We found 39442 price guide item(s) matching your search
There are 39442 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
39442 item(s)/page
Lot 164
Group of textiles: a late 18th century sampler dated 1788 on a stretcher, together with late 19th century tapestry samplers and trials (19)Please find additional images of darning samples and the 18th century sampler. See our Terms and Conditions for recommended Couriers and delivery advice.
Lot 739
Two similar tapestry topped mahogany stools, 19th century, the larger with overstuffed floral woolwork seat raised on a bold cabriole leg and white ceramic castors, the other with its original tapestry drop-in seat and bold cabriole legthe larger stool/coffee table is structurally sound but has old repairs to the legs incorporating some (rather charming) blacksmith made iron supportsThe woolwrok seat is very good with a small amountof tidying required to the rope edgingthe smaller stool is structurally sound with evidence of a small repair to one leg(visible from the underside only) and shows some wear to the woolwrok seat
Lot 121
Claire Foy, Olivia Colman & Imelda Staunton (as the Queen): a pair of George III-style Gainsborough armchairsFirst seen in Season 1, in the Queen's Bedroom setUpholstered in pink damask, with downswept arms on square moulded legs joined by H-stretchers, of recent manufacture, together with a pair of tapestry cushions, 62cm wide x 63.5cm deep x 89cm high, (24in wide x 25in deep x 35in high) (4)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 92
Gans-Ruedin (E.). Iranian Carpets Art, Craft and History, 1st edition, London: Thames and Hudson, 1978, 254 colour illustrations, original cloth in dust jacket, 4to, together with,Iten-maritz (J.), Turkish Carpets, 1st edition, Tokyo: Kodansha International, 1977, numerous colour and monochrome illustrations, original cloth in dust jacket and slip case, 4to, plus,Petsopoulos (Yanni), Kilims the art of Tapestry Weaving in Anatolia, the Caucasus and Persia, 1st edition, London: Thames and Hudson, 1979, 422 illustrations 72 in colour, original cloth in dust jacket, 4to, and 29 other 20th century textile reference and related publications, mostly original cloth in dust jackets, 8vo/large 4to, G/VGQTY: (32)
Lot 63
* Society of Antiquaries (publisher). 17 plates depicting the Bayeux Tapestry, extracted from Vetusta Monumenta, Vol. VI, London: 1819-1823, hand-coloured engraved plates by James Basire, some damp-staining mostly to margins, occasional dust-soiling, marginal tears and fraying, sewing partly broken and some plates detached, leaf size 54.5 x 75 cm, contained in modern slipcaseQTY: (1)
Lot 860
A Folk Art handmade picture sculpture on board of a gentleman in a top hat, sculpture is made from small snail shells, with larger seashells for ears and eyes, 62cm x 49cm, a Vintage wooden board sign "Teitelbaum Baking Company", a naive Vintage framed tapestry of a dog, an oil on board, depicting a gentleman and an abandoned burnt out shack, etc
Lot 410
A pair of 19th Century walnut Carolean revival carved hall or throne chair, the detailed carved backrest with C scrolls, acanthus leaf and central floral medallion flanked by turned columns over tapestry horsehair stuffed seat raised on block and turned legs with carved decorative stretcher, together with an early 20th Century oak framed metal studded leather carver chair
Lot 156
MIXED WOODS PARCEL OF VINTAGE OCCASIONAL TABLES, comprising two tier oak table, shaped supports, 72 (h) x 51 (w) x 33cms (d), two tier rectangular oak table, 71 (h) x 46 (w) x 33cms (d), round mahogany example, glass protected tapestry inset, splayed supports, 47 (h) x 45cms (top diam.) , three tier example, 45 (h) x 33 (w) x 27cms (d) and a set of two light wood side tables, 45.5 (h) x 41 (w) x 35cms (d) the largestProvenance: private collection Conwy
Lot 161
THREE VICTORIAN SALON/PARLOUR CHAIRS, comprising button back upholstered spoon-back arm chair, mahogany framed, carved crest detail, knurled upper arms and feet, carved knee detail, white pot castors, 94 (h) x 63 (w) x 44cms (seat d) and two balloon back side chairs, carved central rails, tapestry style floral upholstery to one, satin floral upholstery to the other, cabriole supports, 86 (h) x 44 (w) x 34cms (seat d)Provenance: private collection Conwy
Lot 180
EMPIRE STYLE TWO PIECE GILT WOOD SALON SUITE comprising three seater settee and armchair, fancy crest details, moulded detail frames, curled arm ends, tapestry style upholstered backs and seats, reeded supports, 114.5 (h) x 166 (w) x 70cms (d) and 109 (h) x 65.5 (w) x 56cms (seat d) respectivelyProvenance: private collection Conwy
Lot 433
A large collection of vintage 20th century LP long play vinyl records. The collection spanning multiple genres including classical, rock, pop, soul, and stage tunes. Examples within lot include; Supertramp - Crisis? What Crisis?, The Who - Meaty, Beaty, Big and Bouncy, Jethro Tull - Aqualung, Flyback - The Move, Carole King - Tapestry, Roy Orbison - The Monumental, Dexys Midnight Runners - Too-Rye-Aye, Lou Reed - Transformer, Pretenders, Carly Simon - No Secrets, Paul Simon - There Goes Rhymin Simon, Roxy Music, UB40 - Labour of Love, The Stranglers - Feline, Cat Stevens - Teaser and the Freecat, Dr Feelgood - Malpractice, Julio Iglesias - Begin The Beguine, Joe Jackson - Day and Night, Billy Joel - The Stranger, Elton John - Rock of the Westies, amongst other examples.
Lot 87
Tom Phillips (1937-2022) A Folly of Wisdom - 1979-1980 Screen-print Edition 16/75 Signed and numbered by the artist. Measures 76cm x 54cm. Tom Phillips's work as an artist was fuelled by several persistent preoccupations, expressed through an even larger number of formats. These include painting (both figurative and abstract), opera (composer, librettist, set designer), concrete poetry and ornamental forms of writing, sculpture and site-specific designs (mosaic, tapestry, wire frame objects). He also took on several para-artistic roles – critic, curator, committee chairman for the Royal Academy, translator – all of which he folded back into his art. Born in 1937, Phillips attended drawing classes and lectures on Renaissance iconography alongside his studies at Oxford. Back in the South London neighbourhood where he lived and worked nearly all his life, Phillips was taught by Frank Auerbach at Camberwell School of Art.
Lot 97
Tom Phillips (1937-2022) Canto I - 1981 Screen-print Edition 26/75 Signed and numbered by the artist. Measures 76cm x 55cm. A seen in Tate collection. Tom Phillips's work as an artist was fuelled by several persistent preoccupations, expressed through an even larger number of formats. These include painting (both figurative and abstract), opera (composer, librettist, set designer), concrete poetry and ornamental forms of writing, sculpture and site-specific designs (mosaic, tapestry, wire frame objects). He also took on several para-artistic roles – critic, curator, committee chairman for the Royal Academy, translator – all of which he folded back into his art. Born in 1937, Phillips attended drawing classes and lectures on Renaissance iconography alongside his studies at Oxford. Back in the South London neighbourhood where he lived and worked nearly all his life, Phillips was taught by Frank Auerbach at Camberwell School of Art.
Lot 93
Tom Phillips (1937-2022) Schismatics - 1979-1980 Screen-print Edition 72/75 Signed and numbered by the artist. Measures 76cm x 55cm. Tom Phillips's work as an artist was fuelled by several persistent preoccupations, expressed through an even larger number of formats. These include painting (both figurative and abstract), opera (composer, librettist, set designer), concrete poetry and ornamental forms of writing, sculpture and site-specific designs (mosaic, tapestry, wire frame objects). He also took on several para-artistic roles – critic, curator, committee chairman for the Royal Academy, translator – all of which he folded back into his art. Born in 1937, Phillips attended drawing classes and lectures on Renaissance iconography alongside his studies at Oxford. Back in the South London neighbourhood where he lived and worked nearly all his life, Phillips was taught by Frank Auerbach at Camberwell School of Art.
Lot 89
Tom Phillips (1937-2022) Composers - Schumann - 1980 Screen-print Edition 55/75 Signed and numbered by the artist. Measures 72cm x 69cm. Tom Phillips's work as an artist was fuelled by several persistent preoccupations, expressed through an even larger number of formats. These include painting (both figurative and abstract), opera (composer, librettist, set designer), concrete poetry and ornamental forms of writing, sculpture and site-specific designs (mosaic, tapestry, wire frame objects). He also took on several para-artistic roles – critic, curator, committee chairman for the Royal Academy, translator – all of which he folded back into his art. Born in 1937, Phillips attended drawing classes and lectures on Renaissance iconography alongside his studies at Oxford. Back in the South London neighbourhood where he lived and worked nearly all his life, Phillips was taught by Frank Auerbach at Camberwell School of Art. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 95
Tom Phillips (1937-2022) Untitled 6 - 1983 Screen-print Edition 72/75 Signed and numbered by the artist. Measures 75cm x 55cm. Tom Phillips's work as an artist was fuelled by several persistent preoccupations, expressed through an even larger number of formats. These include painting (both figurative and abstract), opera (composer, librettist, set designer), concrete poetry and ornamental forms of writing, sculpture and site-specific designs (mosaic, tapestry, wire frame objects). He also took on several para-artistic roles – critic, curator, committee chairman for the Royal Academy, translator – all of which he folded back into his art. Born in 1937, Phillips attended drawing classes and lectures on Renaissance iconography alongside his studies at Oxford. Back in the South London neighbourhood where he lived and worked nearly all his life, Phillips was taught by Frank Auerbach at Camberwell School of Art.
Lot 85
Tom Phillips (1937-2022) Virgil in His Study - 1979-1980 Screen-print Edition 18/75 Signed and numbered by the artist. Measures 80cm x 54cm. Tom Phillips's work as an artist was fuelled by several persistent preoccupations, expressed through an even larger number of formats. These include painting (both figurative and abstract), opera (composer, librettist, set designer), concrete poetry and ornamental forms of writing, sculpture and site-specific designs (mosaic, tapestry, wire frame objects). He also took on several para-artistic roles – critic, curator, committee chairman for the Royal Academy, translator – all of which he folded back into his art. Born in 1937, Phillips attended drawing classes and lectures on Renaissance iconography alongside his studies at Oxford. Back in the South London neighbourhood where he lived and worked nearly all his life, Phillips was taught by Frank Auerbach at Camberwell School of Art.
Lot 94
Tom Phillips (1937-2022) Dante's Inferno 1979-1982 Screen-print Edition 26/75 Signed and numbered by the artist. Measures 76cm x 59cm No. 19 in the series belonging to V&A collection. Tom Phillips's work as an artist was fuelled by several persistent preoccupations, expressed through an even larger number of formats. These include painting (both figurative and abstract), opera (composer, librettist, set designer), concrete poetry and ornamental forms of writing, sculpture and site-specific designs (mosaic, tapestry, wire frame objects). He also took on several para-artistic roles – critic, curator, committee chairman for the Royal Academy, translator – all of which he folded back into his art. Born in 1937, Phillips attended drawing classes and lectures on Renaissance iconography alongside his studies at Oxford. Back in the South London neighbourhood where he lived and worked nearly all his life, Phillips was taught by Frank Auerbach at Camberwell School of Art.
Lot 91
Tom Phillips (1937-2022) Schismatics - 1979-1980 Screen-print Edition 72/75 Signed and numbered by the artist. Measures 76cm x 55cm. Tom Phillips's work as an artist was fuelled by several persistent preoccupations, expressed through an even larger number of formats. These include painting (both figurative and abstract), opera (composer, librettist, set designer), concrete poetry and ornamental forms of writing, sculpture and site-specific designs (mosaic, tapestry, wire frame objects). He also took on several para-artistic roles – critic, curator, committee chairman for the Royal Academy, translator – all of which he folded back into his art. Born in 1937, Phillips attended drawing classes and lectures on Renaissance iconography alongside his studies at Oxford. Back in the South London neighbourhood where he lived and worked nearly all his life, Phillips was taught by Frank Auerbach at Camberwell School of Art. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 99
Tom Phillips (1937-2022) A Grammar of Ornament - 1976-1977 Screen-print Edition 50/50 Signed and numbered by the artist. Measures 101cm x 71cm. Tom Phillips's work as an artist was fuelled by several persistent preoccupations, expressed through an even larger number of formats. These include painting (both figurative and abstract), opera (composer, librettist, set designer), concrete poetry and ornamental forms of writing, sculpture and site-specific designs (mosaic, tapestry, wire frame objects). He also took on several para-artistic roles – critic, curator, committee chairman for the Royal Academy, translator – all of which he folded back into his art. Born in 1937, Phillips attended drawing classes and lectures on Renaissance iconography alongside his studies at Oxford. Back in the South London neighbourhood where he lived and worked nearly all his life, Phillips was taught by Frank Auerbach at Camberwell School of Art.
Loading...-
39442 item(s)/page