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19th Cent. Indian Jain temple tapestry with 'zardosi' embroidery with silver- and gold threat and pearls on red velvet || INDIA / GUJARAT - 19° EEUW Jain-tempeldoek met een roodfluwelen doek, versierd met "zardosi"-borduurwerk van goud- en zilverdraad en versierd met ronde parels - 122 x 98 Dergelijke tempeldoeken en hun symbolen zijn een belangrijk onderdeel van de Jain eredienst. Zij worden doorgaans geschonken door rijke Jains en worden achter het beeld van een Thirthankara opgehangen. Als de nood aan de man komt, worden ze verkocht om geld in te zamelen voor de tempel. Vaak gebeurd dit per gewicht vanwege de hoeveelheid goud- en zilverdraad
'antique' Northern Indian Gujarat "Chhoda", a temple tapestry with zardosi embroidery || INDIA / GUJARAT - JAIN 'antieke' zgn "chhoda", een tempeldoek van zardosi-borduurwerk (met zilver- en gouddraad) op een roodfluwelen fond met de afbeeldingen van de schenkers en Jain symbolen - 140 x 80 Dergelijke doeken worden doorgaans geschonken door rijke Jains en worden achter het beeld van een Thirthankara in de tempel opgehangen. Als de nood aan de man komt, worden ze verkocht om geld in te zamelen voor de tempel. Vaak gebeurd dit per gewicht vanwege de hoeveelheid goud- en zilverdraad
19th Cent. Indian Jain temple tapestry with 'zardosi' embroidery with silver- and gold threat and pearls on red velvet || INDIA / GUJARAT - 19° EEUW Jain-tempeldoek met een bruin fluwelen doek, versierd met "zardosi"-borduurwerk van goud- en zilverdraad - 150 x 80 cm Dergelijke tempeldoeken en hun symbolen zijn een belangrijk onderdeel van de Jain eredienst. Zij worden doorgaans geschonken door rijke Jains en worden achter het beeld van een Thirthankara opgehangen. Als de nood aan de man komt, worden ze verkocht om geld in te zamelen voor de tempel. Vaak gebeurd dit per gewicht vanwege de hoeveelheid goud- en zilverdraad
19th Cent. Indian Jain temple tapestry with 'zardosi' embroidery with silver- and gold threat and pearls on brown velvet || INDIA / GUJARAT - 19° EEUW Jain-tempeldoek met een bruin fluwelen doek, versierd met "zardosi"-borduurwerk van goud- en zilverdraad - 157 x 117 cm Dergelijke tempeldoeken en hun symbolen zijn een belangrijk onderdeel van de Jain eredienst. Zij worden doorgaans geschonken door rijke Jains en worden achter het beeld van een Thirthankara opgehangen. Als de nood aan de man komt, worden ze verkocht om geld in te zamelen voor de tempel. Vaak gebeurd dit per gewicht vanwege de hoeveelheid goud- en zilverdraad
A large antique tapestry depicting an extensive landscape with shepherd and sheep in the distance, enclosed by a floral border, faded to brown and cream tonal values, approx 420 width x 205 h cms. Note: Viewing is highly recommended. Please seek the opinion of a expert regarding the condition. Condition ReportThere is fading to the tapestry, the design is still clear, some small tears to the tapestry, very dusty.
* MARK HEARLD (BRITISH b. 1974) ROBIN'S NEST limited edition lithograph on paper, signed, dated '12 and numbered 56/95mounted, framed and under glassimage size 29cm x 53cm, overall size 50cm x 78cmNote: Mark Hearld studied illustration at the Glasgow School of Art before completing an MA in Natural History Illustration at the Royal College of Art, London. He lives and works from his eclectic and iconic home in York. He is also a great believer in artist collaboration and he regularly works with other artisan printmakers and creators. Hearld takes inspiration from the natural world, particularly British flora and fauna, the fox and chicken, hedgerow, and songbird. He works across several mediums; his paintings, collage, printmaking, sculpture, ceramics, designs and motifs are drawn from a lifetime of looking at pattern books, popular prints, primitive art and the poetry of Blake. Highlights of his remarkable career include The Lumber Room held at York Art Gallery from 2015-2017 where Mark curated a room of miscellaneous stored objects and artefacts and in 2018, Mark re-displayed the British Folk Art collection at Compton Verney. York Sculpture Park celebrated Hearld’s career in 2021 which included several large scale sculptures, flat weave tapestry and papercuts. In Scotland Mark is represented by The Scottish Gallery (Edinburgh).
CIRO FERRI (ITALIAN 1634-1689) ST PAUL PREACHING AT ATHENSpencil, pen and ink and wash on paper 20.5 x 31cm; 8 x 12 1/4in42.5 x 58cm; 16 3/4 x 22 3/4in (framed)Property from a Private Collection, KewProvenanceThe Manning Galleries Ltd, LondonEdgar Seaton Hyde, Cheshire (acquired from the above in the 1960s)Thence by descent Ferri's source for the present work was very likely Raphael's tapestry of the same subject from his series of Acts of the Apostles commissioned by Pope Leo X in 1517 and displayed on their completion in the Sistine Chapel in Rome. An etching by Cornelis Bloemaert (1603-1692) derived from Ferri's composition was printed in 1678, copies of which are in the British Museum, the Metropolitan Museum of Art, New York and the Philadelphia Museum of Art.Chief pupil and assistant of the painter and architect Pietro da Cortona (1596/7-1669) in Rome, Ferri completed the internal decorations at the Pitti Palace in Florence that Cortona had begun. Among his own work, one of the most impressive is the vast frescoes in the Basilica of Santa Maria Maggiore, Bergamo. Another of his major paintings - St Ambrose healing an invalid - was the main altarpiece in the Church of Sant'Ambrosio della Massima, Rome.
Gassier (Pierre and Juliet Wilson). Goya, His Life and Work, with a catalogue raisonné of the paintings, drawings and engravings, 1st English edition, London; Thames & Hudson, 1971, numerous colour and monochrome plates and illustrations, original cream cloth in dustwrapper, with card slipcase, large 4to, together with:Gassier (Pierre). The Drawings of Goya, The Complete Albums, 2 volumes, 1st English edition, London: Thames & Hudson, 1973, numerous monochrome plates, original cloth gilt in dustwrappers, 4to, plusCanton (Francisco Javier Sanchez). Goya the Black Paintings, 1st English edition, London: Faber & Faber, 1964, numerous colour plates, original cloth, large 4to, and five others, including, Priscilla E. Muller, Goya's 'Black' Paintings, Hispanic Society of America, 1984, José Lopez Rey, A Cycle of Goya's Drawings, Faber 7 Faber, 1956, Janis A. Thomlinson, Francisco Goya, The Tapestry Cartoons and Early Career in the Court of Madrid, Cambridge University Press, 1989, etc., mostly 4toQTY: (9)
VICTORIAN & LATER ORNAMENTAL WARE AND HOUSEHOLD GOODS GROUP, to include a pair of vintage fireside bellows, 56cms L, mahogany firescreen with woolwork panel, 62 x 51cms, carved circular footstool with tapestry top, 30cms diam., 2 x vintage woodworking planes, oak lidded box ETCProvenance: deceased estate Cheshire
An Aubusson verdure tapestry, late 17th/early 18th century, French, depicting a bird in a woodland with a river and village beyond, inscribed 'MB' and 'MR' to the border, 285 x 448cmProvenance: Christie's, 'Interiors - Style & Spirit', 23 September 2008, lot 339;a private collection, Colne Priory, Earls Colne, Essex.

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39443 item(s)/page