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A Franco-Flemish tapestry, probably 17th centuryWorked with a narrative scene in a landscape incorporating various figures, horsemen with spears and a downed soldier with his horse in the foreground.225cm x 230cmCondition:Heavily faded and worn throughout. Edge hemming coming adrift in places. Two repairs to splits/tears. Please refer to images.
A pair of Regency mahogany upholstered open armchairsThe oval backs and padded arms over padded seats, with floral tapestry covers, raised on reeded tapering square front supports.61cm wide x 60cm deep x 93cm high, seat height 44cm (2)Condition:Both have restoration to top rails and all arm joints as well as the back leg joints with seat rails. Front legs have later iron braces.
Antiquarian and Later Books. Churton (Ralph), The Life of Alexander Nowell, Dean of St. Paul's [...], Oxford University Press, 1809, frontispiece and plates, 20th c quarter-morocco, preserving some of the original back, 8vo; Gurney (Hudson), Observations on the Bayeux Tapestry, London: Printed by Bensley and Son, 1817, plates, contemporary crimson morocco over marbled boards, 4to; Provincial Nottinghamshire Imprint: Rooke (Hayman), A Description of Two Roman Villas Discovered near Mansfield Woodhouse, Mansfield: W. Harrod, 1801, folding plate, ex-lib, later morocco over boards, 4to; two Folio Society volumes, Milton (John), On the Morning of Christ's Nativity & other poems, 1987, & Barnes (William), Dorset Poems, 1989, original cloth over decorative boards, 8vo; Anon, The Common Law, Sheffield: J.W. Northend Ltd., 1937, loosely-inserted manuscript ALS to or from the author?, cloth, 4to; antiques ceramics reference; Fairbairn's Crests, Fox-Davies' Armorial Families; Cavendish's Travels; Medieval and Gothic art; manuscript diaries; etc
A four pairs of tapestry cushions and a similar single cushion, all made from fragments of 18th century Flemish verdure and Brussels tapestry, all with tasselling and some with braiding, largest cushion 51cm x 43cm Most are worn in places due to use and agePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Four various fragments from the 18th and 19th century made into cushions including 19th linen red and blue embroidered squab cushion, possibly Uzbek, an 18th century Italian polychrome silk embroidered cushion, an 18th century Verdure tapestry cushion and an 18th century mixed petite point and gross point figural needlework cushion, all edged with braid and tasselling,squab cushion 89cm x 37cm (4) Condition - all are worn due to age and usePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An 18th century Brussels or Antwerp tapestry depicting the Judgement of Paris, with the figures standing before a stream, attended by Cupid, lovebirds and a dog, floral bordered, 390 x 297cmCondition: Looks to have a later join running along the entire right side of of the main image. Colours fair. Holed in multiple areas, some re-stitching and patch repairs.Re-backed within the past 10 years or so, some staining showing at the back.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A 17th century Flemish Verdure tapestry depicting exotic birds in a landscape, a chateau beyond, within an urn and scrollwork border, 260 x 242cmCondition: Rather faded, notably in the centre. Bottom right margin torn with other short separations near the right corner.Further separations scattered throughout in the natural joins. Possibly cut down at the bottom with the border re-attached.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Romanesque madder stained walrus ivory Tableman or gaming piece, Cologne, c.1140-1180 AD the centre carved in high relief with a seated crossbowman firing upward, his squire behind him holding a shield over his head and a quiver of bolts or a flagon, the crossbowman wearing a mail hauberk and coif with his own shield placed in front of him showing the enarm or loop where his arm would be placed when wearing the shield; piercing his shield is a lance, within a border of repeating quatrefoils and rectangular fillets, remnants of madder stain, 56mm diameter, 12mm deepLiterature – The Victoria & Albert Museum includes a number of similar gaming pieces in its collection and their catalogue entry states -Round gaming pieces such as this one almost certainly belonged to sets of 'tablemen'. The game of tables, or backgammon was popular in the eleventh and twelfth centuries, draughts only becoming established in the later Middle Ages. There were fifteen counters to each side, and twelfth-century boards inlaid with bone settings have been excavated at Gloucester and Saint- Denis. Only one full set with two sides of fifteen counters and a board, that at Gloucester, still exists, but it is clear that a great variety of subjects was carved on the discs, ranging from single animals to scenes from classical mythology.Although some 250 examples of Romanesque gaming pieces decorated with figures are known to exist, most are held in museum collections and are scarcely seen for sale on the open market. It appears clear that the crossbowman is being protected by the soldier behind him. The crossbowman’s shield has been pierced by a lance, and he is firing up-wards presumably towards some sort of fortification. He wears a hauberk and coif, such is the usual method of depicting mail. The soldier behind him wears a surcoat, the edges of which are carved with dashes, probably an example of the so-called ‘pricked style’. He is also wearing a pointed helmet (or cap) but without the ubiquitous Bayeux tapestry nasal bar. His own shield has also been pierced by a well-defined lance head, and he is holding what may be a quiver of bolts for the crossbow. Such quivers, which are of various forms, but which always flare towards the base. Alternatively, this may represent a flask of wine, held to refresh the crossbowman. The border of the piece is carved with a repeated pattern closely similar to others of the same ilk. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A 17th century French walnut fauteuil with verdure tapestry upholstery, the back depicting a mother and child standing beside an anchor, the seat with foliage, acanthus carved arms, on barley twist frame, 66cm wide, 63cm deep, 113cm high Overall in honest condition, a good rich dark tone to the frame, a little more rubbed on the tops of the arms, upholstery showing some small separations in some of the seams and a small hole in the seat, would benefit from re-padding, fringe now a little tired.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A 17th century Flemish verdure tapestry depicting a huntsman, stag and mythical beasts in a wooded landscape, château in the distance, fruiting border panels, 210 x 472cm PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A group of three scatter cushions, 19th century, comprising two with verdure tapestry panels, with velvet backing and tasselled edges, together with a large Chelsea Textiles needlework example, with a large flower head worked in gros and petit point to a blue/green ground,largest 57cm wide50cm high (3)Condition ReportOverall the cushions are in very good condition and ready for use. There are a few small pulls and splits to the tapestry panels but they are stable. Smell okay. Please see additional images for reference.

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39443 item(s)/page