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Lot 142
After Margaret Tarrant : Wandering Minstrels, chromolithograph, 44 cm x 53 cm, together with a hand-colured print depicting Hexham Market Place, a colour print depicting a castle by a river (perhaps windsor), a tapestry panel depicting a lady seated in an interior scene and a maller oval-shaped embroidery on silk depicting a river scene with a man fishing, all parts framed. (5)
Lot 55
Chaffers, William "Marks and Monograms on all European and Oriental Pottery and Porcelain ...", Reeves & Turner 1908, ills, bkpl inside front board, blue cloth with gilt decorations and titlesHuish, Marcus B "Samplers and Tapestry Embroideries ...", The Fine Art Society, Longmans Green & Co 1900, binding extremely loose, pictorial cloth Lindhorst, P "Alphabet de la Brodeuse", boards, front board detached, creased and bent (3)
Lot 209
A collection of leather and suede gloves and driving gloves. A box containing a velvet evening bag (1980), a selection of evening purses in various colours and bead work Tapestry - chainmail. A 1940s/1950s paste black bag with chain. A oval 1920s black metal bag with oval beadwork detail in the middle. A black clutch with a decor clasp. A small leather open top bag and a 1930s suede bag with a celluloid decorative handle. (Q)
Lot 1248
A LARGE EARLY 20TH CENTURY OAK FIRE SCREEN, with lion head's to top rail, turned and fluted upright's on scrolled legs and later tapestry panel, height 128cm x width 84cm (losses), together with an oak Perdonium with brass sunflower rosette to door and brass handle, shovel and bracket, later door (2)
Lot 535
* ALAN DAVIE CBE RA HRSA RWA (SCOTTISH 1920 - 2014), OBSERVATION DE LA NATURE (OBSERVATIONS OF NATURE) gouache on paper, signed and inscribed in pencil 57cm x 68cm Framed and under glass. Note: This work is the original artwork design for a tapestry, which was made at the Australian Tapestry Workshop in Victoria, Australia in 1995. Alan Davie was a Scottish painter. Strongly inspired by Zen philosophies, his paintings consist of responsive and spontaneous primitive compositions painted with obsessive, conglomerate mark-making to form images that slip in between abstraction and representation. Davie’s roster of references and influences is extensive, and includes Jungian psychoanalysis, Pictish symbol stones, contemporary abstract painters, and his lifelong passion and aptitude for playing music. Born on September 28, 1920 in Grangemouth, Scotland, he was educated at the Edinburgh College of Art, and exhibited his work in a regional setting until his death in Hertfordshire, England on April 5, 2014 at the age of 93. His work can now be found in a number museum collections throughout the world.
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