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A pair of Queen Anne oak chairs, circa 1710, the backs and seats covered with floral tapestry, each 110cm high, 50cm wide, 46cm deep Provenance: Private Collection, The Manor House, Stanford in the Vale, Oxfordshire   

A Louis XVI Aubusson Draperies tapestry, last quarter 18th century, with elegant Watteauesque figures in a formal garden, including a central scene of a man and two women beside a sundial or other scientific instrument, and children playing with white doves, in an elaborate column and drape border with tassels and floral garlands, backed, 227 x 243cm overall Provenance: Private Collection, The Manor House, Stanford in the Vale, OxfordshireAn Aubusson mythological tapestry with similarly ornate drapery border is in the collection of the Art Institute of Chicago, 1943.1231. Condition Report: The tapestry bears the usual minor marks and wear overall consistent with age.The colours of the borders and some of the costumes are very vibrant and well-preserved, though the sky, skin tones and foliage are a little more faded.There appear to be some repairs or insertions to the upper portion of the sky, visible as lighter lines. Areas of horizontal tearing slightly further down, as well as the usual very slight stitch repairs particularly along colour joins.Slightly inconsistent wear in colour to the central architectural element and some of the costume, particularly the blues.Area of repair to lower right corner.Margins and borders are as shown in image.Condition Report Disclaimer

A Louis XV Aubusson mythological tapestry, mid-18th century, Antoine Grellet, Niobe and her Children, with Apollo and Diana firing arrows at the figures in the central field, with Niobe standing in the left corner, within a picture frame border, with weaver's mark AUBUSSON A. GRELLET to the lower selvedge, approximately 239cm high, 524cm wideAccording to Homer's Iliad, Niobe had six sons and six daughters and boasted of her progenitive superiority to Leto, who had only two children, the twin deities Apollo and Artemis. As punishment for her pride, Apollo killed all Niobe's sons and Artemis killed all her daughters.Weaver Antoine Grellet is recorded in the Aubusson workshops during the middle of the 18th century. Another tapestry with similar proportions and classical subject matter bearing his weaver's mark depicting the Triumphal Entry into Babylon is recorded in the collection of the Cleveland Museum of Art, Ohio. A similar, slightly earlier rendition of the subject of Apollo and Diana slaying Niobe's children, particularly in relation to the deities hovering in the upper left corner, is shown in Thomas P. Campbell, Threads of Splendor: Tapestry in the Baroque, Metropolitan Museum, New York, 2007, pp. 147-150A fragment of this 17th century composition, with Diana and Apollo in the top left corner, is in the Royal Collection, RCIN 27914

A pair of walnut and tapestry upholstered open armchairs, in Louis XIV style, mid 19th century, each 128cm high, 72cm wide, 63cm deep Condition Report: Tapestry with some wear, fraying and 'pulls'. The seats with some tears/stitching opening between the colour lines of the tapestry. Timber elements with some minor marks, knocks, scratches and abrasions commensurate with age and use. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A Flemish verdure tapestry, last quarter 17th century, with a central fountain and further architectural elements within a verdant landscape, backed, approximately 217 x 305cm overall including later selvedges Condition Report: The tapestry bears the usual minor marks, nicks and wear overall consistent with age.The colours of the foliage are rich and deep in parts still, though the lighter hues including the sky are somewhat faded.The textile is stable and has been further reinforced with later backing, but there are extensive areas of wear and repair to the central architectural scene and surrounding foliage overall, and the sky, with slight gaping to the weave in places. Part of the later lower border slightly comes away from the tapestry though could presumably be reattached. The textile has a slightly crumpled appearance in places particularly the sky.Border appears to be associated.Condition Report Disclaimer

A Flemish classical tapestry, second half 16th or early 17th century, probably Oudenaarde, depicting an elaborate figural scene with a general in Roman attire and soldiers, one shield emblazoned with an armorial of crescent moons and a star, before a verdant landscape with animals and further hunting figures, later backed, approximately, 192 x 274cm overallAn example of similar composition was sold at Christie's London, noble and private collections, 27 April 2016, lot 459 (£10,000), and another panel also described as Oudenaarde and with comparable central figure recently appeared at Sotheby's, 2 February 2021, lot 34 (£12,600). Condition Report: Usual minor marks, nicks and wear overall consistent with age.The colour scheme is a little faded particularly in the costume, sky and skin toes, though it is fairly balanced overall.Patches of irregular colour wear in places including to central armorial shield, either due to old repair or different ageing of dyes.Minor old stitches and possible patches of restoration in places, though the textile is stable overall.No borders present other than the ones illustrated.Looks to be fitted with loops for hanging.Condition Report Disclaimer

A large Brussels tapestry,17th century, depicting the reading of the testament of Augustus, within an ornate border of fruit and flowers, with Roman eagle standards and other classical motifs, inscribed 'PAX:AUG' and 'VICAUG',246cm wide378cm highProvenance: Christie’s, ‘The Claudio Bravo Collection’, 13 July 2016, Lot 105.Condition report: Faded.Mounted on a backing.Some discolouration.Thin in places.Repairs in the sky.Later border.Thin down inner right border.Wear, tear and some fraying throughout.

A Brussels tapestry,17th century, depicting 'The Return of the Prodigal Son', within a foliate border woven with the 'BB' monogram for Brussels Brabant, and a weaver's 'TS EA' monogram, 130 x 96cmCondition report: The top section is a later replacement. Fading and discolouration. Areas of fading and wear throughout. Some loose threads. General wear commensurate with age.

A Louis XV-style carved giltwood canape,mid-19th century, French, the frame ornately carved with scrolls and foliage, upholstered in tapestry,174cm wide104cm highCondition report: Upholstery poor, seat certainly requires re-upholstery.Seat later re-inforced to under side.Frame with wear and minor losses.

A pair of verdure tapestry cushions,19th century, incorporating fragments from a 17th/18th century French or Flemish wall hanging, woven with fruit and foliage, with a blue-tasselled fringe and velvet back,each approximately 40 x 40cm (2)Condition report: Weaving loose in places. Some fraying. Colours appear good. Tassel border has come away slightly in places, although this is not immediately visible. General wear throughout.

A Minton Tapestry Pattern Tea Set to comprise Six Cups, Six Saucers and Five Side Plates

A Modern Tapestry Topped Rectangular Stool on Mahogany Cabriole Supports, 41cm wide

A 17th century Flemish verdure tapestry wall hanging, with central panel of trees withing flower and urn border, 8ft 1in. x 3ft 11in.CONDITION: Looks to be faded particularly in the margins at the top and bottom with the main body of the central panel still with fair to good strength of colour, signs of joins possibly an alteration in height approximately 1ft down from the top.

A 17th century Brussels tapestry fragment, depicting two figures, 26 x 19.25in.CONDITION: Somewhat faded but still retaining some blues and reds, separation of the threads particularly at the top and running down the standing figures arms, other small scattered holes and separations and a join showing running across the bottom for approximately 3 inches where the colours remain a little stronger, probably having been folded out of sight at some point, housed in a later glazed ebonised frame.

A Brussels style wall hanging tapestry

Two tapestry wall hangings

A Victorian bamboo table with tapestry panels

Royal Doulton 'Tapestry' & 'Pastorale', etc.

FRAMED STILL LIFE PICTURE - FLOWERS, TAPESTRY PICTURE & DECORATIVE MAHOGANY PANEL

MAHOGANY FOLDING TAPESTRY FIRE SCREEN

A pair of Aubusson cushions (made from a 19th century Aubusson tapestry)

A collection of miscellaneous textiles, comprising a Victorian tapestry wall panel worked with doves, nests and floral scrolls, items of Indian embroidery including five small panels with mirror and cowrie shell decoration, a larger similar wall panel, a child's jacket and two cushions, a Kashmiri paisley shawl, a brightly-coloured South American applique picture and a cream ground wool embroidery of figures at work in tones of grey, brown and black, two striped black ground rugs or covers, a length of machine-made African cloth depicting stylised figures and animals, a child's embroidered cap with bead and button decoration, an embroidered bag, a Kuna Molas, Panama, a Chinese embroidery sample and a small patchwork cover (worn in places)

A large Victorian polychrome tapestry panel depicting a Hussar mounted and Moor in combat (oak framed), panel 145 x 130cm

A 20TH CENTURY MACHINE WOVEN TAPESTRY WALL HANGING AND POLE, depicting a Dutch interior scene with figures and a dog, approximate size 71cm x 183cm, produced in Belgium

TWO BOXES AND LOOSE ASSORTED PRINTS, ETC, to include framed needlepoint pictures, Ruane Manning print of horses, watercolour landscape of a continental Vien indistinctly signed 1907, framed tapestry of Madonna and Child, topographical, nature and painting reproductions

A late 19th or early 20th stained frame kneeling stool, with tapestry top, width approx. 122cm

Two early to mid 20th Century oak framed dining chairs having matching drop in tapestry seats

A Victorian low seat hall or nursing chair having tapestry style seat and back

* ALAN DAVIE CBE RA HRSA RWA (SCOTTISH 1920 - 2014), OBSERVATION DE LA NATURE (OBSERVATIONS OF NATURE) gouache on paper, signed, titled and dated '91 57cm x 68cm Mounted, framed and under glass. Note: This work is the original artwork design for a tapestry, which was made at the Australian Tapestry Workshop in Victoria, Australia in 1995. Alan Davie was a Scottish painter. Strongly inspired by Zen philosophies, his paintings consist of responsive and spontaneous primitive compositions painted with obsessive, conglomerate mark-making to form images that slip in between abstraction and representation. Davie’s roster of references and influences is extensive, and includes Jungian psychoanalysis, Pictish symbol stones, contemporary abstract painters, and his lifelong passion and aptitude for playing music. Born on September 28, 1920 in Grangemouth, Scotland, he was educated at the Edinburgh College of Art, and exhibited his work in a regional setting until his death in Hertfordshire, England on April 5, 2014 at the age of 93. His work can now be found in a number museum collections throughout the world.

An oak string seated stool together with a light oak tapestry seated and barley twist stool

A Liberty wall hanging after a mediaeval tapestry, 73" x 36".

20th century machine tapestry depicting a coach and four before a country mansion, with metal hanging rods, 103cm x 140cm

Small 20th century French machine tapestry, "La Quete du Saint Graal", 67cm x 122cm, together with a pair of similar machine tapestries depicting Royal beasts, 178cm x 73cm (3)

20th century machine tapestry depicting groups of flowers, vase and a mandolin on a terrace, height 97cm x width 143cm

Wool tapestry c.1690 depicting cavalier and lady sitting on the bank of a stream, from Rokeby Park House Yorkshire, wool worn and damaged in keeping with age, approx. 150cm x 192cm. IMPORTANT: Online viewing and bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.

A pair of framed and glazed Oriental woolwork tapestry pictures of exotic birds.

An antique oak framed Belgian tapestry of a child with St Bernard Dog..

Tapestry Upholstered Footstool ' Lady of the Manor ' together with a Side Table with Wrought Iron Base, 43cms high x 49cms wide

Woven cloth Tapestry de Bruxelles workshop Woedstad Ghent woven cloth 'Diomede jetant une pierre à Aeneas protégé par Aphrodite', Tapestry de Bruxelles, executed in the Woedstad workshops in Ghent in the 30's. Geweven stof Tapestry de Bruxelles atelier Woedstad Gent. geweven stof 'Diomede jetant une pierre à Aeneas protégé par Aphrodite', Tapestry de Bruxelles. Uitgevoerd in de werkplaatsen van Woedstad in Gent in de jaren 30 119 x 188 cm

16th century tapestry with 18th century frameTapijt uit de 16e eeuw met 18e eeuwe lijst.64.5 x 171 cm

A TAPESTRY PANEL OF 18th.C. STYLE FIGURES MOUNTED IN A SWEPT FRAME. OVERALL 92 x 152cms.

A TAPESTRY PANEL OF THE NATIVITY AFTER RUBENS, 142 x 110cms.

A collection of vintage beaded and tapestry purses, including one satin stitched and goldwork embroidered with a tropical bird

Stephen Lewin (fl.1890-1910) The reflective card player - gentleman seated at a table after a nights unsuccessful gaming and gambling Signed and dated (18)85, oil on canvas, 106cm by 79cm Provenance: Christie's, The Cowdray Sale, 14th September 2011 With Christie's stencil FP355 to reverse See illustration . in fully restored condition, slightly stiff reline, cleaned and revarnished. some surface dirt and discouled varnish now in evidence. varnish showing as opaque in craqelure. some general strenghening and retouching to background in addition to repainting and picking out of features of portrait hanging on wall. in addition to approx 50% of left hand side of the tapestry. some of the darker shadows within the carving of the chair the gentleman is seated in has been retouched, as has more of the detailing on the bowl and other ornaments which adorn the table on the left hand side of the picture. similar level of treatment can be found on the gentlemans legs in addition to the lower decoration of the chair, shadow, superficial scratch to gentlemans left arm and elbow

A Tapestry and Painted Banner, in 17th century style, decorated with figures and dogs in landscape, approximately 300cm by 190cm

Tapisserie, um 1900, 174x174 cm. Darstellung eines Fantasie-Waldes mit 2 Paradiesvögeln im quadratischen Ausschnitt. Warme Beige- und Brauntöne kontrastieren mit pastelligem Pink und hellem Grün. Altersspuren, tlw. verblasste Farben. Mit Metallösen und Bambusstange zur Wandaufhängung. |A tapestry, around 1900, c. 174x174 cm. Traces due to age, faded colours.

A mahogany foot stool on cabriole legs and tapestry seat pad (H26cm W43cm D38cm)

An antique Victorian needlepoint tapestry within a frame, c.1860s, (59x48 cm).

A MACHINE MADE HANGING TAPESTRY with central Heraldic shield, and Latin motto scroll, featuring woodland animals, amongst foliage, with a fleur-de-lys finialled hanging pole, 157cm x 122cm

Lucian Ercolani - Ercol - A 20th Century retro vintage beech and elm easy lounge low armchair arm chair having a three panel back with cylindrical legs and pirelli type webbing. Complete with red tapestry upholstered cushioned seat and backrest. Original Ercol label present. Measures approx; 70cm x 60cm x 66cm.

LOUIS CHARLES AUGUSTE COUDER (ZUGESCHRIEBEN)(London 1790 - 1873 Paris)Entwurf zu einer Tapisserie mit dem Wappen von Paris.Gouache, gold und weiss gehöht.Unten rechts mit Bleistift bezeichnet (signiert?): Couder.31,7 x 45,2 cm. Gerahmt. Attributed to LOUIS CHARLES AUGUSTE COUDER(London 1790 - 1873 Paris)Design for a tapestry with the Paris coat of arms.Gouache and gold heightened with white.Inscribed (signed?) lower right in pencil: Couder.31.7 x 45.2 cm. Framed.

19th century rosewood X-framed stool with barley twist stretcher and tapestry seat, h39cm x w105cm x d64cm,

A framed and glazed tapestry of a Spanish dancer.

7 cross stitch/tapestry pictures.

A mixed lot of good cushions including tapestry examples.

A classical design tapestry on a wooden pole. ****Condition report**** In good condition,Size 91cm x 66cm not including loops, size including loops 91cm x 72cm, Pole length 102cm.

An Edwardian nursing chair with floral tapestry seat

MAN RAY (1890-1976)Revolving doors - Jeune fille signed and inscribed in the weave 'Man Ray, A3' (lower left); numbered in the weave 'II/VI' (on the reverse) and signed 'Man Ray' (on a label on the reverse)wool tapestry145 x 111cm (57 1/16 x 43 11/16in).Conceived circa 1916-1917, this tapestry executed circa 1970 by the Aubusson workshop in a numbered edition of 6.Footnotes:Andrew Strauss and Timothy Baum of the Man Ray Expertise Committee have confirmed the authenticity of this work and that the edition of this work will be included in the Catalogue of Objects & Sculptures of Man Ray, currently in preparation.ProvenanceJuliet Man Ray Collection; her sale, Sotheby's, London, 23 March 1995, lot 144.Private collection, US (acquired at the above sale).LiteratureK. Shinoyama, 'Man Ray's Atelier', in Art Vivant, no. 15, 1985.C. Aillaud, 'Dada mon amour, l'appartamento parigino di Juliet Man Ray', in Architectural Digest, February 1989 (illustrated p. 90).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Whistler (Rex, 1905-1944) Still life with Peaches and Tapestry, oil on canvas board, signed on reverse and inscribed 'Peaches & Tapestry, in the dining room, no. 3 Foro Romano/ Sat: July 6th & 7th finished/ 1929', 25.5 x 35.5 cm (10 x 14 in), fine craquelure throughout, some minor abrasions at extremities, framed, 1929Provenance:Sotheby's, London, Modern British and Irish Paintings, Drawings and Sculpture, 20th November 1991, lot 160Private collection, UK

ALLEGORISCHE TAPISSERIEBrüssel, 17. Jh. Signiert François van den Hecke (tätig in Brüssel ca. 1625–1675).Darstellung eines jungen Mannes, umgeben von Jupiter und Minerva (Weisheit), rechts davon eine Frau mit entblösster Brust (Luxuria) sowie einer Frau mit Zaumzeug (Mässigkeit). Umrahmt von seitlichen Säulen sowie obiger Früchte- und Blumengirlande mit mittlerer Landschaftsreserve.337 × 347 cm.Diverse Fehlstellen und Risse, die Ränder teils ausgefranst. Grosse Restaurierung/Ergänzung an der unteren linken Ecke.Die Darstellung ist eine Allegorie auf das menschliche Leben und besagt, dass der Mensch der Vernunft folgen soll und nicht dem Laster. Diese Tapisserie ist vergleichbar mit einer im Museum Patrimonio Nacional, Madrid, Serie 58/I aufbewahrten und von König Philippe IV im Jahre 1638 erworbenem Exemplar, welches keine Signatur aufweist, dafür die obere Bordure mit der Inschrift 'O HOMO DIVINAE SEGUITOR, MODERAMINE DEXTRAE, QVAE DVCE NATVRA TE ET RATIONE REGIT' versehen ist. Das Modell dieser Serie von sieben Stücken im Museum Madrid kann dem belgischen Maler Antoine Sallaert (1594-1650) zugeschrieben werden, von dem viele Vorlagen für Tapisserien stammen. ALLEGORIC TAPESTRYBrussels, 17th century. Signed François van den Hecke (active in Brussels ca. 1625–1675).Depiction of a young man, surrounded by Jupiter and Minerva (Wisdom), on the right: a bare-chested woman (Luxury) and a woman holding a bridle (Moderation). Framed by pillars on the sides, and the top with fruit- and flower garlands.337 × 347 cm.Various losses and tears, the borders, in part frayed. Significant restoration/supplement in the lower left-hand corner.This tapestry depicts an Allegory of Human Life and says that man should follow Reason, and not Vice.