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Lot 355
THREE BOXES AND LOOSE CERAMICS, LAMPS AND SUNDRY ITEMS, to include a pair of Royal Worcester Cornucopia Wall Vases length 22cm, limited edition for Compton & Woodhouse, with certificates, six Capodimonte figurines, two cabinet plates painted with fruit by Joseph Mottram, a Coalport Willow table lamp, Hornsea Tapestry Biscuit and Flour jars, a Wedgwood Sandon eight piece part tea set, three Harrods china mugs, etc (3 boxes + loose) (sd)
Lot 374
FIVE BOXES OF METALWARE, BOOKS AND HOUSEHOLD SUNDRIES, to include a wooden wash 'Dolly', a Milesmann Copper King teapot, an Old Hall stainless steel tea set and tray, a cast iron mincer, seven GPO weights, a tapestry wall hanging, Olympia CPD 5212S adding machine, two 1970's British Telecom two tone grey dial phones, a set of cast iron shop scales, framed prints, 33rpm records, over thirty LP records, etc (s.d) (5 boxes + loose)
![Antique needle work tapestry depicting cranes and urn centre piece and dated 1500. Oak frame. [Frame measures 52x51cm]](https://cdn.globalauctionplatform.com/985114cd-f087-4e0b-8bf7-af2700bbf500/6c4e01f3-0061-48c1-b216-af2b00f64c79/468x382.jpg)
![Antique 18th/ 19th century burr wood frame fitted with antique needle work tapestry. [Frame 81x70cm]](https://cdn.globalauctionplatform.com/985114cd-f087-4e0b-8bf7-af2700bbf500/2530a03c-ee94-4faa-8a9d-af2b00e13ba6/468x382.jpg)
Lot 124
Carpet, Calos IV. design; Royal Tapestry Factory, mid-20th century.Wool.Slight wear.Signed R.F.T.Measurements: 400 cm x 400 cm.The Royal Tapestry Factory of Santa Barbara was founded in Madrid in 1721 by Philip V, in imitation of the French royal workshops that followed the model of Colbert, to provide the pieces for the royal dependencies. Although initially the Royal Factory's production was centred on tapestries, the production of carpets soon became its means of survival, and therefore the basis of its production. It seems that it was in 1786 that the first of the Stuycks, the family who would exercise the artistic direction of the factory until the beginning of the 21st century, asked the king for permission for a nephew to weave "Turkish" carpets (knotted, not woven like a tapestry). These first carpets were in the Charles IV style, a language very much indebted to French classicism, with Hispanic touches and sometimes certain influences of the Empire style.
Lot 221
Victorian rosewood pole screen Victorian rosewood pole screen, rise and fall rectangular panel supporting needpoint tapestry picture of woman with ornamental bird, triform base, disc feet.height 140cm (55")Overall condition good, good colour, needework panel in good order with bright colours.
Lot 719
A good late 17th century style (probably late 19th/early 20th century) walnut open armchair: floral, padded tapestry back and seat with vertical barleytwist uprights (one with iron re-strengthening bar), patinated, shaped arms carved to the terminals with acanthus, barleytwist and block front legs united by a shaped stretcher (63cm widest x 50cm height to seat, height of back 118cm)
Lot 724
A good and large 19th century walnut stool in early style: later upholstered very fine floral needlework tapestry top; four turned tapering outer supports united by a shaped moulded H-form stretcher with three further central turned tapering fluted supports; the whole raised on six squat bun feet (71 cm wide x 55 cm deep x 49 cm high)
Lot 728
A good early 18th century style (later) open-armed library chair: the finely hand-stitched and detailed multi-coloured tapestry back and seat flanked by carved shepherd's crook style arms and scrolling uprights, wider front rail and the front cabriole legs very finely carved with eagle-head ear-pieces and terminating in tightly carved claw-and-ball feet (66 cm widest point at arms x 68 cm deep x 103 cm high)Condition Report: This is a good looking chair with a wide front. The back is supportive and high, the seat is not particularly 'giving' and is quite hard. There is fraying of the tapestry on the top of the back rest and one or two small marks on the back. It is finely carved and of a good colour although some areas are lighter (through usage). Frame and arm joints are very tight. Some minor scuffing and scratches commensurate with age. Good overall original condition.
Lot 84
Papa Ibra Tall (Senegal 1935-2015)Fisherwoman signed and dated 'Papa Ibra '62' (upper right)watercolour61.5 x 47cm (24 3/16 x 18 1/2in).(unframed)Footnotes:ProvenanceAcquired directly from the artist;A private collection, Senegal.In 1959 Leopold Senghor, the philosopher and later first president of Senegal, saw some of Tall's drawings on exhibition in Paris and encouraged him to pursue fine arts. Following this encounter, Senghor promoted the young Tall, supporting his application for a grant to attend the École Supérieure des Beaux-Arts in Paris and then from 1962-63 at the Craft School at Sèvres, where Tall studied painting, serigraphy and tapestry.For further information on this lot please visit Bonhams.com
Lot 435
A verdure tapestry fragment, late 18th/early 19th century, depicting two exotic birds in front of a formal garden and chateau, with hoop attachments sewn into the border, 156cm x 206cmProvenance: the Estate of the late designer Anthony Powell (1935 – 2021)Please refer to department for condition report
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