PAINTINGS AND PRINTS, a pair of Winnie Wilkinson watercolours of Dutch children in front of windmills, one unframed, the other framed and glazed, signed lower right, 16.3cm x 12cm, a pair of Victorian gilt framed oleographs of Highland cattle and sheep, both bear handwritten legend verso that they formally hung in the billiard room of Hoar Cross Old Hall, size including frame 65.5cm x 103cm, together with three tapestry pictures and a Derby County quartz clock print (8)
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THREE VINTAGE WELSH BLANKETS comprising 'Caernarfon' tapestry blanket, of geometric reversible design, pink ground with black, grey and white details, 223 x 182cms, together with a pair of vintage blue and yellow 'Waffle' blankets, fringe, both 206 x 137cms (3)Provenance: private collection Carmarthenshire, consigned via our Carmarthen Office
ENGLISH SCHOOL, 19TH CENTURYTHE GOLDFISH BOWLOil on canvas 69.5 x 34 cmProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: Canvas has not been relined, but six repairs visible on the back of the canvas. Pinprick hole in the stone ledge above the figure's knees. Several abrasions with corresponding losses of paint, particularly in the fish bowl and in diagonal lines in the tapestry above the fish bowl. UV lights up in those areas. Condition Report Disclaimer
A PAIR OF AUBUSSON ARMORIAL TAPESTRY ENTRE FENETRES 19TH CENTURY Each with scrolling floral decoration on pale yellow ground, surmounted with armorial of 9 ball Count's coronet above lion and unicorn supporters, shield with three ducks and three crescentseach approximately 314cm high, 93cm wide Condition Report: It has been suggested that these may be later in date, possibly from the early 20th century.Generally in good condition - colours are slightly muted as can be seen with comparison with rear of panels which is not backed but shows some signs of prior backing. Edges are folded over and stitched. Some surface marks and with some pulling to the underlying construction. Very small area with surface loss with visible weft.Condition Report Disclaimer
A WILLIAM IV YEW AND BURR YEW ARMCHAIRIN GEORGE II STYLE, ATTRIBUTED TO GILLOWS, CIRCA 1830With needlework upholstered seat 91cm high, 62cm wide, 56cm deepFor a near identical example, see Susan E. Sturart, Gillows of Lancaster and London 1730-1840, Antique Collectors' Club, 2008, Vol I, p 231, pl 225. The chair is described as 'An ... open armed library chair in the Old English style, an identical chair was drawn in the Estimate Sketch Book on 13th June, 1827, made in yew, ... The boldly carved knees and massive lion claw feet were carved by Rigby and Robert Lawson made both the chair illustrated in the Estimate Sketch Book and this example, and Rigby probably also carved this chair.'For a related pair of chairs see Dreweatts, Fine Furniture including items from the Kingshott Collection, 29th June 2022, Lot 2 (£3,200).Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, the joints to the arms have old joints opening and there is some wobble in these areas, there may have been some repairs carried out here previously. Otherwise the chair frame appears solid and stable. Other old splits and cracks around the friezeThe drop in seat is removable and the underside has some stains and marks, the tapestry side is presentable, it has a dip to the centre from age and useOverall appears to have been cleaned/polishedSome old chips, knocks, losses around some extremities including the claws of the feet Please refer to additional images for visual reference to conditionCondition Report Disclaimer
A late Regency mahogany bar back armchair, the centre rail carved with a scallop shell flanked by bird's mask scrolls, the seat overstuffed in blue floral tapestry, on ring turned tapering legs, height 83cm, width 58cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early 20th century Queen Anne style walnut rectangular stool, the seat upholstered in a machined tapestry, on cabriole legs and pad feet, height 44cm, width 60cm. Note: from the contents of Runnymede Park, Surrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A LARGE MODERN CUSHION FACED WITH AN 18TH CENTURY NEEDLEWORK PANELDepicting dogs chasing wild cats in forest setting approximately 150 by 65cmProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: The antique tapestry element is in largely fair condition, there is an old hole to one lower margin, the backing fabric has more holes and knicks revealing the wadding within, these will need some patching/repair before use in a domestic settingPlease refer to additional images for visual reference to condition Condition Report Disclaimer
A SET OF EIGHT GEORGE II WALNUT CHAIRS CIRCA 1730each shaped rectangular back with slender foliate carved surround and surmounted by a floral and foliate carved terminal, each herringbone banded vase splat above a drop in seat covered with an 18th century floral needlework panel, on acanthus carved cabriole legs joined by stretchers and terminating in carved lion paw feet103cm high, 61cm wide, 58cm deep Provenance:Purchased by the current owner from Dreweatts, Fine Furniture and Works of Art, 30th November 2016, lot 28, with the following provenance: Robert Wood Bliss (1875-1962)Acquired together with an ensuite settee by French & Company 13th June 1962, possibly after de-accession by Harvard UniversitySold by French & Co. 2nd August 1968, possibly to Mr Nelson M. DavisAcquired by the Grandmother of the present owner from Mallet Antiques in 1988. The property of the owners of the Downton Estate, Shropshire Literature:French & Company stock book ref. E-534/51228-X, held by the Getty Institute Research Library, Los Angeles, CA Loans:The Virginia Museum of Fine Arts 15th May 1963 - 2nd August 1963Maison Blanche 12th September 1963 - 2nd October 1963The Centre for Outer American Relations 11th September 1967- 4th October 1967 Robert Woods Bliss (1875-1962)R. W. Bliss, an American diplomat who later cofounded the Dumbarton Oaks Research Library and Collection, Washington D.C., was educated at J. P. Hopkinson's School in Boston before attending Harvard College and gaining a B.A. in 1900. After embarking on his diplomatic career including a posting as secretary to the Governor of Puerto Rico, U.S. Consul in Venice, second secretary to the U.S. embassy in St Petersburg and secretary of the legation in Brussells, Bliss married Mildred Barnes in 1908. His Foreign service continued with successive appointments in Buenos Aires, Paris and the Hague. Together with his wife, he was instrumental in founding the American Field Ambulance Service in Paris during 1914 to which they supplied twenty three ambulances and three staff cars. In addition they opened and equipped the 'Service de Distribution Américaine', which distributed medical supplies and clothing. Whilst in Paris their circle of friends included Walter Gay, Edith Wharton and Royall Tyler. After the end of the First World War, Robert became chief of the Division of Western European Affairs at the Washington State Department in 1920 which was the same year he acquired his future home Dumbarton Oaks. He followed this with a role assisting the Secretary of State before becoming U.S. Envoy to Sweden and later U.S Ambassador to Argentina. The latter appointment occupied him for six years until his retirement from the Foreign Service in 1933. Bliss returned to the State Department during the Second World War (1942-1945) during which time he arranged a succession of important diplomatic meetings at Dumbarton Oaks in 1944 known as the 'Dumbarton Oaks Conference' whose delegates collaborated over proposals for the foundation of an organisation to maintain world peace and security. The culmination of these meetings was the 'United Nations Charter' which was adopted in San Francisco in 1945. In later life Bliss held a number of senior positions with American art institutions, museums and political organisations including the American Federation of Arts, the Smithsonian Art Commission, the Carnegie Institution and the American Foreign Service Association. He also received honorary Doctor of Law degrees from the universities at Syracuse, Harvard and Missouri. In 1954 he was among five ex-diplomats co-signing a letter of protest at Senator Joseph McCarthy's attacks on the Foreign Service. The Blisses had no children and Robert died in Washington D.C. in 1962 at the age of 86. Dumbarton OaksThe land on which the present house is situated originally formed the 'Rocks of Dumbarton' grant made by Queen Anne in 1702 to Colonel Ninian Beall. Almost a century later in 1801, William Hammond Dorsey (1764-1818) built his house and an orangery on the estate. What now constitutes the central block of the building was subsequently extended during the mid-19th century by the new owner Edward Magruder Linthicum after which the house was re-named The Oaks. In 1891 Linthicum sold the property to Henry F. Blount. The Chairs Comparative Literature:The Knight of Glin and Jame Peill, Irish Furniture, 2007 This distinctive set of George II walnut chairs exhibit an unusual combination of features which do not appear to be clearly identifiable with the work of a particular maker or regional origin. Whilst the idiosyncratic paw feet have affinities with those on a documented group of Irish tables and chairs (see Peill and Glin op. cit. pp. 106-119), the scrolls to the inside of their 'paws' are without parallel in this most recent survey of Irish furniture. Furthermore the turned and square H-shaped stretchers contrast with the more prevalent flat H-shaped stretchers found on Irish chairs of the second quarter of the 18th century. Other atypical details of the present lot's design are the herringbone bandings to the splats, the finely carved foliate mouldings surrounding the backs and the gadrooned splat shoes. Condition Report: All chairs with the marks, knocks, scratches and abrasions consistent with age and use. Old splits and chips. Some larger splits - see images. Some evidence of old worm in places throughout Some sections of replacement. The tapestry upholstered seats are in generally good order overall with just a few old repairs and later stitching. Some old repairs. Filler and dark wax used in places. Two chairs with sections of replacement timber to rear legs - see images. Most of the chairs with spliced sections of replacement to rear feet. Oak supporting corner blocks to backs of seat rails are later. Some joints with old plugged repairs - see images. The back rails with old simulated figuring to timber. All chairs are structurally sound overall. We cannot guarantee the originality of the elements of the seats beneath the upholstery.The rear legs and stretchers appear to have had a dark wash applied to them. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A late Regency giltwood footstoolin the manner of Matthew Gregson of scroll ended form, the longer sides with carved flowerhead and lotus blossom, the reeded base raised on lobed bun feet, later covered in a close-nailed 17th/18th Brussels tapestry fragment, 28cm high, 40.5cm long, 28.3cm wideFootnotes:Born in Liverpool, Matthew Gregson (1749-1824) was an upholsterer and cabinetmaker and became a Lancaster freeman in 1779-80. The son of Thomas Gregson, a blockmaker from Lancaster, Gregson formed a business partnership with Jonathan Bullen in the late 18th century with connections to Gillows. A similar stool to the offered lot designed by Matthew Gregson was illustrated in Ackermann's Repository, October 1813.Literature:Susan E Stuart, 'Gillows of Lancaster and London' 1730-1840, pp.'s 243-244 & 313-314Frances Collard, 'Regency Furniture' p. 41, pl.5;For further information on this lot please visit Bonhams.com
A mythological tapestry fragmentprobably Aubusson, late 17th centurydepicting Atlanta receiving the Calydonian Boar's head from Meleager, the scene set to the left, a cityscape to the middle distance with a lush verdant forest scene to the foreground, 243cm x 236cmFootnotes:Provenance: Stoke Edith ParkThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A charming tapestry fragment16th centurythe robed figure raised on a domed pergola, with fruiting vines and swagged drapery, mounted on crimson velvet backing,124cm x 51cmThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Seven LPs comprising 'Led Zeppelin II' red/plum label 1969, Graham Nash, 'Wild Tales' US pressing and 'Songs For Beginners' UK pressing, Bob Seger Picture disc, 'Stranger In Town', Neil Young, 'Harvest' with lyric sheet, Pink Floyd, 'Relics' on Starline textured sleeve, Carol King, 'Tapestry' UK original pressing on Ode (7). CONDITION REPORT: Led Zeppelin - produced by Jimmy Page on label matrix B-5, A-2
A quantity of mainly 1960s-1980s Rock & Pop Easy Listening records to include Carol King 'Tapestry', Bucks Fizz, Neil Diamond 'Beautiful Noise' and 'Stones', The Three Degrees 'Greatest Hits', Duran Duran, etc and a quantity of vinyl singles and EPs to include Simple Minds 'Alive and Kicking', Duran Duran, Hot Chocolate, 'Do They Know Its Christmas?' (2). CONDITION REPORT: Some lacking sleeves.
A FLEMISH VERDURE TAPESTRY PANEL18th Century Depicting a wooded landscape with a chateau in the far distance, 212cm wide, approx; 217cm high, approxCondition report: Numerous and various losses and frayed thread. The losses mostly clustered around the upper left side, please see extra images. Some later wool patch repairs. More than likely the tapestry fragment has been cut down with a later border and backed. The top edge with Velcro applied to the back and then mounted on to a pine rail for hanging. Some variation in colour, fading, dust and dirt.

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39443 item(s)/page