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Lot 1

19th.Cent Brass And Tapestry Screen

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An early 20th century framed tapestry scene of a 17th century courtyard of horses and dogs. 18 x 23" .

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A Franco/Flemish Verdure Tapestry, 18th century and later, woven in wool and silk with a woodland and lake with exotic flowering foreground plants, in four-side floral border and narrow inner border, all corners cut and joined 269cm. high, 176cm. wide; 8ft. 9in., 5ft. 9in.

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A Victorian mahogany tapestry covered stand

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A pair of Victorian inlaid walnut circular footstools with tapestry upholstered hinged lids

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Two dining chairs with barleytwist front legs, tapestry seats (two).

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Pair of nineteenth century needlepoint tapestry panels, of floral bouquets in gilt oval frames, 16in x 11 1/2in (40.6cm x 29.2cm) overall

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Victorian mahogany open armchair, the shield shaped fluted back with tapestry pad, the carved arms over bow front tapestry upholstered seat and on carved sabre legs

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[Molesworth (Mary Louisa)] "Ennis Graham". Tell Me a Story, second edition, 1875; "Carrots". Just a Little Boy, 1876; The Cuckoo Clock, ?second edition, 1877; The Tapestry Room, Maurice Baring's copy, with his bookplate and signature, 1879; A Christmas Child, 1880; Christmas-Tree Land, 1884; "Us", an Old-Fashioned Story, 1885; A Christmas Posy, 1888; The Rectory Children, 1889, 9 vol., illustrations by Walter Crane; The Girls and I, 1892; The Oriel Window, 1896; The Carved Lions, 1895, 3 vol., illustrations by L. Leslie Brooke; The Grim House, illustrations by Warwick Goble, 1899; Fairies-of Sorts, 1908; Fairies Afield, 1911, 2 vol., illustrations by Gertrude Hammond, all but the first and third first editions, all but three with contemporary inscriptions, original pictorial or decorated cloth, 8vo.

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A Pretty American Childs Rocking Chair with Tapestry Seat and Back

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A Late Victorian Beadwork and Tapestry Portrait of a Gypsy Girl

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A late Victorian 17th century design wing back armchair, with 18th century floral tapestry back, seat and arm pads on a floral and acanthus carved base with scroll legs

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A pair of late 19th century French giltwood armchairs, with floral tapestry seats, backs and arm pads on acanthus carved arms and reeded tapered legs

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An exotic landscape tapestry, Aubusson, 18th century, woven with a central bird at the side of a lake surrounded by exotic trees and large flowering plants, in a four-sided floral border and outer selvedge, h.270cm., w.225cm.

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A Flemish verdure landscape tapestry, Oudenaarde, 18th century, woven with a hound onlooking two herons on the lake's edge, a small castle and house tucked within the hills of woodland and large foreground plants, with a later blue and yellow selvedge, h.185cm., w.325cm.

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A Louis XVI Pastoral Tapestry Panel, from the series `Les Amusements de la campagne', Aubusson, after Jean-Baptiste Huet, late 18th century, h.258cm., w.180cm.

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An English Biblical Tapestry Cushion Panel, Sheldon Looms, circa 1603-1611, probably by Francis Hickes, Woven in wool and silk, depicting the Stoning of St. Stephen, mounted in glazed wooden frame, h.54cm., w.52cm.

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A Large 17th Century Flemish Tapestry depicting Joan of Arc knelt down before a Bishop, 183 ins x 113 ins (465 cms x 288 cms). Formally at The Castle Meung-sur-Loire where she won the battle of Patay.

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A 17th Century Verdure Tapestry depicting a chateau in distance viewed through leafy trees with a squirrel scampering up the trunk, a bird perched amongst the branches, and flowering plants in the foreground, framed in a scrolling foliate border, 103 ins x 96 ins (262 cms x 244 cms).

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A Large 17th Century Tapestry Depicting a battle encampment with triumphant Roman soldiers returning to the adulation of women sheltering in a tent, framed in a decorative border and measuring 161 ins x 115 ins (410 cms x 292 cms). Formally at The Castle Meung-sur-Loire.

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4 Royal Doulton Series Ware Jugs "Battle of Hastings from the Bayeux Tapestry" (1 jug a/f)

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A MORTLAKE TAPESTRY Worked with a heron beneath a tree, 8ft 1/2in. (245cm.) x 4ft 4in. (132cm.)

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A Woollen Tapestry, of flowers, birds and fruit worked on a dark green ground, early 20th century, {370cm by 153cm}

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"Greenery", a Morris and Company tapestry designed by John Henry Dearle, 1892, woven in coloured wools and mohair by John Martin and William Sleath, with a pear, a sweet chestnut and an oak tree within a woodland glade and with rabbits, a fox, and fallow deer and in the foreground with mille-fleurs, the trees woven with banners bearing the inscriptions "By woodsman's edge I faint and fail, by craftsman's edge I tell the tail. High in the wood, high o'er the hall, aloft I rise, when low I fall. Unmoved I stand what wind may blow, swift swift before the wind I go.", 217cm high, 461cm wide (approx.).

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An Arts and Crafts three fold oak screen, of small proportions, each fold with moulded framed and pediment pierced with carrying handle, enclosing fragments of seventeenth century verdure tapestry backed by linen panels, each fold, 79cm x 51cm

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A Victorian tapestry Panel with children and dogs, in a rosewood frame

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A pair of 1930's silver ladies evening shoes with bar straps, together with various evening bags to include tapestry, beaded and embroidered dating mainly from the 1930's together with ladies hats, silk scarves to include a Salvadore Ferragamo scarf and various silk shawls.

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A quantity of beadwork and tapestry cushions dating from the late 19th - early 20th Century.

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A floral tapestry the ivory ground with flower heads in pinks and greens set within an oak frame with carved acanthus leaf decoration, together with a tapestry of a young boy with a spaniel and a parrot at his hand.

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A tapestry picture of a late 17th century village scene with a young boy bringing his horse to the blacksmiths.

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A tapestry panel the navy blue ground depicting a medieval hunting scene with a castle in the background with flowering trees and floral sprigs, set within a meandering flowering border.

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A collection of six evening bags, to include a felt type material bag with painted butterfly and Chinese scene and chrome metal clasp, three beaded, one tapestry and one made of black rouched fabric.

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A woolwork sampler with animal, insect, bird and decorative motifs, together with a tapestry frame holding a part completed tapestry.

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A woolwork seat cover, depicting a 17th Century lady on a garden terrace, together with assorted textiles to include velvet and silk remnants, lace tapestry covered cushions.

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A tapestry depicting an elder and visitor with attendants in the background, with a view of the city through an archway worked mainly in neutrals, blues and reds, within a gilt frame.

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A large silk work tapestry, the straw coloured ground with repeating floral and fauna decoration in blues, pinks and greens, set within a scrolling flowering vine border, on a blue ground, together with a celadon coloured large silk textile hanging with repeating floral decoration overall.

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A Victorian walnut corner chair, upholstered in forest needlepoint tapestry, with scrolling script and foliate relief carved supports, terminating in porcelain castors.

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Miss Austin Carter (fl. 1862-1873) - "The Sampler" - Interior scene with forlorn looking young woman working a sampler, with work table and tapestry to background, 17ins x 12.75ins, signed with monogram, in contemporary gilt frame and glazed (bears original title and address label to back of frame)

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A set of eight modern mahogany dining chairs (including two armchairs) of Chippendale design, with shaped crest rails and fretted and carved vase pattern splats, the seats upholstered in green leaf pattern tapestry, on bold carved cabriole front legs with claw and ball feet

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Victorian Mahogany Sidechair, Reeded Leg, Carving To Back, Tapestry Upholstered And Mahogany Cabriole Leg Dining Chairs And Edwardian Mahogany Folding Chair

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Edwardian Mahogany Firescreen Tapestry Insert On Claw Foot

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Regency Mahogany Elbow Chair, Foliate Carved Back Rail And Bar, Drop In Tapestry Seat, Ring Turned Fore Leg Leading To Pear Foot

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A rare Taplows whisky water jug by Wade, circa 1950's, of circular spreading form with tapestry style square panel and logo in black over white, 15.5 cm high and another by Wade of square barrel form with logo in white over black (2)

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A Louis XIV classical tapestry panel, Aubusson, 17th century, Woven with a laurel-wreathed Roman figure, in a four-sided border with military trophies and coat-of-arms, with blue and yellow outer selvedge, the lower selvedge with the twon mark MRDAVBSSON (Manufacture Royale D'Aubusson); repair generally h.255cm., w.126cm.

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A Georgian mahogany dining chair in the Hepplewhite style with pierced fluted splat and corn sheaf carving, with tapestry upholstered seat and arch top.

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George III and later wing-back armchair, the barrelled back and loose cushion upholstered in machine tapestry, on mahogany square tapered front legs with brass caps and castors

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Reproduction walnut elbow chair of George 1 design with shaped splat to back, tapestry drop in seat standing on cabriole legs with carved shells to knees.

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German Queen Anne style walnut circular dining table on cabriole legs and ball and claw feet together with 2 similar style chairs having cane backs and drop-in tapestry seats.

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Sonia Delaunay, 1885-1979, CONTREPOINT, woven with the signature and the Pinton Freres monogram; numbered 5/6 in the weave on the reverse, woven Aubusson tapestry, 225 by 175cm.; 88.625 by 68.875in.

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An 18th Century style wing easy chair with curved out-swept arms, upholstered in green tapestry, raised on carved cabriole legs with pad feet.

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A set of ten single and two arm Hepplewhite style mahogany dining chairs with serpentine cresting rails above pierced vase-shaped splat backs, the seats covered in tapestry, raised on chamfered square legs with understretchers.

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A set of six George III mahogany dining chairs, the serpentine cresting rails carved with acanthus leaves, pierced vase-shaped splats below with seats covered in tapestry, raised on chamfered square legs with understretchers.

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A French oak rectangular shaped stool, the tapestry seat above flower and leaf carved scrolling legs, 21in. x 19in. x 16in. high.

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Georgian mahogany corner chair, with tapestry drop in seat and on cabriole legs ending in dog feet

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A 19th century mahogany framed porter's chair, with wide wings and tapestry cover, on leaf capped cabriole legs and ball and claw feet, 135 cms high 90 cms wide.

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A pair of 19th century oak framed elbow chairs with tapestry decoration, on turned legs and stretchers, (2).

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A Belgian tapestry panel depicting figures in a garden, 230 cms x 183 cms.

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A mahogany box with tapestry top on bun feet.

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A hardwood footstool with tapestry top raised on cabriole supports.

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