre to paler hues creates a dramatic effect.In this work, Le Brocquy was able to explore the interdependence of form, colour and narrative content on a monumental scale. It is an extremely expressive work in which he has layered the colours, to exemplify the full spectrum. The background shifts from black to varying degrees of grey and white, which is then layered with primary colour tones. These move across the tapestry from paler hues in arrangement of blue, green, yellow and red. The longer you observe it, the more visually receptive it becomes. As Le Brocquy remarked on this effect on the human eye, "Further to the emotional character of single and interrelated colour, lies the magic of colour inversion. Staring fixedly at a colour or colours, the saturated eye - shifting to a white surface - precisely inverts those colours both in hue and tonally. A retinal 'memory' emerges inverted, an entirely new perception as contrary as night from day". (Le Brocquy, 'Artist 's Note', exhibition catalogue Louis le Brocquy, Seven Tapestries 1948-1955Dublin: Dawson Gallery; Belfast: Ulster Museum 1967)Niamh Corcoran

George Chann (Chinese/American, 1913-1995). Mixed media on canvas abstract painting in blue, yellow, and red. Signed along the lower right.Provenance: Private Texas Collection, 2023; Private Minnesota Collection.Lot Essay:George Chann was a Chinese-American artist known for his significant contributions to modern art in the mid-20th century. Born in Canton, China, Chann immigrated to the United States in 1933, where he later became a prominent figure in the American art scene. His work is characterized by a fusion of Eastern and Western artistic traditions, blending traditional Chinese calligraphy with modern abstract expressionism. Chann's unique style and innovative approach garnered attention, leading to numerous exhibitions and accolades throughout his career.In the 1950s and 1960s, Chann played a key role in the California art scene, particularly in the San Francisco Bay Area. His paintings often featured bold brushstrokes, vibrant colors, and a sense of spontaneity that reflected his deep understanding of both Chinese and Western artistic philosophies. Chann's artistry transcended cultural boundaries, offering viewers a bridge between two worlds. His legacy continues to influence contemporary artists, highlighting the rich tapestry of cultural exchange in the realm of modern art.Unframed; height: 16 3/4 in x width: 21 1/4 in. Framed; height: 20 3/4 in x width: 25 in x depth: 1 in.Condition: The painting is in good condition overall. The surface is stable with no visible cracks or losses. When viewed under UV light, there are no visible areas of restoration. There is some soiling to the verso that does not affect the recto. The frame has some wear.

A BEAUVAIS AMUSEMENTS CHAMPÊTRES TAPESTRY AFTER JEAN BAPTISTE OUDRY FRENCH, CIRCA 1780 Woven with Oudry's design 'La Main Chaude' ("Hot Cockles"), figures in a wooded landscape beside a stream and stone folly, an open landscape with chateau visible in the distance, a shepherdess and her flock on the opposite bank, within a scrolling bold acanthus frame border approximately 300cm high, 397cm wide The design for this tapestry panel belonged to a series of "amusements champêtres" devised by Oudry (1686-1755) with one stage of his composition preserved in a drawing in the Stockholm National Museum (No. 2890 / I863). The scene features a game of "hot cockles" where a blindfolded person bent over with his head in the lap of a woman. The other players slapped him on the hand that is tucked behind his back, and he had to guess who it is. When the person guesses correctly who slapped him, that person takes his place. The game is depicted in a contemporary painting (1767-1773) by Fragonard (National Gallery of Art, Washington, 1946.7.6). A version of this tapestry is held in the Harvard Art Museum (1953.114). Condition Report: With wear, marks, repairs and sun fading as per age, handling, use, and cleaning. The whole with a slightly brown tint but retaining some of the more fragile lighter colour tones. Numerous areas of stitch repairs- but with some fragility resulting in some open areas with backing visible. Backing fairly modern. May benefit from remedial conservation prior to installation in domestic setting. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

A COLLECTION OF SIX CUSHIONS VARIOUS DATES AND SIZES Mostly incorporating 18th and 19th century tapestry and needlework panels the largest example 50 x 42cm the smallest example 36 x 34cm Provenance: Purchased from Paul Jones, King's Road, Chelsea Condition Report: Current main image online is correct; With marks, losses and fabric wear per age, handling, use, and cleaning. Have seen everyday household use- smallest with badly frayed back, tasselling quite frayed throughout, older sections of tapestry with old stitch repairs- all with some surface dirt from regular use. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

A LARGE VERDURE TAPESTRY FRENCH, LATE 17TH CENTURY The central field with various birds, chateau in the distance, some alterations approximately 275 x 425cm Condition Report: Tapestry with wear and fading overall commensurate with age Various pulls and loose threads in places Various stitched repairs throughout - see images Some restitching between joins of colour lines Tapestry has been re-backed with later fabric Please see all additional images as a visual reference to condition.Condition Report Disclaimer

A GEORGE III MAHOGANY FRET CARVED STOOL IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1770 The drop in seat upholstered with an 18th century French Aubusson tapestry depicting the Aesop fable 'The Tortoise and The Eagle' 50cm high, 43cm wide, 37cm deep Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.The aubusson part of a larger tapestry, with some wear and later stitching. There is evidence of old worm to the drop in seat rails.A neat small stool with good fretwork.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer

THREE PAIRS OF TAPESTRY CUSHIONS 20TH CENTURY INCORPORATING LATE 17TH OR EARLY 18TH CENTURY FRAGMENTS pair with sections of singerie border, 32 x 38cm pair with sections of Flemish floral border, 28 x 43cm pair with sections of floral border, 28 x 39cm

A FRENCH VERDURE TAPESTRY LATE 17TH OR EARLY 18TH CENTURY Woven to an Aubusson design with bird in forest landscape setting, with a river and buildings beyond, weavers' marks 'MB' and 'MR' to the lower border approximately 285 x 448cm Provenance: Christie's London, Christie's Interiors - Style & Spirit (5366), 23rd September 2008, Lot 339 (£6,000 incl. BP). Private Collection, Colne Priory, Earls Colne, Essex Condition Report: Tapestry with wear and fading consistent with age and use. Remedial repair required in places throughout, various colour lines and border lines are opening (see images for extent) There is no overall backing to the tapestry their are strips of vertical backing to the outer border and at points across the back. Various areas of reweaving mainly to border and outer edges. This results in colour variation in various places. Various old, stitched repairs and re-joining of colour lines. Openness and holes throughout, as the tapestry has not had a backing for a while, will greatly benefit from sensitive conservation and remedial restoration before display in a domestic setting. Condition Report Disclaimer

A FLEMISH GAME PARK TAPESTRY FRAGMENT 16TH CENTURY With figures and animals in verdure game park setting approximately 178 x 137cm Provenance: Works of Art from the collection of the late Roger Warner Esq, offered by his family Condition Report: With wear, marks, repairs and sun fading as per age, handling, use, and cleaning. A section from a larger example- reduced and with some foldover edges- the whole slightly dry to the touch, revere showing truer original colours. With numerous areas of stitch repairs, loose threading and open areas. Unbacked- later tape edging Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

Textiles - an early Victorian pictorial and alphabetical woolwork sampler, worked with lettering and a house among birds and trees, monogrammed NW, 18cm x 20.5cm; another, later, depicting Hockerill College; a Liberty silk scarf, worked with butterflies; a Belgians type crucifix form tapestry, worked with Mary holding Christ’s body; a pair of banjara bags; 19th century and later baby’s shoes, etc (qty)

A 20th century tapestry, decorated with a Medieval style woodland scene, with lion and unicorn, 126cm x 195cm; six cushions, floral design with animals, woodland scene picking grapes, etc (5)

An early 20thC oak hall chair together with a further tapestry upholstered chair, largest H. 96.5cm.

A gilt framed oil on canvas of a cat together with an early framed tapestry. With a further cat painted on slate with a further concrete cat figure, largest 41 x 31cm.

An early Victorian rosewood pole screen, the glazed shield shaped screen enclosing a needlework foliate panel, upon a slender pole extending to a moulded petal collar and triform base with carved scroll feet, 138cm H x 35cm W, a second walnut and rosewood banded pole screen with a rectangular tapestry panel, 136 cm high (at fault), along with a mahogany pole screen upon three cabriole supports, 142cm high (at fault) (3)

A pair of Carolean style oak hall chairs, 19th century, the panel backs with a scroll carved pediment, bobbin and baluster turned uprights over the board seat, upon bobbin and block fore legs, plain rear legs, united by peripheral stretchers, 129cm/43cm, each with a bespoke tapestry seat pad (2)

A set of four Victorian walnut occasional or dining chairs, each with carved show frames, wool work tapestry stuffover seats and raised on turned tapered fluted front legs.

A Victorian tapestry topped stool, raised on four legs on brass castors. Height 39 cm, width 45 cm, depth 40 cm.

A mahogany framed rectangular footstool, with tapestry top raised on short cabriole legs with carved knees and claw and ball feet. Height 26.5 cm, width 77 cm, depth 34 cm.

A George II style walnut stool with tapestry seat, 19th century, the drop in seat decorated with a cat and flowers above a Manor House, with a shaped frieze on cabriole legs and pad feet 49 x 51x 46cm Provenance: 8 Stanley Crescent, London, W11

A mahogany Gainsborough armchair, 18th century, together with a similar armchair of 20th century construction, the rectangular backs, seats and arm supports upholstered in a floral tapestry, with acanthus carved down swept arms and square section legs on castors96 x 60 x 69cm95 x 59 x 67cm

A pair of Louis XV walnut armchairs, the cartouche shaped back and seat upholstered in a period floral needlepoint tapestry, the crooked arms above a serpentine shaped seat rail centred by carved acanthus, on cabriole legs and scrolled feet101 x 69 x 53cmProvenance:Country Antiques, Burlton Hall, ShrewsburyTanners, Kedington, Suffolk

A set of eight George III style mahogany ladder back dining chairs, to include two carvers, with needle point tapestry drop in seats102 x 65 x 60cm

Decca Records vinyl record titled On Location: Britain, a candid portrait in music, voices, and sounds. This album provides an immersive auditory experience capturing the essence of Britain through a combination of music and spoken word, featuring locations such as Blackpool, The Midlands, York, and Scotland. The narration is provided by Robert H. Trench Thompson, with additional commentary by Lisa Coe. The record is a long-play (LP) 33 1/3 RPM format and comes with its original illustrated sleeve, showcasing a vibrant depiction of British street scenes and cultural life. A wonderful collectible for vinyl enthusiasts and those with an appreciation for Britain's rich musical and historical tapestry.Issued: c. 1960Dimensions: 12.5"HCondition: Age related wear.

Marta Rogoyska, British b.1950 - Ideas for Tapestry; gouache and collage on paper, signed and dated on backing paper 'M Rogoyska '93', 23.3 x 21.2 cm (ARR) Provenance: with The New Academy Gallery, London (according to the label attached to the reverse of the frame); private collection 

An Oudenaarde-style tapestry, of recent manufacture, woven with a verdure design,189 x 250cmCondition ReportIntentionally faded with minor wear. Structurally stable and in good order.

A Louis XV Gobelins Chancellerie portière tapestry fragment, mid-18th century, French, worked in wool and silk, depicting a female figure emblematic of Prudence, by Dominique de la Croix or Jean de la Fraye, after cartoons by Guy-Louis Vernansal, Pavillon and Claude III Audran,129 x 92cmProvenance: The property of a European collector.For the same figure, albeit in a slightly different scene, see Sotheby's, 'Hôtel Lambert, Une Collection Princière, Volume I: Chefs-d’oeuvre', 11 October 2022, lot 43.

A George II walnut stool, c.1730, with an oval tapestry seat above a plain frieze, and raised on cabriole supports terminating in claw and ball feet, 62cm wide 45cm deep 47cm highCondition ReportGeneral wear, some separation to the weave and fraying to the tapestry seat, which is later covered with a fine mesh. General knocks, surface wear, splits, and small losses to timber throughout. Evidence of some structural and cosmetic repairs and restorations, including patch repairs to veneers, replaced ears, and some of the moulding raised on later metal studs. Some minor fading and discolouration. Joints are sound and solid, and overall the piece appears in good structural and cosmetic condition.

A collection of scatter cushions, including two crewelwork-style examples, two Bargello, as well as needlepoint, paisley and tapestry examples,largest 40 x 46cm (17)

Querubim Lapa (Portuguese, 1925-2016), a stylised Portuguese art pottery plaque, decorated in colours with two fish above a human head, signed Querubim and inscribed 2765 Lisboa, 36cm highQuerubim Lapa de Almeida, to give him his full name, was born in Portimão in 1925. Trained in sculpture and painting, diversity would come to be the hallmark of his work, with his ceramic creations standing out for their artistic and technically innovative solutions, in addition to his enduring interest in design, painting, tapestry and printmaking. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Framed Tapestry Depicting Pagoda and Cranes, 89x38cms

A Vintage Tapestry Upholstered Stool with Chamfered Oak Supports, 40cms by 53cms

A Mid 19th Century Mahogany Rise and Fall Pole Screen on Tripod Base with Tapestry Floral Panel, Missing Finial

A Single Jacquard Machine Loom Woven Boar Hunting Panel Taken From The Original Tapestry Inscribed Under 'De Schoone Jagten Van Maximiliaan Door Van Orley 4' (LTaken From a Famous Renaissance Series of Twelve, 'The Hunts of Maximilian' Designed by Bernaert Van Orley, 157x220cms

A Pair of Ebonised Tapestry Upholstered Side Chairs, One Had Had Worm

A Collection of Tapestry Wools Etc

CONCERT FOR GEORGE - EXCLUSIVE DELUXE EDITION (2018 LP/CD/DVD BOX SET - CONCORD MUSIC 888072030077). Highly limited (1000 copies) only exclusive deluxe edition copy of The Concert For George. The set is still Mint and factory sealed in 'as new' condition. "The Deluxe Box Set features the complete sound and film recordings from the concert (on 4 180-gram audiophile LPs, 2 CDs, 2 DVDs and 2 Blu-rays), a 12”x12” hard-bound 60-page book, plus an opportunity to own a piece of the historic event, by way of a cutting from the original hand-painted on-stage tapestry used as the backdrop at the Royal Albert Hall on November 29, 2002."

An early Victorian mahogany tapestry pole screen.

A continental oak bobbin turned rocking chair in tapestry fabric

Two French de Halluin tapestry panels/wall hangings - Foret de Chairmarais, 180 x 92cm; Verdure Colvert 162 x 129 cm and a Louviers panel - verdure, 173 x 130 cm - all with makers labels and hanging hooks (3)

A NORTH EUROPEAN VERDURE TAPESTRY SECTION DEPICTING A WILD BOAR HUNTLate 17th / 18th Century Dogs attacking a wild boar within a forest, town and hilly landscape beyond, 145 x 244cmCondition report: Later backed. Many areas with later stitching and repairs. Many areas of fading and wear, particularly along the bottom edge and bottom section and upper section . Please see extra photographs to illustrate areas of wear and later threading and stitching. The panel looks to be cut down at the bottom and the top, where as the dark brown borders to the sides seem to be part of the woven area, although this seems unusual as the composition is truncated at either side.Obviously fading and wear is commensurate with use and age. Please do contact us to answer any further questions. 

TWO NORTH EUROPEAN TAPESTRY PANELS OR CUSHION COVERS, ONE DEPICATING A BIBLICAL SCENE, THE OTHER AN ALLEGORICAL SCENE (2)Probably North German, Late 16th / Early 17th Century The first depicting the Madonna and Child with attendant patrons and architecture behind, winged putti holding a crown above, borders of leafy garland and fruit with possibly a coat of arms to the bottom edge, 56.5 x 56.5cm; the second with central garden fountain, castle to the background with a female holding a knife and reclining gentleman to the foreground, with a floral border, 56 x 58.5cmThese two vibrant small tapestries are associated with a group of tapestries woven in silks and wools attributed to southern Denmark and the Schleswig-Holstein region of North Germany. Workshops are recorded from the 1570s/1580s, established by skilled Flemish immigrants fleeing religious persecution. Small tapestries of this nature were typically conceived as cushion covers and in sets, illustrating related subjects or biblical stories. For a comparable example see Christie's, London, 30 October 1997, lot 216Minneapolis Institute of Fine Art, inventory 23.29.1

A NORTH EUROPEAN TAPESTRY PANEL DEPICTING A BIBLICAL SCENEPossibly Flemish, 18th Century and Later Depicting figures within an architectural / temple setting, with later vertical borders, 154 x 209cmProvenance: Phillips, London, sale 442, lot 52

A tapestry picture of flowers and animals, framed and glazed

A 17th century-style verdure tapestry The central scene depicting a woodland view within a floral border. 146cm wide x 220cm highQty: 1The colours are faded. Some signs of tearing to the top where it attached to its hanging bar. Some signs of moth damage.

A decorative tapestry picture of Rome The machine-made tapestry in brown, stained material within an oak and parcel gilt frame.The frame 149cm x 61.5cm overallQty: 1Some deterioration of the tapestry surface, browning and stains overall.

Two decorative tapestry pictures The machine made tapestries both depicting hunting scenes.The first 63cm x 123cm. The second 133cm x 52.5cmQty: 2Some minor marks overall, faded colouring.