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A Hines of Oxford 15th century style high quality silkscreened tapestry. 'Les Cerfs Ailes' (The Winged Stags), depicting three mythical beasts, with two lions prowling in the forests around. The stag in the centre is supporting a standard bearing the emblem of Saint Michael. Lined in brown cotton with a hanging bracket across the top, the original sticker is present, 143cm x 190cmProvenance: The original tapestry was originally woven for Charles VII (1403-1461), and is in The Museum of Antiquities in Rouen France
A George III mahogany elbow armchairManner of Robert Manwaringlate 18th centuryarched crest rail with shaped vertical splats, open scroll arms supported by square section legs joined by stretchers, drop in seat upholstered in diamond-patterned needlework fabricheight 96cm., width 62cm., depth 48cm.Condition: Good condition. Signs of wear and discolouration on tapestry, minor surface scratches and wear to woodwork. Piece of wood missing from top of central splat; approx. 1.5cm high., 4cm wide. Commensurate with age. Structurally secure.
A George II style walnut armchair with tapestry upholsterylate 19th / early 20th centuryshaped upholstered back and seat, covered in floral tapestry fabric, shell carved open scroll arms, shell carved cabriole legs on ball and claw feet height 110cm., width 67cm., depth 48cm.Condition: Good condition. Signs of wear and discolouration on tapestry, minor surface scratches and wear to woodwork. Commensurate with age. Structurally secure.
A set of four French Louis XV style carved walnut side chairs, to include a pair of fauteuil a la reine elbow chairs, early to mid 20th century, each with a swept foliate frame and scroll crest, floral tapestry style fabric, upon French cabriole legs, embellished with gilt outline detail, 99cm and 93cm high (4) (at fault)
Kenzo, a 90s full-length floral tapestry coat, featuring a lapel collar, two outer pockets and a belt fastening, labelled Kenzo Paris, size 42 (UK 14)- Overall very good condition- No obvious marsk or damage- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Osborne at sophie@kinghamsauctioneers.com
SIR EDWARD COLEY BURNE JONES (BRITISH 1833 - 1898) THE PASSING OF VENUS OR THE TRIUMPH OF LOVE Pencil, coloured crayon and ink on paper Inscribed 'domina Venus' and 'domina Cupido' (upper left) 36 x 62cm (14 x 24¼ in.)Drawn in 1861. Provenance: The collection of George Howard Thence by descent Literature: William Waters & Martin Harrison, Burne-Jones, 1973, ill. fig. 59, p.52 John Christian & Penelope Marcus, Burne-Jones: the paintings, graphic and decorative work of Sir Edward Burne-Jones 1833-98, Hayward Gallery, Southampton City Art Gallery, Birmingham City Museum and Art Gallery 1975-6, cat no. 68 p. 37 Richard & Hilary Myers, William Morris Tiles: The Tile Designs of Morris and His Fellow-Workers, 1996, ill. fig. 31, p. 20 Fiona MacCarthy, The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination, 2011, Illus pl. XXII between pp. 358-359 and pls. 3, 13, 14, 15, 30, 31, 32, 33 between pp. 486-487 and in the text pp. 71, 192, 203, 238, 256, 268, 329, 330, 371, 425, 439, 449, 466 pp. 1-17, 20-24, 26-44, 47-66, 68-71, 75-95, 97, 111-116, 120-122, 124-132, 134-136, 140-141, 144-145, 147-150, 153-154, 156-168, 170, 172-177, 179-203, 205, 207-214, 216-219, 220-224, 229-232, 234-235, 237-240, 242, 247-249, 251-252, 254-255, 257, 259-262, 264-276, 278-279, 281-307, 309-317, 319-321, 323-350, 353, 357-361, 363-384, 387-389, 394-395, 398-400, 402, 404-416, 418-445, 451-473, 478-481, 483, 485, 487-489, 491-501, 504-517, 522-523, 525-530, 534, 536 Dr. Philip McEvansoneya, Edward Burne-Jones, William Morris, Dante Gabriel Rossetti, Harry Ward and illuminated manuscripts, 2015, p. 599 - 601 The Burne-Jones Catalogue Raisonné Foundation (https://www.eb-j.org/browse-artwork-detail/MzA2MQ==)Exhibited: Carlisle, Tullie House Museum and Art Gallery - Carlisle Art Gallery, George Howard and his Circle, November 1968, No. 155 London, Hayward Gallery, The Paintings, Graphic and Decorative Work of Sir Edward Burne-Jones 1833-1898, November 1975 - January 1976, No. 68, p.37, touring in Southampton, Southampton City Art Gallery, January 1976 - February 1976; Birmingham, Birmingham City Museum and Art Gallery, March - April 1976 (lent by Joanna Matthews) This design for a panel of of fifteen tiles is entered on the first page of Burne-Jones's account book with Morris & Co. (no. 380), charged at £2. The composition is derived from one of the Triumphs of Petrarch. Later versions appear in the background of the painting Laus Veneris (no. 135), as an independent picture (H&W, pl. 26), and a design for tapestry. Condition Report: The colours are a little down. Some brown spots of foxing scattered throughout. Some light staining to the framing edges. There is a scuff with associated skinning to the central figure's cloak (approx. 2.5cm). Some superficial surface scratches and light handling creases throughout. There is a small pin-hole to the upper left corner. Undulation to the sheet under the glazed frame. Unexamined out of glazed frame.Condition Report Disclaimer
A pair of carved and giltwood fire screens, each with a shaped rectangular frame inset with a sliding tapestry panel, a pierced and shell-capped pull handle, on acanthus-capped scroll supports, worn and with losses,49cm wide35cm deep91.5cm high (2)Condition ReportRepainted leg, bracket attached, with losses and wear to tapestry panel.
A pair of turned giltwood table lamps, 20th century, each in the form of an urn, on an ebonised square stepped base, one damaged,10cm wide10cm deep24cm high (2)Listed in the Yellow Tapestry Room in a 2019 inventory.Condition ReportOne broken and in need of repair, knocks and dents throughout.
A Regency giltwood fire screen in the manner of Thomas Chippendale the Younger, first quarter of the 19th century, the uprights with Egyptian herm finials and carved with stylised harebells, holding an adjustable frame enclosing a pile fabric panel, probably Savonnerie, depicting a golden pheasant and parrots in a wooded landscape and indistinctly signed, raised on splayed end supports united by a shaped anthemion and rosette-carved stretcher, and terminating in claw feet and castors,65cm wide55cm deep152cm high This is almost certainly one of the pair illustrated in the Drawing Room and the Green State Room at Holkham in H A Tipping and C Latham, 'English Homes', 1909, pp.394 and 396 respectively.In Holkham's archives, the earliest possible mention of the pair of fire screens is in an 1842 inventory, described as 'two carved and gilt fire screens, embroidered centres'. In the 1909 inventory, they are described as 'Aubusson pile tapestry, exotic birds after Buffon' and both were together in the South Dining Room at this point.Further still, the 1967 inventory mentions 'A Regency gilt framed cheval fire-screen, in the Egyptian taste...the rectangular panel filled with parrots and a golden pheasant in a wooded landscape in Savonnerie pile fabric signed ‘Cant’ the screen bearing a trade label inscribed to Jo [sic.] Smith, apprentice and successor to the late Mr Harewood [sic.] of Conduit Street, carver and gilder and looking glass and picture frame maker'. In 1794, John Smith was apprenticed to William Hurwood (fl.1780-92), carver and gilder of 18 Conduit Street, London, for a premium of £20 ('A Memoir of the author [John Smith] by his grandson', 'Connoisseur', 1903, vol.5, p.214). He set up in business soon after the end of his apprenticeship in 1801. His early trade label simply described him as 'J. Smith, Carver & Gilder, Looking Glass Manufacturer, and Picture Frame Maker, 98 Swallow Street, near Conduit Street' (example on John Hoppner's 'George IV as Prince of Wales', Wallace Collection, London).The pile fabric panel of exotic birds was probably based on a cartoon made for the Savonnerie manufactory in Paris, based on a similar panel housed in the Metropolitan Museum of Art, New York. The panel, attributed to Thomas Moore (c.1700-1788) was - according to the museum - woven in England and probably by Thomas Whitty (1713-1792) at Axminster (accession number 64.101.1155).Condition ReportSmall areas of loss to the gilding the carpet panel in good order, free from damages and still in strong colour, small areas of loss to the gesso harebells, chips to the feet, adjustable sash mechanism oporational. Please see additional images for reference.
A William IV mahogany fire screen, centred with a Mortlake tapestry fragment depicting three mischievous putti, the heavily turned, carved and reeded supports surmounted with urns, centred with a lion's mask, on scrolled supports, 110cm wide 68cm deep150cm highCondition ReportBosses missing from the top bar, stitching loose and split in areas. Knocks and wear to base. Tapestry with some small splits, see additional images.
A Louis XV Gobelins mythological tapestry depicting Juno and Aeolus, early 18th century, French, woven with a landscape centred with a cloud supporting the figure of Juno and her attribute of a peacock, looking down on Aeolus controlling the winds, surrounded by winged figures and attendants,304 x 548cmThe first mention of this tapestry in Holkham's archives is apparently in 1897, where it is described as 'a large panel measuring [...] in a frame representing Proserphone [sic. Persephone?] entering the lower world with Pluto', in the North State Sitting Room. Another mention appears in a 1909 inventory, where there is an entry for 'oblong rectangular panel of Brussels tapestry depicting a ‘visit of Juno to Pluto'.If this is the same piece, and it seems likely, this room was completely refurbished in 1910-12 which could explain why it has never been on formal display. From 1913, it is noted as being in the Chapel Wing corridor, but hidden behind another tapestry, where it was found in 2017 and subsequently sent to De Witt in Belgium for cleaning.Condition ReportOverall the tapestry is in excellent condition having been hung behind another tapestry for many years. Lacking border. There are some small splits and separation to the weave - see additional images. Fading to some colours as to be expected. It has been recently cleaned by De Witt and rolled and stored in a crate since.
Two pairs of pseudo-heraldic heavy velvet 'tapestry' curtains, lined, one pair, each curtain approx 285cm drop, gathered top width 145cm, hem width 176cm, the other pair, each curtain approx 258cm drop, gathered top width 112cm, hem width 165cm Made for a country house and for the last several years in clean storageNo particular condition issues although may benefit from a light brushing or clean
A pair of French giltwood armchairs, late 19th c, in Louis XV style, upholstered in contemporary Aubusson floral tapestry over horsehair, 104cm h Provenance: Barton [Blount] Hall, Derbyshire In typical original country house condition, with chips and dents to gilding, tapestry faded and frayed
A BOX AND LOOSE CLOTHING AND HOMEWARE, to include a Barretts of Feckenham sheepskin coat, approximate chest 38'' x length 32'', a Marks and Spencer dinner jacket, as new with tag attached, 40'' chest, long length, slim fit, a vintage black leather handbag, a Union flag, scarves, cushion covers including a tapestry example in the Strawberry Thief design after William Morris, etc (1 box + loose) (sd)
A set of three George III mahogany dining chairs, in the Hepplewhite manner, the backs with arched top rails and pierced central vase splats, the bowed stuffover saddle seats with a tapestry design of ribbon tied floral garlands, on square tapered legs, united by stretchers, including a pair of elbow chairs (3).
Group of six mid-20th century and later textiles and rugs, including a Polish wool tapestry with a crowned white eagle, a European tapestry with a medieval lady and unicorn scene, two Persian-style terracotta and blue rugs, a green rug with boteh motifs, and a black and white geometric wool rug
A BEECH AND VERDURE TAPESTRY UPHOLSTERED FAUTEUIL IN LOUIS XV STYLE, 20TH CENTURY Recently re-upholstered by Lucy Eadie Interiors 97cm high, 78cm wide, 80cm deep Condition Report: PLEASE NOTE: ALL LOTS IN THIS AUCTION ARE NOT AVAILABLE TO VIEW The below condition report is the only one available. With wear, marks, knocks and scratches as per age, handling, use, and cleaning Scuffs and scratches, notably to the feet Solid and stable The seat height is 47cm The above report is supported with additional images which can be sent via a link. Please 'Ask a Question' to request these images. For any further enquiries please contact the department directly.PLEASE NOTE: ALL LOTS WILL BE AVAILABLE TO COLLECT FROM SACKVILLE WEST STORAGE IN ANDOVER, SP10 3SA, TWO DAYS AFTER THE AUCTION. Condition Report Disclaimer
A VICTORIAN WALNUT AND TAPESTRY UPHOLSTERED STOOL CIRCA 1860 The cabriole legs with carved knees 46cm high, 54cm wide, 47cm deep Condition Report: PLEASE NOTE: ALL LOTS IN THIS AUCTION ARE NOT AVAILABLE TO VIEW The below condition report is the only one available. With wear, marks, knocks and scratches as per age, handling, use, and cleaning Solid and stable Slight discolour to upholstery The above report is supported with additional images which can be sent via a link. Please 'Ask a Question' to request these images. For any further enquiries please contact the department directly. PLEASE NOTE: ALL LOTS WILL BE AVAILABLE TO COLLECT FROM SACKVILLE WEST STORAGE IN ANDOVER, SP10 3SA, TWO DAYS AFTER THE AUCTION. Condition Report Disclaimer
Early 20th century mahogany Cockpen armchair, pierced geometric lattice back and arched crest rail, open arms extending from the squared frame, seat upholstered in floral tapestry fabric, raised on square supports united by stretchersDimensions: Height: 100cm Length/Width: 64cm Depth/Diameter: 63cm

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39442 item(s)/page