We found 39442 price guide item(s) matching your search

19th century needlework sampler worked by Christian Riches, together with a small floral tapestry, both in glazed frames, largest overall 20 x 23cm (2)

Mahogany stool with a tapestry upholstered seat on shell carved cabriole legs and an early 20th century open armchair with upholstered back and seat, (2)

Modern woolwork tapestry with a faux brass hanging pole, 90 x 83cm

19th century tapestry panel of fruit and flowers,in a glazed frame, size overall 39 x 36cm

A classical design needlepoint wall hanging, 140cm x 121cm, a machine tapestry and a needlepoint bell pull, 135cm long, all good condition

A framed Indian tapestry

A 19TH CENTURY POSSIBLE ITALIAN GESSOED POLE SCREEN with insert tapestry panel, depicting flora & forna, on a brass pole, with three Rococo scrolling downswept legs, 138cm high (to top of finials)Condition report: losses, cracks & damage to frame of needlework, woodwork panel, brown tinged, bas, cracks & losses to gesso & gilding.  The tensioning screw is missing from the top retaining loop of the adjustable needlework panel/screen

A LATE 19TH CENTURY CAROLEAN DESIGN SINGLE CHAIR, with green man mask crest rail, grape & vine central section, flanked by barley twist uprights, having probable Continental machine made tapestry overstuffed seat pad, turned and block legs, with barl ey twist stretchers between, 110cm high

A mixed lot including Wedgwood "Blue Tapestry" lidded bowl, a plated cutlery set, ceramic boots, brass horse head door knocker and a boot form match striker, etc

Tapestry style fruits design rug, 83" x 65" approx

Good pair of early 18th century cherry side chairs of Chinese influence, each with curved vase splats with scroll decoration, with tapestry drop-in seats on leaf capped cabriole legs and stretchers, 22" wide, the backs 39.5" high (2)

Pair of Edwardian carved oak dining chairs with tapestry style upholstery

Lot to include ceiling and wall lights, vintage top hat, Indian exercise clubs, metal dishes, tapestry and similar. [2]

A framed tapestry depicting a hunting scene, approximately 55 cm x 152 cm.

A 19th Century woolwork religious tapestry, framed, 69cm x 48cm

A Victorian walnut glazed fire screen with wool-work tapestry of floral spray design

A large round tapestry style wall hanging/table cloth (diameter 190cm approximately)

A folding table, a magazine rack and a tapestry fire screen. (collect only)

Indigo silk and wool tapestry Portière panels - transidual Aesthetic movement, Arts & Crafts period.

Napoleonic period, two pieces of significant and stunning wool and silk fabric in red and gold stripes with urn detail, an Aesthetic movement tapestry panel together with other tapestry textiles

Arts & Crafts tapestry hanging, tones of russet and green, leaf pattern. 170cm x 125cm approx

An Edwardian Mahogany Piano Seat; a 19th century oak long foot stool, tapestry cushion; a late 19th/early 20th century bedroom chair (3).

A Bevan Funnell 'Reprodux' reproduction nest of three mahogany tables; a mid 20th century oak tapestry firescreen; a magazine rack side table; a magazine rack, (4).

George III style inlaid 'Gainsborough' chair, with inlay simulating fluting, farmed arched tapestry-covered back and seat

A mid 19th century tapestry, farm scene, 'Feeding the Horses', has been professionally cleaned, 44" x 54" approx.

A 19th century tapestry sampler, decorated with a verse, animals, birds, flowers and a girl, Mary Launt aged 12, Nov 23rd 1830, 14ins x 11.5ins

An early 20th Century box framed wing-back armchair upholstered in floral tapestry, set on square legs and casters

A modern wing back armchair in the antique style with floral tapestry upholstery, set on turned and fluted front legs with brass caps and casters

A large modern Belgian tapestry wall hanging

An old tapestry topped foot stool - sold with another a/f and an ashtray standard

Selection of tapestry style cushions

Three tapestry needlework's

19thC tapestry seated Hepplewhite sidechair

Victorian mahogany chair and a tapestry seated footstool (2)

Tapestry on board

Attributed to Jacques d'Arthois (Flemish, 1613-1686). Old master oil on canvas painting of a riverbank with lush trees and large puffy clouds on a blue sky. Figures in the foreground drive cattle along a path towards the river. Jacques d'Arthois was a painter and tapestry designer whose works often focused on the woods around his native Brussels. Label that reads "Landscape attributed to Jacques D'Artois (1613-1684) Flemish School" affixed to verso.Unframed; height: 24 in x width: 32 3/4 in. Framed; height: 30 1/2 in x width: 39 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Unframed; height: 24 in x width: 32 3/4 in. Framed; height: 30 1/2 in x width: 39 in.

Robert Indiana (American, 1928-2018). Felt tapestry in red, blue, and green titled "Love" with Robert Indiana's famous lettering in red set against a blue and green block background. Edition number 3/20. Label that reads "Betsy Ross Flag and Banner Co., Inc. Edition of 20" affixed along the reverse, additionally inscribed "#3" and signed in ink. Suspended from a large metal pole along the top and bottom.Height: 56 in x width: 61 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 56 in x width: 61 in.

Barnaby Furnas (American, born 1973)Untitled Dyed wool tapestry in colours, 2005, numbered 8/100, 3050 x 2310mm (118 1/4 x 91in)(overall) Footnotes:Please note this lot is available for viewing by appointment only at our Oxford branch. Please contact the department to arrange a viewing.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

An early 20th century floral tapestry style rug 120cm x 181cm 

An early 20th century aubusson style tapestry rug 117cm x 181cm 

Royal Flying Corps Pre April 1918 Serving Tray, interesting heavy wooden serving stray with brass handles to the edges, centre with glass covering over finely embroidered tapestry of Royal Flying Corps (RFC) pilots wings and motto “PER AROUA AD ASTRA” motto, underneath the scroll with motto is embroidered date 1918. In April 1918 the Royal Flying Corps and Royal Naval Air Service amalgamated to form the Royal Air Force, so this would date this object to manufacture within the first four months of 1918.

A vintage hot pink and grey patterned silk bag with hoop handles; together with a variety of other ladies handbags and other accessories including a crocodile handbag, a tapestry bag with wooden handles 'Jerusalem'; and a canvas dust cover bag with the text 'Return to Bell Tel. Co. Toronto'

A BRUSSELS VERDURE TAPESTRY LATE 17TH CENTURY worked with figures, in a landscape with cranes and a lake, within a floral border 287.2 x 368cm

A NEEDLEPOINT TAPESTRY CARPET C.1870-80 the chequerboard centre with Prince of Wales plumes of feathers, within a heraldic shield border 360.5 x 272.6cm

Tapestry jewellery box and contents, some silver.

A Victorian walnut and upholstered prie dieu chair, the foliate tapestry high back flanked by barley twist pilasters, above the conforming sprung seat raised upon ring turned front legs, plain back swept rear legs and ceramic castors, 100cm high

A 17th century carved oak panel back stoolWith a solid seat above turned front legs, with verdure tapestry seat pad, 48cm wide x 48cm deep x 99cm high, (18.5in wide x 18.5in deep x 39in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A Verdure tapestryProbably French, late 17th centuryThe bucolic scene with typical verdant foliage in the immediate foreground, the misty hills discernible in the middle distance, the central field with idyllic scene with five maidens, two of whom are embracing, typically dressed, two in rich blue, possibly faded gold, threads, the group of females being approached by a turbaned older male figure with staff and open mouth as he makes an announcement451.5cm x 248.5cm, possibly later cut downFootnotes:A verdure is a type of tapestry decorated with designs based on plant forms. The word 'verdure' derives from the French word 'vert', meaning green. By the 16th century, tapestries with formal designs derived from foliage had become immensely popular. In the last half of the 17th century, landscapes were incorporated into their design as seen on the present example. In France, the centre for verdure tapestry production was factories such as Aubusson and Lille.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A 17th century oak chairUpholstered in a Verdure tapestry fragment, on turned and block carved front legs united by a spiral twist stretcher, 48cm wide x 40cm deep x 86cm high, (19 1/2in wide x 16in deep x 34in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A Carolean style walnut and needlework upholstered sofaThe upholstery, 18th century, the frame, circa 1900with verdure tapestry seat pad, the back with a cartouche depicting hunters on horseback and the seat with a bird amongst foliage, 215cm wide x 101cm deep x 109cm high, (85in wide x 40in deep x 43in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A pair of Italian Baroque walnut armchairsLate 17th centuryEach upholstered in tapestry of fruit and flowers, foliate-carved arm terminals above a conformingly carved front stretcher, surmounted by brass finials, 73cm wide x 58cm deep x 158cm high, (29in wide x 23in deep x 62in high) (2)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A 17th century carved oak panel back stoolOn turned and block carved front legs united by a turned front stretcher, together with verdure tapestry fragment seat pad, 45cm wide x 48cm deep x 104cm high, (17.5in wide x 18.5in deep x 40.5in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A collection of eight tapestry cushionsAdapted from 17th and 18th century verdure tapestry fragments with woollen cloth backs, The largest: 53cm x 69cm (8)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A 17th century oak chairUpholstered in a Verdure tapestry fragment with barley spiral twist uprights and a conforming front stretcher, 48cm wide x 39cm deep x 83cm high, (19in wide x 15in deep x 33in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A collection of six tapestry cushionsAdapted from 17th and 18th century verdure tapestry fragments, With velvet backs, The largest: 53cm x 64cm (6)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

An exceptional first quarter 16th Century mythological and allegorical TapestrySouth Netherlandish, probably woven between 1510-1520 Woven in rich wools and silks, the figures in typical Medieval dress, some labelled with a curious mix of Roman and Ancient Greek letters, the recurring figure of Aeneas wearing a blue draped cloak and red hat, the Sybil Diephobe (also recurring) wearing a beautiful medieval dress and girdle - an elaborate golden wimple on her head, the whole surrounded by a thin delicate flower-filled border, the main field depicting an intricate and complex rendition of ancient mythological episodes from the story of Aeneas, founder of Rome, first landing at Cumae in the top left corner of the main field and meeting the Sybil of Cumae, Diephobe, daughter of Glaucus, who shows him the temple of Apollo while his attendants search for water and firewood in the surrounding countryside. In the central field Diephobe shows Aeneas the doors of the temple which were crafted by the ancient craftsman Daedalus. The doors themselves show the story of Daedalus' winged escape from Crete on the right hand side and the conception of the infamous minotaur on the left hand side, the sculpture of Apollo, resplendent in golden armour, bears the wings which Daedalus used in his escape from Crete and which he then dedicated in thanks to Apollo when he arrived safely in Cumae. Aeneas is then shown all of the greatness of Rome to come and watches as, in the top right of the main field, a grief-stricken Augustus watches as his hoped-for successor Marcellus Marcus Claudius is buried, his wife Octavia standing by his side. Augustus was known to have wept when Virgil recited Book VI of the Aeneid to him, thus the viewer and Aeneas are one and the same - watching the great Emperor of Rome weep as an old man. Restorations, 340cm high x 490cm wideFootnotes:Provenance:Collection of Baron Gustave de Rothschild (1829-1911).Thence by descent, until soldEtude Couturier Nicolay, Hôtel Drouot, Paris, 4 December 1987, lot 187.'Provenant des Anciennes Collections du Baron Gustave Rothschild de Chateau Beychevelle et appurtenant a divers amateurs,'Precedents/comparatives:Patrons of Trojan Tapestry sets from the 15th and 16th century include: Federico da Montefeltro, Duke of Urbino, Henry VII and VIII of England, King Matthias Corvinus of Hungary, Charles VIII of France, Ferdinand I of Naples and Ludovico il Moro Duke of Milan. So while we do not know exactly who commissioned this tapestry (presumably part of a set) there is sufficient stylistic and iconographic evidence to suggest it was a noble or even Royal patron.Pasquier Grenier in Tournai: The 11 piece tapestry set depicting the story of Troy was given to Charles Bold by the City of Bruges when he married Margaret of York. The Trojan War Tapestries were supplied by Pasquier Grenier of Tournai to Charles the Bold of Burgandy in 1472 and another set to Henry VII of England in 1488. It is possible that a re-surge in enthusiasm for Troy as a subject became popular after the fall of Constantinople in 1453.The designs for these Trojan War tapestries were based more on literary references like Benoit de Sainte Maure's 'Roman de Troie (c.1180) rather than the better known Homer's Iliad or Virgil's Aeneid. Some Northern European Courts who had a set of tapestries showing the story of Troy claimed these had come directly from Aeneas. Some European Royal families even claimed Aeneas as a direct ancestor. This is understandable since Aeneas arguably exemplified not just a link between Troy and Rome but the leap from ancient paganism to imperial civilisation.Trojan War Series (La Guerra de Troya): This series comprised eleven tapestries -today there are four permanently at the Zamora Cathedral. These four were donated by Count Alba de Aliste and they arrived at the Cathedral in 1608. Count Alba was probably given these by the Count of Tendilla (their coat of arms are visible) This does not, however mean that they were the commissioners -their coat of arms were later added to the tapestry. Los Honores: Woven by Pieter van Aelst -they were completed in 1523. Pieter van Aelst however, had to mortgage the set to the Antwerp agents of the Fuggers -a family of merchant princes in Germany. Van Aelst in fact said to his creditors that they should offer the expensive tapestries for sale to Charles V -the person who they had been woven for in the first place. The Fuggers took up this suggestion and the central panel of the set was sent to Charles V as a sample. The Emperor only came to posses all of the tapestries in 1526 when he was in Seville. Sadly, no cartoons for this set survives but over the years a number of designers have been suggested -including Bernaert van Orley. The iconography of this set, much like the present lot present not just full of rich literary allusions but also the iconography of Royal ethics, namely Honour, Nobility and Fame. The tapestry of fame in terms of composition is not dissimilar to the composition of the present lot, with the central 'enshrined' figures surround by an active narrative to the top and bottom left and right (see illustration).Don Carlos tapestry sets: The eldest son of King Philip II of Spain, whose short life has fascinated historians for centuries, is less often remembered for being an avid art collector. His collection of tapestries is well documented and we know that in the mid 16th century he owned six figurative sets of tapestries including ten of the History of Aeneas, six of the History of Hercules, 12 of the Twelve Months, 11 of the History of the gods and nine of Creation and seen of the Battle of Pavia. We know that his father, Philip had bought a large amount of tapestries between 1549 and 1550 when he visited the Netherlands. The most well-known of these, still in the Royal Collection are the Moralides (again see illustration here for similarities with the intricate Brussels border and character labels previously mentioned). It is possible that other mythological pieces may have gone to Don Carlos. His series on the story of Aeneas was purchased at Medina del Campo -which was an important centre for the sale of Flemish tapestries. In England: Interestingly, we know that, like his father, Henry VIII was an enthusiastic art collector. Aeneas seems to have been a popular subject here too and 'Aeneas Relating his Adventures to Dido' woven in Brussels c.1530 formed part of his collection as well as 'Aeneas meeting his Mother Venus'. Five pieces of the Story of Aeneas remained at Whitehall until the late 17th century. The designer for this set is thought to be someone from the circle of Van Orley. Interestingly Mary Queen of Scots had 'one tapestrie of the sailing of Eneas contening aucht peces' at Holyrood House.Hapsburg Patronage:The patronage of the Hapsburgs and the influence of the Spanish Monarchy on artistic production in Northern Europe.After the Netherlands became part of the Spanish Kingdom, places like Oudenaarde and Brussels filled the Spanish court with pieces from their workshops.The Hapsburg/ Spanish monarchy were highly influential when it came to artistic production in the Low countries. The idea of the 'vida noble,' the noble life -was filled with jewels, carpets, relics and manuscripts etc. The two main artistic centres -Flanders and Italy were under Hapsburg control during this period. When it came to selecting subject ... This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A 17th century oak chairUpholstered in a Verdure tapestry fragment on bobbin turned front legs joined by a spiral twist front stretcher, 48cm wide x 38cm deep x 91cm high, (19in wide x 15 1/2in deep x 36in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A 19TH CENTURY MAHOGANY LOW OCCASSIONAL TABLE, the shaped rectangular top inset with tapestry panel top, enclosed with carved border, above a heavily carved centre pillar, with foliate and fluted decoration, raised on concave platform base, on short turned and carved supports. 45 x 37 x 51cm high

A Mintons 'Tapestry' pattern tea service, comprising five cups, saucers and plates, a serving plate, milk jug, sugar bowl and teapot

A late 19th century wool work tapestry, depicting the discovery of Moses amongst the reeds, 81cm x 64cm, framed and glazed