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Click here to subscribeA VICTORIAN GLASS BEADWORK FRAMED PANEL OF A KING CHARLES SPANIEL with wool tapestry background, 26cm x 22cm; together with an ovoid shaped beadwork tray of flower sprays 20cm x 48cm; a wool tapestry of a bouquet highlighted with beads; and a wool tapestry of flowers on a turquoise band 104cm x 20.5cm (4)Provenance: Selected contents of 137 Gloucester Road, London.
A GEORGE IV SAMPLER OF A WOODCOCK perched holding fruits in its beak, 'Sophia Ann Langley finished this work 9 Nov' 1823', 14cm x 16cm; together with a wool tapestry of a bird amongst roses,17cm x 22cm; another with a rider on a donkey, 50cm x 50cm; and an embroidered picture of a lady with dovecote and birds, 27cm x 29cm (4)Provenance: Selected contents of 137 Gloucester Road, London.
YVES BRAYER (1907-1990) 20th Century, French, Watercolor on paper. Signed in the lower right corner of the Yves Brayer painting. Yves Brayer (18 November 1907 Ð 29 May 1990) was a French painter known for his paintings of everyday life. He was born in Versailles. He studied in Paris at the academies in Montparnasse starting in 1924, and then at the ecole des Beaux-Arts with Lucien Simon. Although he was independent and never belonged to a school, he was friends with Francis Gruber, the founder of the Nouveau Realisme school. He first exhibited in the salons of 1927, and then traveled to Spain, where the masterpieces in the Prado Museum had a profound influence on him. After a stay in Morocco, he went to Italy, where he won the Grand Prix de Rome in 1930. He settled back in Paris in 1934, organizing his first solo exhibition. He remained in occupied Paris during World War II. After the war, he traveled widely to Mexico, Egypt, Iran, Greece, Russia, the United States and Japan, trying to capture the light and colors of each country. He was interested in the techniques of copper plate engraving and lithography and produced illustrations for editions of such authors as Charles Baudelaire and Paul Claudel. He also created murals and wall ornamentations, tapestry cartoons, maquettes, sets, and costumes for the The‰tre Francais and the operas of Paris, Amsterdam, Nice, Lyon, Toulouse, Bordeaux, and Avignon. In 1954 Brayer was awarded to Grand prix des Beaux-Arts de la Ville de Paris, and he was elected to the Academie des Beaux-Arts in 1957. He was president of the Salon d"Automne for five years. In 1977 he was made curator of the Musee Marmottan in Paris, a position he held for 11 years. Brayer died in Paris in 1990.Height: 49cm; Width: 64cm;
A small collection of brass ware: a Georgian-style lion-mask door-knocker by Architectural Quality Hardware, with original box; a 19th century style letter scale with nested weights; a miniature wooden and brass model cannon, 19.5 cm long; a pair of brass candlesticks, 24.5 cm high. also to include four small machine-made tapestry wall hangings.
A large square leather suitcase by H J Cave and Sons "Osilite", monogrammed MC No 3, a black and tan leather bound hat box, a French leather bound "Banjo" hat or collars box, and a modern tapestry covered d shaped case by Camelo, one further leather bag in well travelled condition by Le Bagagerie, Paris with tan corduroy lining (5) 33 x 48 x 51cm
A George III mahogany and upholstered library elbow chair in Chippendale style, late 18th century; the openwork backrest with strapwork vase form splat; with serpentine arms and supports above a floral tapestry worked seat; on straight front and splayed back legs; 90cm high, 61cm wide; and a mahogany and upholstered elbow chair in George II style, early 20th century, 95cm high, 76cm wide
Small George III oak coffer or chest, rectangular hinged lid with moulded edge enclosing compartment, the front moulded with reeded rails, on bracket feet (W48cm D37cm H47cm); George III elm and walnut elbow chair, flared pierced splat over tapestry upholstered drop-in seat, on square supports with inner chamfer (W68cm H104cm)Dimensions: Height: 47cm Length/Width: 48cm Depth/Diameter: 37cm
This hand-made tapestry in pastel colors is knit with small stitches for the figures, horse, and buggy. The house and trees, and the foreground are knit with a thicker wool. It represents an elegant street scene in the mid-1800s for high-society Americans. On verso: J. M. Hughes Galleries, Paintings, Etchings Frames, 7373 Woodward Ave, Detroit. Sight size: 12.70"L x 11"H. Frame size: 19"L x 17.20"H x 1.45" W. Artist: UnidentifiedIssued: c. 1920Country of Origin: United StatesCondition: Age related wear.
Y A VICTORIAN ROSEWOOD AND UPHOLSTERED OTTOMAN LATE 19TH CENTURY With needlepoint upholstered hinged top 41cm high, 114cm wide, 62cm deep overall Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe tapestry upholstery with some signs of alteration and some cutting and re-working, some interruptions of the pattern The remainder appears re-upholstered to the sides, this is of a high standardThe castors to the underside appear original, as do the bun feet, the clever placement of both allows the castors to be invisible but functional Some wear to the interior but nice and clean overall, the timber to the apron with marks and knocksOverall presentable order and appearance, please see additional images for visual reference to condition and appearance Condition Report Disclaimer
A TAPESTRY STYLE WALL HANGING DEPICTING THE LOVE OF GODS RECENTLY MANUFACTURED BY ZARDI & ZARDI Approximately 159 x 213cm Please note this is not a tapestry but is a print on linen to simulate a tapestry Condition Report: The rear of the top edge has velcro attached, the remainder of the backing is the beige backing material that forms the front bordersOverall presentable order, clean, with some creasing from storage Please see additional images for visual reference to condition Condition Report Disclaimer
A TAPESTRY STYLE WALL HANGING DEPICTING THE TRIUMPH OF BACCHUS RECENTLY MANUFACTURED BY ZARDI & ZARDI Approximately 236 x 169Please note this is not a tapestry but is a print on linen to simulate a tapestry Condition Report: No velcro to this example, no borders, the backing is beige linen with the maker's stencil applied and sewnOverall presentable order, clean, with some creasing from storage Please see additional images for visual reference to condition Condition Report Disclaimer
A TAPESTRY STYLE WALL HANGING OF VENUS AND ADONIS RECENTLY MANUFACTURED BY ZARDI & ZARDI Approximately 158 x 209cm Please note this is not a tapestry but is a print on linen to simulate a tapestry Condition Report: The rear of the top edge has velcro attached, the remainder of the backing is the beige backing material that forms the front bordersOverall presentable order, clean, with some creasing from storage There is a modern label describing the manufacture as linen and cotton - no maker's details presentPlease see additional images for visual reference to condition Condition Report Disclaimer
A unique variety of 6 hand painted porcelain trinket plates from Wedgwood, Rosenthal, Limoges, Royal Crown Derby and a custom request for Saks 5th Ave. Largest is 6"L x 3.25"W x 1.75"H. An ashtray is bonded tapestry on a glass bowl with gilt metal rim. Each signed or backstamped. Issued: 20th centuryCondition: Age related wear.
A WALNUT AND TAPESTRY UPHOLSTERED STOOL IN THE GEORGE II STYLE 20TH CENTURY With shell carved knees and pad feet 46cm high, 69cm wide, 50cm deep Provenance: The Collection of H. R. H. The Princess Margaret (1930-2002), Kensington Palace Condition Report: Fringe and upholstery showing signs of wear Condition Report Disclaimer
A GROUP OF THREE CUSHIONS MODERN To include a verdure tapestry fragment example, 52cm square as well as two cushions made from strips of needlework fabric, the smaller 65cm long, 44cm wide; the larger 57cm square Condition Report: Verdure tapestry has a tear and signs of old remedial stitching, broderie to edges loose. The other two cushions show signs of wear. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Set of six Chippendale period mahogany dining chairs, with shaped and carved top rails and pierced and carved upright splats, fitted loose trap seats and raised on square chamfered legs united by plain stretchers, each having individually worked grospoint and petitpoint tapestry seat covers, each featuring a flower filled urn bearing arms or names and dated 1747, variously floral decorated with tulips, lilies, peacocks and acanthus leaves (worn in places) (6) 1. Armorial: The armorial is a variant on that of Spens (of Lathallan, co Fife) or Spence. The official arms were used by the family from the 16th century but apparently superceded by around 1767. 2. Crest and motto: not recorded. 3. Name on chairs: E Span and Eliz Span 1747 below MS. It is not possible to identify this Elizabeth Span from ancestry records. 4. Non heralidic: House, flowers, fruit and untraced motto with L [over] WE.
A group of paintings, prints and textiles, to include: Coastal landscape, signed indistinctly lower left, oil on canvas, 30 x 24 cm; 20th century still life with vase of flowers, indistinctly signed lower right, 30.5 x 40 cm; Stormy rural scene, oil on canvas, signed A. Luycx lower right, 41 x 50.5 cm; Albert Couturier - framed aubusson tapestry of a vase of flowers, 42 x 35 cm; Town scene with cathedral, pen, signed and dated 'Edm, 1954' lower right, 34 x 42.5 cm; together with an Egyptian style painting on papyrus leaves, a group of picture frames and others
A collection of 1960-70's dresses and accessories including a 2 piece outfit in a bold Mary Quant style printed cotton by 'Dolly Rocker' (mid 60's), a blue and black short sleeved dress circa 1962, a 1970's 2 piece outfit in brown and white tapestry style fabric, shoes by Bective and GG Meek, hand bag, gloves and a straw hat by Bourne & Hollingsworth with box
Tom Phillips (1937-2022) - Oh Mozart - A 20th century Artist Proof print on paper. Edition xxIV / XXV. Signed and numbered by the artist. With invoice Flowers East Gallery. Framed and glazed. Measures approx. 70cm x 56cm. Tom Phillips's work as an artist was fuelled by several persistent preoccupations, expressed through an even larger number of formats. These include painting (both figurative and abstract), opera (composer, librettist, set designer), concrete poetry and ornamental forms of writing, sculpture and site-specific designs (mosaic, tapestry, wire frame objects). He also took on several para-artistic roles – critic, curator, committee chairman for the Royal Academy, translator – all of which he folded back into his art. Born in 1937, Phillips attended drawing classes and lectures on Renaissance iconography alongside his studies at Oxford. Back in the South London neighbourhood where he lived and worked nearly all his life, Phillips was taught by Frank Auerbach at Camberwell School of Art. The Mozart Portfolio was a co-production with the Royal Academy in association with the Sunday Times in 1990 and marked the 200th anniversary of Mozart’s death. Six prominent Royal Academicians were commissioned to produce original images inspired by Mozart. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
FIVE BOXES AND LOOSE CLOTHING AND ACCESSORIES ETC, to include two boxes of fancy dress items, Leather Irvin style bomber jacket size 42, (side fasteners missing), ladies lounge wear in various sizes, vintage wedding dress, assorted bags, wetsuit, flippers, tapestry shoe storage , wicker basket etc
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