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Lot 111
ANTIQUE OAK FLOOR STANDING CORNER CUPBOARD, the top with twin glazed doors and painted shelved interior, the base with two panel doors, 200 (h) x 98 (w) x 48cms (d), three lyre back dining chairs, one farmhouse with inlay and poker work detail and three other furnishing items, comprising child's oak elbow chair and a walnut tapestry topped footstool etc.Provenance: private collection Ceredigion
Lot 6151
Two Chinese silk embroidered jackets, both with frog fastening, one bearing a retailer's label, Ah Tiv Ladies Tailor, 12 Shanghai St., Hong Kong. A Turkish black velvet waistcoat with goldwork embroidery and a Burmese black velvet waistcoat Boho style with heavily embroidered and sequinned tapestry design, two stuffed 3D raised stylised dragons to the front and a stuffed 3D raised elephant figure to the reverse (4)
Lot 251
A pair of Aubusson tapestry frieze panels, late 19th/early 20th century, each woven with combative whimsical animals including lions, cattle, and goats in the manner of Adriaen Collaert set in rolling open landscapes in muted tones within fuchsine pink dog rose borders, now within glazed oak frames. 63 cm x 173 cm without frame, 67.5 cm x 178 cm inclusive of frames.
Lot 207
ROYAL DOULTON 'TAPESTRY' PATTERN DINNER SERVICE, comprising eight dinner plates, eight cheese plates, eight side plates, eight soup plates, eight soup cups, eight ramekin dishes, one sauce boat and stand, eight teacups and saucers, two sugar bowls, two butter plates, eight coffee cans and saucers, one milk jug, one and one small casserole and cover
Lot 614
A Flemish tapestry fragment, early 18th century, depicting the gathering of manna in the desert, Moses stands to the foreground with a staff giving thanks to God while figures around him collect the falling bread of heaven from the ground into baskets, the cut and re-joined borders with fruit, flowers, parrots and figures holding urns of fruit and flowers, later backed, approx. 337 x 332cm Footnotes: Note: This tapestry depicts the events of Exodus 16: 14-35 in the Old Testament, the story of the Israelites receiving food from heaven as they wander in the desert. God promises Moses that he will send bread to feed the starving Israelites and one morning small round loaves of bread, manna, fall from heaven and save the people from starvation. This scene has been depicted in art through the centuries, famously by Peter Paul Rubens (1577-1640), in c.1625.Condition Report: This tapestry is heavily worn overall. There are splits, frayed patches and fading overall. Some areas of reworking, particularly to the lower section which also has a heavily worn and split edge. The colours are faded throughout with discolouration, especially to the sky. It is later backed and there are losses visible to the edges. As noted in the description the borders are cut and re-joined, the tapestry is reduced.
Lot 615
A late Louis XIV Gobelins pastoral tapestry, after ‘Summer’ from the series ‘Les Enfants Jardiniers’, after designs by Charles le Brun, early 18th century, woven in wools and silks, depicting a formal garden with children gardening and watering plants, with two peacocks standing by a fountain beneath trees, within a flowering acanthus border, approx. 337 x 522cm Footnotes: Note: The present series was popular with early 18th century audiences and was reimagined by several workshops, including the manufactories at Lille, however the border design is of the type used by the Gobelins workshop.
Lot 138
Two Egyptian Revival vintage 20th century textile wall hanging tapestries. The lot to include a rectangular orange ground wall tapestry depicting pharaoh on horse cart with further figure and dog, together with a long wall tapestry depicting a farming scene with donkeys and fish. Longest measures approx. 42cm x 125cm.
Lot 328
A FLEMISH TAPESTRY FRAGMENT LATE 17TH CENTURY Depicting stonemasons at work, buildings under construction beyond, border with central lower cartouche with entwined cypher approximately 280 x 183cm It has been suggested that this fragment may come from a panel depicting the construction of the Tower of Babel, possibly after Michiel Coxie the Elder. A complete version of one of these scenes dating from the mid-16th century by the workshop of Pieter van Aelst the Younger is held in Wawel Royal Castle - Polish National Art Collection.
Lot 23
A WALNUT AND TAPESTRY LONG STOOL OR WINDOW SEAT 19TH CENTURY, THE TAPESTRY 17TH OR 18TH CENTURY 42cm high, 152cm wide, 46cm deep Condition Report: Frame with the marks, knocks, scratches and abrasions commensurate with age and use. Some evidence and losses to timber elements from old worm. The larger 'worm holes' appear to have been done on purpose to give the appearance of greater age. Tapestry with the expected wear, fading, pulls, minor opening along colour lines and minor small holes/tears. Various old neatly stitched repairs to tapestry. Tassels with wear, fraying and some losses. Some movement within the frame/joins. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 324
A LARGE OIL ON CANVAS PAINTING OF A CARTOON FOR A TAPESTRY FRENCH, LATE 19TH CENTURY With verdure design encompassing birds and river approximately 190 x 208cm Condition Report: The canvas presents many scattered superficial scratches across the whole surface; furthermore, there are various dotted, but hardly noticeable, losses of paint, and dirt stains. UV light reveals no evident signs of restauration. The canvas has suffered, as scratches and creases seem to indicate that it might have been rolled, hence the various superficial paint losses. Condition Report Disclaimer
Lot 83
A VERDURE TAPESTRY PROBABLY FLEMISH, 18TH CENTURY Depicting a white crane in a landscape approximately 270cm high, 270cm wide Provenance: Private Collection, Berkshire Condition Report: With wear, marks, repairs and sun fading as per age, handling, use, and cleaning. Probably a large section from a larger example- slightly reduced. Border showing cut and join areas indicating it is associated. Numerous areas of stitch repairs- fairly modern backing. Fading and discolouration Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
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39443 item(s)/page