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Roter Vorhang A. 20. Jh. Mit Gobelinvorsatz, Kordeln und Quasten. 323 x 161 cm. Draperie, Gardine, Stoff Red curtain Beg. 20th c. With tapestry border, cords and tassels. 323 x 161 cm. drapery

Tapisserie Brüssel, 17. Jh. Fragment; vielfigurige Szene mit Musikanten und Publikum im Park. Wolle. 230 x 160 cm. - Restauriert, hinterfüttert, Randeinfassung erneuert. Tapestry Brusselles, 17th c. Fragement, figurative scene. Wool. 210 x 160 cm. - Restored, back-lined, renewed edging.

Tapisserie-Fragment Frankreich, 18. Jh. In Bordüre mit blütenumwundenem Stab Landschaftsausblick mit einer Bäuerin, einen Korb auf dem Kopf tragend. Wolle. 263 x 92 cm. Bildteppich, Gobelin, Wandteppich Tapestry fragment France, 18th c. Bordered with a flower-wrapped staff, landscape view with a peasant woman carrying a basket on her head. Wool. 263 x 92 cm. tapestry

Tapisserie-Fragment wohl Flandern, um 1700 Mit vielfiguriger Darstellung von Apoll im Kreise seiner Musen. Wolle und Seide. 265 x 190 cm. - Beschädigt, restauriert. Bildteppich, Gobelin, Mythologische Darstellung, Textilien, Wandteppich Tapestry fragment Probably Flanders, around 1700 With a multi-figure representation of Apollo with some of his muses. Wool and silk. 265 x 190 cm. - Damaged, restored. mythological representation, tapestry

A Victorian pole screen with tapestry panel

A George III mahogany carver chair with tapestry seat

Six Paragon porcelain tea cups & saucers in Tapestry Rose pattern

Three original artworks including a watercolour of field mice by Dorothy Baker also with a tapestry sampler.

Good quality sofa, upholstered in gold coloured fabric , with good quality tapestry cushions 200cmL x 102cmD

A Rolex watch box with a tapestry top together with a large quantity of costume jewellery including necklaces, earrings etc and assorted coins

A mixed lot to include a wall hanging tapestry, fireside implements, a Victorian copper kettle, a foot warmer, silver plated condiments and other items

A tapestry cushion; others, various (7)

A 19th century woolwork tapestry panel, Figures Walking in the Woods, 42cm x 37.5cm

A 20th century rectangular foot stool, tapestry top, turned legs, 58cm wide, 30cm high

A pair of silk cushions, in yellow; others, tapestry

A Victorian woolwork tapestry, embroidered with birds, 70cm wide, 33cm high, c.1870

A woolwork tapestry cushion, embroidered with flowers; others (4)

A late 19th century mahogany piano stool, with tapestry top, cylindrical legs, H stretcher, 50cm high, 61cm wide, c.1890

A Verdure & Wawel wall hanging tapestry by Flanders Tapestries - Forest. 163cm x 122cm

A Louis XV style carved beech wood fauteuil, late 20th century, the padded, squared cartouche back with foliate carved frame and cresting, over a serpentine stuff over seat and shaped, padded arms, raised on foliate carved cabriole legs with foliate carved toes, upholstered in floral tapestry, 38¼in. (97.25cm.) high, 27in. (68.5cm.) wide.

A pair of George III mahogany ebow chairs, the square backs with interlaced arches, over downswept arms and stuff over tapestry seats with floral urns, on square tapered legs with H-stretchers, 21½in. (54.5cm.) wide, 33in. (84cm.) high. (2)

A pair of Carolean style carved and stained beech armchairs, 20th century, the serpentine backs and stuff over seats upholstered in lion and unicorn tapestry, with green tartan detachable covers, the foliate carved downswept arms on turned supports, raised on turned and foliate carved front legs, united by a turned H-stretcher and pierced foliate carved front rail, 47in. (119.5cm.) high, 26¾in. (68cm.) wide, with six matching tartan cushions. (8)

A pair of Victorian carved oak open armchairs in the 17th century style, the upright, rectangular back and seat in original, brass studded floral tapestry, the back with tasselled lower fringe, over downswept foliate and shell carved arms terminating in in foliate scrolls, on conforming shaped legs with similar H-stretcher and foliate carved feet, united by a front carved and pierced foliate, floral and shell apron, 46¾in. (118.75cm.) high, 18½in. (47cm.) high to seat, 25in. (63.5cm.) wide. (2)

A George III oval giltwood firescreen, the curled ribbon decorated frame enclosing a tapestry panel depicting a lady in a garden within a floral and foliate cartouche, raised on foliate carved end supports with block toes, 38¾in. (98.5cm.) high, gilt distressed.

Mirrors, pictures and a tapestry

ANTIQUE STYLE TAPESTRY WALL HANGING

BOX CONTAINING MINOLTA CAMERA, CARVED CROCODILE, BOX CAMERA, BAYEUX TAPESTRY MUG, CUTLERY, ETC

AN OAK AND TAPESTRY FIRESCREEN

A SMALL OAK CHEST WITH HINGED TOP AND A TAPESTRY FIRESCREEN

A CABRIOLE LEG STOOL WITH TAPESTRY SEAT, TOGETHER WITH TWO DINING CHAIRS

A vintage red ground Welsh tapestry blanket with fringed edging with a 'Made in Mid Wales' label attached. (B.P. 24% incl. VAT) Condition good with no obvious damage. size 216 x 235cm approximately. Label says 'Cynnyrch Canolbarth Cymru' to reverse.

Victorian walnut tapestry upholstered stool on outswept legs.(B.P. 21% + VAT)

Box of assorted tapestry pictures and others, a large collection. (B.P. 21% + VAT)

Victorian Berlin woolwork, study of two children, a silk needlework botanical study and a silk needlework estuary landscape and another small tapestry sampler. Framed. (4)(B.P. 21% + VAT)

19th Century child's tapestry sampler by Eliza Foistor Thurmaston, National School, age 7, 1846. 28 x 28cm approx.(B.P. 21% + VAT)

Small Edwardian rectangular tapestry foliate footstool, together with another square form tapestry footstool. (2) (B.P. 21% + VAT) Generally good condition for age, minor wear

RENAISSANCE REVIVAL CHAIRS, pair of ornate carved highback chairs with floral tapestry seats and X stretchers

Wedgwood "Floral Tapestry" dinner service, and matching tea and coffeeware, including teapot

3 marquetry inlaid Bayeux Tapestry woodwork pictures, overall 32.5cm x 26cm, framed

An early 20th century Flemish tapestry depicting huntsmen on horseback, with dogs beside and chateau in the distance, 140cm x 172cmCondition report: Worn edges and muted colours

CHINESE WASHED RUGS, oval - 155 x 93cms, circular - 85cms diameter and a tapestry

VINTAGE STYLE WOOLWORK TAPESTRY of a classical style hunting scene, 118.5 x 126cms, mounted on a frame

CLASSICAL STYLE SOFT FURNISHINGS to include seven tapestry type chair seat pads and a pair of printed curtains with tasselled ends, 143cms L, 182cms W

A FOOTSTOOL FROM R.M.S. QUEEN MARY, CIRCA 1936 stencilled on the underside QUEEN MARY CABIN DINING SALOON, now with brass casters and reupholstered in red tapestry -- 7½ x 12 x 9in. (19 x 30.5 x 23cm.)Condition report: Good overall condition.

An Edwardian Tapestry Seated X Frame Stool, 57cm wide

A Modern Rectangular Footstool with Tapestry Upholstery Depicting Elephants and Birds, 93cm wide

A Mid 20th Century Mahogany Framed Duet Stool with Tapestry Upholstery, 98cm wide

A French late 19th century tapestryDepicting an 18th century courting couple in a Classical landscape, 230cm x 164cmThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

FOLK/ FOLK ROCK/ SINGER SONGWRITER - LPs. A magic collection of around 60 LPs. Artist/ titles include Emitt Rhodes inc Self-Titled (SPBA 6256) & Farewell To Paradise (ABCL 5041). Van Morrison inc It's Too Lot To Stop Now, The Byrds - History Of The Byrds, Bob Dylan inc More Bob Dylan Greatest Hits, Dylan. Crosby Stills Nash and Young inc So Far, 4 Way Street. Neil Young inc On The Beach, After The Gold Rush, American Stars n Bars, Harvest, Self-Titled. Joan Armatrading inc Whatever's For Us, Track Record. Melanie, Cat Stevens, Don McLean, Lionel Richie, Nilsson, Helen Ready, Carole King inc Tapestry, Thoroughbred. Condition is generally VG to Ex.

CLASSIC ROCK - LPs. A wonderful collection of around 56 LPs. Artist/ titles include JJ Cale inc Naturally & Travel-Log. Genesis inc The Lamb Lies Down on Broadway & Wind & Wuthering. Carole King - Tapestry, Van Morrison - His Band And The Street Choir, Tom Waits inc Swordfishtrombones & Big Time. Kate Bush - Never For Ever, Peter Gabriel inc So & Passion. Fleetwood Mac - Greatest Hits, Paul Simon - Graceland, Eagles inc The Best of & Hotel California, America - Greatest Hits, Manfred Mann's Earth Band - The Roaring Silence, Steely Dan. Condition is generally VG to Ex.

Antique tapestry depicting religious woman and child framed.

Framed antique tapestry depicting priest and child.

Early military tapestry dated 1899 1902.

Hand-Worked Fabric Samples and Fragments in several forms, including early tapestry, embroidery, and beadwork, 19th century and earlier (and one 20th century example). To include two fragments of the same piece, worked in wool on canvas, 17th century, featuring a snake, frog, duck or bird with a worm in its beak, what could be an elephant, and flowers, beside water. Another, later, worked with a bird in a tree with blossoms and foliage; two tapestry panels with larger scale design worked in shades of blue, cream and raspberry; four examples related to the geometric style of Bargello needlework, executed in silk; a long mid-19th century, mainly Berlin woolwork ''sampler'', featuring bands of different motifs, some with beadwork (43 inches or 109 cm by 7.25 inches or 18.5cm), worked to a high standard; and a small modern wool work on canvas, the shape of perhaps a child's seat, attractively designed with various colourful butterflies amongst foliage (11).. All fragments, collected as examples of various techniques, not perfect but all strong and serviceable. The 19th century sampler is good.

Joana Galego We Need to Talk, 2020 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Galego holds her Postgraduate Diploma, The Drawing Year, Royal Drawing School, London as well as a BA, Painting, Faculty of Fine Arts, University of Lisbon. In addition to various international private collections, Galego's work is found in the Royal Collection Trust of the British Royal Family, UK. Recent solo exhibits include the Royal Drawing School, London, UK, 2019 and the Museu das Artes de Sintra, Portugal, 2016. The artist has participated extensively in group shows including Galeria da Junta de Freguesia de Santa Maria Maior, Lisbon, Portugal, 2019; British Museum, London, 2018; Cave Space, London, 2018; Leegate House, London, 2018; Royal Drawing School, London, 2017; Christie's King Street, London, 2017; National Society of Fine Arts, Lisbon, 2017; Casa das Artes Mário Elias, Mértola, Portugal, 2016; Casino Estoril, Lisbon, 2016; Casa de Portugal - Maison André Gouveia, Paris, France, 2016; Carmo Archaeological Museum, Lisbon, 2016; Federal University of Espírito Santo, Vitória, Brazil, 2016; Casa das Histórias Paula Rego - Paula Rego Museum, Cascais, Portugal, 2016; Casa do Povo, Alte, Portugal, 2015; 25 de Abril Association, Lisbon, 2015; Portalegre's Tapestry Museum, Guy Fino Museum, Portalegre, Portugal, 2014; Fábrica Braço de Prata, Lisbon, 2014; Faculty of Fine Arts of the University of Lisbon, Lisbon, 2013. Residencies include The Drawing Marathon (in partnership with The Royal Drawing School); Rhode Island School of Design, Providence, 2018; RÉSVÉS Mértola, Mértola, Portugal, 2016 and RÉSVÉS Loulé, Alte, Portugal, 2015. Galego is also the recipient of numerous awards and honours including The Sir Denis Mahon Award, 2017; The Drawing Marathon at RISD Residency Award, 2017 and The Pignano Painting Residency, Royal Drawing School, Tuscany, Italy, 2017. Galego was shortlisted for the 2019 Trinity Buoy Wharf Drawing Prize.  

Joana Galego Snails on Hot Days, 2020 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Galego holds her Postgraduate Diploma, The Drawing Year, Royal Drawing School, London as well as a BA, Painting, Faculty of Fine Arts, University of Lisbon. In addition to various international private collections, Galego's work is found in the Royal Collection Trust of the British Royal Family, UK. Recent solo exhibits include the Royal Drawing School, London, UK, 2019 and the Museu das Artes de Sintra, Portugal, 2016. The artist has participated extensively in group shows including Galeria da Junta de Freguesia de Santa Maria Maior, Lisbon, Portugal, 2019; British Museum, London, 2018; Cave Space, London, 2018; Leegate House, London, 2018; Royal Drawing School, London, 2017; Christie's King Street, London, 2017; National Society of Fine Arts, Lisbon, 2017; Casa das Artes Mário Elias, Mértola, Portugal, 2016; Casino Estoril, Lisbon, 2016; Casa de Portugal - Maison André Gouveia, Paris, France, 2016; Carmo Archaeological Museum, Lisbon, 2016; Federal University of Espírito Santo, Vitória, Brazil, 2016; Casa das Histórias Paula Rego - Paula Rego Museum, Cascais, Portugal, 2016; Casa do Povo, Alte, Portugal, 2015; 25 de Abril Association, Lisbon, 2015; Portalegre's Tapestry Museum, Guy Fino Museum, Portalegre, Portugal, 2014; Fábrica Braço de Prata, Lisbon, 2014; Faculty of Fine Arts of the University of Lisbon, Lisbon, 2013. Residencies include The Drawing Marathon (in partnership with The Royal Drawing School); Rhode Island School of Design, Providence, 2018; RÉSVÉS Mértola, Mértola, Portugal, 2016 and RÉSVÉS Loulé, Alte, Portugal, 2015. Galego is also the recipient of numerous awards and honours including The Sir Denis Mahon Award, 2017; The Drawing Marathon at RISD Residency Award, 2017 and The Pignano Painting Residency, Royal Drawing School, Tuscany, Italy, 2017. Galego was shortlisted for the 2019 Trinity Buoy Wharf Drawing Prize.

Joana Galego Fire, Burn, 2020 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Galego holds her Postgraduate Diploma, The Drawing Year, Royal Drawing School, London as well as a BA, Painting, Faculty of Fine Arts, University of Lisbon. In addition to various international private collections, Galego's work is found in the Royal Collection Trust of the British Royal Family, UK. Recent solo exhibits include the Royal Drawing School, London, UK, 2019 and the Museu das Artes de Sintra, Portugal, 2016. The artist has participated extensively in group shows including Galeria da Junta de Freguesia de Santa Maria Maior, Lisbon, Portugal, 2019; British Museum, London, 2018; Cave Space, London, 2018; Leegate House, London, 2018; Royal Drawing School, London, 2017; Christie's King Street, London, 2017; National Society of Fine Arts, Lisbon, 2017; Casa das Artes Mário Elias, Mértola, Portugal, 2016; Casino Estoril, Lisbon, 2016; Casa de Portugal - Maison André Gouveia, Paris, France, 2016; Carmo Archaeological Museum, Lisbon, 2016; Federal University of Espírito Santo, Vitória, Brazil, 2016; Casa das Histórias Paula Rego - Paula Rego Museum, Cascais, Portugal, 2016; Casa do Povo, Alte, Portugal, 2015; 25 de Abril Association, Lisbon, 2015; Portalegre's Tapestry Museum, Guy Fino Museum, Portalegre, Portugal, 2014; Fábrica Braço de Prata, Lisbon, 2014; Faculty of Fine Arts of the University of Lisbon, Lisbon, 2013. Residencies include The Drawing Marathon (in partnership with The Royal Drawing School); Rhode Island School of Design, Providence, 2018; RÉSVÉS Mértola, Mértola, Portugal, 2016 and RÉSVÉS Loulé, Alte, Portugal, 2015. Galego is also the recipient of numerous awards and honours including The Sir Denis Mahon Award, 2017; The Drawing Marathon at RISD Residency Award, 2017 and The Pignano Painting Residency, Royal Drawing School, Tuscany, Italy, 2017. Galego was shortlisted for the 2019 Trinity Buoy Wharf Drawing Prize.

Joana Galego Leaving with the Baby, 2020 Mixed Media and Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Galego holds her Postgraduate Diploma, The Drawing Year, Royal Drawing School, London as well as a BA, Painting, Faculty of Fine Arts, University of Lisbon. In addition to various international private collections, Galego's work is found in the Royal Collection Trust of the British Royal Family, UK. Recent solo exhibits include the Royal Drawing School, London, UK, 2019 and the Museu das Artes de Sintra, Portugal, 2016. The artist has participated extensively in group shows including Galeria da Junta de Freguesia de Santa Maria Maior, Lisbon, Portugal, 2019; British Museum, London, 2018; Cave Space, London, 2018; Leegate House, London, 2018; Royal Drawing School, London, 2017; Christie's King Street, London, 2017; National Society of Fine Arts, Lisbon, 2017; Casa das Artes Mário Elias, Mértola, Portugal, 2016; Casino Estoril, Lisbon, 2016; Casa de Portugal - Maison André Gouveia, Paris, France, 2016; Carmo Archaeological Museum, Lisbon, 2016; Federal University of Espírito Santo, Vitória, Brazil, 2016; Casa das Histórias Paula Rego - Paula Rego Museum, Cascais, Portugal, 2016; Casa do Povo, Alte, Portugal, 2015; 25 de Abril Association, Lisbon, 2015; Portalegre's Tapestry Museum, Guy Fino Museum, Portalegre, Portugal, 2014; Fábrica Braço de Prata, Lisbon, 2014; Faculty of Fine Arts of the University of Lisbon, Lisbon, 2013. Residencies include The Drawing Marathon (in partnership with The Royal Drawing School); Rhode Island School of Design, Providence, 2018; RÉSVÉS Mértola, Mértola, Portugal, 2016 and RÉSVÉS Loulé, Alte, Portugal, 2015. Galego is also the recipient of numerous awards and honours including The Sir Denis Mahon Award, 2017; The Drawing Marathon at RISD Residency Award, 2017 and The Pignano Painting Residency, Royal Drawing School, Tuscany, Italy, 2017. Galego was shortlisted for the 2019 Trinity Buoy Wharf Drawing Prize.

Mick Rooney Leda and the Swan, 2020 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mick Rooney's work strives to continue a narrative, poetic, humanistic tradition in painting. Mankind is central to his work; sometimes in stories from his own personal history, his travels and small events of the everyday. His paintings explore the inner mythologies, neurosis, dreams and secrets that are so much a part of today's social landscape.   Mick Rooney studied at Sutton School of Art from 1959 to 1962, Wimbledon School of Art from 1962 to 1964, and subsequently at the Royal College of Art, London from 1964 to 1967. Here he was awarded the Austin Abbey Major Scholarship to study at the British School of Rome from 1967 to 1968, where he was commissioned by the Franciscan Order to create a wall mosaic for a new Basilica in Nazareth, Israel. Between 1968 and 1982 he taught part-time at various art colleges.   Rooney's early solo exhibitions were held from 1965 at the Fulham Gallery, London, Galerie Petit, Amsterdam, Seasons Gallery, The Hague and Patrick Seale Gallery, London, with regular solo shows being held at the Mercury Gallery, London from 1984. A retrospective of his work (covering the period 1978 to 1988) was held in 1989 and toured Folkestone, Eastbourne and Bath. Rooney's work has been included in many group exhibitions in Britain and abroad. Among Rooney's commissions is a painting to celebrate the centenary of the Financial Times (1988), a poster for London Underground (1990), a tapestry commissioned by TSB for Birmingham Headquarters (woven by Edinburgh Tapestry Company) and a book cover for Mr and Mrs Noah - recent poems by Brendan Kennely.   Among Rooney's many awards are ANSVAR Insurance, Towner Art Gallery, Eastbourne (1981), World of Newspapers, Daily Mirror, London (1982), Spirit of London, GLC Southbank (1983), Gulbenkian Printmakers Award (1984), John Player Portrait Award, National Portrait Gallery (1985), Daler/Rowney Prize (Royal Academy, 1986), House and Garden Magazine Award (Royal Academy, 1988), Korn/Ferry International Premier Award (Royal Academy, 1989) and First Prize, Chichester Arts Festival Exhibition. Rooney was Artist in Residence for the Towner Art Gallery, Eastbourne in 1983. He was elected Royal Academician in 1991 and in 2001 was elected to the Royal Society of Painters and Printmakers. Rooney lives and works in London.  

Mick Rooney Just Landed, 2020 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mick Rooney studied at Sutton School of Art from 1959 to 1962, Wimbledon School of Art from 1962 to 1964, and subsequently at the Royal College of Art, London from 1964 to 1967. Here he was awarded the Austin Abbey Major Scholarship to study at the British School of Rome from 1967 to 1968, where he was commissioned by the Franciscan Order to create a wall mosaic for a new Basilica in Nazareth, Israel. Between 1968 and 1982 he taught part-time at various art colleges.   Rooney's early solo exhibitions were held from 1965 at the Fulham Gallery, London, Galerie Petit, Amsterdam, Seasons Gallery, The Hague and Patrick Seale Gallery, London, with regular solo shows being held at the Mercury Gallery, London from 1984. A retrospective of his work (covering the period 1978 to 1988) was held in 1989 and toured Folkestone, Eastbourne and Bath. Rooney's work has been included in many group exhibitions in Britain and abroad. Among Rooney's commissions is a painting to celebrate the centenary of the Financial Times (1988), a poster for London Underground (1990), a tapestry commissioned by TSB for Birmingham Headquarters (woven by Edinburgh Tapestry Company) and a book cover for Mr and Mrs Noah - recent poems by Brendan Kennely.   Among Rooney's many awards are ANSVAR Insurance, Towner Art Gallery, Eastbourne (1981), World of Newspapers, Daily Mirror, London (1982), Spirit of London, GLC Southbank (1983), Gulbenkian Printmakers Award (1984), John Player Portrait Award, National Portrait Gallery (1985), Daler/Rowney Prize (Royal Academy, 1986), House and Garden Magazine Award (Royal Academy, 1988), Korn/Ferry International Premier Award (Royal Academy, 1989) and First Prize, Chichester Arts Festival Exhibition. Rooney was Artist in Residence for the Towner Art Gallery, Eastbourne in 1983. He was elected Royal Academician in 1991 and in 2001 was elected to the Royal Society of Painters and Printmakers. Rooney lives and works in London.