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Two plates from one of the first series ware patterns from Royal Doulton. Based on the embroidered tapestry which tells the story of the Norman conquest of England. Each plate measures 1"H x 10.5"dia. Royal Doulton backstamps. Issued: 20th centuryDimensions: See DescriptionManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

18th century tapestry on silk of priests at shroud, unsigned, 17cm x 12cm, framedA number of areas of wear to silk at edges, discolouration and surface marks, otherwise good original condition, picture has been reframed

A Victorian mahogany and beadwork table plateau, 62cm long c.1850, later cabriole legs;   a Victorian mahogany circular foot stool, tapestry top, bun feet, 33cm diam, c.1860;   another

A Chinese silk panel of building in forest, paper label verso inscribed, "Pure Silk Chinese Tapestry, Hand Woven, Bought in China in 1878", 62 x 90 cm. 

A late 18th/early 19th century-style tapestry depicting a garden landscape with numerous figures to the foreground, 328cm x 140cm.

An Afghan rug of crimson ground & with all-over multi-coloured geometric design to centre within a multiple border, 150cm x 105cm; & a modern tapestry “the orchard”, 120cm x 72cm.

Large quantity of hand stitched 20th century tapestry seat covers, some not finished, includes some wool.Condition report:Twenty-three in total, ranging from 23.5x34cm to 53.5x40cm. The seven largest ones are:44x57cm46.5x55cm47x51cm47x55cm48.5x47.5cm49x50.5cm53.5x40cmNone are damaged but some are unfinished. Please see additional uploaded images.

A Georgian style tapestry footstool, width 52 cm

A continental walnut tapestry armchair, width 60 cm

A continental walnut tapestry armchair, width 62 cm.

A continental walnut armchair with tapestry fabric, width 61 cm

A continental walnut tapestry armchair, width 60 cm

A continental walnut tapestry seated armchair, width 60 cm.

A Mahogany Framed Tapestry Upholstered Dressing Table Stool with Cabriole Supports, 47cms Wide

A Set of Six Tapestry Seated Dining Chairs

An early 20th century Edwardian corner armchair togethet with a mahogany Arts & Crafts piano stool. The armchair raised on tapered supports united by a crossed X stretcher. Featuring two pierced shaped splats to back and moustache armrests. The stool having tapestry upholstered seat over arched supports and twin stretchers80 x 66 x 48

A vintage 20th century oak fire screen needlework sampler depicting fox hunting scene. Rectangular form tapestry embroidered scene raised on trestle legs.Measures approx. 84cm x 48cm x 20cm

GUILHERME CAMARINHA - 1912-1994, "Ilha dos Amores" - card for the tapestry commissioned for the Santa Maria Liner, mixed technique on paper, small holes in the support, unsigned. Notes: the tapestry "Ilha dos Amores" has the dimensions of 275 x 440 cm Vd. https://www.academia.edu/40610688/Tape%C3%A7arias_de_Guilherme_Camarinha_1912_1994_na_%C3%A9poca_%C3%A1urea_dos_paquetes - consultado a 13-11-2024 às 16:00., Dim. - 35 x 55 cm

Aubusson tapestry - Landscape with figures, polychrome wool yarn, French, 18th C., restoration, wear, minor defects, Dim. - 266 x 176 cm

Small folding screen with floral tapestry panels

Mixed Lot: Modern continental floral and gilt serving dish, a Hornsea teapot, tapestry panel, parasol etc

An early 20th Century oak framed and leather upholstered desk chair together with a further bow back chair with tapestry seat

TWO GEORGIAN FRAMED TAPESTRY FIRESCREENS embroidered by Elizabeth Smith aged 11, 1811, dedicated to John Smith (died September 9th 1810), central dedicatory text surrounded with floral and bird motifs, provenance identified of the deceased having been buried at the Church of St. Andrews, Kildwick-in-Craven, Yorkshire, height 65cm x width 42cm (2) (Condition Report: some light scratches to the wooden frames, discolouration commensurate with age)

HEARTH STOOL, French style tapestry print fabric, on turned supports, 45cm H x 93cm W x 70cm D.

Mixed Ceramics Including Royal Doulton Romance Collection 'Juliet' Six Trio's, Royal Doulton 'Tapestry' Six 23cm Dia Plates, Two Wedgwood Findlay Market Plates, Royal Stafford Bowls, Royal Doulton 'Carlyne' Teacups, Saucer, Side Plates,Foley 'Ming Rose' Cake Plate and Oval Dish Etc (2Trays)

Set of three beaded bags that includes: one 1940s cream and brown geometric hand sewn beaded purse with label Made in Czechoslovakia; one 1920s handmade needlepoint floral tapestry embroidered on silk clutch purse with a gilded frame and onyx clasp, and one flower pattern beaded pouch with a dark brown background (does not include a frame.) Largest size: 7"L x 0.25"W x 10"H. Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.

"Patriotic" tapestry referencing the 1st Armored Division of General Maczek, featuring the emblem of the 1st Armored Division in the center.Overall condition as shown in the pictures.Dimensions: 20.3 x 25.5 cm.

A William IV rosewood tapestry pole screen

Framed George VI indenture, pair of 19th century tapestry table face screens, miniature fireplace, pocket compass and a daguerreotype

c1940's Indian Tapestry depicting Elephant Rider. [Oak frame- 78x54cm]

19th century Mahogany pole screen for fire. Shaped screen having needlework tapestry insert. Carved column leading to three scroll outswept legs. [130cm high]

Large Georgian Silkwork tapestry depicting various women and baby down by the water. Fitted within a Rosewood and gilt frame. [Frame- 75x92.5cm]

A Crate of mid century ceramic collectables; Animal Pattern Hornsea tea cups, Tapestry pattern preserve jars and other Hornsea collectables

19th century needlework tapestry depicting couple romancing. Fitted within an oak frame. [Frame- 82x66cm]

Robert E Fuller (British 1972-): The Night Watch, a limited edition colour print, signed and numbered, 59/850, in pencil, 76cm x 55, including frame, together with a needlepoint tapestry depicting a hunting scene and a print of grey geese over the sea. (3)

Nine cushions covered in 18th century and later floral tapestry

A mahogany stool with the 18th century foliage tapestry seat above turned legs joined by an X-shaped stretcher above the bun feet. W 54 D 50 H 49 cm

A framed and glazed wool tapestry of a high priest holding an incense burner, Dingleys label verso, 45 x 33cm

A modern Belgium style machine tapestry wall hanging, depicting a Venetian harbour scene with moored sailing vessels and figures on a quayside within an acanthus border - 1.29m X 99cm

An Edwardian three piece parlour suite comprising a 1.3m two seater settee and two tub chairs, all with button back tapestry upholstery, set on turned front legs and casters

A late Victorian rosewood and pine framed footstool with square tapestry panel, set on scroll feet

Aboudia & Christian Furr (Collaboration), 'Untitled', 2017, unique oil pastel and mixed media on paper, signed by both collaborating artists in pencil, dated in pencil; sheet: 43 x 33cmARR Christian FurrIn 1995, aged 28, Christian Furr became the youngest artist to paint HM Queen Elizabeth II after the Queen personally chose him to be commissioned by the Royal Overseas League. Furr’s successive works have graced the walls of The National Portrait Gallery, Royal Society of Portrait Painters, Saatchi Gallery, and in the private collection at the Vatican. In 2004 Furr was awarded the Association of Colleges’ Award at the House of Commons in London given to further education alumni who have gone on to excellence in their chosen field. In 2019 he had a mid-career retrospective at the Williamson Art Gallery and Museum. Highly sought after for his painting and portrait commissions, the painter simultaneously follows the strong tradition of representation in British modern and contemporary Art throughout his oeuvre. He is collected privately and features in permanent collections around the world. His most recent paintings include a 2.7m painting of the Serpentine and Hyde Park which hangs in the newly refurbished Dorchester lobby, and a 4 x 3m painting which is a Trompe-l'œil tapestry depicting early settlers arriving in the bay of Singapore. This work hangs in the Singapore Edition. His collaboration with Aboudia in 2017 is one of the joint collections of works he has created with other artists including the neon artist Chris Bracey and the photographer Gered Mankowitz. sheet: 43 x 33cm

Aboudia & Christian Furr (Collaboration), 'Untitled', 2017, unique acrylic and oil pastel on linen, signed by both collaborating artists, signed by Christian Furr; canvas: 121 x 151cmARR Christian FurrIn 1995, aged 28, Christian Furr became the youngest artist to paint HM Queen Elizabeth II after the Queen personally chose him to be commissioned by the Royal Overseas League. Furr’s successive works have graced the walls of The National Portrait Gallery, Royal Society of Portrait Painters, Saatchi Gallery, and in the private collection at the Vatican. In 2004 Furr was awarded the Association of Colleges’ Award at the House of Commons in London given to further education alumni who have gone on to excellence in their chosen field. In 2019 he had a mid-career retrospective at the Williamson Art Gallery and Museum. Highly sought after for his painting and portrait commissions, the painter simultaneously follows the strong tradition of representation in British modern and contemporary Art throughout his oeuvre. He is collected privately and features in permanent collections around the world. His most recent paintings include a 2.7m painting of the Serpentine and Hyde Park which hangs in the newly refurbished Dorchester lobby, and a 4 x 3m painting which is a Trompe-l'œil tapestry depicting early settlers arriving in the bay of Singapore. This work hangs in the Singapore Edition. His collaboration with Aboudia in 2017 is one of the joint collections of works he has created with other artists including the neon artist Chris Bracey and the photographer Gered Mankowitz. canvas: 121 x 151cm In Very Good Condition/Artist Condition No sign of paint loss or restoration No rips or tears to the canvas The canvas has been re-stretched for the auction preview, the buyer has the option of shipping the artwork stretched or un-stretched and rolled No apparent issues In Very Good Condition/Artist Condition

Victorian mahogany framed needlework footstool, rectangular form with tapestry floral design to the seat bordered with velvet trim, raised on turned supportsDimensions: Height: 40cm  Length/Width: 84cm  Depth/Diameter: 56cm

Early 20th century walnut framed bench, upholstered in floral tapestry fabric, raised on scrolled carved cabriole supports united by serpentine stretchersDimensions: Height: 104cm  Length/Width: 141cm  Depth/Diameter: 53cm

Georgian design wingback armchair, upholstered in tapestry-style fabric with topiary tree motifs, shaped wings and padded arms, raised on cabriole front supportsDimensions: Height: 90cm  Length/Width: 75cm  Depth/Diameter: 91cm

A 20th Century Canadian Inuit Pangnirtung tapestry wall hanging designed by Annie Kilabuk, #305 "Three Wives", 2/10, woven in wool, signed to the reverse in both Latin and syllabics, dated 1984, 90 x 110cms.Notes: The Pangnirtung tapestries are considered world-class, a remarkable feat considering at the time of production the community was made up of approximately nine hundred inhabitants, four hundred of which were children. An exhibition sale was held in 1980, and the result of that show was the remarkable work of this community being unveiled, achieving a level of importance equal to that of the Pangnirtung printers.Provenance: Originally purchased from the Inuit Gallery of Vancouver Ltd, in July 1984.

JOAN MIRO (SPANISH 1893-1983) ⊕ LE SCIEUR DE LONGsigned Miró lower right; numbered 14/75 lower leftetching, aquatint and carborundum in colours on Mandeure rag paper76.4 x 57.2cm; 30 1/4 x 22 1/2in 103 x 82.5cm; 40 1/2 x 32 1/2in (framed)Property of a Lady, BelgraviaLiteratureJacques Dupin, Miro Engraver II: Catalogue Raisonné of Engravings (1961-1973), Paris, 1989, no. 458Executed in 1968 and published by Maeght éditeur, Paris. Miró began his carborundum prints in the late 1960s, which Murray Macaulay describes as ‘the culmination and final development of his graphic work’. They involved a type of engraving, in which an abrasive ground known as carborundum (silicon carbide) was mixed with a binding agent and applied to a printing plate. The final prints - such as the present example - have a velvety, granulated surface, and are not only monumental in sheer scale, but also by their brilliance and depth of field achieved through their textured appearance.Joan Miró has been described as a 'painter-poet', his works adopting a unique visual vocabulary of inverted metaphors, undiluted primary colours, and rhythmic linearity. Earning international acclaim, Miró is notable for his interest in the potential of the subconscious mind, reflected in the jovial, biomorphic lines and forms that populate his compositions. Although often pigeonholed as a Surrealist, Miró considered his art to be free of any 'ism'. He experimented feverishly throughout his career with different media - painting, pastel, printmaking, sculpture, ceramics, collage, muralism, and tapestry - and unconventional materials as a way of making work that expressed the moment.

Three circular Victorian foot stools with tapestry worked tops, each with a diameter of 27cm

A pair of Victorian mahogany footstools, each of oval form, one with a tapestry top, on compressed ball feet, 10cm high, the top 33cm x 27cm.

A group of furniture, comprising a 20thC oak open bookcase, 108cm high, 91cm wide, 26cm deep, together with an oak framed stool with tapestry seat and two chairs.

An oak framed high back tapestry chair with carved arms and heavy paw feet; an alabaster lamp.

ALAN CLARKE FOR POOLE POTTERY; a set of nine 'Alignment of the Planets' chargers, dated 2000, limited edition of 500, the set numbered 374/500, diameter of each 40.5cm, all boxed, with a modern tapestry embroidery of the planets, 16 x 95cm, framed and glazed (10).Condition Report: Condition is good, no signs of any chips, cracks, hairlines or wear.

Tapestry 4 Fold Dressing Screen

Victorian Rosewood and Tapestry Hall Chair

Two large 19th and 20th Century toby jugs and tapestry wall hanging.

A Regency tapestry sampler, dated 1819.

A Victorian tapestry sampler, dated 1854.

An Art Nouveau style bevelled mirror, width 85 cm, together with two early 20th century still life oil paintings depicting fruit and further tapestry embroideries.

Royal Doulton 'Tapestry' tea & dinner set comprising 6 dinner plates, 5 medium plates, 6 dessert bowls, 3 lidded tureens, oval platter, sandwich plate, 5 small bowls, 12 tea plates, 8 cups, 7 saucers, teapot, coffee pot, milk jug, sauceboat